Today I stepped outside quite early, before the sun was up in fact. I took my sketch journal, waterbrush, watercolor pencils and ink pen and left the camera behind (but not Ginger of course). I sat on the edge of a very damp and cold picnic table that wobbles from age, and used watercolor pencils to quickly record what I could see.
This was easier than watercolors because I could just sketch across the paper quickly trying to guess at how it’ll look once I wet it. I laid down as much of the color as I could before adding water, once you wet it you can’t just scribble color on. Once it’s wet you can add color in two ways, using the tip of your brush to pick up color from the pencil tip, painting with it like watercolors or you can draw directly on the damp paper but the color will be intense and hard to blend or lift off. This is what I planned on to put the darker trees at the bottom, I wanted some of their branches to stay as drawing and fuzz out around it to look like foliage and mist.
The thing about plein air painting a sunrise is it changes so fast. Try to work as quickly as you can then either don’t look any more or peek for ideas to check colors and see cloud shapes etc. I try to avoid one problem that I run into, that’s adding yellow to the clouds then having blue sky wash over it or mix with it….and as you learned in elementary school…yellow and blue makes green! So…a bit of green tint sometimes appears in my sky! Try to blot up mistakes or intense color right away with paper towel and re-wet and blot as you need to.
I wrote the words before I did the drawing, just words of what I could hear, not a poem but kind of a way to get into the moment. If you don’t think you can write poetry or something clever, just write what you can hear. In case it’s hard to read, here’s my words on my painting above typed out:
“Sept. 19, 2011 – There is dawn. There are bird songs.
There are cars and trucks from morning traffic.
There are birds.
I look out over the fields, wet with dew.
Feel the cold dampness on my hands + face.
Dawn gets pinker.
The cloak of mist starts to lift off the field.
Blue Jay, Crow, Song Sparrow song.
Robin call + Yellow Throat makes it click call.
My day starts in peace.”
Well my day started in peace and ended with some stress I guess, my laptop died again and this time I think it’s permanent. I’m having burial services soon, in the meantime I got a Netbook…tiny little thing! We’ll see how we do with it. I had to get something portable as I’ll be leaving very soon for ENGLAND!!! YAYYY!! Please tune in to my blog page (you can subscribe to posts in the right column) and see what I find on my adventures. I’ll be studying nature and taking pictures and we’ll see what else. Eventually I’ll be doing some classes and if you want to come to England to do some sketching, I’ll be doing a tour or two this coming summer there. More on that later, if your interested in that idea email me so I get a feel for what people might like.
That’s all folks! Hope you enjoyed my post today. I have lots of new caterpillar discoveries to share soon, I just have to organize all the photos I shot to go with the paintings I did.
This moth is a little watercolor painting I did on coffee stained paper (click it to see it larger and clearer). Using instant coffee to stain your paper is something I taught in my Creative Journaling class. It’s great to use lightly on your paper to make it look antique or like parchment. Here I just played with it like watercolor and brushed it around, then splattered water drops into it. Let it dry totally then you can draw or paint on top of it as I did. I have a few small sheets that I did at the same sitting, so I can grab one when I’m in the mood and use it. I lightly sketched with pencil first then just used burnt umber, burnt sienna, black and a touch of white for highlight. This was from a “Yellow Underwing” moth I photographed last year.
I have always loved the illustrations of Arthur Rackham and it’s the works he did using mostly brown colors that inspired me to work with brown tones alone. Click on any of the illustrations to see cards or gifts I created in my shop! There’s more items coming in the category Vintage Illustrations.
Flippant Fairies Floating Freely
Just look at how gorgeous this painting is!! Sigh…I love his work. (Sorry I don’t have a bigger copy to view) The background is just subtle tone, there’s a hint of tree tops below and then the sparrows come into view as they nonchalantly go about their business of preening. The branch is laid out as a perfect design element reaching across the paper and reaching up to lead your eye but not take you totally away from the subject of the fairies. Yes, those fairies, painted lighter than the rest to really make them stand out, aren’t they wonderful? Not having pointy ears, pointy eyes, pointy hair, sexy clothes and striped socks. Good God some of the awful modern day interpretations of what a fairy is is shocking! Just plain tacky and awful!
