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Today I went for a walk with Ginger. We ventured forth out into the wet lanes and fields, the mud sucking at our feet, water swirling as we waded. Not all my land is wet mind you, but this time of year it certainly is in some areas. I start my post off today with my drawings of the little snail I met while out walking, because I knew you’d be curious to see him.
Little Golden Snail Sketches
I did these studies actually back at my studio while looking at him under a magnifying glass. I did some while in the field (you’ll see below) but it was so small it was hard to really get a good look at him while I sat on a log! So he came home for a visit. I first lightly sketched him with pencil then drew with a permanent ink pen and then watercolor on that. After I drew the swirly curly border I drew over it with one watercolor pencil then just dragged a wet waterbrush over all of it to soften it and make the color bleed out a bit.
Now back to our walk.
Secret Circle Lane
This is “Secret Circle Lane”, as wet as it always is in springtime; (click it for high res. view in my shop) how pretty reflecting the sky like that! Ginger and I crept quietly along through this water because I heard an interesting call from some kind of frog along with the zillions of peepers that were singing.
Here’s a short video clip I shot while standing in the water, just to let you hear the sound of the Peepers calling.
my boots
Ah yes, the trusty boots! Can’t go anywhere without these mud boots or “Wellies”. Well these boots weren’t made for “walkin” they were made for “sloshin”!! I did see some interesting little critters in the water before our feet disturbed it, some snails and a few water beetles.
me
Oh, and there’s me…had to show you my favorite hat of all time and my Dad’s hunting coat! The hat I bought in England at a farm supply shop, where they sell the expensive horsey equipment and clothes. Well it WAS expensive too, BUT well worth ever penny! It’s waterproof, lined for warmth, has a flap that drops down over your ears and makes it fit your head like a helmet and has an elastic cord that goes under your chin for high winds. When the wind blew hard on the high hills of Northumberland, my wonderful hat stayed put!! The other nifty thing is it has a little button on the brim you click and you get two settings of led lights! High power beams!! I’m telling you we’ve used it to find our way on paths past dusk and it’s great for visiting old castle ruins because you can point your beam into dark places that you wouldn’t have seen before. I should get paid money to promote this hat!
And the wonderful old Woolrich hunting coat my dad gave me so I love it. He used to put it on when going out hunting, I still remember seeing him in the kitchen with the pants on with bright red suspenders and laughing playing like he was Santa! It is covered with pockets and has a special pocket at the back for carrying your ‘game’ home in. I have been known to carry sketchbooks there and always keep a spare kitchen size garbage bag for sitting on wet ground.
Crocuses in Aspen Hall
I told you before that we planted flowers in “Aspen Hall”, here’s two little crocuses I wanted to sketch. Click to see a note card of it where you can zoom in and see it bigger.
golden snail
I love the close up pictures of this pretty little golden snail. I spotted him on the ground amongst the leaf litter, but in the sun he glistened like gold. I took my tiny Olympus camera on the macro setting and shot this picture through a close up part of my magnifying glass! It really works at getting a little closer. Click on the pictures to view note cards that you can view close up.
golde snail pointy end up!
Here’s another shot of him, I love the form of the shell twisting up like that.
Studying the snail closely for sketches
Now this picture is important because it shows you how tiny he was and when you need reading glasses to see things better, it doesn’t help. The other thing that made it difficult to draw him in the field was sitting on one little log made my back hurt terribly so I was not comfortable. I wrote my notes and did some little sketches anyways.
golden snail peeking at me
Another great shot, I love the patterns in the shell that the sunlight catches. And notice the subtle color that runs up through those eye stalks? I notice how well it matches the dead stick he was crawling on.
My Journal page
Here’s my actual journal page from my time sitting in “Aspen Hall”, go ahead and click it to read it.
close up of golden snails
Now I had a little more fun with the snail studies I did by using some metallic watercolor paint on them. I took some pictures of the snail paintings tipped at an angle to catch the sun and really show the metallic watercolor paint I added on top. It was a lot of fun using it and really made it look like the snail did, it sparkled in the sun!
Golden Snails in watercolor with gold metallic watercolor over.
And one more shot showing the glitter in the full sun.
I hope you enjoyed our walk today and you didn’t even have to get your feet wet! Don’t forget to visit my SHOP by clicking the pictures above to see note cards of the little golden snail or the landscape photos in this post.
