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Fresh Start with Inktober and Toads!

Hello my dear friends, did you miss me? Well life has just gotten so busy and time went right out the window, I’m sorry about that and feel guilty for neglecting my blog. But here I am to add something new and hopefully start sharing more too.

Have you heard of Inktober? It’s an artist’s self initiative to produce work for the month of October and all has to be ink. I’ve always wanted to do the self challenge because I love drawing with ink, but shied away because of the pressure to produce and being busy. Well I’ve decided (as we all should) to do it in my way, I’ll do some as I can and that’s good for me! haha.

So recently we had a surprise visitor, a tiny frog that came hopping out of my studio, all the way at the back of the house! Now I know this post is about toads but we’ll get to that shortly! We’re not sure if he came in when Gary had the door open to feed the hedgehogs or what but he needed to go outside. This summer I made up a little pond using a ‘tubtrug’ shallow plastic tub, filled with water, rocks and sticks and a tiny solar pump that squirts a bit of water to make some movement.

This is the little pond I made from a shallow plastic tub.

I’ll tell you what the birds have been loving it, the pheasants drink right at the sides and little birds land on the various pieces of old slate or the sticks to drink. I was excited to watch both the Robin and Blackbird take really good baths in it, splashing all around, it was great! The little water pump just makes a little ‘blurp’ or water repeatedly or when the sun is really bright it flows like a little drinking fountain; it’s supposed to be just enough to get the birds attention and keep the water circulating a bit.

Such a tiny frog, what was he doing in my studio?

So back to the frog, we took him outside (it was night-time) and put him in the pond and watched until I was sure he could also get out. You see even a frog can drown if it can’t get out of a tub type thing so be careful when you put water in containers outside. He did just as I expected and kept swimming around and around to the sides, which were too high for him. The way the rocks were situated he could easily have climbed on them and got out, but he had a one track mind to go around the edges. So I arranged some sticks and weeds at the edge so he had lots to grab onto at the rim, and he duly obliged by climbing up then out. Great, now I know if one goes in it can also get out. 

Baby frog hopping away in the wet grass.

So on the way back into the house I stopped Gary just before he stepped on a little toad in the dark! This is a real wildlife night! So we took him to the pond, just so he would know about it, I took lots of photos then he got down in the long grass between some pots and it was goodbye! That’s him below, we shone two torches (flashlights) on him for the picture, it worked great.

Then another day I was in my back garden planting strawberry runner babies and I looked down and there is a decorative ceramic pot full of rainwater was a little toad, swimming and desperately trying to get out! Poor thing, I scooped him right out and took him to the pond area too, took some pictures and he warmed himself in the sun awhile before leaving.

Little toad had a nice dip then soaked in some sun before leaving.

So now you’ve patiently waited to hear how Inktober fits in here and to see some artwork! I’ll show you the two drawings I did and some of the stages as I worked, I took a few pictures with my cell phone. (By the way, I share a lot of pictures like this on my Instagram account “Mary McAndrew Artist” and on my Facebook page “Mary McAndrew Painting and Illustration”, you can easily follow me on those and see lots of photos as I draw, paint or see things outside in the garden or from walks.)

Toad #1 showing my pencil drawing and the start of the inking.

I want practice using my dip nibs and ink so that’s what I used here. The ink was a bit old so I struggled a bit until I added enough water to thin it again; I used Rapidograph waterproof ink.

Here I’ve gotten more of his bumps on.

You can see on this second picture I’ve put a bit of a light wash of ink, using a brush and water, down his arm, face and side.

Toad #1 finished

You can see I added more washes to the toad, finished his ‘bumps’ (I hate calling them warts, it’s not nice for the toads image!) and put some tone under him to set him off. I also used a white gel pen to put tiny dots on the bumps where needed.

Toad #2 at the drawing stage.

You can see in my drawing above of Toad #2 how I used simple ovals to place his feet and leg parts. I sketched simple ovals and circles to get him basically laid out and then could correct the proportions of him before adding details.

The drawing stage basically done.

Above you can see the drawing stage is done, toes are all on but not every bump.

I started adding the ink with a dip nib.

I’ve started adding the ink now with a dip nib, but this time I am using Higgins “Black Magic” ink. It said it’s waterproof but later I find this wasn’t totally true!

Then there’s always a chance of ink spots!

Ah yes, things were going ok but I was struggling with old ink with clumps, adding water and trying to wipe off my nib when needed. Somehow in all this I did manage to drip ink on the drawing, argh! I wasn’t too upset because this is just a study and I’m trying to be a bit loose with it.