Oh but this is one of my favorites!
This is one of my favourites! SIGH….that’s how I feel when I look at work by another artist I revere. I love her dress, the attention to it’s detail but it doesn’t take over the attention of the piece, do you notice how the lower part blends into the tone of the ground and the skirt is the same as the background? It’s all married together, floating but on the same ground, do you know what I mean? Just like the tree roots coming from nowhere out of the paper and growing up into this tree that is alive. I love how he combined just enough elements that say man and tree at the same time, the fabric hanging adds a touch of color that picks up in her cheeks and it’s form adds a floating liveliness to the painting; movement. Not to mention the tenderness of the way they clasp hands….sigh.
Subtle tones means less distraction
In “The Man in the Wilderness” above, I love the way he draws his trees to be just like people, look at the ‘arms’ of the one in the background reaching up to the sky. For a child (or adult) reading the story this illustration would be something to pause over, study and discover. They’d see the obvious girl and elf and think about what they are doing but then they’d look at the trees and realize with delight they have faces and arms! Here again I like how he’s used such simple color to make this illustration, just a simple bit of red and gold on the elf to show the main subject. I can’t wait to use the card in my shop (click picture to see) as an invitation or birthday card, “Can we meet for tea?” “May your day be full of discovery”. Oh, how about a funny one for your friend…”I know you’re kind of different….but I like you all the same!” haha
The Queen floats in as if on air
This illustration shows use of line at it’s best, do you notice how in some places it’s thicker and heavy then it gets thin and light? This is very important in drawing, good drawing. This one is definitely more of a drawing than a painting, hardly any range of values used, quite flat. It’s all about the lines and what lines!, all swirling and curling, sweeping like there is a magical breeze blowing just her skirts and delicate lace veil. To give some depth and interest I like how he put the pale leaves and branches at the top then used a light similar design on her skirt in just the front.
I have wanted to do drawings and paintings starting with a freely painted base of brown or parchment colored paper for ages. The moth is my first one I guess, though I’ve done paintings before that are monochrome browns, (Autumn watercolor, Etain oil, Twilight oil) they were never started on a freely tinted paper. By that I mean a piece of paper where you just play with the color and use water drops and salt to add interest and you end up with something that in itself looks good. I’ve played with coffee staining before (as you can see on this post) but never got around to painting on them. So I’m hoping to do some more starting with small studies like this moth. Hope you enjoyed my discussion on using browns and the great Arthur Rackham! (more sighs) Oh, and I found an excellent, though old, article written about a show of his works in London in 2002 here on the “Telegraph”.
Below are a few items I designed with the Moth painting on it, please click the picture to see them in my shop. Enjoy and let me know if you’d like it on another item!
Try these stickers out, they’re glossy and I love ‘em!
Trees at Nancy's - Inktense 'Ink Black' watercolor pencil
(Please click on the pictures to see them clearer, use the back button to return)
I had a chance to visit with my friend Nancy the other day and we sat on her back deck to do some sketching. We had a nice view; just behind her place is a small pond with trees on the other side. I was showing her how to do something simple by just using one watercolor pencil, the Inktense “Ink Black” by Derwent Pencils. I keep one in my kit always because sometimes it’s nice to just do a sketch with a waterbrush using this one pencil. The nice thing is you can go back over your black and white study with color after, the Inktense pencils will not lift off like watercolor can. It IS a VERY intense pencil, go very lightly at first and see what it does when you wet it. I started with the simple border as kind of a warm up, just draw a line around your page then use your waterbrush to wet it. To get it to look like mine, keep your brush ‘inside’ the line with the tip always touching and rubbing the line, letting the color run into the wetness left behind from the brush.