Speaking of snails I’m honored to say there’s a wonderful blog written by two talented women one of which was inspired by my posts about the snail I found and did studies of while I was in England! Have a look here: “The Dao of Doing”
It is a cold and dreary day here in Western New York, I guess it is in many places around the world. But the drippy dreariness also shows me spring is coming; snow melting on soggy but still frozen ground, dripping of ice from the trees and an almost silent occasional gurgle of air from under the ice as I worked quietly.
Oil sketch field kit, ready to be tested.
I created this lightweight kit to take outside with me, just for oil painting sketches. I mostly want to focus on practicing mixing colors for landscapes from the real thing. I’m not concerned about finished paintings, though as the weather is warmer I may work longer on them.
It’s a plastic box that I bought at an office supply store. I used a metal pencil box for my paint and as a palette; it’s held on with blue sticky tack. I also have a pill box that has colors in it, though I want to buy a long one so it will fit better. I have canvas paper cut to standard sizes and tape it in and also created a place for brushes with loops of masking tape.
My mineral spirits container slots over a strap I made out of masking tape.
I had a tiny plastic bottle of mineral spirits with me but didn’t need to pull it out, I had a tiny bit in this metal medium cup. It’s got a screw on lid and I created a strap with masking tape that it could slip over to hold it in place. Then I stuck a blob of blue sticky tack behind it to keep it from slipping off. (Just love that sticky tack!)
Here's how I held the kit and painted while standing.
It was very lightweight as I worked. As all tests should do, it helped me find what was ‘not’ working great; I need to make a little holder for dirty brushes on the left and both need a holder with some kind of bottom, like a pouch. My brushes were sliding out the bottom too easily and may get dropped.
A view of the painting and the subject.
Here’s the whole thing in progress. Note the paper towel with red paint all over it!! Ok, I admit it, the very first thing, when I lifted the lid of the metal pan (with my very cumbersome mittens on) I inadvertently got Cadmium Red paint on my mitten thumb, WITHOUT KNOWING IT! It suddenly showed up in three to four places, probably on my face too and I didn’t know it! Ok, those who paint with oils know that sometimes this just happens, oil paint likes to migrate. Cad Red is one of the worse to get on stuff! You see traces of where I had to scrub off the second canvas paper there, sigh. Nobody’s perfect.
Ginger is waiting patiently, telling me her tootsies are cold!
Ginger loves to go out on walks, but gets bored when I stop to paint or sketch. Today was worse because her feet were cold! But a good sign, when I was ready to leave, she didn’t turn towards home, she wanted to go further.
Cleaning my brushes, stand them up in the snow as you go.
When I’m done, I set the kit on the snow and stuck my dirty brushes in the snow (bottom down) and just dipped the tip of each one in mineral spirits and pushed on the lid/palette to work much of the paint out. Wipe it really well on paper towel, it won’t be clean but well enough to travel home for cleaning. Most of my brushes I used were bristle brushes for scumbly strokes and one small, flat, soft but firm nylon brush for the thin line strokes.
The field study for today.
Here’s the quicky field sketch fresh from the icy field. I know my colors look brighter than the photo, but that’s the beauty of painting from life, the colors were more vivid and beautiful to my eyes, a photo will lose a lot of true color and atmosphere. If I want I can let this dry and work more on it or do it while it’s still wet. Ideally, touch up what you want right when you return and it’s fresh in your mind. I don’t want to fuss too much over these sketches unless I do one that I feel is worthy of fussing. My main goal is to just get out and get quick color studies and not complicate things too much.
Hope you enjoyed, I’ll be trying out my field kit more and will keep you ‘posted’ as they say! haha.
Happy New Year everyone! I’m looking forward to a year filled with tons of new paintings by me and look forward to getting back to England for more adventures! Please share my blog with those you think would enjoy it.
(This post is done AFTER returning home to NY…gosh I miss my Northumberland!)
Come along with me as I do a small oil painting in a very gorgeous location in the Coquetdale (River Coquet Valley) area of Northumberland, England. I think of all the areas I’ve traveled around in Northumberland, the Coquetdale is one of the most beautiful and always catches me by surprise when we drive along it’s long winding path through the valley. It has quite a few meanders before reaching the North Sea which makes it that much more picturesque to an artist, it’s curves reflected in the sun as a shimmering snake in a green velvet valley.
