This morning while eating my oatmeal and sipping my coffee, I heard a strange rustling sound behind the curtain of my sliding door. Hmmm…..dare I look? Could it be a mouse? Err…um…ok, I’m not squeemish about mice so I pulled the curtain aside and a large brown moth came flying out! He was looking for a way out and followed the light, no pun intended. I had no idea what kind it was and in the “old days” I would have said, “yuch a moth!” But now I find it’s much more interesting to take a closer look and study things, understand them. I went to the barn to retrieve my butterfly net, despite the very wet grass and chilly fog.
Once I caught the little guy I put it carefully under my “Britta Waterfilter Jug”, probably first it’s been used in a long time! haha. It’s nice and clear. I grabbed my sketchbook and did some basic outline sketches, and looked at it with the magnifying glass and identified it as a “Large Yellow Underwing”. Then I took pictures with my tiny Olympus camera because it has a nice closeup feature. I started some of the basic patterns while looking at him, but really was able to add the real detail after printing out some pictures. By the way, at first I thought it was a “False Underwing”, as you can see from my crossed out note, but looking closer at his underwing you can see the extra orangy yellow band at the bottom, or in Butterfly wing language “the Margin”. It was interesting to study his legs as they had slender needle like ‘thorns’ on them.
He was at first a dull brown looking moth, but as you can see here, so beautiful when you study the patterns on his wings. After I had some pictures I let him go outside right away, don’t want to stress him. He flew around in my screen porch a bit and that’s when I got the best pictures, no plastic between us!
I’m adding this little sketch that I did yesterday. While looking over my parsley plants, checking for signs of Black Swallowtails, I noticed a tiny Damselfly flying around. It was only one inch long and though it was orangy colored, it was hard to notice at first. I tried to study its color, pattern and size and when I went back inside drew a small pencil sketch. Damselflies hold thier wings together and Dragonflies hold them out, so I knew it was a Damselfly. As soon as I opened my bug field guide to the Damselflies, there it was! A “Rambur’s Forktail”, the adults are a pale blue color. Here’s a link for photos: http://bugguide.net/index.php?q=search&keys=Rambur%27s+Forktail&search=Search
My finished miniature watercolor painting of a Great Grey Owl, measuring a mere 2″x2″! Be sure to check it out in my Owl Gallery too. It’s an owl named “Aspen” that I photographed at the Keilder Water Bird of Prey Centre in Northumberland England. I’ll show you the stages of painting and talk about how I did it below.
"Great Grey Owl" -first washes
This shows the first stages of painting, the beginning washes to lay down the values, color hue and expression of the painting. I first started with a light sketch in pencil, lifting it as much as I could with a kneaded rubber eraser before painting. Then I painted the washes and sprinkled salt on wet areas to see how it would ‘pull’ the color and create interesting patterns. It is at this stage of the painting that you can get a feel for how the painting will go, will you be loose and expressive? Will you go for more details? Sometimes I think we have to let our intuition guide us, or perhaps our mood.
First wash set up
This picture shows you my set up for the first washes, I always start flat on the table so the color doesn’t run. Many times on larger paintings I stand up and work loosely with my brush. (check out this short Utube video of me working on the “Screech Owl” painting, it shows how I paint loosely when standing). This set up shows my photo reference to the left, the salt above that, then my field palette to the right because I’m right handed, the water bowl above that. I keep a white paper towel folded nearby for wiping off excess water and it allows me to see if there’s paint left on my brush. You see my magnifying lamp which I find good because the light is cool and matches daylight; but I don’t use the magnifier on it as I find it clumsy to use my brushes under it and I bump into all the time when I lean in super close! Sometimes I use a hand held magnifying glass or you’ll see pictures later of my glasses.
Great Grey Owl -stage 3
Now here in stage 3 you see I’ve jumped ahead with lots of details and color. As you work, squint your eyes at the photo and your painting to catch large areas of value that need to be developed and notice color hues. At one point I felt my owl was too brown so I washed a very watered down blue grey over areas, but only on very dry areas. In areas you need to lighten you can either lift color with a damp brush and blot with a paper towel, or you can add it using white watercolor or gauche mixed with your paint colors.
