It was bright and sunny today but winter still hangs on, the snow is over a foot deep and I wish I had my snow-shoes on! The snow is heavy, wet and deep; as I trudge through it I thought of the word ’slogging’! Under the heavy snow is a deep, wet slaw of melted snow; I’m glad for my rubber boots.
"The Branches Reach Towards the Moon"
Ginger prances on ahead of me, begging me to hurry. Finally along the edge of the pasture I paused to catch my breath and attempt to capture a likeness of the moon with the trees reaching up towards it. At the end of this post you’ll see my small sketchbook and watercolors, and how I hold them on a clip board. Almost all my field sketches are done while standing and holding my book.
"The Field in Late February"
Well as you can read in my honest notes, Ginger surprised me and did something different; I feed her really I do! I guess you can’t stop instinct. I’m happy with how this little watercolor came out, I’m always trying to capture that color of the bushes in winter, they’re gorgeous. I was standing in deep snow and at the same time had to shrug my coat off my shoulders and take my hat off as the sun made me that warm. Maybe spring is coming?
"Paw Prints"
There are so many things to see if you take your time and look around you. The snow was quite hard on top, if you’re a lightweight animal. I noticed little tracks as I walked, then saw these little prints and had to sketch them. I brought no camera on purpose today, I wanted to really have to describe all I saw with my brush and pen. For tracks you can use your pencil or pen to measure the real size onto your sketchbook. I call this Comparative Measurements and it can be extremely accurate when you practice using it. These tracks were a bit hard to see because they were so shallow and the snow had dusted over them a bit. I drew the tracks at real size and then measured the distance between the sets, finding they were one pen length. This tells me it’s a small animal, at first I thought raccoon but when I looked on my pocket animal tracks guide I think it may be a skunk! Hey hibernation must be over! Look at this link to see a picture of my pocket track guide which, by the way, I don’t carry with me in the field.
"Snow Burrow"
Then as my eyes followed some more tracks, made by a fox I think, they led me to a small hole dug into the snow. I guessed that a fox, who used his great sense of hearing to listen for small mammals under the snow, had been by and dug down to ‘no surprise’ a burrow or tunnel of a vole. I like to think about the event that may have taken place, probably while the moon was shining on the snow at night. I wonder if he got his dinner?
"Paul's Chair"
As I said the sun was shining brightly as I returned from my day’s walk, trudging along the deep snowy lane. I looked off the lane into the woods and saw there a black metal folding chair. This chair is not there by mistake, my son Paul placed it there years ago and would disappear at times and he’d go here to sit in the woods. I think everyone should have a chair in the woods somewhere, where we can go escape or think. I felt a bit sad seeing it there by itself, perhaps it’s owner would never sit in it again as he’s off to college now. I just hope (as his mother) that he’ll always “find a chair somewhere” and sit in the woods.
Clip board with closed sketchbook
Here’s a picture of my clear clipboard with my handmade 4 1/2″ x 5″ sketchbook and watercolor palette attached. This is how it looks when I pull it from my bag, I use the rubber bands to hold the book shut and the palette. The palette is held on with blue ’sticky tack’ or ‘blue tack’. The sketchbook is clipped on with metal clips with the front cover.
Clip board with open sketchbook
This is how it looks when open, I use the white rubberband (actually it’s a hairband thing) to hold the piece of paper towel or to help hold the book open, or you can use a metal bankers clip. You can see I’m using my waterbrush today with the watercolors, I find it easier when hiking and especially in cold weather. Though it won’t work when it’s ‘really’ cold, it turns to ice on my paper!
I hope you enjoyed coming on my walk, please leave me a comment! I’ll have classes this summer in England where you can come along and sketch while we explore the gorgeous countryside. Please sign up your email address in the “subscribe to posts” box in the right column.
Today we visited Howdiemont Sands beach along the coast of the North Sea in Northumberland England. We walked across Sugar Sands and climbed up to a point where we could view the point at Howick Haven. I wanted to sit and try to do a small watercolor landscape so I bundled up and brought the usual field kit.
Water color painting "View of Howick Haven"
Here’s the finished painting, I did most in the field sitting on top a windy, grassy cold hill. I’ll share the photographs with you of what I saw and tell you a bit about how I did the little painting.
We walked along this beach
When you first arrive at Howdiemont Sands you can choose to walk either right or left. We chose left because it was new to us and we always wonder at what new views might be found or other discoveries.
