Well, late last night, I just had to play with my new little watercolor field kit I put together. I love making up new kit ideas to carry my art stuff around in.
A picture of it all packed up, it only stands 6″ tall and 4″ wide.
Here it is with all the contents laid out, can you believe how much stuff I can fit inside it?
For the painting, I actually painted it while laying on the bedroom floor! Sometimes I think I’m just a kid in grown up clothes, doing things I would have done when I was younger. In College I painted using an old bread board on the floor, all the time! I had no desk in my apartment and it was just easier.
Well, back to my tiny watercolor. It’s only 3 1/2″ x 4 1/2″ big! I used little brushes and the tiny little cup for water. I didn’t start with any drawing, I just started painting, looking for the shapes and laid them in lightly. As I started to add the face details, that’s when I checked using comparative measurements, where her mouth, nose, eyes all fell. Then I pulled the hood down a tad before putting it’s green color on.
Below, I added the background wash and more on the hood, washing some background blue onto the green of the hood. I lightened the eyes also, touching them up. And then darkened the shadows.
Last is the finished little painting. I worked on hair details more, adding some burnt sienna to add warm darker tones and more hair strands. I painted some purple in the shadow on her chest near my signature. The purple was a nice choice, darkened without making it look dirty colored. I added more greens and a light wash of cadmium yellow to the upper hood to warm it up. The hood on the left side (shadow side) got only blue washes. I added some darks on her upper chest and washed over her shoulder, then lifted the highlight by dabbing a clean paper towel after wetting the paper repeatedly. Then after deciding the eyes were as good as I wanted them, (sometimes a hard thing to let go of) I added a tiny white highlight with a dot of white watercolor paint. Finished little beauty!! Hope you like it!
I thought I’d put up some pictures of the Harris Hawk oil painting I’m trying to find time to work on. I started this a year or so ago! The underpainting shown below, has been sitting around in my studio so patiently waiting for more! It’s done with wet burnt umber then I wiped off to ‘draw’ the bird on the canvas. A very nice, freeing technique, you just concentrate on the shapes like you should.
Then below, I start what’s called the dead color stage, flat blocked in areas of color as close to the final color as possible.
Below you can see me, wow do I look serious or what? I decided to hold the palette this time, sometimes I put it on my custom biult (by me) painting tower. But I like having the colors right there in my hand so to speak, for mixing and direct painting onto canvas. This is it so far…shapes are looking good, colors too. I have to decide what I’ll do with the sky or background.
I was inspired on Tuesday (19th) to paint a Cooper’s Hawk when I saw one (or a Sharp Shinned Hawk) swoop over my bird feeder. I talked about it in my post on the 19th. So I did this small study from a field guide in my 5″x81/2 ” sketchbook. First I did a “Gesture Sketch” then added some details when I felt the drawing was correct.I started first with black watercolor in various values to ‘draw’ more details in, feather markings, wing values and shape. Then I dabbled on with my fine pointed round brush, a light value of breast color. While it was wet I sprinkled on salt to see if it would help break it up, in a random way, I love the way salt does this. I also put in an orange red for the iris of his eye. In the third picture I have laid on more breast value, defining more of the 3d shape of the hawk’s breast and body. I put a pale wash of purply pink under his tail and touched it to his wing feathers and by his eye. I put a tiny bit of blue on the beak and behind the eye to shape his head more. I also colored the branch, legs and put some browns up onto wing feathers.
The fourth picture I added some more colors here and there on the hawk, more color on the grey wing feathers and around eye. If you notice the longest tail feather in the last picture I rubbed out in this one. If you need to change something, wet it and repeatedly brush it and dab with a papertowel. I wanted to shorted in because it was making the whole tail look too rounded. I used my favorite little Chinese brush to make the pine needles in the background. I have a picture below about this. The final picture of my painting (above) shows another little Cooper’s Hawk study, this one done with Inktense watercolor pencils, Prismacolor watercolor pencils and one Graphitint water soluble pencil. You can see the difference between the transparent watercolor painting and the wc pencil painting. I like the grainy look of the wc pencils, it has a softness to it. On my sketchbook I’ve listed the actual colors for those who like to know! You can click any picture to see it larger.