Now on purpose I’m going to point out some things that I found to be unsatisfactory in my painting and I changed. At stage 3 here, I felt like I did a pretty nice painting! I was feeling like it was done, ah….no such luck. If you let it sit a day or two and return to it, or if you show it with the photo reference to a friend with a sharp eye, they’ll be sure to catch something ‘off’ with it. If you’re a conscientious artist, you’ll be bothered by it until you fix it and you probably already knew it was wrong to begin with but wanted to ignore it! Well lets just say my boyfriend has a good eye, sigh, well now he ‘did’ pick me didn’t he? We both agreed the beak wasn’t right, I pointed it out to him then when he agreed it was back to the easel with it. I can’t believe how much I was able to amend the beak being that this is watercolor after all. People are afraid of watercolor because they think it’s unforgiving, wait until you see the changes I made.
Great Grey Owl -stage 4
Stage 4 shows the beak changed, I totally moved the angle of it and lengthened it! (see the enlargements below of these final stages too) If you take a damp brush and gently re-wet an area, and only the area you want to fix, you can then repeatedly rub it gently with a damp brush tip, blot it with a clean paper towel (I prefer Viva!) then clean your brush, wipe it off and repeat. Do this over and over, you’ll be amazed at how much you can lift. When I repainted the beak I thought like an oil painter, I laid down a more opaque yellow layer to clean and brighten the beak, then I kept putting washes over this dry layer to affect the color. It ended up with an unusual translucent look like a real beak would have.
As I did this, of course I started to notice other areas I wanted to improve upon. Sigh…such is the plight of an artist with a picky eye! Notice the area of light tan below his beak, I needed to bring out the lightness of it so I added white watercolor to some cad.yellow, and browns to create a tint for an underlayer. Another note about this painting, next time I will pick a much smoother paper, working with this much detail you need to keep your paper super smooth with no distracting texture.
Great Grey Owl -stage 5
Stage 5 shows how I painted detail on top of the tan area under the beak and the beak has more details added. The owl has an overall lighter look, this is because I kept stroking on little feathers with a tint of whitish blue grey to add detail. Now I thought I was done here, but remember that boyfriend of mine with the good eye? Well he helped me notice I had painted out the nostril! SIGH….yes, when I was adding the little hairs by the beak I must have done that so back to the easel. The picture at the beginning of the post is the final stage, fixed and finished!
Working with my magnifying glasses
This is me working with my reading glasses on and a little set of clip on magnifier lenses. In the photo I have the magnifying lenses lifted up so I can look at the paints in front of me, if they were down I’d need to get much closer to see what I was doing. So I would lift the lenses up when I would sit back a bit and take a look at the ‘whole’ painting and the photo, looking for areas that need attention. Then I’d flip them back down and get close for the detail painting. I wouldn’t use them for the initial stages of painting, you don’t want to focus on details at that point.
Also you notice here my setup is different than before, I have another pan of watercolors and have them set up on some jars so they are closer to my painting. Working with a tiny brush ( 10/0 liner) it dries out super fast and keeping my pallet nearer seemed to help. The nice thing about working on a miniature painting was being able to mix small amounts of color right in the pan lid. (the brush in the picture is not my liner brush)
The pictures below are so you can look at one section close up to see the changes I made to the beak and area around it.
Great Grey Owl close up detail stage 3
Great Grey Owl close up detail stage 4
Great Grey Owl close up detail stage 5
Great Grey Owl -close up detail finished
I hope you’ve enjoyed my post about my painting. I looked forward to showing you my mistakes and how I fixed things as I painted because this is how it goes, it’s a process and doesn’t always go as easy as it looks. I like to encourage my students and others to keep looking at their paintings for more detail but most of all a good beginning drawing is crucial. As you can see here, I missed the beak angle and had to fix it later, but the more you paint and draw the better you’ll be at catching these things in your work. That’s my two cents! Please leave me some comments and if you are interested in note card or prints please let me know.
For the fun of it, here’s some Utube links with owls!
