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Painting on Gummer's How, Lake Windermere

This past summer my husband and I tried to pop out to the Lake District when we could. Unfortunately time slipped by and we only got out there a few times for the day, except of course when my son visited and I got to stay in Keswick two days with him! (but that’s another story). On this occasion we explored Kendal, then some small tarns but the best part was walking up Gummer’s How and having a picnic. (please click on photos to see larger views)

The Chocolate House, Kendal.

The Chocolate House, Kendal.

First we stopped in Kendal and had a quick run around, but lingered a little longer in the Chocolate House. It’s a very small shop filled with all kinds of chocolates and candies. To be honest I didn’t buy any this time, I just didn’t feel in the mood….I must have been NOT feeling myself! Well it’s a reason to go back again.

An amazing old door on a small church we visited.

An amazing old door on a small church we visited.

This is an amazing old heavy wooden door on a small church we visited.

A very scary ford to cross.

A very scary ford to cross.

This is a ford we came to, I’ve never seen one this wide! There was no sign saying not to cross it but I told Gary I’d get out of the car if he tried! It looked far too deep.

I'm so glad we decided not to cross this ford!

I’m so glad we decided not to cross this ford!

We drove around the long way and this is the ford from the other side. It was awful, the ground was all broken up from previous flooding, and it must have been 2 1/2 feet deep! There should have been a sign to warn people!

Gummer's How, waiting for us to come up!

Gummer’s How, waiting for us to come up!

This is Gummer’s How and you can just see Lake Windermere at its base. Time to get our boots on and get walking.

There were some really pretty areas on our walk up.

There were some really pretty areas on our walk up.

We passed small grassy glades and this one had a small stream that sounded so refreshing.

This is the path that curves around towards the top

This is the path that curves around towards the top

As we get near the top the path goes close to the edge and you get a great view of Windermere. I had to stop and take it in, though Gary said to keep on, he knew the view got better!

Now don’t get jealous of this next photo! It looks like a scene from the “Miss Potter” movie and I love that!

Settling down to do a watercolor of the view at Lake Derwentwater.

Settling down to do a watercolor of the view at Lake Windermere.

Of course my big plan was to do a watercolor study up top and I’m happy to say I did. Many times we walk and when we’re at the top of our hill I don’t feel like painting or there’s just no time.

The day couldn't get more perfect!

The day couldn’t get more perfect!

After our picnic of Ploughman’s sandwiches (cheese and pickle), various biscuits (cookies) and a can of apple cider we shared, I settled down on some soft mossy heather to draw.

This apple cider was nice at our picnic.

This apple cider was nice with our picnic.

It helps to carry a plastic bag to sit on, the ground is usually very damp so I always have one tucked in my field kit.

My small sketchbook and travel palette balanced on my knees.

My small sketchbook and travel palette balanced on my knees.

The difficult part is translating that huge expanse of landscape to your small pad, I focused in on several of the distant mountains and first sketched with pencil.

This shows how far I got while working in the field.

This shows how far I got while working in the field.

The above picture shows how far I got in the field. One of the best things about painting or drawing outside, is all the things you see as you sit there! We heard loud airplane engines and then two really big military airplanes flew right up the lake; it was below us and that perspective made it even more exciting! They must have been returning from an airshow?

Finished watercolor of "Lake Windermere from Gummer's How"

Finished watercolor of “Lake Windermere from Gummer’s How”

Here’s the finished watercolor (above). The most challenging thing (as always) was the changing shadow patterns on the hills. You can sit and gaze all day at the moving shadows from the clouds, picking out brilliant greens in one area then fading to appear in another spot. It helped me greatly to look at photos I shot when I finished up details at home. I had to pick a bit from many to fit what my painting was showing.

Click on this Wikipedia link to read more about Gummer’s How. I love the quote by Wainwright at the end, I guess I don’t have to hang up my boots just yet!

https://en.wikipedia.org/wiki/Gummer%27s_How

The sunset as we drove home.

The sunset as we drove home.

The end of a very nice day, this was the sunset as we drove through the Pennines back to Northumberland.  I hope you enjoyed the extra photos today, though I know August is long since gone, I’ll always remember our hike and painting on Gummer’s How.

