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(Some of the images go my shop where you can hover and see enlarged details)
 Snowy Lane in black wax crayon colored with watercolor Even though I did this sketch back in December, while I was in Northumberland England, I guess it’s appropriate now seeing as there’s been a return of snow there! This was their first snow of the winter and it fell quite heavy for a time, coating everything with that heavy kind of silent snow. I had a cold but peaceful walk up the lane and stopped at this view with the trees I always like looking at. I did the sketch while standing to the side of the road using a black wax crayola crayon. The snow was falling on my paper as I drew and it made it hard to draw, not to mention drawing while wearing my fingerless mittens. It was later that I added some touches of watercolor.
 A lovely gate along the way I love the way this ivy covered gate looks and would love to do a painting of it. Problem is it’s someone’s front gate and with the house being just inside, they may think I’m being rude standing there staring at it.
 The snowy lane so quiet under snow This is one of my favorite views as the lane curves into the distance. You can see this is the view I stood and sketched in my drawing.
 Another view along the high lane The trees stand sentinel as they’ve done for hundred’s of years. Many of the trees you see along a lane are just overgrown from old hedges that weren’t kept trimmed down.
 The black faced sheep were quiet in the cold. I love how the trees look in the back of the field and how peaceful the sheep were, just trying to conserve energy I guess. These ewes are probably getting fat with lambs in them now…can’t wait to see the little ones in spring!
 The thick snowy hedge along the lane.  There are beautiful colors all around you even in winter! I like seeing the leaves in winter; these were interesting with the red spots. Sorry the picture isn’t brighter but the day was so grey!
 Just waiting to be put in a drawing! This is an old farm shed I always look at along the lane, it’s so old it’s actually fallen off it’s foundation and the sides are collapsed. I don’t usually want to paint old barns as some people do, but this with the trees, shrubs and grass with their colors in this shot, really attract me. I can see it as an ink sketch perhaps or chalk.
I hope you enjoyed coming on this little snowy walk with me. More sketches and photos from England coming soon.
I know it’s already November and I’m way behind! I have more trouble getting online and having time to edit photos since I’ve been here in England. But I’m trying to go with the flow and keep up with posting my sketches and photos. I’m also using a tiny new laptop and my usual photo program isn’t on here, so I’m getting used to editing pictures with something new (sorry if they look small etc). I’ve also felt really down since my dad passed away and it’s hard to feel creative, as many of you probably know how that is.
But here’s a few cows to start off with! It’s what I see most of around where I’m staying so they’ve gotten my attention. I just love the velvety look of their fur in fall. The days have been very cold, damp and windy but I did these sketches standing along the field in the wind! Brrrr.
 Red Cattle in the Field, Oct 1 I wrote a poem as I watched them, just put a few words down then later I changed two words to make it better. I’ll retype it here:
“September ends…October is here,
The little Robin sings, Winter is near!
The red cattle in the field look so nice,
Fur like rust velvet, ready for Winter’s chill and ice.”
(c)Mary McAndrew 10-1-11
 Overthwarts on the Hill, watercolor The page above I did on October 2nd, it was windier, colder and wetter still than the day before! I wrote a note on the page about how hard it was to draw, of course I was wearing my fingerless mittens too and they are hard to paint in! There’s a farm called Overthwarts up on that hill as I looked from where I stood near Edlingham castle.
 Cows at rest and an Angle Shade moth, ink. The same day I walked a ways up the lane where it got even windier, I found some cows to sketch and sat down along the lane where I could see them through a break in the hedge. Getting down low really got me out of the worst of the wind.
Then another day an Angle Shade moth paid us a visit by coming inside, I guess it’s hibernation time! He didn’t want to leave. I put some sugar water in a little jar lid and he sucked it all up and grew very fat! Anything to help a little hungry wanderer. It hung around a few days just sitting there then disappeared, so I don’t know if he’s hiding out in the house or went back outside.
 The furry red cow eyed me warily Here’s one of the bovine beauties watching me, I tried to walk slowly and talk quietly to her but they are so skiddish, she turned away and made a retreat as I approached.
Well I hope you enjoyed my outdoor sketches, more to come, slowly but surely!
I had some fun creating note cards with cow (and sheep) photos I took in England, have a look in my shop!
