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I know it’s not the time of year for Lightning Bugs (or Fireflies) to be out but thought I’d share this small illustration I finished recently. I’ve been working on studies of small, native plants (NY) [...]]]>

"Lightning Bug Under Grass" watercolor + ink

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I know it’s not the time of year for Lightning Bugs (or Fireflies) to be out but thought I’d share this small illustration I finished recently. I’ve been working on studies of small, native plants (NY) to go with illustrations in the children’s books I’m working on and decided to put this Lightning Bug in here. It’s more realistic than the books will be but I really like how it looks like an ‘old time’ illustration. Many people have never seen this bug in the day, known for it’s magical blinking lights at night, but if you get to know it you may spot it in long grasses or hedges.

Though I painted this entirely in the studio all the studies had to be done in the field. Lately when I’ve been able to get out for sketching, I’ve taken my garden kneeling pad and a big garbage bag to sit on the wet ground to work. It really is amazing how many different small plants there are growing right under your feet!

Next post will be about the small plant studies I’ve done out in the wet lanes of spring. Click on the images below to see my prints, note cards and other items with this painting (you can add text to any of them!):

"Pasture Lane in March" watercolor and ink

The land is starting to thaw at Long Lane Farm. The Robins have returned along with many other birds so I went out to look for signs of spring. It was very quiet except for occasional Chickadee’s following [...]]]>  (please click to see enlarged and clearer)

"Pasture Lane in March" watercolor and ink

The land is starting to thaw at Long Lane Farm. The Robins have returned along with many other birds so I went out to look for signs of spring. It was very quiet except for occasional Chickadee’s following me or a Blue Jay calling, some Canadian Geese flying over. I made it just up the lane a little and decided to sit and do this sketch.

I carried a small camp stool over my shoulder so I sat on that and put my sketchbook on my lap along with my watercolor pan.  I used two waterbrushes and a permanent ink pen to draw it first. I found it a bit difficult to paint the grasses right in front of me, that were all matted and crisscrossed on the ground, sooo much detail! You can see I didn’t get crazy into detail, mostly just looking for the darks and lights of the scene, showing the water around the rushes and the dry color of grasses in the lane.  I didn’t fuss over it too long because my back hurt like a ‘son of a gun’! Darn back of mine, I think I may have been better to just stand like I usually do.

PS. A note to those who follow my blog, I’m so glad you keep coming back to read and see what I’m up to. I’ve not posted as much lately only because I am finally concentrating seriously on illustrating all the poems and stories I’ve written over the past years. I’ll try to share a bit as I can, but don’t want to let the cat out of the bag too soon! We’ll see what I end up with and I’ll keep you posted!

I made some cards with my sketch, check them out by clicking pics below:

Glossy Note Cards

Glossy Post Cards

This is a little (5 x 7″) oil painting I did “en plein air”, or translation… “while standing in the snowy field freezing my fingers off”! What I wanted to do was study the colors in oil and not get too caught up in the finished look of a painting. [...]]]>

"Winter Field Sketch"

This is a little (5 x 7″) oil painting I did “en plein air”, or translation… “while standing in the snowy field freezing my fingers off”! What I wanted to do was study the colors in oil and not get too caught up in the finished look of a painting. It was a good exercise in study of color for me, it would not have been as successful if I did it from a photograph.

My oil field kit, closed.

I rigged up a little field kit for oil painting, just for taking out on hikes. Here’s a picture of the kit closed, it’s a plastic case you can buy at an office supply department. I’ve only used it this once but hope to work with it more and ‘tweek’ it. The main objective was to keep it as light as possible.

Here it is open to show you the metal pencil case and use of 'sticky tack'.

This shows the kit open with two areas of gessoed canvas ready to use. Notice the four dots of ‘sticky tack’ on the left, they’ll hold the lid of the metal pencil case when I want to paint, using the lid for mixing. I used tape to make loops to hold brushes; just put tape sticky sides together to make it ‘not’ sticky in the middle.

I created a loop of tape to slide my medium cup into.

I used the tape in the same way here, keeping it sticky on the ends but not in the middle, I created a loop that my medium cup would slot onto. At the angle I would hold the kit, the cup would not come off! It was then held from behind with a dab of ‘sticky tack’.

Here is my field kit in action!

I held the homemade kit in one hand, using my arm for support, and painted with my right hand. It’s all in my reach and I brought no tubes of paint. Notice my fingers are holding one brush at the ready and the other ‘dirty’ or ‘in use’ brushes are kept on the left of the hinge, clean ones to the right in the loop.