Sugar Sands
The beach here (called Sugar Sands) is unbelievable, a pretty color of ’sand’ shade, (hahah…) clean, soft and inviting even on a cold sunny October day. You can see many other people and their dogs found the beach irresistible today too.
Bird tracks
There were lots of interesting bird tracks too, gulls leave a track with a little web foot. This one? It was big and looked like it would drag it’s front toe in the sand when it stepped; I wish I knew what it was.
Looking back at Sugar Sands
Here’s a view looking back on the beach we crossed, sometimes you have to go up over the grassy banks to get past areas that are under water still.
The red rocks below me
This is looking down from where I decided to paint, how beautiful the patterns and colors are in these rocks. As the tide continues to go out the rocks will be more exposed.
View from my painting spot
This is the gorgeous view from where I decided to sit, light was fading fast and I had to pick a place quick. It’s really hard to pick a scene when there’s so much to see around you. It helps to hold up your hands and make a little opening like a rectangle and pretend that’s your paper. Move your hands around until you find a cropped scene that you like.
View I painted
Because I wasn’t working really big I tried to limit what I was going to paint, also I didn’t have tons of time with the sun leaving soon as it was about 4:30pm when we arrived.
my sketch
I sat on a picnic blanket with a waterproof bottom, wore my wind/rain pants over my regular pants, this helped to cut the cold and wind. I also had on my fingerless gloves as usual, sorry no picture today! I’m using a homemade sketchpad that I created so it would be extra long. It’s great for landscapes! I worked with my field pan and regular watercolor brushes, usually when in the field I use my waterbrush. I don’t like the waterbrush for larger works needing big washes of color. You can see in the picture a baggy just off the blanket, tucked into the grass. I forgot a watercup to rinse my brushes in, so I used a baggy with some water in it, it worked great!!
My watercolor field pan
This is the painting/sketch laid out at home, you can see this is how far I got with it in the field. The pan watercolors I used is an old metal kit that I popped the large pans out of and replaced with half pans of Windsor Newton brand paints. I use a bit of sticky tack or blue tack to hold each one in place and you can see the handles on my brushes are cut, so I can fit more “things” in it. I brought that one long brush with me and used only that to do all this so far.
My set up to finish from photo at home
Now I set up my laptop with a photo I took while there, and worked on details with smaller brushes while looking at it. I didn’t touch the sky, just left it the way I did it in the field. If you start to mess around with all of it, it can get stiff looking. Notice I put my coffee on the left side…if your right handed, water should go on that side and you don’t want to be dipping into your coffee by mistake! So, I worked on trees and details of that main area; I also used a razor blade to scrape fine lines for the white fence. Also, you may have noticed a funny looking cone shape that looks like a child’s’ painting of a tree? It’s a recreation of one of the oldest ‘houses’ in Britain probably from the Bronze age. Remains of one were found on this very spot! They made their homes from tree limbs in a sort of tee pee style, with turf for the roofing material. I’ll try to find a link about it to add here.
Go here to see the finished painting in the GALLERY.
I have just updated a few pages of my website. I have separated my Links page into two extensive pages, Nature Links and Art Links. Both feature links from all over the world and I am open to suggestions for more links please! I put them up for your convenience as a nature lover or artist; but also because they are favorites of mine and now I know it’ll be easy to find them!
The NEWS page is where you can find my current news, but it also has two pages to click at the top: Art Exhibits and News Articles. The Art Exhibits page will show you any upcoming shows I’m in and my past shows; as I update that page, many of the shows will be links to pictures and articles about that opening. The News Articles are links to news-clippings etc.
My LESSONS and PRESENTATIONS page has new pages linked to it also, Art and Nature Books is where you’ll find a list of books I use for Nature or Art study. When the page is finished there will be links for every section to pictures of the books for your convenience, though I seriously doubt I can fit every book on my shelves! The other new page there is My Art Supplies and Equipment, I will put pictures or blog posts about each listed area, painting, drawing, photography, books and some misc. pictures from around my studio or of me using the equipment in the field.
If you have any links to suggest then please pass them my way, and if you’d like to link to my website please do and let me know.