Sketch your scene lightly, trying to do most of it before you wet it. Once you wet the paper you’ll have a hard time adding more lines because they will be very dark and intense! If you need to just touch your waterbrush to the tip of the pencil to pick up more ink, then use your brush to add it to the sketch. Test how dark it is on a piece of scrap paper before you touch your sketch, this will help you avoid mistakes. I really like the look of this, sort of like an old antique picture.
Sketch of Cullernose Point from the south
Here’s a sketch I did in England last year, along the coast of Northumberland, of Cullernose Point as viewed from the south. I had my sketch journal with me (OF COURSE!!) and because we wanted to keep walking, just sitting a bit and doing a sketch with no color worked well. I used my waterbrush and especially like how the clouds came out.
Alnmouth, Northumberland -water soluble graphite
Now I thought I’d add this one too just to show how nice it can be to do non color studies. This was done with water soluble graphite, not the colored type, just plain old graphite color! We were at Alnmouth, Northumberland England; a beautiful coastal spot! I did it in my tiny sketch journal which was so much fun to use! It was a wonderful experience to stand on the hill at the coast and capture the scene forever in my memory. Please read my post about it here to see the wonderful photos I took that day! I loved being there and can’t wait to go back for more! I love, love, love England!
I hope you enjoyed my little ‘non color’ sketches, as I said they’re a great way to capture a scene without the worry and time of adding color. And thanks to my friend Nancy for a nice visit! (ps. I photographed lots of dragonflies at her place and two of them were new for me!) I created a really nice print and greeting cards in my shop, see the links below! I love the dark grey background with it.
When you see this print in my shop (below) don’t be scared by the price! It shows you the huggest size but can be ordered as a 16×11 for only $11.20 too!
Crocus Geometer Moth full page from my sketchbook journal
In the morning when I let Ginger (my dog) out the back door for her morning wee, I always survey the screen porch to see if any visitors of the mothy type, have overstayed their visit. I used to leave the screen door open so I could be lazy and Ginger would just run right out, but stopped when too many flies were coming in! But I did get all kinds of moths in there! Well even with the door shut, some do sneak in and that’s how I found this little guy. Well sad to tell you it wasn’t alive, but laying on the floor in perfect condition. So I gently, gently picked it up and put it in my “Crisco” container for study.
Above is a full sketchpage from my journal, I did a life size study in the lower left corner and an enlarged size in the middle. I had fun with the border by just using my waterbrush with a matching color and added little ‘butterfly’ heads.
My set up when I sketched the moth
You can see in my picture that I lay the moth on the lid of the “Crisco” container and that way I was able to move it around as I worked. My watercolor pan is under it and the sketchbook is on my little table top easel box. (you can see my last page from the lady bug post!)
Drawing a study at the same size first
Now here I’m showing how nice it was to sketch the same size study by having the moth on the plastic lid. Using my pencil I did comparative measurements to compare the width to the height of the moth. Do you see those lines on the page? I put them just as a teaching tool, to show you that I found the measurement from inside wing to outside tip was the same measurement as the bottom of the wing to the top, his head I think it was. I always use comparative measurements when drawing!
Such a gorgeous colored subject!
Isn’t this a beautiful moth? His antennae were really elegant and graceful, very hard for me to paint with watercolor! The more I studied him under a magnifying glass the more I saw and appreciated it’s beauty.
This is how my larger sketch looked at first.
(Above) Now I’ll show you the steps I took to do the large painting of this Crocus Geometer Moth, mostly how I drew it. Do you see how boring and technical it looks? I know, but if you don’t start with a clear drawing done in PROPER PROPORTION it will never look right! Sorry, I”m not shouting, but it is REALLY important! If you do anything, learn how to draw well!
So I used my pencil to compare the width of the wings tip to tip to the measurement of the moth top to bottom. I put light lines on the paper then drew an arc as close to the shape of the ‘real’ moth subject as I could. Then I decided where the wings ended in the centre, keeping in mind that they overlap.
The second stage is lightly sketching the placement of shapes, wings, body, head.
Above you see a lot more drawn here; I drew an arc lightly for the bottom wings too, then decided where the two wings met and overlapped then drew them. I found the wing tips were half way between the head (top) and bottom wing edge, can you see how there’s a little ‘t’ at the tips?; that’s centre from top to bottom.