Watercolor of Edlingham Castle - July 2015

Here’s a post I wrote from July, never too late to enjoy a bit of sun I guess!?

July 16, 2015

Did I tell you how much I LOVE living here in Northumberland? I did? Well I won’t get tired of saying it or doing my sketches out in the field.

7-16-15 havin a rest (3) (460x345)

Taking a rest, enjoying the day, in my barn boots of course!

I went up in the field near Edlingham Castle, I had it all to myself, no sheep or cows about. It was just that kind of day that I sat on the ground to think, listen to the birds and enjoy just living. Then I just lay back and put my straw hat over my eyes and let time slip by, and it was ok.

7-16-15 havin a rest (4) (345x460)

Trying to take a selfie with a 35mm isn’t easy!

Laying down amongst the clovers, it made me feel like a kid again. Isn’t that funny? I should go lay in the grass more often! Maybe we could start a national “Lay in the Grass Day”! haha.

Below is a picture of what it looked like, my view from the grasses, the clouds were so beautiful.

7-16-15 mouse eye view (3) (345x460)

My view from the grass, my mouse eye view.

And below, this is what I saw near me, a Ringlet butterfly, a very common sight in the fields here in summer. I’m really enjoying learning the new butterflies and bugs here in the UK.

7-16-15 butterfly (3) (460x345)

A Ringlet butterfly on a clover head.

Well I didn’t just lay around all day, after a little while I went down the field, found a spot to stand and did a small painting. Below is a picture of Edlingham Castle, this was what I drew. You can see by the photo, the lighting never stays the same when you’re painting outside. My painting ended with nice blue skies and sunshine!

7-16-15 drawing the castle (7) (345x460)

Edlingham Castle view from field.

Below is the ink drawing I did first. Sometimes I do an ink drawing then paint with my watercolors, especially if I don’t think I’ll have time to paint it. The other way is to do a light pencil sketch and then paint, drawing with ink a little for details on the pencil before or after painting.

(c)7-16-15 drawing the castle (9)

Ink drawing of Edlingham castle, over the gate.

Below is my finished watercolor painting, only 4.5″ x 6″. You can see how bright the colors are, the day really was so bright, unlike the photo! The ink drawing makes it look more like an illustration than a painting to me. Kind of like all details are picked out at once, but that’s ok.

(c)Edlingham Castle wc

Edlingham Castle, Northumberland. Watercolor and Ink 4.5″ x 6″

I hope you enjoyed a little look back into summer! If you don’t want to miss any of my posts, just put your email in the box at the top right column. It’ll send you an email notice and you just respond then you’ll get my posts right in your inbox. Remember though, it’s best to click to come here and read the post, it lays out better on the page (and you can leave comments here).

Views of Edlingham Castle, Northumberland

I wrote this post way back in July, when it was sunny and warm, now here we are at the end of October! I still have new drawings and paintings to share, it’s just been more hectic than I expected! I’m still settling into this new life, trying to learn how to drive standard (badly!), finding a new accountant, and not being able to find some of my supplies because many things are still packed and stacked in plastic bins! But what has been most excellent is our walks near our home and a few trips to the Lake District. The greatest joy Gary and I share is our love of walking in the countryside. I’m overwhelmed with subject matter, it’s just finding time to sit and work.

So, on to my July post! Please click on the pictures to see them enlarged and clearer, enjoy!

(July 2015) I’m very lucky to have an ancient castle near where I live.  I can go visit the site and walk around it, or view it from the fields.

(c)April 2015 Edlingham Castle from the field

Brown ink drawing of Edlingham Castle done in the field in April 2015.

I did this drawing in brown ink (Faber Castell Pitt pen) while standing in the field where only local villagers usually go, way back in April. It’s great to switch your mediums once in awhile when out painting. I think it’s great ‘brain training’ as you have to approach it in different ways, seeing shapes, values, lines, textures and measurements; and thinking what you will use to capture that.