Painting while looking over the River Coquet
There I am! We hiked up this great high hill and entered the Bronze Age Celtic ring fort at the top. It’s surrounded by a deep ditch, as was the practice for all ring forts, though I guess a few thousand years ago it would have been deeper and very impressive. After exploring the fort and ditch I settled down inside a ditch with my back to the VERY brisk wind! While I painted I had my hood up to keep the wind off and you notice I’m wearing fingerless gloves, a must for outdoor painting!
For my set up, my favorite wooden field easel and a backpack with attached stool. This is a popular one found in many art supply catalogs but I altered it (as usual!), I took the backrest off by hammering on it until it came away. With the backrest off, I can now sit on it in any direction I like, sometimes the bars of the seat hurt the back of my legs and I feel less attachments equals less weight. I’m put a camping inflatable pillow on the seat, makes it a bit better. All in all, I don’t usually sit when painting outdoors, I find it tiresome to my back; usually I stand up and feel freer with my painting and you can move around to keep warm.
My View Over Coquetdale
Here’s a view of what I saw, you may wonder how my masonite board is staying up so magically on the easel? The wonders of Blue Sticky Tack never cease!! I use it all the time, I have some little dots of it on the easel to hold small boards like this, just where I want them. With a small board, I don’t like the wood of the easel’s clamp to get in the way.
stage 1-View Over Coquetdale
When in the field I usually don’t pencil sketch the scene on the canvas, but use either Burnt Umber thinned with mineral spirits, or pick a color in the landscape and sketch directly with the brush. Just pay attention as you divide up your canvas with the horizon line placement and other important elements. If you get it wrong in the beginning, it’ll always be wrong! I go for blocking in big shapes in the ‘nearest’ color to it’s overall color.
When I started this one I blocked in some really bright green, later I decided I should have tried to match the color better to begin with. I just wanted to get it going, so I painted into the wet oil to adjust the color. You’ll notice my river color is quite light, just laying it in to mark it, I’ll adjust the color later. I wanted to have a wet base to paint into. I painted the sky with an all over tone of blue with the gradation of dark to light, later I’ll add the clouds. I also started to establish where the dark areas are, the tree lines.
Stage 2- View Over Coquetdale
Now I’m set up back at home and continue working from my laptop where I have photos of the scene. I’m sorry I missed a few stages with the photos as I got involved with the painting! I studied where the background mountains should go and toned down blueish green for them. I continued to study where the tree lines were and payed close attention to the light and dark areas of the hills and tree clumps. Don’t put too much detail in the distant trees, just let them describe the curve of the hills as their lines criss cross and disappear. I also started to tuck darks under the tree lines and to the shadow side of them. You begin to notice the tree line on the left front is different than the ones on the right. They are different types of trees so the form and colors are different.
Stage 3- View Over Coquetdale
Picking out a little more detail of the hills in the mid-ground, I add some lights to define the hills and more detail to the tree lines. I lightly defined the little dirt road in the front left and a ‘hint’ of a fence, but kept it soft and also added more light to the left field. I put a small path that crossed the field in the middle but then later decided it was just too much of a distraction and took it out. I also added some lights to the trees on the right, you can see they are more pointy than the other trees as they are pines.
Stage 4- View Over Coquetdale
Above you can see I’ve added some darker (but still bright) blues to the river, taking care which direction I stroked it on. I added some yellow to the fields on the left to warm it up and cut down on the lightness. I added more bushes and detail to the front right side by the bank.
Completed "View over Coquetdale" 6x8" oil
The completed painting,6 x 8″ in oil, click it to view it larger in my Gallery of Landscapes. Here you can see I’ve added just a little more detail on the bank and sheep (whitish dots!) on the hills. One thing you notice when driving about the countryside of England are sheep just about everywhere! No hill would be complete without some of these white dots. Of course I didn’t just make blobs but made sure they had a bit of a long shape and slightly darker underneath, it’s just to ‘hint’ at a sheep, not to paint one in full detail at such a distance.
To view prints, note cards and more with this painting, click the links below to see them in my shop! (You can personalize any of them with your own text.)
Come with me on a sunny, breezy stroll along the Northumberland coast of England, south of Cullernose Point and Dunstanburgh Castle.
South of Cullernose Point, Northumberland
This sketch is done looking northwards while I sat on the grass. I used one water soluble “Inktense” pencil (Ink Black) by Derwent, ; after doing a light sketch I wet it with my waterbrush to create tonal values. It’s like doing an ink wash sketch, great for quick sketches and you can go back over it later with color. The inktense pencils are relatively permanent once dry, so I’m experimenting with using the black then coloring later from photos. These colors of Inktense are very intense, so you need to practice and go lightly with your pressure. You can also achieve very black areas which I like.