It’s really fun when you get into a drawing and start to find things that are the same measurement so you can check other parts of your drawing by comparing them! That’s why it’s called Comparative Measurements! (This is something I teach my students first!)
Then I clean up the lines and decide how the outline will look.
Look back and forth at the subject and drawing, look for areas that might be out of line and fix it now. After you feel your measurements are right, you clean up the light lines and decide on the lines you leave. Keep your final line clean and neat. Use your kneaded rubber eraser now to dab repeatedly at the line to lighten it as much as you can, just enough so you can still see it but you can do watercolor over it and not have it show.
Laying in some washes with watercolor and adding some details.
Here I put the first washes of color on and then started to add where the dark markings are and light wing ‘ruffles’.
Larger study of the moth finished.
And here it is finished! I just kept adding the tiny spots and built up the larger dark markings. Sometimes it dries and just doesn’t look as colorful because watercolor can look lighter and duller after it dries. So I go back and add some light washes when needed to perk it up, I added bright yellow and more browns on this one. (ps. I did have trouble with the antennae! I need to practice how to do such tiny detail with watercolor!)
I’ve created some really pretty note cards and other things in my shop using this page from my journal, please have a look! Please forward my shop (or this post) to your friends to help me spread the word.
(Click on any picture to see larger, picture links at the end of the post go to my shop, enjoy!)
The "Beautiful Wood-nymph" moth...my newest discovery!
As your family and friends get to know how much you love to study new bugs and things, they will start to point things out to you that they find. This is great because it’s more ‘eyes’ watching for things than just your two. Well my son Paul, home from college, said there was an interesting moth on the back screen. I didn’t pay much attention until he again said, “Mom, you really should look, it’s really different looking!”
My two page spread of studies from life of the moth.
Glad I listened and glad I looked! It was a small moth who must have made it’s way onto my porch looking for the lights. Above you can see how I used two pages of my sketch book journal to do studies. I’ll share with you the steps I usually take when I find a new bug to study.
View from above taken with my tiny Olympus camera.
Before anyone gets their portrait painted, I get as many photos as I can to file for references, maybe for a future painting or at least to properly identify it. I usually have some plastic containers around that I use, this one was perfect, it’s from a “Crisco Sticks” shortening package; the kind you buy with three sticks in a pack and they’re easy for measuring. One of the plastic containers has a lid and the whole thing is nice clear plastic!
View underneath the moth, many times reveals a surprise color!
I also have some fine mesh that I can put over the top with a rubber band, I never want to kill the creature (unless it’s a house pest, I may not be so nice then!) I love using my tiny Olympus camera to take the close up photos, it works great on the macro setting. This shot is through the bottom of the container. Another tip, I go outside into the natural light if I can to take pictures, the color is always so much better; this was taken in bright sunlight.
This is my set up showing how I positioned the moth under a magnifying glass.
This photo shows you my set up for drawing. Now that I have lots of pictures to save, I put him under an old magnifying glass that stands up and start sketching. Do you see there is no lid? The moth was staying put, maybe because of the light, so I kept the lid off to work. I start with a light pencil sketch and then use permanent ink (you can see my pen in the background, this was an Itoya Finepoint System .2)
I did a 3/4 view to show another angle.
This is a close up of one of the sketches, I try to do different angles to show various aspects of the bug. I thought the furry legs were fascinating! (and made it look ‘cute’ actually!) I colored him in after drawing with the ink, but sometimes I do it in the opposite order. I laid the washy blue background in after I colored all the moths, I wanted it to be lose and just ‘pretty’.
View from above of the Beautiful Wood-nymph.
What an appropriately named moth…”Beautiful” really is in it’s name!
Beautiful Wood-nymph in the 'wild' on a leaf.
Now here’s the cool part of my story! I went for a ramble the very next day, hoping to find some interesting butterflies to photograph. I was into the first pasture and saw a tiny fluttering in a low plant, I watched for where it seemed to end up then just studied the leaves and grasses, looking for a butterfly. See below:
Hiding down low in the grasses, can you believe I found him?!