As I am settling into my new studio space here in England, I am still re-organizing my ‘stuff’ and wanting to play with materials I’ve had packed for ages. One of those is charcoal, I haven’t really used it in a long time so lately I’ve been rediscovering it. Below I’ll show you how I did another small drawing of the castle en Plein Air or sitting in a field with my art kit.

Sometimes I set my stuff out on the ground, this is charcoal drawing supplies.

Sometimes I set my stuff out on the ground, this is charcoal drawing supplies.

This shows my small backpack, a big lawn + leaf type garbage bag, Altoids tin with loose charcoal sticks and one plastic box with charcoal pencils, tortillions, brushes, sandpaper and eraser. I almost always stand when I work but today I had a small folding camp stool to sit on. The garbage bag is great for when you want to throw your backpack or kit on the ground and it’s all damp OR use it for sitting on.

Here's part of my field kit for charcoals, good 'ol Altoids tin.

Here’s part of my field kit for charcoals, good ‘ol Altoids tin.

And the ever popular ‘Altoids tin’, once used by me for watercolors but now I put my charcoal sticks in here. The rubber bands on the lid are holding a piece of paper towel and some cotton balls in place.

Here it is open and ready to use.

Here it is open and ready to use; I put the messy hard and soft sticks in here.

The base holds an assortment of soft vine and compressed charcoal sticks also a piece of chamois for blending and shading.

You can use the 'messy' charcoal powder in the tin to draw with a stiff brush.

You can use the ‘messy’ charcoal powder in the tin to draw with a brush.

When I sharpen points on sandpaper I let the powder fall into this tin and then it’s great to pick up with brushes for shading. A great way to start your sketch with soft blocked in areas of value, using soft or stiff brushes.

Work in progress, my support is just the cardboard back of a sketchpad.

Work in progress, my support is just the cardboard back of a sketchpad.

Above here it is almost finished, just a few touch ups and strengthening of darks and details to do.

Charcoal drawing of Edlingham Castle,  July 2, 2015.

Charcoal drawing of Edlingham Castle, July 2, 2015.

And it’s finished! I hope you enjoyed seeing some of my kit and how I worked. I’ll try to post more of those sketches I’ve done! Leave me comments below, I love to hear from you all.

And my other facebook page: Mary McAndrew Painting and Illustration

Northumberland, Land of Distant Hills

As I was looking through my small sketches and watercolors from this spring and early summer, I found I have many that are of distant views of the hills. Scenes that are all around me here in Northumberland England, just drive anywhere and you will always see some far off huge hills in the distance that all the locals can tell you the name of. Yes, all have names, very old names! It’s fun to learn the silhouettes and names of them.

Our favorite thing to do is walk up any of the high hills and see into the distance; can you believe we can see all the way to Scotland!? You don’t have to climb a high hill to appreciate the views though, even walking on the upper lane out of our village gives you views across Whittingham Vale or up to Corby Crags.

(c)view of Cheviots + Glanton

View of the Cheviots and Glanton area in the Whittingham Vale.

The tiny watercolor sketch above is from one of my morning walks along the upper lane of our village. The blue hill in the distance on the left is actually two hills in the Cheviots, one being “The Cheviot” itself. The hill in the center I’m pretty sure is Low Pyke in Glanton, the next village that you can see across the valley. It makes you realize that all the way back to bronze age man, people must have named the hills and used them for direction.

Study of Corby Crags in watercolor pencil.

Study of Corby Crags in watercolor, March 10, 2015.

This little study above is of Corby Crags, as seen from my side yard in spring. It’s just a quick watercolor sketch to practice clouds and colors, but I remember standing there doing it on a sunny day in March, when winter was breaking.

(c)April 2015 Burning Heather on Brizlee 2

“Burning Heather on Brizlee”, watercolor field study, April 6, 2015

This one was done while walking along our upper back lane, I saw smoke from a fire in the distance and stopped to record it. I leaned on a big field gate as I looked past the buildings in the foreground to the long hill in the distance. My husband told me they were burning heather on the moors up on Brizlee, this is to promote new growth of heather shoots for the grouse and partridges (all for the hunting season). This hill I realized later when I looked on a map is all the way in Alnwick, the next village about 6 miles away!