 Sketch at dawn in watercolor pencils Today I stepped outside quite early, before the sun was up in fact. I took my sketch journal, waterbrush, watercolor pencils and ink pen and left the camera behind (but not Ginger of course). I sat on the edge of a very damp and cold picnic table that wobbles from age, and used watercolor pencils to quickly record what I could see.
This was easier than watercolors because I could just sketch across the paper quickly trying to guess at how it’ll look once I wet it. I laid down as much of the color as I could before adding water, once you wet it you can’t just scribble color on. Once it’s wet you can add color in two ways, using the tip of your brush to pick up color from the pencil tip, painting with it like watercolors or you can draw directly on the damp paper but the color will be intense and hard to blend or lift off. This is what I planned on to put the darker trees at the bottom, I wanted some of their branches to stay as drawing and fuzz out around it to look like foliage and mist.
The thing about plein air painting a sunrise is it changes so fast. Try to work as quickly as you can then either don’t look any more or peek for ideas to check colors and see cloud shapes etc. I try to avoid one problem that I run into, that’s adding yellow to the clouds then having blue sky wash over it or mix with it….and as you learned in elementary school…yellow and blue makes green! So…a bit of green tint sometimes appears in my sky! Try to blot up mistakes or intense color right away with paper towel and re-wet and blot as you need to.
I wrote the words before I did the drawing, just words of what I could hear, not a poem but kind of a way to get into the moment. If you don’t think you can write poetry or something clever, just write what you can hear. In case it’s hard to read, here’s my words on my painting above typed out:
“Sept. 19, 2011 – There is dawn. There are bird songs.
There are cars and trucks from morning traffic.
There are birds.
I look out over the fields, wet with dew.
Feel the cold dampness on my hands + face.
Dawn gets pinker.
The cloak of mist starts to lift off the field.
Blue Jay, Crow, Song Sparrow song.
Robin call + Yellow Throat makes it click call.
My day starts in peace.”
Well my day started in peace and ended with some stress I guess, my laptop died again and this time I think it’s permanent. I’m having burial services soon, in the meantime I got a Netbook…tiny little thing! We’ll see how we do with it. I had to get something portable as I’ll be leaving very soon for ENGLAND!!! YAYYY!! Please tune in to my blog page (you can subscribe to posts in the right column) and see what I find on my adventures. I’ll be studying nature and taking pictures and we’ll see what else. Eventually I’ll be doing some classes and if you want to come to England to do some sketching, I’ll be doing a tour or two this coming summer there. More on that later, if your interested in that idea email me so I get a feel for what people might like.
That’s all folks! Hope you enjoyed my post today. I have lots of new caterpillar discoveries to share soon, I just have to organize all the photos I shot to go with the paintings I did.
I headed out to the back fields today, before the day got too hot. As I picked up my straw hat and plopped it on my head Ginger got all excited, her eyes riveted to my every move. Her whole body tensed and ready to run out the door, as she knows this means we’re going out. Now…when I have my sketch bag in hand and pick up my camera and sling it over my shoulder she knows we’re in for it! The ‘Big Walk’ hahaha…well it means we’re leaving the yard and going out to the ‘wilds’ of the fields and lanes. Yes, if I was a dog I’d be acting just like her!
 Ginger waits expectantly! As I walked I was VERY mindful of watching out for the huge yellow garden spiders that I discovered in my overgrown field, I didn’t want to walk through one of their webs! I’ll show you pictures in another post! Every step I took about three grasshoppers or more would fly up and over the grass for a short bit then land again. As I studied them I laughed to see when they landed, many times they did a sort of “moonwalk” backwards down the stalk they were clinging to.
 Red Legged Grasshopper I think If you stop to study them close, using the zoom lens on a camera is a great way, you’ll notice how many different varieties there are. I am guessing some of the many types may just be different ages of the same grasshopper, or males and females, all were really interesting.
 Fat Yellow Grasshopper Most had some kind of interesting pattern and colors that I’d like to do some studies of someday. First I need to start identifying them better, my field guide to insects is woefully lacking in species of many insects, grasshoppers included.
 Nat. Wildlife Fed. Field Guide to Insects and Spiders of North America Though it’s not a bad all round guide to start with, I find now I need much more species to choose from.