Ok, I’ll brag a little here, I think I have good eyes for spotting things, because I found him! Hiding amongst all those grasses and leaves. Can you see how well he can blend in, but then, not totally.
Another shot showing how well they hide on the leaves!
Then he flew around again and re-landed; this shot shows him pointed downward, always keeping his legs stretched out in front.
The Beautiful Wood-nymph imitating bird dropping, that's his job!
When they do that, it makes them look like bird droppings and that’s their defense!! I’ve seen pics in books about such things, but never saw one myself. Though he imitates such a yuchy thing, the moth itself is really pretty! I enjoyed studying how the wing pokes up through with a curling flourish and the fuzzy legs that remind me of a Poodle dog. The wings had a sheen in the sunlight that looked like white satin.
The big thing all of this made me realize, was that I’ve been living here for about 17 years and I never noticed one of these before! Well, much of that time I was busy raising my boys, taking care of animals and whatever else. I didn’t go out walking in my fields all the time as I do now. What I’m trying to say is there is SO MUCH around us that isn’t seen, unless we start looking closer to see it. And then, like this moth, once you see it and study it, it’s more likely you’ll see it again. Try not to miss anything, try to capture it all and the best way is in a sketch journal!
(No moth was harmed in the making of this blog entry, the names were not changed because he’s not innocent, he’s guilty of being “Beautiful” heehee)
The following pictures go to glossy Note Cards I created using my painting and photographs of the moth. Please have a look and share the links with nature loving friends you think may enjoy them!
You know there are interesting things all around us to discover, some are right under our noses…or under our eaves! I have known about Carpenter Bees but never paid them much attention, until this year. I caught one and started to draw it from life, safely keeping it in a plastic container under a screen. I did the studies above from life, then just for fun added the little quick sketch bees as a border around it. I put the green after to add color and liven it up, and the red and blue ribbon with an arrow was just me messing around!
Female Carpenter Bee I captured for study.
It seems the bees LOVE the eaves under my back porch, and are making their home there.It may not have bothered me much before, then I watched a video about the damage they can do to your timber. Uh oh. This is a photo of the female bee, you can clearly see the abdomen (end part) is shiny black, unlike the bumble bee which is nice and fuzzy black. It also has a spot on it’s back where there are no bristles, like a bald patch.
Front view shows no light patch that the males have.
Oh my, look at those choppers! The female will chew and cut wood with her mouth parts, so I wouldn’t want her landing on my arm! Yikes! Actually, the female can sting and the male cannot. I liked this view though, with her wings sort of up, head down.
Male Carpenter Bee in flight, showing the light patch.
After I drew the bees and photographed the female, I got curious about the bees and that’s when I looked them up online and did a little research. From my upstairs bathroom window you can see the males around the porch eaves below, like they are guarding territory. The male is easy to tell by the light patch on it’s face, it will look whitish to you, but a book said it was yellow. Isn’t this a cool picture? It took me many, many tries just to get the few blurry pictures I have here! I like how he has his antennae up while flying, his little legs tucked under.
Side view of male bee in flight.
Look at this shot!, he’s so stout looking.
Rear view of Carpenter Bee in flight.
This is one from behind, now that definitely looks stout! How does he hold himself up with those little wings?
Here's a close up of my sketch so you can see it better.
This close up shows how the wings are folded over the back.
Here’s a close up that shows the wings folded over the back, you’d never know there were actually 4 wing parts when you look at it. There is two on each side, just like butterflies; each has a forewing and hindwing.
Check out this article about Carpenter Bee Control, complete with videos! Then you’ll see why I need to get rid of the bees.
I thought it’d be fun to share with you my newest journal I just created, well at least the cover, while I work on the next post waiting in the wings. I don’t usually bother much with decorating the covers because I care more about what’s on the inside and use them in the field. But I have noticed as I make more journals, they are getting more attractive, colorful and fun to look at. I can’t speak for other artists who journal (sketch journal), but it becomes a very important part of you, so why shouldn’t you make it something you like to look at?