The day was gorgeous, it was flying by too quickly while I worked inside, longing looks out over my field. Finally I grabbed my cameras, sun hat and rubber mud boots and said “That’s it! Let’s go for a walk Ginger!” Ginger goes nuts of course at the word ‘walk’; I feel relief already and a whole new energy coming in as we leave the yard behind. Sometimes it’s good to not plan, I’m an over planner. Having a field sketching kit ready to grab at a moments notice or your camera and extra battery ready is all you need.
Here I have my new favorite camera slung across my body, I find if you let the strap out all the way carrying it this way is less stress on your neck. I usually walk with the lens cover off, tucked into my back pocket. It’s ready to slip on if I go through brush or kneel down to investigate something where tall ’stuff’ can scratch the lens. The camera is a Panasonic Lumix DMC-FZ28; I have an adapter on it so I can use that big Teleconversion Lens. Everything I shoot is hand-held so when I get clear shots I’m so happy, I just can’t set up a tripod while birding, bugging etc. but all the years of birdwatching comes in handy as I find it easy to spot and zoom on just the right area. The other little camera you see on my belt loop I find to be such a help and compliment to using the big lens, it’s an olympus FE 230 and I love it to peices! It’s great at taking super up close pictures and little movie clips. The movie clips on this blog are all mostly taken with it. (If you want to see all posts with clips, go to my Catagories list and click “Video Clips”) I took this pic by balancing the Olympus camera on a fence and used the timer…it’s a blast to take pics of yourself while out hiking. You are there in your element, why shouldn’t you remember that great big smile on your face?
Song Sparrow Male Watching Me
The first exciting thing was spotting this male Song Sparrow, he was constantly perched about the tops of these small bushes in the middle of my field, around 40 feet away. I took snap after snap of one of my favorite little sparrows, I can’t wait to do a painting of him.
Male Song Sparrow-warning call
I point out here, he was not singing but constantly giving that little “CHIP” call they do when disturbed. Being that I was nowhere near him, I thought maybe he had a nest over there. BUT…..
Song Sparrow Fledgling
Look what I saw as I turned to go…just down in the bushes right near me was a fledgling song sparrow! He was hot out of the nest I presume and sitting still as a statue. NOW I knew why the male Song Sparrow was calling. I carefully took slow steps all around the baby and took pictures, I had to move back a few steps in fact because of that long zoom lens I had. I also whipped out my little Olympus and took some snaps then after I was sure I had captured his mug for posterity from all angles, (picture me creeping around him step by step through heavy brush) I shot a short video clip of him (find it at the end of this post!).
Red Winged Black Bird Male
Moving on. A male Red Winged Blackbird was scolding from way up high in a seed laden tree as Ginger wandered beneath him, not noticing. Then I turned my attention to what was below in the grasses and shrubs. I didn’t need to go far today to find a myriad of wonders. When you go into a field next, just stand still and start to count the number of things you notice; bend down and move some grasses and see what bugs you surprise.
12 Spotted Skimmer Dragonfly
I love Dragonflies, did you know they’ve been around since the time of the dinosaurs? This is a female 12 Spotted Skimmer, each of it’s four wings has three spots, do the math and you get twelve! That’d be great for a math lesson…3×4=12. The female has yellow lines on her sides and black spots on the wings, the male has black and white spots and a pale blue abdomen. If I hadn’t caught a photo of her, I’d never have identified what it kind it was later. It was difficult to catch her though, she flew, landed and disappeared each time; I had to point at where I ‘thought’ she went and zoom in hoping to find her…well you can see I did.
Butterfly on a Daisey
I still need to identify this butterfly I think it’s a ….. What a perfect shot to show how the butterflies coloring and pattern help to protect it. He’s poised on a daisey to feed, notice the color of his back wings (‘hind wings’) match the color of the flower center. Then in his forwings you see little marks of white that make a stripey pattern, just like the petals! If you start to question why something behaves the way it does, or looks the way it does, you’ll find nature around you to be immensely more interesting! And if your and artist, studying these details even if you don’t paint them, helps in understanding your subject.
Moth
Here’s a what’s either a Yellow-collared Scape Moth or a Grapeleaf Skeletonizer. I’ve seen these around the yard over the years and never paid much attention to them. Now I look closer at everything since I’ve started Nature Sketching. I would never have known this was a moth, as I went back to study him further I found two species that look similar. Time to call in reinforcements on this ID!