(c)5-26-15 view of Demesne Farm + Thrunton Woods

“View of Demesne Farm and Thrunton Woods”, watercolor, May 26, 2015.

One of my favorite things here is to watch the clouds cast shadows and patches of sun creep across the face of the land. Where the sun goes the greens and golds of the land come alive, it’s so dramatic! The little 5 1/2″ x 7″ watercolor above I did while sitting on the side bank of the road out of our village looking towards Thrunton Woods and Demesne Farm. It’s one of my morning walks that is relatively short but always windy when you get to the top. I don’t think I’ll ever get tired of this view!

"View From Edlingham Lane" watercolor, July 21, 2015.

“View From Edlingham Lane” watercolor, July 21, 2015.

This 4 1/2″x 6″ study was done on the same lane but just a week ago. I was near the top of the lane where you really get hit with all the wind sweeping across this valley. It was a misty day and my hands got cold and stiff, yeah even in July! As I painted this it started to rain (see the approaching clouds?) so I quickly put my kit away…then it stopped….so unpack the kit again! The weather here is just like that, dress in layers because when the sun comes out you’ll get so hot and start peeling off jackets, but as soon as the clouds come it’s cold and there could be a surprise sprinkle in that cloud. I usually bring more than the average walker because I end up sitting or standing still a lot and it gets cold when you don’t move around.

 Next post I’ll share more photos of my surroundings, but still so many sketches to share too! Besides sketching I’ve been busy testing watercolor paper so I can dig in and concentrate on my illustrations, I also got a new watercolor field box that I’ve been using and love. I’ve been recording (with photos and sketches) the local flora and fauna (would you expect anything less from me?) So far I have positively identified 51 birds, 46 different wildflowers, 10 butterflies, 3 moths and any number of unidentified insects, moths, plants etc. It’s exciting to be in a new country with all these new things! I’ll share more of this coming up, stay tuned!

(Belated) Signs of Spring

Ok, so I know it’s summertime so why am I talking about spring? Well I still have sketches and paintings to share that are from late winter and spring before I share my recent work. You’ll notice my winter and spring sketches were all quite small and not as much watercolor going on. As the weather warms up, and thus my fingers, I start to do more. Lately I’ve been doing some charcoal drawings too, but lets not get ahead of ourselves…spring first!

Watercolor of Edlingham Burn, in Edlingham village, Northumberland.

Watercolor of Edlingham Burn, February 10th in Edlingham village, Northumberland.

Above, here’s a small watercolor I did while sitting by the burn or stream that runs through Edlingham. The painting is just small, about 5×6″ or so, but good practice to paint the green trees and blue and brown water. Well actually the water is quite clean and clear, it just reflects all that’s above it! I really enjoyed the sun that day though it was still cold, so I finished the painting at home.

Fuzzy Buds drawing in ink

Fuzzy Buds drawing in ink February 17, 2015

I just love when native bushes bloom with soft fuzzy buds in springtime. They have little shiny, leathery looking caps that their fuzzy little heads push up as they swell to bloom. I brought some twigs in to draw; if you put them in water they look great and last awhile as you draw them.

I set up the jar of buds by the patio windows, getting some natural light to work by.

My set up for drawing.

I set up the jar of buds by the patio windows, getting some natural light to work by. I like sitting here with my porridge in the morning to read and watch the birds outside.

Painted with watercolor from live branches I brought inside.

Painted with watercolor from live branches I brought inside. February 17, 2015

I really enjoy trying to paint the soft look of the buds and also showing that they are white. You can’t (well I can’t) help but stroke them and think of how it feels like the ear of my bunny I had years ago!

One of many snowdrops, done in ink and watercolor.

One of many snowdrops, done in ink and watercolor. February 11, 2015

Spring here in England, wouldn’t be spring without the Snowdrops! They were everywhere and lasted so long, a real promise of more spring flowers to come. I had planned to paint a Snowdrop open, but ran out of time. I took a lot of pictures though so maybe in the future?

Sketch of a bit of Edlingham Valley.

Unfinished sketch of a bit of Edlingham Valley.