Of course Ginger was along for the adventure and waits patiently to continue with our walk!

I put a squeeze of my colors in a metal pencil case and put some in a pill box from the pharmacy before I left the house. The pill box was an experiment and I wasn’t really satisfied with it, it gets too messy on the lids and doesn’t keep the paint really airtight. Since then I’ve moved to using contact lens cases that screw shut…we’ll see how the paint lasts in them as they’re all back in England and I won’t see them until spring!

This shows you my view of the field as I worked.

The above picture shows you the view I had as I worked, it also illustrates how dull the colors look on a photograph and how I perceived the colors with my eyes to be a bit more vivid. This is why working in the field is so important whether you are oil painting, using watercolors, pastels…etc.

When I came back home, I stuck the little study up on a wood post in my living room using ‘Loctite” sticky tack. I hung there for ages and I enjoyed looking at it whenever I walked by. It wasn’t until I found a great frame and laid it on top that it popped out and said “HEY…I’m a good little painting!” hahah…yes sometimes my paintings talk to me…don’t yours? It also told me to stop ignoring it and get it framed so it could have a proper place on the wall! Yes…yes, the voice of guilt, this painting actually was done last year (12/31/10) and since I traveled to England it got sort of forgotten!

Click to see photos enlarged:

How it looks framed on the wall

"Winter Field Sketch" framed and in cool daylight

Original framed painting $165 contact me

Go here to see all my Landscape Paintings in the Gallery.

I also made some nice products in my Zazzle Gift Shop with this, please click on the pictures to have a look!

Pasture Lane in February, all icy and beautiful.

I wore my mud boots or Wellies because [...]]]>  Today was cold, oh so cold but SUNNY!, and that makes all the difference in the world. It’s been a long while since I’ve sketched in the field (or while walking) since coming home from England.

Pasture Lane in February, all icy and beautiful.

I wore my mud boots or Wellies because I knew it’d be wet. The photo shows the wet lane and as I walked here and all through the field, it was creaking and cracking ice under foot. It was actually fun and reminded me of some movie scenes when you’d hear that familiar creaking of ice, just before the huge crack creased through the ice towards the unfortunate victim! Haha…oh but don’t worry, the water under ‘my’ ice is only a few inches deep! A tip from me, walk near the grasses along the edges of icy lanes, it’s more solid and less water underneath.

Bird's nest found in the field (click to see nice large image)

I spotted this nest so clearly in the bare branches of a bush in the middle of my field. I walked over and found that it was actually above my head, probably around 6′ 6″ or more from the ground. I’m not sure what kind it is, I’ve seen Song Sparrow nests in this field but they were lower. I did a quick drawing while wearing my fingerless gloves, which makes it better but you still get cold! Drawing with a permanent ink pen, I tried to sketch and plan where I needed to ‘not’ draw the branches so I could put the nest in and not have unerasable lines. While I had the real nest in front of me I added the shadows to the branches.

It was when I got home that I started to play around and draw twigs around the page like a frame. I did this as I waited for my water to boil, that nice cup of coffee I’d enjoy soon, to help me thaw. Now that I just studied real branches in the field, it was fresh in my mind and the most important thing is adding the shadows. Just pretend the light is always from the same side (mine was upper right side) and after you draw the branches, add the shadows. Now if I wanted I could add a poem along the right side; below I created a card, in my Zazzle shop, where you can do that!

The birds nest up high in a bush

Here’s a picture of the nest as it looked from back a few steps, up in the bush.

Nest up close.

This shot shows the nest up close, I love having my tiny olympus camera in my bag for this type of shot. On purpose I left my ‘regular’ camera at home, determined to push myself to do a sketch today! Well, darn it, I still like taking pics of the beautiful landscapes, close ups of interesting things and if I do a sketch perhaps the subject I drew. I try to always have my tiny camera in my sketch kit. I thought the nest had spider web helping to hold it together but now I look closer and think it could be downy seeds instead. I love the colors of the woven grasses in the nest, though being that it was so cold outside, I really didn’t want to pull out my watercolors as I stood in front of it drawing.

A view from above by holding the tiny camera up high.

And here’s the last shot, I held the camera up as high as I could and pointed it into the nest. It’s in such good shape after a whole winter, I’m so glad I spotted it and did my sketch today.

I’ve created some note cards using my photos and sketch in my Zazzle shop, please click any below and have a look! (I especially love the last one!)