I like to keep my field kit ready at hand to grab and it was a good thing today. I had a doctor’s appointment that I knew would be a long wait and lucky I had my kit. I threw a handful of 4×5 owl photos from my trip to England, into my bag; this will give me a chance to sketch some ideas for larger paintings. Here is the sketch of a young Spectacled Owl sitting on my gloved hand at the Kielder Water Bird of Prey Centre in Northumberland.
"Spectacled Owl Sketch"
I’ll be working on this some more and then post it, not sure if it’ll be watercolor or not. You can see a picture of me holding him on my “About Me“ page.
This coming Saturday April 4, 2009, I’ll be giving a free talk and demonstration about nature sketching in the field. It’ll be held at the Iroquois Wildlife Refuge from 1pm, at the refuge headquarters building, 1101 Casey Road. I’ll be showing my personal sketchbooks, art supplies I use in the field, how I carry things and demonstrating some basic drawing techniques along with how to make a simple field sketchbook for yourself! Please come and meet me and see my sketchbooks and be inspired to go drawing in the field after!
Here’s some links to past entries on my Nature Sketching blog from hikes around the Iroquois Wildlife Refuge.
A Valentines Day bouquet from your sweetie is very nice…smells so sweet, warms your heart..but doesn’t last forever no matter what you do. Unless you get out your paints and do some studies! After a week of enjoying the blooms…then watching some slowly fade, I picked out the freshest ones and moved them into another vase up to my studio. As I did the tulips dropped their petals in a flourish, woosh…all over the table. I picked some up and looked at them, thinking how beautiful their individual forms and colors were.
I decided to do studies of the petals and laid them on my paper with a strong little lamp above me. I should have titled this post “How to Paint Through Pain”…that is, how to cope with painting while in pain. I painted these on the floor, my lower back has been hurting and sitting in a chair was too much to bear. So, I put it on the floor and kept moving around…kneeling, laying on my stomach…what ever I could. I got a bit messy with some areas of these studies, but then it was hard to concentrate! I started each with a basic gesture of the shape very lightly drawn with pencil. The shadows were the most fun to paint, studying the colors coming through the petals. A tip here, to keep the petals fresh until you’re ready to work, put them in a ziplock sandwich bag with a sprinkle of water, then put them in the refrigerator. Tell everyone NOT to eat them!!
Oh yes, the other thing is I did them with just my waterbrush…see above picture. You can see the petals laying on my paper and waterbrush in my hand. (PS. this was really late at night…actually I think it was 1am!)
So now I can look at the little study and always remember my Valentines surprise bouquet! I wish I had time to do more studies..I had planned to, but you know how that goes!
I’ve been trying to go back into my sketches I did on my trip to England and add some color or finish what I’ve started. On this little sketch I scribbled it out in 5min….and added some notes on color right on the page. So to keep practicing with my waterbrush and watercolors I added some color while looking at a photo I had taken that day. It’s different using the waterbrush alone and not an assortment of brushes. You have one tip to work with and a different kind of flow of water. I’m liking it more and more, but it still has it’s limitations, most especially when wanting to lay in a large wash of color. You have to mix a puddle of color first on your palette, squeezing the barrel to make drops of water come out.
photo courtesy of John Rusak-Clarence Bee News, teaching at the Burchfield Nature and Art Center Spring 2008, 5th grade class
Indoor and Field Classes
Join Naturalist Artist guide Mary McAndrew in sketching, painting and experiencing nature through art.
Mary McAndrew (716) 741-4544 mary@marymcandrew.com
Mary McAndrew, naturalist artist guide, will be giving a FREE introductory talk and lesson on “Nature Sketching in the Field” at the Iroquis National Wildlife Refuge. Please bring a sketch pad and pencils; the time of the program is 1pm at the refuge visitors center 1101 Casey Road. To read more about the Iroquois Wildlife Refuge visit their website: http://www.fws.gov/northeast/iroquois/mary@marymcandrew.com
My students trying watercolors for the first time, it was so much fun!
In the morning looking out my window, I was greeted by an unusual sight, sheep in the courtyard! I guess it would be very frustrating to have a garden here as the sheep kind of wander where they like, especially if their gate is left open. The owners of Cote Howe B+B told me it was hard to protect the garden and they try to put fencing around it.