Swirls and bubbles of green and gold
I made it from colored mat or mount board (for matting/mounting drawings and paintings). It’s a lovely shade of green and I made the spine a different green. I wasn’t sure what I was going to do with it, but then thought it’d be fun to play with color pencils.
So as I watched a movie on Youtube, I drew some swirls,
that turned into curls…
and some dots that looked like spots…
then some scrolls filled with green and gold….
And I used a new landscape format for this book, for me to fill and you to look.
My journal open, landscape format
I think this is the first time I created a journal that’s a ‘landscape’ format, it’s spine is on the short side. It’ll be interesting to see how it fills out!
Sketch journal front cover
When I was done I covered the whole surface with wide, clear packing tape you can buy at any office supply store or department. I found the Scotch brand actually was nicer to work with, heavier and stickier than the store name brand.
Sketch journal back cover
I lay the tape on overlapping edges, and then burnish it by rubbing with my fingernail or the bone folder tool I have, you could use a spoon too I guess. (ps. the color looks different here because I shot it in different light with a different camera.) I can’t wait to finish my present sketch journal so I can start this one!
This design was so cool on front and back, that uploaded it to my Zazzle shop and created some neat things with it, even a skateboard!! I’d be so pleased if you had a look, tell me what you think.
Click on any of the following pictures, there’s more there than what I posted here:
I’m going to get one of these for grocery shopping!
I love this little heart sticker, you can choose different shapes with this design, I thought the heart looked nice. It’d be great as an envelope seal.
Sometimes it’s good to take a break from always studying how to draw a subject and draw something free hand like this. It’s a different kind of activity for the artistic brain and I think very healthy! It can be very freeing to work on. If I was an “Art Doctor” I’d recommend adding this to your diet, some abstract designs for good digestion!!
What did you think I’d be doing on Mother’s Day? It was gorgeous outside and I had the day to myself until later when my son comes over, so off I went for a walk with my sketch journal!
female bluebird I met along the way
Along the way I captured this shot of a female Bluebird, I’m so happy it came out. I didn’t use my long lens today, so the camera was actually easier to hand hold. (click to see as Note Card where you can see up close)
My watercolor crayons in a vinyl case so I can scatter them as I worked.
I was thrilled to find that the land on one side of the field was actually sort of dry. I mean I’ve been wading through water for weeks now, so any dry grass was pretty great. Before walking at all I decided to sit right down and have a go with my kit. I knew something would strike me. Above you can see something new I tried that worked great; I brought this empty vinyl case along and when I was ready just opened it and put it on the ground. I took my watercolor crayons and set the box right inside it, as I used colors I could just plop them in front and find them easier as I worked. This would be good to use for the watercolor pencils too, as they get lost easily in the grass.
Putting color down around a round plastic shape.
I wrote some notes at the top of my paper as I sat, not even caring about painting, just enjoying the great weather. Then I decided I’d try to put a landscape but leave a circle in the foreground to fill with something. I have a piece of plastic I cut from a plastic milk carton and just filled in green watercolor crayon around it.
Blocking on more green for grass, sky has been painted a bit.
As I decided where my horizon line would be I colored blue in the sky, leaving the clouds just blank paper. (lately I’ve been doing them with white wax to ‘block’ them out using a resist method, this time it’s just bare paper) I then brought the green up as far as I thought it should go, then wet my paper with the big brush to blend all and used a brown crayon to put trees in on the wet paper. I like how sharp the trees can look if you put them on wet paper; if you draw them dry first and then wet them, they can get fuzzy looking.
My set up on the grass, balancing my sketch journal on my knee.
Here’s my set up, as I sat on my piece of vinyl and kept everything in easy reach. I actually leaned on one elbow to do most of this sketch, and quite smartly tucked an empty sandwich bag under my elbow. By the time I was done, my elbow would have been soaked!
The real scene behind my sketchbook, the clouds have already floated by.