 Long Lane Farm in August - watercolor Well as I got out into the field a ways, I paused and looked back and this is what I saw. The Purple Loosestrife was blooming, clouds billowing, wildflowers dotting the field. I did this small watercolor using one waterbrush and my pan of colors, while standing in some very hot sun. It was really hard to find any shade and it made me a little ‘snow blind’ looking at my page.
 A tiny Eastern Tailed-Blue butterfly After that Ginger and I made for the lane for a bit more shade. I’ve been noticing this tiny butterfly now sometimes when I walk on the lane. It first caught my attention flitting around the grasses and I thought it was one of those tiny white moths I always see. (It’s only as big as the end of my thumb!) There was something about it though, it seemed to have a bluish look too. So I followed it with my eyes to see where it landed then zoomed in with my camera and there you go! Ahha! A butterfly. Just one of my little discoveries this summer.
 He shows a peek of blue wing They don’t give up much, this tiny, tiny butterfly hardly ever opens it’s wings to show off it’s gorgeous blue!
 Hummingbird Moth feeding on Teasel I couldn’t resist slipping this picture in to share. I have a great big area behind my barn that’s overgrown now with Teasel. I found the Monarch and Viceroy butterflies, and to my delight Hummingbird moths, loved feeding on them. I would encourage everyone to grow some for them to feed on and for their beauty of form.
 Teasel drawn with permanent pen I love drawing Teasel and long into winter you can enjoy their elegant forms. This is a drawing I did years ago in the fall, (sorry I don’t have it scanned large enough to enlarge much) can you see how much fun you could have looking at it’s bristly but graceful form?
I hope you enjoyed our little walk on Long Lane Farm. I always see or find something new when I stop and look for awhile. I want to point out that I have been adding great links for identifying things on my “Nature Links” page, please have a look. I use these links often when I need to identify bugs or blooms. I’m adding links all the time so everyone can use it, please let me know if you have a favorite you want to share!
Below are a few note cards I created in my shop from my sketches or photos, I hope you enjoy them!
My watercolor sketch
Hummingbird Moth
Awww, who could resist that face?!
 Trees at Nancy's - Inktense 'Ink Black' watercolor pencil (Please click on the pictures to see them clearer, use the back button to return)
I had a chance to visit with my friend Nancy the other day and we sat on her back deck to do some sketching. We had a nice view; just behind her place is a small pond with trees on the other side. I was showing her how to do something simple by just using one watercolor pencil, the Inktense “Ink Black” by Derwent Pencils. I keep one in my kit always because sometimes it’s nice to just do a sketch with a waterbrush using this one pencil. The nice thing is you can go back over your black and white study with color after, the Inktense pencils will not lift off like watercolor can. It IS a VERY intense pencil, go very lightly at first and see what it does when you wet it. I started with the simple border as kind of a warm up, just draw a line around your page then use your waterbrush to wet it. To get it to look like mine, keep your brush ‘inside’ the line with the tip always touching and rubbing the line, letting the color run into the wetness left behind from the brush.
Sketch your scene lightly, trying to do most of it before you wet it. Once you wet the paper you’ll have a hard time adding more lines because they will be very dark and intense! If you need to just touch your waterbrush to the tip of the pencil to pick up more ink, then use your brush to add it to the sketch. Test how dark it is on a piece of scrap paper before you touch your sketch, this will help you avoid mistakes. I really like the look of this, sort of like an old antique picture.
 Sketch of Cullernose Point from the south Here’s a sketch I did in England last year, along the coast of Northumberland, of Cullernose Point as viewed from the south. I had my sketch journal with me (OF COURSE!!) and because we wanted to keep walking, just sitting a bit and doing a sketch with no color worked well. I used my waterbrush and especially like how the clouds came out.
 Alnmouth, Northumberland -water soluble graphite Now I thought I’d add this one too just to show how nice it can be to do non color studies. This was done with water soluble graphite, not the colored type, just plain old graphite color! We were at Alnmouth, Northumberland England; a beautiful coastal spot! I did it in my tiny sketch journal which was so much fun to use! It was a wonderful experience to stand on the hill at the coast and capture the scene forever in my memory. Please read my post about it here to see the wonderful photos I took that day! I loved being there and can’t wait to go back for more! I love, love, love England!
I hope you enjoyed my little ‘non color’ sketches, as I said they’re a great way to capture a scene without the worry and time of adding color. And thanks to my friend Nancy for a nice visit! (ps. I photographed lots of dragonflies at her place and two of them were new for me!) I created a really nice print and greeting cards in my shop, see the links below! I love the dark grey background with it.