I did some ink washes on the body to show form.

I found the ink was not so waterproof when I tried to do washes with a small brush, I had to pick up disturbed ink with a paper towel. So I was able to carefully go over areas with just a damp brush to get the ink to lift and make a wash. You can see I also start to add some black around his back foot, leg and front foot. I really like digging in with darks around subjects to set them off, you’ll see it works to my advantage next.

More ink around him done with the brush, ink and water for diluting. See how that big ink spot is getting covered?

Toad #2 finished!

Here he is finished, I layered the ink in and got nice and dark around his body; I like the way it makes him look like he’s coming out of the ground. I edited out the other sketch of a toads head on the paper, just for the final scan. The spot that was on his leg I was able to lift pretty much with water and paper towel. I added white gel pen to his bumps where it was shiny on the photo and finished adding his tiny bumps. Did you know each toad has different bumps? When I compare the two toads they looked so alike, but when you look close you can tell which was which by where their bumps were.

The color photo of this very gorgeous toad!

Above is the photo I worked from, I had to flip the photo to draw him facing a to the right. The photo and drawing also look a bit different because my drawing of him is turned a bit so he’s pointing up more, I liked it better that way. I wanted to share with you his gorgeous colors too and show you how lots of his bumps were a deep sandstone red, like jewels on the ground. It’s all about texture with a toad, that must be why I like drawing them!

I hope you enjoyed this post, as I said it’s been an awfully long time I’ve been away from it and will en-devour to share more soon! Please find me on Instagram at “Mary McAndrew Artist” and Facebook business page is “Mary McAndrew Painting and Illustration”.  Please leave me some comments below about toads in your area, are they getting ready to hibernate?

 

Views of Edlingham Castle, Northumberland

I wrote this post way back in July, when it was sunny and warm, now here we are at the end of October! I still have new drawings and paintings to share, it’s just been more hectic than I expected! I’m still settling into this new life, trying to learn how to drive standard (badly!), finding a new accountant, and not being able to find some of my supplies because many things are still packed and stacked in plastic bins! But what has been most excellent is our walks near our home and a few trips to the Lake District. The greatest joy Gary and I share is our love of walking in the countryside. I’m overwhelmed with subject matter, it’s just finding time to sit and work.

So, on to my July post! Please click on the pictures to see them enlarged and clearer, enjoy!

(July 2015) I’m very lucky to have an ancient castle near where I live.  I can go visit the site and walk around it, or view it from the fields.

(c)April 2015 Edlingham Castle from the field

Brown ink drawing of Edlingham Castle done in the field in April 2015.

I did this drawing in brown ink (Faber Castell Pitt pen) while standing in the field where only local villagers usually go, way back in April. It’s great to switch your mediums once in awhile when out painting. I think it’s great ‘brain training’ as you have to approach it in different ways, seeing shapes, values, lines, textures and measurements; and thinking what you will use to capture that.

As I am settling into my new studio space here in England, I am still re-organizing my ‘stuff’ and wanting to play with materials I’ve had packed for ages. One of those is charcoal, I haven’t really used it in a long time so lately I’ve been rediscovering it. Below I’ll show you how I did another small drawing of the castle en Plein Air or sitting in a field with my art kit.

Sometimes I set my stuff out on the ground, this is charcoal drawing supplies.

Sometimes I set my stuff out on the ground, this is charcoal drawing supplies.

This shows my small backpack, a big lawn + leaf type garbage bag, Altoids tin with loose charcoal sticks and one plastic box with charcoal pencils, tortillions, brushes, sandpaper and eraser. I almost always stand when I work but today I had a small folding camp stool to sit on. The garbage bag is great for when you want to throw your backpack or kit on the ground and it’s all damp OR use it for sitting on.

Here's part of my field kit for charcoals, good 'ol Altoids tin.

Here’s part of my field kit for charcoals, good ‘ol Altoids tin.

And the ever popular ‘Altoids tin’, once used by me for watercolors but now I put my charcoal sticks in here. The rubber bands on the lid are holding a piece of paper towel and some cotton balls in place.

Here it is open and ready to use.

Here it is open and ready to use; I put the messy hard and soft sticks in here.

The base holds an assortment of soft vine and compressed charcoal sticks also a piece of chamois for blending and shading.

You can use the 'messy' charcoal powder in the tin to draw with a stiff brush.

You can use the ‘messy’ charcoal powder in the tin to draw with a brush.

When I sharpen points on sandpaper I let the powder fall into this tin and then it’s great to pick up with brushes for shading. A great way to start your sketch with soft blocked in areas of value, using soft or stiff brushes.