So here’s the sketch with the ‘real’ scene behind it, I don’t really like the greens of the watercolor crayons, but more practice will help. Sometimes I admit I could do a better job but when working in the field either the weather is too cold or my back hurts then I just want to hurry up. So I try to work fast, I can always touch up later if I want, or leave it as a study.
This is the page as I finished it in the field, dandelions and all.
This is my study finished in the field, I decided to put dandelions in the small circle as they were everywhere. First I lightly sketched in pencil then went over it with a brown Windsor Newton Permanent ink with a dip nib pen. Then I colored them in by touching the brush tip (a finer one) to the crayons then painting. I colored the letters the same way using a blue crayon. I really want to go back and tone down that green on that grass! Yikes!
Field sketch after touching it up back at home.
Well here’s the sketch after I got home and touched up the greens and added the yellow dandelions.
Leopard Frog
On our way after that sketch, I kept seeing Leopard Frogs. If I stood still I would start to pick them out of their hiding places.
Leopard Frog
I was really getting good at it! As you walk by they get scared into the water…then if you stop a few steps away, they would seem to appear everywhere. I imagined a funny cartoon of a photographer stopping to look for frogs, the way in front of her clear, but behind her all these little heads popped up in the water! haha, well it’s me of course!
mystery water bug
This was really cool, I noticed as I stood watching for frogs without moving, a little something moving in the water below me. I swore they were just catkins from the tree floating along the bottom, but it’s a standing pool of water and instinct told me otherwise. I bent over and kept watching them and remembered reading about larvae that formed cases by ‘gluing’ stuff around them. I got this great shot of it actually poking out of the case a bit! I am not sure yet what it is, have to look it up.
Long Lane green and lush.
Here’s Long Lane on the way back home. It’s green and lush in this very wet spring we’re having. It’s a bounty for the frogs but that means soon will come the mosquitoes too!
I hope you enjoyed this springtime walk with me and my sketching. I hope you go out and capture some nature the way I did, just stop and stand or sit still and you’ll be amazed at what you notice.
I thought I’d add a series of posts that introduce my new watercolor crayons, a few old ones, and how to start using them in hopes that some of what I do may help someone else.
When I first bought watercolor (or water soluble) crayons I tried them and didn’t like them at all! I thought the colors garish and harsh. I thought “what a lot of money for these little things and I’m not going to use them!”. Well I’ve only recently pulled them back out and have been playing with them. I’ve learned from using watercolor pencils, go lightly at first until you know just what your colors will do when you wet them.
Please click on pictures to see them bigger.
Water soluble crayons in a tin
Here’s the set of colors I started with, Caran D’Ache Neo colors and one or two Derwent Watercolor crayons. I also show a “crayola wax crayon” and explained in another post (below) how I used it. I cut them in half (oh heavens yes I did!) to make them lighter to carry in my sketch bag and I could fit more; here I show them in an “Altoids” mint tin. The other halves go into a baggy for later or to carry in another kit.
I took them out into the field and did some small landscape studies using these few crayons. There are links at the end of my post you can click on to read about them. After doing them I was feeling more enthused about my crayons, I think it’s time to look for more colors!
New Tin of Watercolor Crayons, Staedtler "Karat Aquarell" Neocolor II
More colors in other brands…landscape colors hopefully. I thought I’d try these Staedtler “Karat Aquarell” neo color II, they were reasonably priced online. Because I’ve been desperate for sunshine this spring, it was gorgeous that evening so I sat on my front steps to do my color charts.
New Watercolor Crayons, wow look at all those colors!
Here’s the crayons! Woohoo….they look nice! I’m hopeful that some of those greens might be what I was looking for.
Getting ready to wet the colors and have some fun!
First I want to stress that before you do any paintings with ANY media, watercolors, color pencils, oils etc, you should ALWAYS do some color charts of all your colors. This will help you to get to know the colors as they really look on paper (or canvas) and get familiar with how to handle them.