 Make your own card at Zazzle
When you see this print in my shop (below) don’t be scared by the price! It shows you the huggest size but can be ordered as a 16×11 for only $11.20 too!
 Here's my field on a dreary New Year's Day (Please click each picture to see it enlarged)
It is a cold and dreary day here in Western New York, I guess it is in many places around the world. But the drippy dreariness also shows me spring is coming; snow melting on soggy but still frozen ground, dripping of ice from the trees and an almost silent occasional gurgle of air from under the ice as I worked quietly.
 Oil sketch field kit, ready to be tested. I created this lightweight kit to take outside with me, just for oil painting sketches. I mostly want to focus on practicing mixing colors for landscapes from the real thing. I’m not concerned about finished paintings, though as the weather is warmer I may work longer on them.
It’s a plastic box that I bought at an office supply store. I used a metal pencil box for my paint and as a palette; it’s held on with blue sticky tack. I also have a pill box that has colors in it, though I want to buy a long one so it will fit better. I have canvas paper cut to standard sizes and tape it in and also created a place for brushes with loops of masking tape.
 My mineral spirits container slots over a strap I made out of masking tape. I had a tiny plastic bottle of mineral spirits with me but didn’t need to pull it out, I had a tiny bit in this metal medium cup. It’s got a screw on lid and I created a strap with masking tape that it could slip over to hold it in place. Then I stuck a blob of blue sticky tack behind it to keep it from slipping off. (Just love that sticky tack!)
 Here's how I held the kit and painted while standing. It was very lightweight as I worked. As all tests should do, it helped me find what was ‘not’ working great; I need to make a little holder for dirty brushes on the left and both need a holder with some kind of bottom, like a pouch. My brushes were sliding out the bottom too easily and may get dropped.
 A view of the painting and the subject. Here’s the whole thing in progress. Note the paper towel with red paint all over it!! Ok, I admit it, the very first thing, when I lifted the lid of the metal pan (with my very cumbersome mittens on) I inadvertently got Cadmium Red paint on my mitten thumb, WITHOUT KNOWING IT! It suddenly showed up in three to four places, probably on my face too and I didn’t know it! Ok, those who paint with oils know that sometimes this just happens, oil paint likes to migrate. Cad Red is one of the worse to get on stuff! You see traces of where I had to scrub off the second canvas paper there, sigh. Nobody’s perfect.
 Ginger is waiting patiently, telling me her tootsies are cold! Ginger loves to go out on walks, but gets bored when I stop to paint or sketch. Today was worse because her feet were cold! But a good sign, when I was ready to leave, she didn’t turn towards home, she wanted to go further.
 Cleaning my brushes, stand them up in the snow as you go. When I’m done, I set the kit on the snow and stuck my dirty brushes in the snow (bottom down) and just dipped the tip of each one in mineral spirits and pushed on the lid/palette to work much of the paint out. Wipe it really well on paper towel, it won’t be clean but well enough to travel home for cleaning. Most of my brushes I used were bristle brushes for scumbly strokes and one small, flat, soft but firm nylon brush for the thin line strokes.
 The field study for today. Here’s the quicky field sketch fresh from the icy field. I know my colors look brighter than the photo, but that’s the beauty of painting from life, the colors were more vivid and beautiful to my eyes, a photo will lose a lot of true color and atmosphere. If I want I can let this dry and work more on it or do it while it’s still wet. Ideally, touch up what you want right when you return and it’s fresh in your mind. I don’t want to fuss too much over these sketches unless I do one that I feel is worthy of fussing. My main goal is to just get out and get quick color studies and not complicate things too much.
Hope you enjoyed, I’ll be trying out my field kit more and will keep you ‘posted’ as they say! haha.
Happy New Year everyone! I’m looking forward to a year filled with tons of new paintings by me and look forward to getting back to England for more adventures! Please share my blog with those you think would enjoy it.
(This post is done AFTER returning home to NY…gosh I miss my Northumberland!)