Drawing near Cullernose Point
Here I am with my field sketchbook, what a view! (click on the picture to see it as a note card with a quote by Pablo Picasso)
Enjoy the many photographs I took below, they show the things we discovered as we walked and some I used later to do sketches from at home.
Brown Lipped Snails on Cowslip Leaves
It’s funny, once you learn about something you start noticing it more and more, as is the case with snails for me. Now when we walk I see them everywhere!
Brown Lipped Snails
These are Brown Lipped Snails; notice the brown line at the edge of their shell. I just love the striped patterns they have.
Pool with Grey Heron
This is looking down from the coastal path we walked on, there is a Grey Heron in that pool down there.
Grey Heron
Well spotted! He’s a beauty; we watched him fish in the pool as I took pictures from afar.
View of the coastal rocks we explored
Here’s another view of the coast where we walked. You can see two figures walking on the path ahead, that’s where we’ll be going.
Common Limpets and a Sea Slater bug
When we ‘clambered’ down to the shore, (hey it’s an old word but it fits here!), we found lots of Limpets, snails and Periwinkles. It wasn’t until I looked at my pictures on the computer later that I noticed the bug, a “Sea Slater”, how interesting! The Limpets are living creatures that cling very tightly to the rocks, you’ll see a watercolor sketch below of one I did.
Yellow Scales
This is called Yellow Scales, a type of lichen that grows near the coast on rocks. It’s very beautiful along with the whitish lichens and grey rocks.
Southern Marsh Orchid
When we returned to the top of the cliffs, we found these small unusual orchids growing here and there. I was surprised at how tiny they were and may have passed them by if Gary didn’t point them out. As near as I can tell they are Southern Marsh Orchids, if anyone knows better, please let me know!
Me Drawing near Cullernose Point
This photo will show you how tiny they were, the orchid is just in front of my sketchbook. I just lay in the grass and did a tiny light, sketch with a pencil. (click to see this and other photos like this, in my shop)
Shell and Flower studies
When I got home I downloaded my photos and did these studies from the laptop. I used watercolors for these, but using Titanium White this time for the white highlights and ‘wet’ look. I don’t usually use white paint, I rub or scrape off to create lights, but I quite liked using the paint for the glaze look. You can read my list of things we saw while there that day on my page.
Studies of Grey Heron
The little studies at the top of the page show my experiment with “Inktense” and just a black watercolor pencil, using watercolor pencil to color it. I wanted to see how much the blacks would lift or blend, hoping they wouldn’t. As I thought the Inktense didn’t lift as well and that’s exactly what I wanted.
The heron studies are also done from the laptop, just painted without sketching him out first. The little one in the left corner was an experiment of painting solid blue water then lifting color and using white paint to add the heron after. I’m not thrilled with how it came out but you should always experiment!
I hope you enjoyed coming along on this walk by the sea. Get outside and bring a small sketchpad with you, you’ll be surprised at how much you’ll see when you sit and start to draw things around you; a whole new world opens up before your eyes.
Here’s a little video clip of the waves washing over the rocks where we were, enjoy!
NOTE: Many of the photographs in this post have been made into beautiful glossy note cards and gifts and are in my shop (home page link). There are many more besides the links in this post, I hope you have a look and please pass it on to friends!
Today we had such a great walk that we really didn’t expect. The weather turned out nice in the late day as we drove to Alnmouth on the Northumberland coast just north of Warkworth Castle. I wasn’t expecting to go on much of a walk so I didn’t even have my field kit with me! Makes me feel bare, but I did have my camera and my purse which always has a small handmade sketchpad in it.
Road to beach at Alnmouth
I really can’t resist putting so many pictures in my post because it’s hard to pick and choose, leaving one out when I feel they are all beautiful! All of these will be in my shop as note cards and gifts, please visit the links at the end.
Dunes at Alnmouth
As we walked from our car, this is looking back through the dunes at the Rape Seed fields. The sand dunes here are quite impressive and filled with interesting shells. I picked up a bunch, so many that I had to fill my purse pocket. I have a story about that on my next post make sure you check back.
Beach at Alnmouth
This is the gorgeous beach at Alnmouth, the sand was fine and light colored, a great beach!
