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“Watercolor Moon in the Middle of the Night” 7-21-08

Sometimes it’s hard to be an artist. Let me explain, I have been thinking about how much I want to try to paint the moon at night, in the dark using a tiny light. I’ve never done it before so the other night when the moon was streaming through my window, I had to get back out of bed and go to the studio to get my paints!! Yes…it’s difficult to be an artist, but fun!! For the above painting I used liquid mask to block the moon, which I don’t use much but wanted to play with. Then I worked wet into wet with the colors. Now keep in mind I said before I wanted to work in the dark so I could see the moon still, so I took a tiny reading light and clipped it onto my neck collar of my t-shirt. (Um…did anyone ever tell you artists were kind of nuts? haha) I pointed the light down at my painting, it was a neat experiment.
Above you can see my tiny watercolor kit I put together. On the left is a pack of assorted brushes that I cut the handles down on so they are smaller and fit in my field bag, above that is the reading light. In the center is my field kit of watercolors that I have tucked into a tiny Altoids tin, I use the lid for mixing my colors. Above the kit is a plastic vitamin bottle that I use for water; I like this container because I can get my brushes down into it for swishing around, but it also fits in my waterbottle holder that I can put around my waist for field work. And next to all that, on the far right is a new little invention of mine, it’s a tiny cigar case my friend Mark gave me. I told him I like little containers to play around with for field stuff….I know, I sound like a little kid! Well….if you don’t think creatively and play, you don’t think of great ideas!
I cut up little squares of watercolor paper to fit inside the cigar case, it holds about 14 sheets of paper, I also put in some bristol board to play with. The sheets measure only 3 1/2″ x 3″….kind of fun to work on if you keep it simple. I then took two paper clips and bent them so they go over the edge and hold down the paper while you work. You can see how tiny the kit is as it fits right into my hand! Below is the tiny moon painting I did, I like it!! For this one I didn’t use liquid mask and it show the moon for how it really was, it wasn’t full like I showed above.I hope you enjoyed my post about my experimental moon painting! Remember I did it in the dark, it was fun! I will bring this kit with me when I travel to England and Ireland and play around with it. Please let me know what you think and leave me a comment!

“Hot Painting Day in July” 7-10-08

It was a very hot day when I decided to scoot outside to do a quick little painting. I used my a square sketchpad because it’s a fun change. The painting is only 5″x5″ big. I first sketched with a micron pen then I used my tiny watercolor kit. Because the day was so hot, it dried very quickly as I worked. I like the stroked look of the sky, it gives it movement.
Of course Ginger had to be right next to me! She was smart and hide from the hot sun under the table! I stood at the picnic table and put one foot up on the seat, resting my sketchbook and arm on my knee.
This little painting is of Birds Foot Trefoil, it grows wild here and there in my, ahem…kind of wild yard! It has lovely little yellow flowers and it’s called ‘bird’s foot’ because the pod cluster that grows looks like a bird foot. This flower grows in Europe and that’s where it came from, now quite common here. The painting is a bit pale because I painted it in full sun, it got hard to look at the white paper after awhile. I used a little trick to make it go faster, I held the flower so the shadow fell onto my paper and then drew the stem lightly with a pencil. Then I was able to just look at the flower and work on my drawing, fixing the details and proportions.

“Oil Pastel Sketch of Northumbria”

This is a 5″ x 5″ little sketch I did with oil pastels from a magazine cover about Northumberland, England. My friend in Northumberland sent me these great magazines so I could get to know the area a little better, as I’ll be visiting it in Sept this year.
The difficulty in the sketch was just that it was so small, but I want to do more on a 5″x5″ format so I can get a collection that would look nice hanging together. To do details I used a razorblade to cut angles on the ends of some of my crayons…and used it also to scratch off details on the house. You can especially see it where I signed my initials.

Hope you like it, I can’t wait to get there personally and so lots of nature studies and landscapes!

“Oak Tree Along Edge of Feild” 11-2-07

I painted this 4″ x 6″ oil painting on an early November day, sunny, cold and gorgeous. I have updated this post with photos of the day out in the field, please see below.

"Oak Tree"

"Oak Tree"

The great thing about painting or drawing outside, en plein air is what you observe…hear, see, feel, smell. This day it was the visit of the bees and teeny tiny spiders. It sounds creepy but when you’re used to treking around in nature you learn to just observe the critters for what they are and do, and not get ‘creeped out’!
Burnt Umber sketch with bee

Burnt Umber sketch with bee

So as a wasp kept landing on my painting and easel, I figured it was interesting. I took pictures of him of course.This shows the first stage of my painting, I used a ‘wipe off’ method here; you paint Burnt Umber on the masonite board and brush it out so it’s a medium value. Then you ‘wipe off’ with a rag and your finger or a brush, the areas that are lighter. It’s like sketching with value, it’s very freeing as you won’t try to catch details you just look for the big shapes and wipe them out. If you don’t like it you brush it back on, easy! Then you lay in darks and bring out shadow shapes with more burnt umber. I have my board attached to a piece of cardboard that has clear tape covering it. There is another small canvas ready to go next to it and they are both attached temporarily with ‘sticky tack’ or ‘blue tack’.
spider on easel

spider on easel

Then every time I started to paint, a tiny spider would appear hanging from the brim of my baseball cap, I’d lift him off with his thread of silk and put him in the grass, then another would appear on my easel. My guess was they were ‘sailing’ on their threads down from the beautiful oak tree.