Spittle Bug
Next we have the unromantic Spittlebug! I have to further investigate further to see if it’s a ‘Two Lined’ or a ‘Meadow’ Spittlebug. I learned this one when I was in girl scouts, away back when. Funny thing is, in England I found out they call it “Cukoo Spit” because it appears around the time the Cukoos come back in Spring! At the center of this mass of ’spit’ bubbles is a larvae that surrounds itself like this while feeding. The adult feeds on the sap of grains and grasses.
Grasshopper
I never would have seen this little guy if I wasn’t poking around in the grasses looking at Spittlebugs! For a grasshopper he’s handsome and trim..haha..if one can describe a grasshopper that way. If anyone knows what kind it is I’d love to know, I am not versed in grasshopper! I had a good look through my “Feild Guide to Insects and Spiders of North America” (National Wildlife Fed.) and couldn’t find one just like it. Notice the leaf next to him to the right, it’s dying off and looks as though there may be eggs laid underneath? Interesting to note the color, it changed to a Cadmium Yellow to a rosy pink (Alizarin Crimson would work nice here). There is new fresh life and at the same time decay supporting more life all around us. It’s just nature’s natural cycle.
Birdsfoot Trefoil - from above
Birdsfoot Trefoil - underside
I now turn my attention to the beautiful wildflowers in the grasses. This is Bird’s Foot Trefoil, leaves in threes (‘tre’) and named Bird’s Foot because the flowers form a cluster of five at the top, when they turn to seed pods it looks like a birds toes.
Daisy Fleabane
This is Daisy Fleabane, my “Readers Digest Guide to Wildflowers” says that it was once hung in houses to help rid them of fleas! Most people would look at these popping up in thier gardens as weeds, but there are really pretty. They grow with the blossoms in clusters at the top of a delicate stem. As I took this photo I was returning from my hike with Ginger down “Pasture Lane”, the grass is very long and it’s shady and right next to a ditch of water, a perfect breeding ground for mosquitoes! They came up in clouds around me but I still nabbed this photo with my tiny Olympus camera…taking some bites on my arms! OUCH! One insect I don’t enjoy studying!
Young Growth in Deep Woods
And we end here, looking into the deep woods. This scene is the type that inspired my paintings like “Mystic Woods”, “Secret Woods”, and “Raven Sphere”, see them in my Fantasy Gallery.
I promised a video clip…it was too big to upload, I’ll learn how to resize it then add it here! Sorry, it’ll come!
Below are the field guides I referred to, both are great!
My finished miniature watercolor painting of a Great Grey Owl, measuring a mere 2″x2″! Be sure to check it out in my Owl Gallery too. It’s an owl named “Aspen” that I photographed at the Keilder Water Bird of Prey Centre in Northumberland England. I’ll show you the stages of painting and talk about how I did it below.
"Great Grey Owl" -first washes
This shows the first stages of painting, the beginning washes to lay down the values, color hue and expression of the painting. I first started with a light sketch in pencil, lifting it as much as I could with a kneaded rubber eraser before painting. Then I painted the washes and sprinkled salt on wet areas to see how it would ‘pull’ the color and create interesting patterns. It is at this stage of the painting that you can get a feel for how the painting will go, will you be loose and expressive? Will you go for more details? Sometimes I think we have to let our intuition guide us, or perhaps our mood.
First wash set up
This picture shows you my set up for the first washes, I always start flat on the table so the color doesn’t run. Many times on larger paintings I stand up and work loosely with my brush. (check out this short Utube video of me working on the “Screech Owl” painting, it shows how I paint loosely when standing). This set up shows my photo reference to the left, the salt above that, then my field palette to the right because I’m right handed, the water bowl above that. I keep a white paper towel folded nearby for wiping off excess water and it allows me to see if there’s paint left on my brush. You see my magnifying lamp which I find good because the light is cool and matches daylight; but I don’t use the magnifier on it as I find it clumsy to use my brushes under it and I bump into all the time when I lean in super close! Sometimes I use a hand held magnifying glass or you’ll see pictures later of my glasses.
Great Grey Owl -stage 3
Now here in stage 3 you see I’ve jumped ahead with lots of details and color. As you work, squint your eyes at the photo and your painting to catch large areas of value that need to be developed and notice color hues. At one point I felt my owl was too brown so I washed a very watered down blue grey over areas, but only on very dry areas. In areas you need to lighten you can either lift color with a damp brush and blot with a paper towel, or you can add it using white watercolor or gauche mixed with your paint colors.