Come along with me as I do a small oil painting in a very gorgeous location in the Coquetdale (River Coquet Valley) area of Northumberland, England. I think of all the areas I’ve traveled around in Northumberland, the Coquetdale is one of the most beautiful and always catches me by surprise when we drive along it’s long winding path through the valley. It has quite a few meanders before reaching the North Sea which makes it that much more picturesque to an artist, it’s curves reflected in the sun as a shimmering snake in a green velvet valley.
 Painting while looking over the River Coquet There I am! We hiked up this great high hill and entered the Bronze Age Celtic ring fort at the top. It’s surrounded by a deep ditch, as was the practice for all ring forts, though I guess a few thousand years ago it would have been deeper and very impressive. After exploring the fort and ditch I settled down inside a ditch with my back to the VERY brisk wind! While I painted I had my hood up to keep the wind off and you notice I’m wearing fingerless gloves, a must for outdoor painting!
For my set up, my favorite wooden field easel and a backpack with attached stool. This is a popular one found in many art supply catalogs but I altered it (as usual!), I took the backrest off by hammering on it until it came away. With the backrest off, I can now sit on it in any direction I like, sometimes the bars of the seat hurt the back of my legs and I feel less attachments equals less weight. I’m put a camping inflatable pillow on the seat, makes it a bit better. All in all, I don’t usually sit when painting outdoors, I find it tiresome to my back; usually I stand up and feel freer with my painting and you can move around to keep warm.
 My View Over Coquetdale Here’s a view of what I saw, you may wonder how my masonite board is staying up so magically on the easel? The wonders of Blue Sticky Tack never cease!! I use it all the time, I have some little dots of it on the easel to hold small boards like this, just where I want them. With a small board, I don’t like the wood of the easel’s clamp to get in the way.
 stage 1-View Over Coquetdale When in the field I usually don’t pencil sketch the scene on the canvas, but use either Burnt Umber thinned with mineral spirits, or pick a color in the landscape and sketch directly with the brush. Just pay attention as you divide up your canvas with the horizon line placement and other important elements. If you get it wrong in the beginning, it’ll always be wrong! I go for blocking in big shapes in the ‘nearest’ color to it’s overall color.
When I started this one I blocked in some really bright green, later I decided I should have tried to match the color better to begin with. I just wanted to get it going, so I painted into the wet oil to adjust the color. You’ll notice my river color is quite light, just laying it in to mark it, I’ll adjust the color later. I wanted to have a wet base to paint into. I painted the sky with an all over tone of blue with the gradation of dark to light, later I’ll add the clouds. I also started to establish where the dark areas are, the tree lines.
 Stage 2- View Over Coquetdale Now I’m set up back at home and continue working from my laptop where I have photos of the scene. I’m sorry I missed a few stages with the photos as I got involved with the painting! I studied where the background mountains should go and toned down blueish green for them. I continued to study where the tree lines were and payed close attention to the light and dark areas of the hills and tree clumps. Don’t put too much detail in the distant trees, just let them describe the curve of the hills as their lines criss cross and disappear. I also started to tuck darks under the tree lines and to the shadow side of them. You begin to notice the tree line on the left front is different than the ones on the right. They are different types of trees so the form and colors are different.
 Stage 3- View Over Coquetdale Picking out a little more detail of the hills in the mid-ground, I add some lights to define the hills and more detail to the tree lines. I lightly defined the little dirt road in the front left and a ‘hint’ of a fence, but kept it soft and also added more light to the left field. I put a small path that crossed the field in the middle but then later decided it was just too much of a distraction and took it out. I also added some lights to the trees on the right, you can see they are more pointy than the other trees as they are pines.
 Stage 4- View Over Coquetdale Above you can see I’ve added some darker (but still bright) blues to the river, taking care which direction I stroked it on. I added some yellow to the fields on the left to warm it up and cut down on the lightness. I added more bushes and detail to the front right side by the bank.
 Completed "View over Coquetdale" 6x8" oil The completed painting,6 x 8″ in oil, click it to view it larger in my Gallery of Landscapes. Here you can see I’ve added just a little more detail on the bank and sheep (whitish dots!) on the hills. One thing you notice when driving about the countryside of England are sheep just about everywhere! No hill would be complete without some of these white dots. Of course I didn’t just make blobs but made sure they had a bit of a long shape and slightly darker underneath, it’s just to ‘hint’ at a sheep, not to paint one in full detail at such a distance.
To view prints, note cards and more with this painting, click the links below to see them in my shop! (You can personalize any of them with your own text.)