Here’s another from February; do you notice how small this is? It’s from one of my tiny 4.25″ x 5″ sketchbooks I like to use in the winter. (see pic below). It’s great for tucking in your pocket when you just might want to draw something interesting, and I draw while standing up so it’s easy to hold too.

Finished watercolor 4.25" x 5", view in Edlingham, Northumberland.

Finished watercolor 4.25″ x 5″, view in Edlingham, Northumberland.

Later I finished the color on the trees and grasses. As the page says, it was cold that day!

This is one of the small sketchbooks I designed, it's great for winter sketches because it's small.

This is one of the small sketchbooks I designed, it’s great for winter sketches because it’s small.

There’s the sketchbook I made, designed complete with a pen holder made out of duct tape!

The Vole Hole, watercolor, 4.25" x 5".

The Vole Hole, watercolor, 4.25″ x 5″.

Another tiny one, done on the backside of the sketch of Edlingham Valley view. Who can resist a tiny hole belonging to a vole or mouse? I know my husband’s cat can’t but neither can I for different reasons. I just have this little childlike vision of cute mice straight from Beatrix Potter coming out of the holes. I like to practice drawing these kinds of homes for future stories I may illustrate.

4.25" x 5" ink drawing of our ancient Sycamore.

4.25″ x 5″ ink drawing of our ancient Sycamore.

I did this sketch with the intention to study the wonderful colors that are on this tree. It’s an ancient Sycamore covered with lichens of many colors, mosses of green and the tree bark’s own reddish hue, just waiting (still) to be studied by my watercolors.

Well I think that’s all for this post, I still have lots of small spring sketches and watercolors to share soon though. Next time I’ll post some more photos too. I’ll be posting soon, stay tuned!

"Winter Sketches in England"

Winter has passed by and I’m still settling into my new life in England. I did some sketches as I could, being tired from unpacking, cleaning or just being overwhelmed in general. But happily I can see my sketching has increased as the months slip by and I will share all that in further posts to catch up.

Waiting at Gate 12, Buffalo International Airport...the big day way back in December!

Waiting at Gate 12, Buffalo International Airport…the big day way back in December!

Today I’m posting sketches I did way back in December and January. The one above I did while waiting in the Buffalo International Airport, Gate 12, for my flight to the UK. I like the way it came out, a person sitting ‘almost’ in silhouette in front of the huge windows. It definitely helped to pass the time and calm my nervous excitement.

Ink sketch of a very old Hawthorn in a farmers hedgerow.

Ink sketch of a very old Hawthorn in a farmers hedgerow.

After I settled in I started walking in the mornings, mostly on my favorite lane above the village. Just like at ‘home’ in New York, sketching in winter I mostly use very small pocket sketchbooks. It’s just too cold to stand around freezing my fingers off, so I just do smaller quicker sketches; the most important thing is just to keep sketching.

The drawing above is actually tiny, done at the top of the page, but I like how it came out. It’s done with a brown Faber-Castell ink pen; I love using these pens. It’s a twisted little hawthorn along a sheep field, very exposed to the winds at the top of a ridge. I like it’s character because it reminds me of a bonsai tree. Some of the little trees you see hedges made of are actually very old trees that are trimmed all the time.

"Tree on Upper Lane", a rough sketch on a very cold day, using water soluble pencils that I haven't wet yet!

“Tree on Upper Lane”, a rough sketch on a very cold day, using water soluble pencils that I haven’t wet yet!

This sketch was done very quickly because it was so darn cold! I love walking on this one lane that goes out of our village because it’s lined with ancient trees and gorgeous views of distant hills and fields. I did it using water soluble pencil but wanted to scan it before I wet it. When you wet them they can get very dark and intense…it still waits for me to wet it with my brushes and mess around.

This is one of the small sketchbooks I designed, it's great for winter sketches because it's small.

This is one of the small sketchbooks I designed.

This is one of the small sketchbooks I designed, it’s great for winter sketches because it’s small. I made a pen holder out of duct tape and attached it to the back cover. I have another one that’s even smaller that I used at home a lot too, just loved sticking it in my barn coat pocket when I went walking.