Now on purpose I’m going to point out some things that I found to be unsatisfactory in my painting and I changed. At stage 3 here, I felt like I did a pretty nice painting! I was feeling like it was done, ah….no such luck. If you let it sit a day or two and return to it, or if you show it with the photo reference to a friend with a sharp eye, they’ll be sure to catch something ‘off’ with it. If you’re a conscientious artist, you’ll be bothered by it until you fix it and you probably already knew it was wrong to begin with but wanted to ignore it! Well lets just say my boyfriend has a good eye, sigh, well now he ‘did’ pick me didn’t he? We both agreed the beak wasn’t right, I pointed it out to him then when he agreed it was back to the easel with it. I can’t believe how much I was able to amend the beak being that this is watercolor after all. People are afraid of watercolor because they think it’s unforgiving, wait until you see the changes I made.
Great Grey Owl -stage 4
Stage 4 shows the beak changed, I totally moved the angle of it and lengthened it! (see the enlargements below of these final stages too) If you take a damp brush and gently re-wet an area, and only the area you want to fix, you can then repeatedly rub it gently with a damp brush tip, blot it with a clean paper towel (I prefer Viva!) then clean your brush, wipe it off and repeat. Do this over and over, you’ll be amazed at how much you can lift. When I repainted the beak I thought like an oil painter, I laid down a more opaque yellow layer to clean and brighten the beak, then I kept putting washes over this dry layer to affect the color. It ended up with an unusual translucent look like a real beak would have.
As I did this, of course I started to notice other areas I wanted to improve upon. Sigh…such is the plight of an artist with a picky eye! Notice the area of light tan below his beak, I needed to bring out the lightness of it so I added white watercolor to some cad.yellow, and browns to create a tint for an underlayer. Another note about this painting, next time I will pick a much smoother paper, working with this much detail you need to keep your paper super smooth with no distracting texture.
Great Grey Owl -stage 5
Stage 5 shows how I painted detail on top of the tan area under the beak and the beak has more details added. The owl has an overall lighter look, this is because I kept stroking on little feathers with a tint of whitish blue grey to add detail. Now I thought I was done here, but remember that boyfriend of mine with the good eye? Well he helped me notice I had painted out the nostril! SIGH….yes, when I was adding the little hairs by the beak I must have done that so back to the easel. The picture at the beginning of the post is the final stage, fixed and finished!
Working with my magnifying glasses
This is me working with my reading glasses on and a little set of clip on magnifier lenses. In the photo I have the magnifying lenses lifted up so I can look at the paints in front of me, if they were down I’d need to get much closer to see what I was doing. So I would lift the lenses up when I would sit back a bit and take a look at the ‘whole’ painting and the photo, looking for areas that need attention. Then I’d flip them back down and get close for the detail painting. I wouldn’t use them for the initial stages of painting, you don’t want to focus on details at that point.
Also you notice here my setup is different than before, I have another pan of watercolors and have them set up on some jars so they are closer to my painting. Working with a tiny brush ( 10/0 liner) it dries out super fast and keeping my pallet nearer seemed to help. The nice thing about working on a miniature painting was being able to mix small amounts of color right in the pan lid. (the brush in the picture is not my liner brush)
The pictures below are so you can look at one section close up to see the changes I made to the beak and area around it.
Great Grey Owl close up detail stage 3
Great Grey Owl close up detail stage 4
Great Grey Owl close up detail stage 5
Great Grey Owl -close up detail finished
I hope you’ve enjoyed my post about my painting. I looked forward to showing you my mistakes and how I fixed things as I painted because this is how it goes, it’s a process and doesn’t always go as easy as it looks. I like to encourage my students and others to keep looking at their paintings for more detail but most of all a good beginning drawing is crucial. As you can see here, I missed the beak angle and had to fix it later, but the more you paint and draw the better you’ll be at catching these things in your work. That’s my two cents! Please leave me some comments and if you are interested in note card or prints please let me know.
For the fun of it, here’s some Utube links with owls!