Cross at Alnmouth
This is St. Cuthbert’s Cross, that’s the name carved onto the base of this cross. Here is a great link about St. Cuthbert explaining more about the patron St. of Northumberland. This is the view as you climb up the not very high hill, to a windy spot that gives you views inland and out to the North Sea. We saw many sea birds and a heron ‘behind’ the hill, as the waterways wind around behind it as tides come and go.
Alnmouth from 'cross hill'
This is the view of Alnmouth you have from the top, it’s really great. I just love this photo with the sweeping clouds and quaint buildings.
Me drawing on hill
So you must have known sooner or later I’d have my sketchbook out! I had my tiny field sketchbook in my purse and tried to whip out a quicky sketch with watersoluble graphite pencils. Gary took this photo but my photographer friend Mark Baker did some editing to perk it up, Thanks Mark! ( www.mhbaker.com)
Alnmouth waterfront sketch in water soluble graphite
I had to touch it up at home as it was getting late and we needed to go home. No sitting and sketching time today I used a waterbrush on it to do the washes. (I took a photo of the sketch with my camera to upload it.)
Cross at Alnmouth 2
Well I’ll leave you with this last view, though there were many more I had to choose from.
To see these wonderful photos as note cards and other gifts, go here to my shop. Just scroll down the page to see all the photos from Northumberland.
Come walk with me on my Spring morning hike at Long Lane Farm!
Song Sparrow
Below is the first page in my small field sketchbook from today, I’ll type what it says below in case my handwriting is hard to read! (Click the photos for larger view, drawings are already enlarged.)
"A Glorious Morning!" 4-23-2010 pg 1
“A glorious morning! Frost on the ground and now at 9am it’s just wet in the sun, sparkles on the grass everywhere. The House Sparrows are chattering at the barn and a Song Sparrow has staked his claim to the back corner of the yard. Ginger waits in Fox Lane for me. Tree Swallows diving at each other near the nest box, constant twittering, bubbling, chatter. “
Tree Swallow
I saw some great birds today, the Tree Swallows are a joy to watch! They swoop and turn and I’ve watched them play a game by snatching up chicken feathers from the ground while in flight, then carrying it up high they drop it and another bird will catch it out of the air! I can’t get over the glossy green blue of their feathers.
me sketching
Here’s a picture of me sketching in the lane, wearing my tall mud boots (Wellies), winter coat, bag for sketch supplies and my camera with the long lens. I like to cross the strap diagonally from my shoulder as it takes pressure off my neck and back better.
"Budding Tree" 4-23-2010 pg 2
“Song Sparrow over and over, cardinal in the treeline and a crow, gurgling of the Red Winged Blackbird and Tree Sparrows. Such a sound! Now a Yellow Shafted Flicker…off up the field somewhere. I hear a Field Sparrow now at the maze.”
The trees are just starting to bud, looking up at them in the sunlight they looked like little gems glittering on the tips of branches.
Bluebirds
I was so happy to see a pair of Bluebirds have chosen one of the houses in the field, the Tree Sparrows have claimed the other one.
"Secret Circle Lane" 4-23-2010 pg 3
I had fun discovering tadpoles, snails and a tiny red mite on “Secret Circle Lane”, all in the freezing cold water flooding the lane.
Water Mite
As I wrote in my sketchbook, I was finally able to scoop up a ‘red dot’ floating in the water. Later I was able to study the tiny red dot from the photos I took and found out it’s a Water Mite. Before it got any ideas of how tasty my finger would be I released it back into the water! I’d like to know what they do live on or how they live.
Here’s a short video clip I shot while standing over the flooded lane (now promise you won’t laugh at me!) :
"The Wet Woods" 4-23-2010
I walked into the wet woods and standing in 4″ of water I did this tiny watercolor sketch of the dead tree. What fascinated me the most was how the shadows and sunlight dappled on the ground and tree branches
"Snail Study" 4-23-2010
Once home I looked at my photos on the computer screen and did this little watercolor study of a snail and two tadpoles. I haven’t identified the snail yet, but it was amazing to see when it was floating in the water it wriggled until it looked like it was out of it’s shell. It was a queer blue color, I never saw one like it.
The shell of the snail was not flashy or patterned boldly but I think it was beautiful in it’s own subtle way. It looked almost of a gunmetal grey with a cream background.
Today we visited Howdiemont Sands beach along the coast of the North Sea in Northumberland England. We walked across Sugar Sands and climbed up to a point where we could view the point at Howick Haven. I wanted to sit and try to do a small watercolor landscape so I bundled up and brought the usual field kit.