Small watercolor done while sitting along the bank of Edlingham Burn, on a very cold day in January.

Small watercolor done while sitting along the bank of Edlingham Burn, on a very cold day in January.

January 7, 2015 – I walked down to Edlingham Burn (small river) and found a mossy rock to sit upon with this lovely view. Well maybe it’s hard to imagine from such a small sketch, but it was a view of the burn and moss covered trees everywhere, just lovely!

(c)me sketching 1-7-15

Me in the freezing cold, painting Edlingham Burn.

I was very cold painting this, I did it with mittens on mind you, no easy task! I sat on a bit of rock, cold and damp, but it felt so good to be out and finally messing with my watercolors, that I didn’t notice (until I got up, all stiff!) I used one medium sized waterbrush to do this.

The livestock fence across the burn.

The livestock fence across the burn.

Farmers use old pallets across small streams or ‘burns’ here, to keep sheep and cattle in sectioned off fields. I put it in the background of my watercolor sketch you can see above.

A walk along the burn in January.

A walk along the burn in January.

This is Edlingham Burn, I walked along it looking for a spot to paint. Where the rest of the land was pretty bleak and bare, the river was/is fascinating to me.  With all it’s mossy trees, ivy climbing everywhere, dry grasses draping over dark banks touching the cold water and the sound of splashing water, wonderful.

From my small sketchbook, I love the way these two trees were twisting together.

From my small sketchbook, I love the way these two trees were twisting together.

These two trees I found behind the old church, in the farmers field. I really like how this sketch came out. They twisted together, almost in an embrace, part lichen covered, part moss. Standing in a cold, bare hedge, naked of leaves or flowers, just waiting till spring! Maybe someday I’ll do a larger color study.

Pine tree across the road from us, I noted the birds I saw while sketching it.

Pine tree across the road from us, I noted the birds I saw while sketching it.

January 26th – I did this sketch on a day where I was tired and not feeling particularly inspired. That’s an especially good time to stick to your small sketchbook, just do something small until you ‘do’ feel inspired. It helped me to focus and relax; practice is always a good thing. I noted the birds I saw while doing it, Seagulls, Jackdaws and a Tree Creeper.

A pretty view of sheep over a country fence.

A pretty view of sheep over a country fence.

I thought I’d leave you with two more photos, from Jan. 6th on my morning walk. I love watching the sheep in the fields all around me, there are so many kinds here!

A sheep wondering what I'm doing in his field.

A sheep wondering what I’m doing in her field.

This little ewe was watching me, they run away if you get too close, so having a zoom is needed! They are all carrying lambs at this time and I can’t wait to see them in spring!

Check back for more updates, yes there are more sketches, paintings and photos to catch up with from this spring and I can’t wait to share them with you! Sign up in the right column with your email, if you want to be notified when I do new posts. Please leave me comments if you like!

Springtime Walk and Lane with Arched Branches

This walk was on April 13, 2012, all around on my land checking on how things were doing now that spring is well underway.  (please click pictures to see larger)

"Lane with Arched Branches" watercolor and ink

I did this watercolor study while standing in the lane, looking ahead through the natural arch formed by this one bush or small tree. Over the years as I would walk under it, I’d trim off branches hanging down right where you walk, so it formed a natural arch. The branches on top reach straight up like suckers do. I actually did most of it on one day then another time I was out I added the ink.

The first snail I met this year!

Now you can meet some of the critters I met on my walk. The first was a snail sliding along on this piece of dead grass floating in the water. I noticed this before on snails like this, his body color is blueish! Cool.

The second snail I met was this flat shaped coiled one.

Here’s a totally different kind, this one’s shell makes a coil but flat. Can you see the paler band of color at about 9 o’clock? Everything from there to the lip is new growth just from this year!

I took him home and he decided to come out to explore

Well, yes, I did tuck him into a little baggie I had with some of the water from where I found him! I stuck him in my pocket and brought him home to look at closer. I thought I’d have time to sketch him but when I realized I wouldn’t I released him right away.

Looking up to the spreading grandeur of this old oak!