This photo shows how I used a plastic bag to block the birds breast so I could brush right from his breast out, without getting him green! It’s a little trick you can do to protect your areas you’ve painted. I would be holding it down with my fingers normally, but I had to hold the camera! (I need a camera man!) Then I show how I use my little Chinese brush by splaying it out, to make pine needles, it works great! The next photo shows me putting the needles on with the brush tips. Now here’s a little tip that I just put to good use, you can see in the last photo I have two pencils in my hand. You can brush the tips of your wc pencils to get a limited amount of color for light washes. But this time I held two, an Antique White and Tangerine. I brushed the Tangerine then the White to make an opaque wash of orange. I used this very nicely on his eye as it had gotten a bit dark. Then I used the white alone to dab repeatedly to make a highlight on his eye. Besides the Chinese brush, I used the one small brush to do all of the painting on both, a round, cheapo brush from Walmart! I hope you enjoyed my painting today as much as I enjoyed doing it! Please leave me your comments if you like and you can sign up to receive email announcements when I do a new post!
Please have a fun visit to my Zazzle Shop where I have my bird paintings on glossy notecards, mugs, canvas bags and t-shirts! More coming all the time.
This is from my trip to the Buffalo Botanical Gardens on Jan. 11, 2008. I’m working from a photo of a stem with pink and green leaves, I still have to find out what kind of plant it is. It’s very pretty!
I’m working in an 8″x10″ sketch book, first I did a sketch with a mechanical pencil. I tried to scan my progress with the color pencils in stages. I’m working with my new Coloursoft Color Pencils from Derwendt and a few Prismacolor Color Pencils.
The bottom twig tip I outlined with a very fine point sharpie marker, then worked the CP in. I’m still not sure how I’ll approach the branch, I might do a watercolor wash then CP but the paper is pretty thin and it might not work too great. We’ll see!
Me painting with sketchbook and watercolor palette in one hand.
I decided to put that little travel watercolor palette to test. I picked up a gorgeous iris and lily yesterday, sketched it out and started the first stages of painting. My objective here was really to test out the palette, watercup arrangement and holding the light board all in one hand. I want to see if I can use it like this in the field without an easel for little studies. You can click on any picture to see enlarged views.
My travel watercolor palette with watercups attached
I show a close up of the arrangement so you can see the watercups; they are actually for holding mediums for oil painting, designed to hold the liquid even when tipped slightly on a hand held palette. They worked fantastic! I had to get over the habit of looking for my watercup on the table! You can see the ‘sticky tack’ or ‘blue tack’ in my palette. Yesterdays blog explained that better, so they get tested today and it worked wonderfully! Yay..two experiments that worked.My hand got a bit tired from holding the board and palette but this set up is supposed to be for quick studies, I worked on it longer than I would in the field.
The pictures are to show the stages of my painting, start to finish.
Iris pencil sketch
starting to lay in some colors
Putting on the blues, make sure yellow is dry first
I painted this 4″ x 6″ oil painting on an early November day, sunny, cold and gorgeous. I have updated this post with photos of the day out in the field, please see below.
"Oak Tree"
The great thing about painting or drawing outside, en plein air is what you observe…hear, see, feel, smell. This day it was the visit of the bees and teeny tiny spiders. It sounds creepy but when you’re used to treking around in nature you learn to just observe the critters for what they are and do, and not get ‘creeped out’!
Burnt Umber sketch with bee
So as a wasp kept landing on my painting and easel, I figured it was interesting. I took pictures of him of course.This shows the first stage of my painting, I used a ‘wipe off’ method here; you paint Burnt Umber on the masonite board and brush it out so it’s a medium value. Then you ‘wipe off’ with a rag and your finger or a brush, the areas that are lighter. It’s like sketching with value, it’s very freeing as you won’t try to catch details you just look for the big shapes and wipe them out. If you don’t like it you brush it back on, easy! Then you lay in darks and bring out shadow shapes with more burnt umber. I have my board attached to a piece of cardboard that has clear tape covering it. There is another small canvas ready to go next to it and they are both attached temporarily with ‘sticky tack’ or ‘blue tack’.
spider on easel
Then every time I started to paint, a tiny spider would appear hanging from the brim of my baseball cap, I’d lift him off with his thread of silk and put him in the grass, then another would appear on my easel. My guess was they were ‘sailing’ on their threads down from the beautiful oak tree.
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