Today I painted this miniature watercolor of some wetlands in England. It measures only 2.25″ x 4.25″, yes it’s a wee tiny thing! I have some pictures from England I want to work from sitting on my kitchen table; so this morning as my oatmeal and coffee got cold, I did this little painting. Here’s a picture of one of my tiny travel kits, this one is set up with my ‘Altoids’ watercolor kit. I have small watercolor brushes that I cut the handles off of so they are short and fit in my kit. The watercolor kit or box is stuck into a metal pencil case that I can use to mix my colors and hold the paper and watercup at the same time. It’s a great little set up, and I like keeping it handy at the table. I did the Snowy Egret in the last post using this kit, but just drew with my inktense watersoluble pencil, not watercolors.
This painting will be up for sale soon after it returns from a show in Washington DC, soon I’ll have a picture of it framed on my gallery page of it.
Last night as I walked out to the barn, I paused to admire the stars, it being a clear night with a small crescent moon. My dog Ginger was bouncing around me waiting for me to continue to the barn for feeding time, I had to watch awhile. I watched them twinkling and thought again about how people all over the world are connected when they look up at the stars and moon. I noticed too how the light cast from the barn made the trees glow against the dark sky, the lighting from below was haunting. It was just then I saw a bright shooting star fly over the trees…with bright sparkling colors behind it; it didn’t have a long tail, but a very brilliant short one.
This is the painting taped to the table (it’s 5″x7″), I used a liquid friskit with the pen tip to quickly sketch the trees on. They are a little clumsy but I meant to do it as a quick sketch, and have some liveliness to it. The stars came out a bit too big so later I had to paint them in a bit.
After the liquid friskit is dry and only then, is it ok to do liberal washes over it. The friskit keeps the paper white, I should have taken a photo to show you how bright and ‘garish’ it looked when I rubbed it off. My son Paul loved the look, kind of modern but a bit too stark for me. I brushed over the trees liberally with browns and then used a damp brush to lift color around the tree tops…a softening effect to suggest the finer branches and glow.
This is my tiny kit with the Altoids tin of watercolors, I mixed my paints on the metal pencil case. The last thing I did was put a little color in behind the shooting star, I took note of this right when I saw it and that’s what I found fascinating about it.
So that’s it, a little sketch of a shooting star…and oh yes…I DID WISH UPON IT!! (but I’m not telling!
This is a tiny little watercolor painting I did on New Year’s Eve morning, while drinking my coffee and looking out the back studio window. It measures a mere 2.5 x 3.5″. You can see below a photo I took while working, but I put the tin down to take the photo. I painted it while standing and holding this little set-up in my left hand. It’s a pencil case that I stick my “Altoids” watercolor kit in using blue tack or sticky tack, and the same for the tiny watercup. I also use the tack to hold two brushes at the ready on the side; I use the metal area under the paint kit to mix colors. This set up works well for small paintings and studies.
Well, late last night, I just had to play with my new little watercolor field kit I put together. I love making up new kit ideas to carry my art stuff around in.
A picture of it all packed up, it only stands 6″ tall and 4″ wide.
Here it is with all the contents laid out, can you believe how much stuff I can fit inside it?
For the painting, I actually painted it while laying on the bedroom floor! Sometimes I think I’m just a kid in grown up clothes, doing things I would have done when I was younger. In College I painted using an old bread board on the floor, all the time! I had no desk in my apartment and it was just easier.
Well, back to my tiny watercolor. It’s only 3 1/2″ x 4 1/2″ big! I used little brushes and the tiny little cup for water. I didn’t start with any drawing, I just started painting, looking for the shapes and laid them in lightly. As I started to add the face details, that’s when I checked using comparative measurements, where her mouth, nose, eyes all fell. Then I pulled the hood down a tad before putting it’s green color on.
Below, I added the background wash and more on the hood, washing some background blue onto the green of the hood. I lightened the eyes also, touching them up. And then darkened the shadows.
Last is the finished little painting. I worked on hair details more, adding some burnt sienna to add warm darker tones and more hair strands. I painted some purple in the shadow on her chest near my signature. The purple was a nice choice, darkened without making it look dirty colored. I added more greens and a light wash of cadmium yellow to the upper hood to warm it up. The hood on the left side (shadow side) got only blue washes. I added some darks on her upper chest and washed over her shoulder, then lifted the highlight by dabbing a clean paper towel after wetting the paper repeatedly. Then after deciding the eyes were as good as I wanted them, (sometimes a hard thing to let go of) I added a tiny white highlight with a dot of white watercolor paint. Finished little beauty!! Hope you like it!
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