Now here we are in “Oak Lane”, so named because of the very old, very huge oak trees growing there. They were probably planted some 200 years ago by the original owners of this farm as a land boundary. I love looking up at them as they tower over me, and marvel at how many years they’ve been looking down at people before me even. There are so many critters living in, on and under them!

Way up high this squirrel's tail was hanging out of it's hole.

When you’re out walking, if you keep your eyes open and maybe more importantly, stop sometimes and just stand still to listen and look, you may be surprised at what you see. As I was admiring my oaks and listening to birds I caught sight of something way, way up high, moving. It was just a stirring but it caught my eye; turns out it was a Grey Squirrels tail left hanging outside his/her hole!  How funny it was, just blowing around in the wind like a flag put out on a porch. I think it was sleeping!

This is the first butterfly of the year for me, the Mourning Cloak

Then all of a sudden in a flutter, a Mourning Cloak butterfly appeared and landed not far from me. It was sticking to the open lane where the sun was. Everytime I got too close it flew off but I was patient and followed it along, and the last shots I got were the best because I think, it was tired and didn’t want to fly as much. After that I left it alone, thank goodness for digital zoom!

I hope you enjoyed this little walk and my watercolor study. Stay tuned because I have some more posts in the works! And as always please share my blog with friends and visit my Shop at Zazzle where you’ll find TONS of my nature photos and artwork on all kinds of products.

“Pasture Lane in Early March” watercolor

 (please click to see enlarged and clearer)

"Pasture Lane in March" watercolor and ink

The land is starting to thaw at Long Lane Farm. The Robins have returned along with many other birds so I went out to look for signs of spring. It was very quiet except for occasional Chickadee’s following me or a Blue Jay calling, some Canadian Geese flying over. I made it just up the lane a little and decided to sit and do this sketch.

I carried a small camp stool over my shoulder so I sat on that and put my sketchbook on my lap along with my watercolor pan.  I used two waterbrushes and a permanent ink pen to draw it first. I found it a bit difficult to paint the grasses right in front of me, that were all matted and crisscrossed on the ground, sooo much detail! You can see I didn’t get crazy into detail, mostly just looking for the darks and lights of the scene, showing the water around the rushes and the dry color of grasses in the lane.  I didn’t fuss over it too long because my back hurt like a ‘son of a gun’! Darn back of mine, I think I may have been better to just stand like I usually do.

PS. A note to those who follow my blog, I’m so glad you keep coming back to read and see what I’m up to. I’ve not posted as much lately only because I am finally concentrating seriously on illustrating all the poems and stories I’ve written over the past years. I’ll try to share a bit as I can, but don’t want to let the cat out of the bag too soon! We’ll see what I end up with and I’ll keep you posted!

I made some cards with my sketch, check them out by clicking pics below:


Glossy Note Cards

Glossy Post Cards
Poster/Prints in many sizes and papers
(you can change the size smaller and the price will go down accordingly)

“Winter Field Sketch” oil

"Winter Field Sketch"

This is a little (5 x 7″) oil painting I did “en plein air”, or translation… “while standing in the snowy field freezing my fingers off”! What I wanted to do was study the colors in oil and not get too caught up in the finished look of a painting. It was a good exercise in study of color for me, it would not have been as successful if I did it from a photograph.

My oil field kit, closed.

I rigged up a little field kit for oil painting, just for taking out on hikes. Here’s a picture of the kit closed, it’s a plastic case you can buy at an office supply department. I’ve only used it this once but hope to work with it more and ‘tweek’ it. The main objective was to keep it as light as possible.

Here it is open to show you the metal pencil case and use of 'sticky tack'.

This shows the kit open with two areas of gessoed canvas ready to use. Notice the four dots of ‘sticky tack’ on the left, they’ll hold the lid of the metal pencil case when I want to paint, using the lid for mixing. I used tape to make loops to hold brushes; just put tape sticky sides together to make it ‘not’ sticky in the middle.

I created a loop of tape to slide my medium cup into.

I used the tape in the same way here, keeping it sticky on the ends but not in the middle, I created a loop that my medium cup would slot onto. At the angle I would hold the kit, the cup would not come off! It was then held from behind with a dab of ‘sticky tack’.