This moth is a little watercolor painting I did on coffee stained paper (click it to see it larger and clearer). Using instant coffee to stain your paper is something I taught in my Creative Journaling class. It’s great to use lightly on your paper to make it [...]]]>

Watercolor moth painted on coffee stained paper

This moth is a little watercolor painting I did on coffee stained paper (click it to see it larger and clearer). Using instant coffee to stain your paper is something I taught in my Creative Journaling class. It’s great to use lightly on your paper to make it look antique or like parchment. Here I just played with it like watercolor and brushed it around, then splattered water drops into it. Let it dry totally then you can draw or paint on top of it as I did. I have a few small sheets that I did at the same sitting, so I can grab one when I’m in the mood and use it. I lightly sketched with pencil first then just used burnt umber, burnt sienna, black and a touch of white for highlight. This was from a “Yellow Underwing” moth I photographed last year.

I have always loved the illustrations of Arthur Rackham and it’s the works he did using mostly brown colors that inspired me to work with brown tones alone. Click on any of the illustrations to see cards or gifts I created in my shop! There’s more items coming in the category Vintage Illustrations.

Flippant Fairies Floating Freely

Just look at how gorgeous this painting is!! Sigh…I love his work. (Sorry I don’t have a bigger copy to view) The background is just subtle tone, there’s a hint of tree tops below and then the sparrows come into view as they nonchalantly go about their business of preening. The branch is laid out as a perfect design element reaching across the paper and reaching up to lead your eye but not take you totally away from the subject of the fairies. Yes, those fairies, painted lighter than the rest to really make them stand out, aren’t they wonderful? Not having pointy ears, pointy eyes, pointy hair, sexy clothes and striped socks. Good God some of the awful modern day interpretations of what a fairy is is shocking! Just plain tacky and awful!

Oh but this is one of my favorites!

This is one of my favourites! SIGH….that’s how I feel when I look at work by another artist I revere. I love her dress, the attention to it’s detail but it doesn’t take over the attention of the piece, do you notice how the lower part blends into the tone of the ground and the skirt is the same as the background? It’s all married together, floating but on the same ground, do you know what I mean? Just like the tree roots coming from nowhere out of the paper and growing up into this tree that is alive. I love how he combined just enough elements that say man and tree at the same time, the fabric hanging adds a touch of color that picks up in her cheeks and it’s form adds a floating liveliness to the painting; movement. Not to mention the tenderness of the way they clasp hands….sigh.

Subtle tones means less distraction

In “The Man in the Wilderness” above, I love the way he draws his trees to be just like people, look at the ‘arms’ of the one in the background reaching up to the sky. For a child (or adult) reading the story this illustration would be something to pause over, study and discover. They’d see the obvious girl and elf and think about what they are doing but then they’d look at the trees and realize with delight they have faces and arms! Here again I like how he’s used such simple color to make this illustration, just a simple bit of red and gold on the elf to show the main subject. I can’t wait to use the card in my shop (click picture to see) as an invitation or birthday card, “Can we meet for tea?” “May your day be full of discovery”. Oh, how about a funny one for your friend…”I know you’re kind of different….but I like you all the same!” haha

The Queen floats in as if on air

This illustration shows use of line at it’s best, do you notice how in some places it’s thicker and heavy then it gets thin and light? This is very important in drawing, good drawing. This one is definitely more of a drawing than a painting, hardly any range of values used, quite flat. It’s all about the lines and what lines!, all swirling and curling, sweeping like there is a magical breeze blowing just her skirts and delicate lace veil. To give some depth and interest I like how he put the pale leaves and branches at the top then used a light similar design on her skirt in just the front.

I have wanted to do drawings and paintings starting with a freely painted base of brown or parchment colored paper for ages. The moth is my first one I guess, though I’ve done paintings before that are monochrome browns, (Autumn watercolor, Etain oil, Twilight oil) they were never started on a freely tinted paper. By that I mean a piece of paper where you just play with the color and use water drops and salt to add interest and you end up with something that in itself looks good. I’ve played with coffee staining before (as you can see on this post) but never got around to painting on them. So I’m hoping to do some more starting with small studies like this moth. Hope you enjoyed my discussion on using browns and the great Arthur Rackham! (more sighs) Oh, and I found an excellent, though old, article written about a show of his works in London in 2002 here on the “Telegraph”.

Below are a few items I designed with the Moth painting on it, please click the picture to see them in my shop. Enjoy and let me know if you’d like it on another item!