Water color painting "View of Howick Haven"
Here’s the finished painting, I did most in the field sitting on top a windy, grassy cold hill. I’ll share the photographs with you of what I saw and tell you a bit about how I did the little painting.
We walked along this beach
When you first arrive at Howdiemont Sands you can choose to walk either right or left. We chose left because it was new to us and we always wonder at what new views might be found or other discoveries.
Sugar Sands
The beach here (called Sugar Sands) is unbelievable, a pretty color of ‘sand’ shade, (hahah…) clean, soft and inviting even on a cold sunny October day. You can see many other people and their dogs found the beach irresistible today too.
Bird tracks
There were lots of interesting bird tracks too, gulls leave a track with a little web foot. This one? It was big and looked like it would drag it’s front toe in the sand when it stepped; I wish I knew what it was.
Looking back at Sugar Sands
Here’s a view looking back on the beach we crossed, sometimes you have to go up over the grassy banks to get past areas that are under water still.
The red rocks below me
This is looking down from where I decided to paint, how beautiful the patterns and colors are in these rocks. As the tide continues to go out the rocks will be more exposed.
View from my painting spot
This is the gorgeous view from where I decided to sit, light was fading fast and I had to pick a place quick. It’s really hard to pick a scene when there’s so much to see around you. It helps to hold up your hands and make a little opening like a rectangle and pretend that’s your paper. Move your hands around until you find a cropped scene that you like.
View I painted
Because I wasn’t working really big I tried to limit what I was going to paint, also I didn’t have tons of time with the sun leaving soon as it was about 4:30pm when we arrived.
my sketch
I sat on a picnic blanket with a waterproof bottom, wore my wind/rain pants over my regular pants, this helped to cut the cold and wind. I also had on my fingerless gloves as usual, sorry no picture today! I’m using a homemade sketchpad that I created so it would be extra long. It’s great for landscapes! I worked with my field pan and regular watercolor brushes, usually when in the field I use my waterbrush. I don’t like the waterbrush for larger works needing big washes of color. You can see in the picture a baggy just off the blanket, tucked into the grass. I forgot a watercup to rinse my brushes in, so I used a baggy with some water in it, it worked great!!
My watercolor field pan
This is the painting/sketch laid out at home, you can see this is how far I got with it in the field. The pan watercolors I used is an old metal kit that I popped the large pans out of and replaced with half pans of Windsor Newton brand paints. I use a bit of sticky tack or blue tack to hold each one in place and you can see the handles on my brushes are cut, so I can fit more “things” in it. I brought that one long brush with me and used only that to do all this so far.
My set up to finish from photo at home
Now I set up my laptop with a photo I took while there, and worked on details with smaller brushes while looking at it. I didn’t touch the sky, just left it the way I did it in the field. If you start to mess around with all of it, it can get stiff looking. Notice I put my coffee on the left side…if your right handed, water should go on that side and you don’t want to be dipping into your coffee by mistake! So, I worked on trees and details of that main area; I also used a razor blade to scrape fine lines for the white fence. Also, you may have noticed a funny looking cone shape that looks like a child’s’ painting of a tree? It’s a recreation of one of the oldest ‘houses’ in Britain probably from the Bronze age. Remains of one were found on this very spot! They made their homes from tree limbs in a sort of tee pee style, with turf for the roofing material. I’ll try to find a link about it to add here.
Go here to see the finished painting in the GALLERY.
I am not sure when I started to be fascinated by mushrooms and fungi, but when I go hiking I find I’m always stopping to notice them tucked away under branches, logs or leaves. Sometimes they’re right in front of you on the sides of dead or dying trees or right on the path, or they may be hiding waiting for your keen eye to catch them.
I spotted this pair right in the lawn (that needed cutting!) and what an interesting mushroom. My best guess is a “Shaggy Ink Cap”. I wondered why it was named that until I saw it a few days later.
Shaggy Ink Cap watercolor sketch
I did this little sketch with just watercolors, I wanted to avoid doing a careful pencil sketch and just kind of block in some green to form the light shapes of the mushrooms. I used a waterbrush which is handy but can be a bit limiting; it’s not as easy to mix quick pools of color in your pan and you must have a paper towel handy to clean between colors. Also I usually use just the one size waterbrush when doing a quick sketch so you use it to make wide and narrow lines or marks. The challenge on this set of fungi was the shaggy part, how to paint it without fussing too much? The “shags” were light and pointy, really their form was created by the darks around them…above and below. If I was doing a careful study I’d spend more time on that feature.