Come with me on a walk up into the Ingram Valley in Northumberland England, land of unending vistas and wildlife. I know that sounds ‘corny’ but its true, Northumberland is so beautiful and wild.
 Mama sheep and 2 lambs As Gary and I began our walk, right away we met a proud and healthy mama black faced sheep with her two little lambs. Walking the hills in lambing season is so much fun, the little ones prance, bounce from all fours like they have springs in all hooves and they join up in little gangs to play king of the hill. When they can they run to their moms and push under for a feed, their tails wag like little flags of victory!
 Ingram Valley -shepherd's road We turn our attention towards the uphill walk in very chilly wind, but with the sun it was bearable. This is a small track used by the shepherd with his quad-bike, to visit the various hills with sheep on. (I’m actually taking a look ‘back’ downhill here).
 Ingram Valley-old stone wall and some lone Scots Pines This is along the way up, an old stone wall like so many you see in England, with a few lonely Scots Pines playing sentinel on the lonely hills.
 mama sheep When we went as far as we wanted to go, we watched the sheep playing and running. This ewe and her lamb were all by themselves on the other side of the fence. The lamb looked so special that we couldn’t help but wonder if the shepherd had separated them on purpose. The mother was gorgeous with a coat like no other! (I loved them so much I created note cards of them, and the other sheep, in my shop!)
 Wheatear in Ingram Valley, Northumberland As we made our way down, I talked Gary into stopping for a sit down….of course this was my chance to try to do a watercolor study of the hills opposite! We relaxed, and sitting quietly as I worked, a little bird landed down the hill a bit and started to work it’s way up towards us. I got my camera slowly and started to shoot as he came closer and closer; the wonderful thing about nature sketching or plein air painting is because you’re so quiet, usually wildlife will come near. (keep your camera always handy!) I created note cards of this one too of course, I can’t wait to do a painting of it!
 sheep on far hill Now this is the hill we looked at on our way down and what captured my attention for painting. I wanted to show you first if you look closely, you’ll see tiny white dots on it, those are sheep! No kidding…see the picture below.
 sheep on far hill-Zoomed in This is a close up of the same hill, see the sheep walking single file along the steep hill? They are sure footed but Gary told me sometimes they do fall and get killed 
The picture shows you the scale of the size of the mountain.
 Ingram Valley So I sat on one of many tussocks remaining from and old forest, (a tussock is a small hump covered with grass that remains from where a tree used to be) and used my watercolor pan and one water-brush.
 Ingram Valley-watercolor This is the finished painting; I used the photo I took and looked at it on my computer screen when I got back to finish it. It may have the wrong color cast as I don’t have a scanner to use while I’m away from home, I just shot a picture of it with my camera. Here is a note card of this painting in my shop.
I hope you enjoyed this hike with me, I enjoyed having you along! Remember when you’re out for a walk to look around with curiosity and you may discover something you never noticed before.
Remember for any of my note cards, if you order 10 or more you get a discount…and the savings increase the more you buy, they can ALL BE DIFFERENT CARDS TOO!!
This is a sketch I did back in September but didn’t have time to post it, thought I’d share it now.
 Dunstanburgh castle sketch Just thought I’d put this little tiny sketch up. Gary and I ended up here pretty late on a windy cold evening, but I still managed to sketch with my ink pen and wearing fingerless gloves. It was more like a shilhouette at this point, but as I started it I could still see the grass in front of it. It was scribbled pretty fast because I was so cold!
 Dunstanburgh Castle at sunset Dunstanburgh Castle is on the East coast of Northumberland, just a short walk along the sea from the harbour Town of Crastor. We walked along with the rocky coast to our right, an area I’d love to explore more in the day time. Quite aways from the castle still is a fence with a gate you enter, there was a bench right there we decided to just sit because it had gone dark. That’s where I did my quicky sketch from, yet though it was quick, because I DID take the time to do it, I remember so much more about being there. Sometimes I prefer a scribbly looking sketch to a perfectly neat and tidy one, it can be much more expressive about the day or the feeling.