Below, Sterling Silver necklace!

(click the picture to see it in my shop where you can see ZOOM view by holding your curser over it)

This is a painting of (another) Stink Bug, though I’m not sure what the exact species is, a friend in England suggested maybe it was a [...]]]>

(Light Green) Stink Bug watercolor

(click the picture to see it in my shop where you can see ZOOM view by holding your curser over it)

This is a painting of (another) Stink Bug, though I’m not sure what the exact species is, a friend in England suggested maybe it was a ‘baby’ with this coloring. I really enjoyed painting this, the colors, the leaf and then the detail on the bug itself….love those dots on the legs! It’s a page in my journal so I added a little fun border with my brush and watercolors.

Almost there!

Here’s my set up; I found that using a large bobby pin to hold my photo in place worked out really well. I keep a little piece of paper nearby to test dabs of color. You can see at this stage I’ve got a lot done, but don’t have the deeper shadows or finer details in yet.

Close up of my progress

Here’s a closer look, though the color is not right (because of my camera shot) you can see how pale the whole thing looks. Adding more shadow under the bug and rich color to the leaf really helped it. I also took a damp brush and rubbed the edge of the leaf, above the bug, to make it softer. Something else I did, though it’s not in my photo, I added just a bit of cast shadow from his feet. This really made it look more 3 dimensional and realistic!

Well I’ve had a lot of fun making some attractive products with this painting in my shop, please click any below and have a look!

Light Green Stink Bug by MaryMcandrew
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Light Green Stink Bug by MaryMcandrew
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Light Green Stink Bug by MaryMcandrew
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Light Green Stink Bug by MaryMcandrew
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Light Green Stink Bug by MaryMcandrew
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Light Green Stink Bug Reminder Card by MaryMcandrew
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I had a chance to visit with my friend Nancy the other day and we sat on her back deck to do some sketching. We had a nice view; just [...]]]>

Trees at Nancy's - Inktense 'Ink Black' watercolor pencil

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I had a chance to visit with my friend Nancy the other day and we sat on her back deck to do some sketching. We had a nice view; just behind her place is a small pond with trees on the other side. I was showing her how to do something simple by just using one watercolor pencil, the Inktense “Ink Black” by Derwent Pencils. I keep one in my kit always because sometimes it’s nice to just do a sketch with a waterbrush using this one pencil. The nice thing is you can go back over your black and white study with color after, the Inktense pencils will not lift off like watercolor can.  It IS a VERY intense pencil, go very lightly at first and see what it does when you wet it. I started with the simple border as kind of a warm up, just draw a line around your page then use your waterbrush to wet it. To get it to look like mine, keep your brush ‘inside’ the line with the tip always touching and rubbing the line, letting the color run into the wetness left behind from the brush.

Sketch your scene lightly, trying to do most of it before you wet it. Once you wet the paper you’ll have a hard time adding more lines because they will be very dark and intense! If you need to just touch your waterbrush to the tip of the pencil to pick up more ink, then use your brush to add it to the sketch. Test how dark it is on a piece of scrap paper before you touch your sketch, this will help you avoid mistakes. I really like the look of this, sort of like an old antique picture.

Sketch of Cullernose Point from the south

Here’s a sketch I did in England last year, along the coast of Northumberland, of Cullernose Point as viewed from the south. I had my sketch journal with me (OF COURSE!!) and because we wanted to keep walking, just sitting a bit and doing a sketch with no color worked well.  I used my waterbrush and especially like how the clouds came out.

Alnmouth, Northumberland -water soluble graphite

Now I thought I’d add this one too just to show how nice it can be to do non color studies. This was done with water soluble graphite, not the colored type, just plain old graphite color! We were at Alnmouth, Northumberland England; a beautiful coastal spot! I did it in my tiny sketch journal which was so much fun to use! It was a wonderful experience to stand on the hill at the coast and capture the scene forever in my memory. Please read my post about it here to see the wonderful photos I took that day! I loved being there and can’t wait to go back for more! I love, love, love England!

I hope you enjoyed my little ‘non color’ sketches, as I said they’re a great way to capture a scene without the worry and time of adding color. And thanks to my friend Nancy for a nice visit! (ps. I photographed lots of dragonflies at her place and two of them were new for me!) I created a really nice print and greeting cards in my shop, see the links below! I love the dark grey background with it.

Make your own card at Zazzle

When you see this print in my shop (below) don’t be scared by the price! It shows you the huggest size but can be ordered as a 16×11 for only $11.20 too!