In my sketch journal, I rubbed a small spot of color and wrote in permanent ink pen the colors name next to it. It helps to also put an initial for the name brand too or label it at the top as I did. Prepare one row and do the wash before you color the next set of spots, just so you don’t run out of room. Keep it neat because you can refer back to these charts again and again as you get to know your colors.
Color Charts of two brands of Watercolor Crayons
After you make your dry spots of color take a waterbrush or regular watercolor brush and water, wet the bristles and touch it to the color spot. Notice how as you ‘rub’ the color it releases and becomes like watercolor. If you rub a lot you can blend the spot right out for an even tone, but leave some intense color there, drag your brush as you rub back and forth, to one side to pull color away. Then lift your brush to stop, don’t rub too far out, keep ‘em neat. Now your ready to put on any more spots you may need to and wet them; leave room for labeling them. After wetting a color rinse your brush and wipe or rub on a paper towel to make sure all color is cleaned off it.
As you can see, I did my new crayons on the left, my original crayons on the right so I can compare them.
Color Charts with my comparing colors close together in the centre.
Now to have some more fun, it’s time to compare colors from different sets so I can decide which ones are too similar to carry around with me. This is a ‘getting to know you’ exercise now and VERY important! The more you play with your colors the better your choices will be when you’re painting. Sometimes when I haven’t painted in a certain media in awhile, I’ll go through and do color charts just like this. So you can see the middle is a riot of colors!! I grouped the blues, then greens then browns and goldie colors, all good for landscapes. Label, label, label!!
( I really like how this page looks with all the color swatches, I decided to make note cards and t-shirts of it!! See the links at the end of this post )
More color play to further test some out.
Ok, then the page adjoining that one had to be used for more testing, wow, am I going to use all these pinks?
My Watercolor Crayons + Waterbrush
After all this playing I ended up with a pile of cut crayons (yes I cut my new crayons in half too! Yikes how awful!) So I searched through my favorite shelf of odds n ends, containers etc for my field kits, and found a plastic case from I think, a small first aid kit. I love that it’s plastic = lightweight! This is a picture from my previous blog post where I used the big flat water brush.
Here are the blog posts I’ve done so far using the crayons, in order of date posted:
April is coming to a close soon, hopefully lets say goodbye to a wet, cold month!
April Poem
The last post I did a drawing on a very cold, damp day then I wrote this word “April” in my sketch journal and later colored it in while watching a movie. I had fun making it 3 dimensional and coloring it. Then two days later I wrote the poem while sitting in “Aspen Hall” while out for a walk on my land. I wrote it in the back of my journal first on lined paper then re-wrote it with watercolor pencil on the page here, and added the swirlies. I took a waterbrush and washed over it all to ‘release’ the color.
Here’s the short, simple poem, one of my un-serious poems!
“April”
April is the time of year
When cold winds blow,
And sun does cheer.
Buds are out and grass is greening,
Love sick birdies
All are preening.
Mary McAndrew 4-15-11
Enjoy the following photos from my walk.
Bush Blossoms
These bushes would have been easy to walk right by, their blooms aren’t showy like our garden shrubs. But if you stop to take notice and look a little closer they are really beautiful. Soft and delicate, with yellow tips, and then the sun shone through them they almost glowed like magic.
One of my really old oak trees
I have a line of really old oak trees, my farm is around 200 years old so I figure that’s how old these are. Their girth is such it would take several people to reach around their base. I love hugging this tree!
My seat in Aspen Hall
Just a simple pile of dead branches and small trees I have been adding to during the early spring. Aspen Hall is an area on my land that we used to sit in for picnics (my boys and I) and it’s been neglected over the past years. I’ve been going out to it whenever I go for a walk with Ginger.
Sap like a red jewel in the scar of a tree
I had to look closely at this red jelly like jewel in the tree scar. I took this picture using the closeup setting and making the camera look through my magnifier.
Old farm equipment in the woods
Another interesting find, some really old farm equipment! I think it’s so cool looking how it blends into the forest colors.
Old farm equipment in my woods
One last shot of the farm equipment; anyone know what it might be? It had plow ‘thingys’ on the back.
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