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The sunrise was just too beautiful to ignore. While I was making my morning coffee, I kept looking out the studio window at it. Knowing how fast a sunrise will change, I ran and grabbed my camera (literally!) to catch some photos. All the fantastic colors can bloom to unbelievable brilliance, then it can fade as the sun comes out so bright you can’t look, or it will slip behind clouds.
After taking some photos, I then grabbed my watercolor pencils and worked very quickly to sketch out some colors. I used watercolor pencils, watersoluble graphite and inktense watersoluble ink pencils with my waterbrush to blend and wet them. These are all Derwent brand pencils I used. I played around with drawing on the paper wet and dry when I did the trees. At first I drew them on dry…then ran the brush over bringing out the darkness of the color, but it also washes it out or softens it. Then I tried drawing the trees on wet paper and they were dark and intense from the start. This is good for trees in the forground. You can use both methods to your liking.
 (Below) I liked this one better, though it’s more simple, the colors are so pleasant. When I do a sunrise sketch, the colors shift very fast so I work on the large color impressions and cloud patterns, then try to work from memory. This leads to a lively painting but don’t be surprised if you look at the photos you took at the time and they look very different!
Well, I’m finally home from my big adventure in England and Ireland! I have so much to share about my hikes, the people I met and of course my sketches and photos. It’s taken me awhile to get back on track with the time changes and catching up on things around the house, paying bills etc. That’ll never change!
This is a sketch done while waiting at Gate 6, Buffalo Airport, it’s watersoluble color pencil. Oh it was so cold, the air conditioning was on too high. I wrote a note on my sketch, “I’m glad for my wool hoodie I made”. For my trip I designed a nice pull over wool hoodie, lined with cotton, it came in handy on the flight. I could pull the hood up to help block out the noise, light and keep warm. My flight leaves at 5:40pm. Backing away from the gate at Philadelphia airport, on the way to Gatwick airport in London. It should take 6 hours or so. I sleep a little, it was nice and dark. At 1:33 am (my time) I woke and saw the sun coming up. It was almost surreal because we floated above the clouds and the sun colors were below…while the stars were still up in the dark sky. I could see the Big Dipper, it was odd because we were above it more than I’m used to. (I learned in England they call it the Great Plow, I would point to it and say…”oh, look at the big dipper!…I’d be corrected and told that it’s the Great Plow.) I pulled out my sketchkit, my pad, watersoluble colorpencils, waterbrush and my little reading light. I hung the reading light on the collar of my hoodie and did my sketch by it’s light only. The whole plane was very dark and quiet, everyone was sleeping. I felt like a kid awake in bed at night with the little light on, trying not to wake anyone else! Oh what a trip it turned into, I had to wait so long in line at Gatwick that my plane for Newcastle upon Tyne left without me! After waiting a few hours while they looked for my misplaced luggage, I had to catch a train, then a subway, then another train all the way up to Newcastle. Needless to say I was exhausted when I hit the other end. There was extensive flooding in Morpeth nearby and the trains weren’t running, lucky I made it! Below is a picture from the plane, as we come over England…Oh gosh I was excited! Well, I’ll try to get more about my trip up soon. I’ll start with my adventure at Muncaster Castle in Ravenglass. Keep checking back to read about it all…better yet, leave your name in the box at the right and you’ll get an automatic email when I do.
 I had to add this picture just because it’s so beautiful. I just love watching the sun rise…the time between it’s first color hitting the clouds, then a straight column of light shoots straight up from the horizon, as if to say, “Here I come, watch me!” The column lingers quite awhile as the sun gets ready to peek over the horizon. Then you see the glare of the sun, but it’s not quite the real thing yet! You can see in the photo, the top of the actual sun is the rounded bit below in the trees. I smiled when I took it, thinking how it looked like the sun had a bald head and was going to look over the trees any minute at us. Sorry, always thinking of something silly, must be the little kid in me!
 Late last night I decided to play with my oil pastels while watching 20,000 Leagues Under the Sea. Well between scenes of Captain Nemo and Kirk Douglas I did a painting 9×12″ on canvas paper. I worked from a photo I took just the other morning when I did the Sunrise, Coffee and PJ’s post. So you’ll see a similarity between the sunrise paintings, but in this one the sun is UP now, more contrast in the clouds and color in the sky.
The canvas paper is something I’ve never used oil pastels on, but it’s supposed to be good because it’s coated with gesso to protect the paper from the oils in the pastels. I liked how easy it was to smear or blend BUT…I did not like how soon everything got too slippery to add more color.
I will try the Fredrix brand of canvas paper next to see how that behaves, it’s real canvas in a tablet form. The one I used for my ‘sunrise’ painting is Daler-Rowney oil painting paper. Besides trying out the Fredrix brand I’ll also try gessoing some illustration board and see how that works. I have a feeling I’ll like it without the weave and still be able to play around with linseed oil or turpintine if I want. This isn’t something I have ever used with my oil pastel paintings, but I would like to try it more and you can’t use these mediums if you are working on regular paper.
I hope you liked my Sunrise!
This is a watercolor sketch I did just before the sun came up over the horizon. It took me about 30 minutes…I laid on the background sky, trees and field, then the forground trees. It’s on the pale side, I was working on sketch paper, not heavy enough to mess around on. My objective was to practice with my small kit for field work. Once the sun came up, I couldn’t work on it because it was just too bright to look at.
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(Below) I liked this one better, though it’s more simple, the colors are so pleasant. When I do a sunrise sketch, the colors shift very fast so I work on the large color impressions and cloud patterns, then try to work from memory. This leads to a lively painting but don’t be surprised if you look at the photos you took at the time and they look very different!