 Town of Craster Craster was small and quaint, has a kipper smokehouse, fishermen’s houses and a pub..perhaps a hotel? There is a small bay you can see here (though I know it’s dark!) where the fishing boats come in.
 small book-cover sketchbook This is a picture of the special little sketchbook I made up. Once in awhile I throw this in my bag when I want to carry less and know I’ll be somewhere where quick sketches will be done. It’s an old book my kids didn’t want any more so I pulled the pages out to make this. (ouch, I know book lovers!! It was painless believe me) I cut nice watercolor paper the same height as the book and folded it acordian style to go inside, taping both ends onto the cover. I put a big rubber band around it to keep it shut or open to a certain page while drawing.
Today it was sunny and very blustery! We decided to take a hike near Clennell up the valley along the River Alwin then we looped back by walking up and along one of the huge hills. What gorgeous views we had! Of course I brought my field kit for watercolors with me hoping to find a quick sketch, as usual we pushed on without much lingering for painting or we’d never do the loop before dark. I did get some pencil sketches done that I later colored with watercolor as you’ll see.
 Along the Alwin River This is the valley we hiked along for a few miles, flat and easy except for the driving wind blowing on us at the start. It settled down as we got into the valley more. You can see on the far left a dust cloud with a huge truck in it, that’s a logging truck coming down the road we’re walking on, we’ll be headed around the base of that hill soon.
 River Alwin into the Kidlandlee Dean As we walked occasionally a Grey heron would be spooked from the river and fly upstream a bit. We had the valley all to ourselves except for the sheep and maybe one passing truck. The Kidlandlee Dean is the forest area ahead; a Dean is a small ravine, a word that comes from the Anglo Saxon’s. At the base of those pine trees we’ll turn our path up to the right and go up onto the hill we’ve been hiking along side.
 RIver Alwin and "The Dodd" (hill) Here I was able to convince Gary to stop long enough to let me catch my breath and sneak in a quick pencil sketch. This is just before we started to walk up the huge hill and I’m looking across the River Alwin and the Kidlandlee Dean is just to my left. The hill I sketched I found out later is called “The Dodd”. Later at home I painted the colors in with my waterbrush and watercolors while looking at the laptop photos. I put notes at the bottom of the colors I used.
 River Alwin below You can see we’ve been walking along the hillside, this is looking back towards the spot where I sat and sketched. We walked all along that ribbon of road down there! Along the way there are sheep that give you a look before running off into the grass, these two were right on the edge of the hill, it was pretty steep.
 Hills called "The Dodd" and "Old Rookland" Looking back again; though the hills look bleak the colors on them of the bracken, grasses and grey-blue stone are really beautiful, but most especially when the sun hits it and creates dramatic shadows!
 An old Drovers road also called "Border County Ride" This is a view looking back along the road that we picked up on top of the hill. Gary says that it probably an old Drovers road, a drover being someone who’d be hired to drive cattle to market by the farmers 200 years ago or more. So they are English Cowboys I guess! Some 400 years ago they would have been using this road and would have to defend the cattle against the Border Rievers who could steal the cattle.
 View of Clennell Hill This is a view looking across the valley (at the steep edge the sheep are on) to Clennell, we walked up that valley along the river. The wind was whipping but you can see the views were spectacular, so vast.
 View over Clennell towards Rothbury We sat here upon the top of this hill looking out over Clennell and Rothbury would be further on in the distance, Alwinton would be to our right. A farmer was burning some wood piles down below and it could be imagined that in ancient times when the Celts had their settlements there, there would be similar fires burning. Just below us to the right, on top of a smaller hill is the remains of a Celtic ring fort, at one time it would have had small fires burning in the crisp fall air.
 Watercolor sketch "Views over Clennell" We threw the waterproof picnic blanket on the ground and I sat to do a quick sketch. I just used my pencil and ‘zoomed’ in on a view that you see in the photo previous. It was so windy and cold I had a heavy wool blanket over my shoulders as I sat to help block the wind. Come to think of it, lucky I had on my rain pants too, they block the wind quite a bit. All the paint marks you see in the upper left I did on the spot as color notes. I used my big flat waterbrush and labeled colors, yes I know it is right on my watercolor sketch but it’s a ‘working sketchbook’ too and I wanted to do color notes on the spot. So when I got home I painted it in while looking at my laptop, using my big waterbrush (pictured on my equipment page).
I hope you enjoyed coming along on this hike with me, you didn’t have the feel of the wind on your face or smell the fires burning but maybe someday you can come on a real hike with me and learn how to paint in the field too. I welcome your comments below!
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