Me working on the sketch
Here’s a picture of me working to show my set up; I’m sitting on my blue foam pad because the grass is damp and chilly, it was early morning still. It’s not the best posture for someone with a ‘bad’ back, no support, but what are you going to do? That’s partly why I worked so fast, I get achy!
Looking over my shoulder
You can see my new little field kit there, I use it as a purse and carry my bare essentials for field sketching. The art supplies take presedence I have to admit…no make-up just some money, credit card and the rest is for drawing! My motto, “Be Prepared”! I’m holding the watercolor pan in my left hand, waterbrush in the other. I have regular brushes in the pan in case I want to use them or have water with me.
Shaggy Ink Cap
This is how it looked the day I painted it.
Two days later
And this is just two days later, I was shocked! I guess that’s where it gets it’s name, INK cap. It was eerie looking, dripping black goo, like it had melted.
Two days later close-up
I would like to learn more about this, and why it does that. Any of my readers know?… leave me a comment please. I didn’t have a chance to draw it at this stage, been too busy going off on hikes. I have been photographing many types of mushrooms, my favorite so far is the Fly Agaric…bright red cap with white flecks on it. I hope to do a painting of that one too.
A Valentines Day bouquet from your sweetie is very nice…smells so sweet, warms your heart..but doesn’t last forever no matter what you do. Unless you get out your paints and do some studies! After a week of enjoying the blooms…then watching some slowly fade, I picked out the freshest ones and moved them into another vase up to my studio. As I did the tulips dropped their petals in a flourish, woosh…all over the table. I picked some up and looked at them, thinking how beautiful their individual forms and colors were.
I decided to do studies of the petals and laid them on my paper with a strong little lamp above me. I should have titled this post “How to Paint Through Pain”…that is, how to cope with painting while in pain. I painted these on the floor, my lower back has been hurting and sitting in a chair was too much to bear. So, I put it on the floor and kept moving around…kneeling, laying on my stomach…what ever I could. I got a bit messy with some areas of these studies, but then it was hard to concentrate! I started each with a basic gesture of the shape very lightly drawn with pencil. The shadows were the most fun to paint, studying the colors coming through the petals. A tip here, to keep the petals fresh until you’re ready to work, put them in a ziplock sandwich bag with a sprinkle of water, then put them in the refrigerator. Tell everyone NOT to eat them!!
Oh yes, the other thing is I did them with just my waterbrush…see above picture. You can see the petals laying on my paper and waterbrush in my hand. (PS. this was really late at night…actually I think it was 1am!)
So now I can look at the little study and always remember my Valentines surprise bouquet! I wish I had time to do more studies..I had planned to, but you know how that goes!
The cardinals I did looking at the little feeder that is stuck to my studio window. I wasn’t concerned with a fantastic drawing, just practicing the gesture sketches of it. I added a touch of color with a waterbrush and watercolor.
Then I decided to take my sketchbook, watercolors and a simple waterbrush with me when I went out to feed the chickens. It was really cold and windy, so it was hard to draw, but I donned the flip top mittens and went to it! Ok..it was worse trying to paint, but I did some simple color studies. It’s very hard to sketch chickens as they move so much!
Then I headed outside the barn and set my pad on top of a tripod that I attached a piece of wood to, it was very windy! The mount isn’t a very strong one, it loosened up sometimes, but it allowed me to set everything down in front of me. I’m always experimenting with ideas.
Above you can see the some chickens that were roosting in the rafters. I painted them with Chinese ink…from a dry cake I keep in a tin; it used to be liquid I just let it dry and can use it like dry watercolors. Below that is the little landscape study with some notes. The hawk sketches I added today actually. I saw a hawk through the window and tried to do a sketch using my binoculars. I’m pretty sure it’s a red tailed hawk.
My landscape was pretty far away from me, but I was after the colors of the field. You can see the picture below. Oh yes…and then there’s Ginger, always waiting for me to walk on somewhere else! haha….
That’s it for now…stay tuned for more updates about my trip to England, sign up your email in the box in the right column. Bye!
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Don’t forget to visit my SHOP by clicking the pictures above to see note cards of the little golden snail or the landscape photos in this post.
I used a waterbrush on it to do the washes. (I took a photo of the sketch with my camera to upload it.)