This morning I was leaving Rydal Water, I was sad to say good-bye. I went out behind the B+B to wait for my friend Gary to come, it was chilly and damp. I climbed up on top of a big wooden gate with huge stone posts and did a balancing act as I swung my legs to the other side. The stone wall is fascinating in itself to study, notice the huge cap stone at the end on the left…I don’t know how deep it goes into the ground, but I’m sure it goes down a few feet at least. This is how the stones were set for Stonehenge and the other stone circles around England and Ireland. The big stone here is used as the post, the wall being built up against it and also gates can be hung on it. The wall has a niche in it, I forget what the owner told me it was for? Does anyone know? Above you can see some beautiful forms of fungus’s and moss. It seems anything that wasn’t moving in England this fall, was covered with mosses! I’ll try to identify these later from my field guides, if anyone has some good identification, leave me a comment please! There were sheep in the field, an occasional hiker and just a beautiful view looking towards Rydal Water and the path I took yesterday for my hike. I sat and sketched the sheep and pathview, the bunny is from when I was standing by the garden and saw him there. I added a short video clip at the end of this post showing the sheep I was sketching, I was sitting so still and quiet that it came to eat right under me! When I started to talk it got suprised and walked away. That’s the neat thing about sketching in nature, you sit so quietly engrossed that wildlife will come around you.
Below you can see my original page, this is what I did as I sat on the fence, I painted it in while looking at the photos on my computer screen, using my tiny altoids watercolor kit and just one waterbrush. You can see my tiny color tests in the spiral area of the paper.
Not too long ago I posted about my hike around Rydal Water in the Lake District of England. I did sketches as I went, some being quick as the day grew short and chilly. Below is a sketch I did with a permanent micron pen, I just couldn’t resist the view. I wrote notes on it about how I felt and even some abbreviations for color notes.
Last night, quite late actually, around midnight I found myself in front of the computer with a photo I had taken on the spot up on the screen. I used my tiny altoids watercolor kit and one #8 round brush to color in the sketch. I went over the words in a heavier line because they started to get lost. I think it’s a bit distracted looking if that makes sense, I think because I was in a lot of pain (neck and lower back! ohhhh!). But I wanted to do this up…I may go back into it with a micron pen to scribble in more forms. But at least I practiced with my colors and what I could produce with my tiny kit.
I have another post coming soon that I colored after also, of some sheep, a bunny and a little view of my path.
I hesitated to put this study up, it’s nothing gross to a naturalist, a dead mouse. Some people would say “oh, gross!” but all through time, man (scientists and artists in particular) has learned by studying from dead creatures. I love animals and things of our natural world and have a great respect for them even when dead. This mouse was very beautiful and being the curious naturalist that I am, I studied it, sketched it and painted it. It’s fur was soft and shiny, and it’s tiny paws amazing. Someday I’m going to have some pet mice again, (had them when a teenager) then I can study and paint them all I want.
The top painting was done first with a light pencil gesture sketch then I used watercolors, his whiskers being added with a Chinese white watercolor and tiny brush. The bottom left study was done with a brown micron permanent marker and the right one was done with non permanent brown ink, that I touched with a waterbrush to create value washes.
And now about Robert Burns, he was a poet from Scotland and they commemorate his life by having a Burn’s Supper on January 25th, there are formalities of speeches, whiskey toasts and haggis. Here’s a link to Wikipedia to learn more about it. http://en.wikipedia.org/wiki/Robert_Burns_Day
And why I mention Robert Burns…Scottish poet? I heard a poem on Robert Burns day (Jan. 25th) and it was about a mouse and it went with my mouse study; here’s a link to UTube to listen to a reading of his poem “To a Mouse”.
I like that he calls the mouse lucky, because he doesn’t look back at his past or worry about his future, he lives in the here and now unlike man. Sometimes when I’m feeling overwhelmed or stressed out, I’ll look at my dog rolling in the grass, trotting freely around the yard and think…how lucky you are! To be as simple as an animal and live for just this moment.
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