Work in progress, my support is just the cardboard back of a sketchpad.

Work in progress, my support is just the cardboard back of a sketchpad.

Above here it is almost finished, just a few touch ups and strengthening of darks and details to do.

Charcoal drawing of Edlingham Castle,  July 2, 2015.

Charcoal drawing of Edlingham Castle, July 2, 2015.

And it’s finished! I hope you enjoyed seeing some of my kit and how I worked. I’ll try to post more of those sketches I’ve done! Leave me comments below, I love to hear from you all.

And my other facebook page: Mary McAndrew Painting and Illustration

Crocus Geometer Moth

Crocus Geometer Moth full page from my sketchbook journal

In the morning when I let Ginger (my dog) out the back door for her morning wee, I always survey the screen porch to see if any visitors of the mothy type, have overstayed their visit. I used to leave the screen door open so I could be lazy and Ginger would just run right out, but stopped when too many flies were coming in! But I did get all kinds of moths in there! Well even with the door shut, some do sneak in and that’s how I found this little guy. Well sad to tell you it wasn’t alive, but laying on the floor in perfect condition. So I gently, gently picked it up and put it in my “Crisco” container for study.

Above is a full sketchpage from my journal, I did a life size study in the lower left corner and an enlarged size in the middle. I had fun with the border by just using my waterbrush with a matching color and added little ‘butterfly’ heads.

My set up when I sketched the moth

You can see in my picture that I lay the moth on the lid of the “Crisco” container and that way I was able to move it around as I worked. My watercolor pan is under it and the sketchbook is on my little table top easel box. (you can see my last page from the lady bug post!)

Drawing a study at the same size first

Now here I’m showing how nice it was to sketch the same size study by having the moth on the plastic lid. Using my pencil I did comparative measurements to compare the width to the height of the moth. Do you see those lines on the page? I put them just as a teaching tool, to show you that I found the measurement from inside wing to outside tip was the same measurement as the bottom of the wing to the top, his head I think it was. I always use comparative measurements when drawing!

Such a gorgeous colored subject!

Isn’t this a beautiful moth? His antennae were really elegant and graceful, very hard for me to paint with watercolor!  The more I studied him under a magnifying glass the more I saw and appreciated it’s beauty.

This is how my larger sketch looked at first.

(Above) Now I’ll show you the steps I took to do the large painting of this Crocus Geometer Moth, mostly how I drew it. Do you see how boring and technical it looks? I know, but if you don’t start with a clear drawing done in PROPER PROPORTION it will never look right! Sorry, I”m not shouting, but it is REALLY important! If you do anything, learn how to draw well!

So I used my pencil to compare the width of the wings tip to tip to the measurement of the moth top to bottom. I put light lines on the paper then drew an arc as close to the shape of the ‘real’ moth subject as I could. Then I decided where the wings ended in the centre, keeping in mind that they overlap.

The second stage is lightly sketching the placement of shapes, wings, body, head.

Above you see a lot more drawn here; I drew an arc lightly for the bottom wings too, then decided where the two wings met and overlapped then drew them. I found the wing tips were half way between the head (top) and bottom wing edge, can you see how there’s a little ‘t’ at the tips?; that’s centre from top to bottom.

It’s really fun when you get into a drawing and start to find things that are the same measurement so you can check other parts of your drawing by comparing them! That’s why it’s called Comparative Measurements! (This is something I teach my students first!)

Then I clean up the lines and decide how the outline will look.

Look back and forth at the subject and drawing, look for areas that might be out of line and fix it now. After you feel your measurements are right, you clean up the light lines and decide on the lines you leave. Keep your final line clean and neat. Use your kneaded rubber eraser now to dab repeatedly at the line to lighten it as much as you can, just enough so you can still see it but you can do watercolor over it and not have it show.

Laying in some washes with watercolor and adding some details.

Here I put the first washes of color on and then started to add where the dark markings are and light wing ‘ruffles’.

Larger study of the moth finished.

And here it is finished! I just kept adding the tiny spots and built up the larger dark markings. Sometimes it dries and just doesn’t look as colorful because watercolor can look lighter and duller after it dries. So I go back and add some light washes when needed to perk it up, I added bright yellow and more browns on this one. (ps. I did have trouble with the antennae! I need to practice how to do such tiny detail with watercolor!)

I’ve created some really pretty note cards and other things in my shop using this page from my journal, please have a look! Please forward my shop (or this post) to your friends to help me spread the word.

I love this tee shirt!