Here is my field kit in action!

I held the homemade kit in one hand, using my arm for support, and painted with my right hand. It’s all in my reach and I brought no tubes of paint. Notice my fingers are holding one brush at the ready and the other ‘dirty’ or ‘in use’ brushes are kept on the left of the hinge, clean ones to the right in the loop.

Of course Ginger was along for the adventure and waits patiently to continue with our walk!

I put a squeeze of my colors in a metal pencil case and put some in a pill box from the pharmacy before I left the house. The pill box was an experiment and I wasn’t really satisfied with it, it gets too messy on the lids and doesn’t keep the paint really airtight. Since then I’ve moved to using contact lens cases that screw shut…we’ll see how the paint lasts in them as they’re all back in England and I won’t see them until spring!

This shows you my view of the field as I worked.

The above picture shows you the view I had as I worked, it also illustrates how dull the colors look on a photograph and how I perceived the colors with my eyes to be a bit more vivid. This is why working in the field is so important whether you are oil painting, using watercolors, pastels…etc.

When I came back home, I stuck the little study up on a wood post in my living room using ‘Loctite” sticky tack. I hung there for ages and I enjoyed looking at it whenever I walked by. It wasn’t until I found a great frame and laid it on top that it popped out and said “HEY…I’m a good little painting!” hahah…yes sometimes my paintings talk to me…don’t yours? It also told me to stop ignoring it and get it framed so it could have a proper place on the wall! Yes…yes, the voice of guilt, this painting actually was done last year (12/31/10) and since I traveled to England it got sort of forgotten!

Click to see photos enlarged:

How it looks framed on the wall

"Winter Field Sketch" framed and in cool daylight

Original framed painting $165 contact me

Go here to see all my Landscape Paintings in the Gallery.

I also made some nice products in my Zazzle Gift Shop with this, please click on the pictures to have a look!

Glossy Note Cards- 2 sizes
Glossy Post Cards

“Snowy Lane in Northumberland, England”

 (Some of the images go to my shop where you can hover and see enlarged details)

Snowy Lane in black wax crayon colored with watercolor

Even though I did this sketch back in December, while I was in Northumberland England, I guess it’s appropriate now seeing as there’s been a return of snow there! This was their first snow of the winter and it fell quite heavy for a time, coating everything with that heavy kind of silent snow. I had a cold but peaceful walk up the lane and stopped at this view with the trees I always like looking at.  I did the sketch while standing to the side of the road using a black wax crayola crayon. The snow was falling on my paper as I drew and it made it hard to draw, not to mention drawing while wearing my fingerless mittens. It was later that I added some touches of watercolor.

A lovely gate along the way

I love the way this ivy covered gate looks and would love to do a painting of it. Problem is it’s someone’s front gate and with the house being just inside, they may think I’m being rude standing there staring at it.

The snowy lane so quiet under snow

This is one of my favorite views as the lane curves into the distance.  You can see this is the view I stood and sketched in my drawing.

Another view along the high lane

The trees stand sentinel as they’ve done for hundred’s of years. Many of the trees you see along a lane are just overgrown from old hedges that weren’t kept trimmed down.

The black faced sheep were quiet in the cold.

I love how the trees look in the back of the field and how peaceful the sheep were, just trying to conserve energy I guess. These ewes are probably getting fat with lambs in them now…can’t wait to see the little ones in spring!

The thick snowy hedge along the lane.

There are beautiful colors all around you even in winter!

I like seeing the leaves in winter; these were interesting with the red spots. Sorry the picture isn’t brighter but the day was so grey!

Just waiting to be put in a drawing!

 This is an old farm shed I always look at along the lane, it’s so old it’s actually fallen off it’s foundation and the sides are collapsed. I don’t usually want to paint old barns as some people do, but this with the trees, shrubs and grass with their colors in this shot, really attract me. I can see it as an ink sketch perhaps or chalk.

I hope you enjoyed coming on this little snowy walk with me. More sketches and photos from England coming soon.

Click the picture below to see a glossy note card I created in my shop for Christmas! I even wrote a verse for the inside!

Glossy Note Card with customizable text