Some more sketches of architectural elements from about Alnwick (pronounced Annick). The page above is my entire sketchbook page, I drew the boarded window, then much later added the doorway. I kept the page just for windows and doors or things like that. Then even later than that I played around with decorating the page with scrolly bits and made up lettering for the word “Alnwick”
Window in Alnwick
I did this sketch using an inktense watercolor pencil and my waterbrush while standing looking over a stone wall into an abandoned yard.
"Number 8"
This “Number 8” was done with a permanent ink pen when I was sitting in the car waiting. People might think that I’m secret police studying their houses! I drew some of the leaves at top (vines) and bottom in the hedge then left it to finish later by repeating mostly. This was a little cottage with a white door, dark stone walls and pink roses and greenery all around, very sweet!
I go through phases with what materials I use when I go out sketching and my love of watercolors sometimes gets pushed aside for watercolor pencils. It normally doesn’t last too long and I’m reaching for my familiar pan of watercolor paints, but for now I am in a watercolor pencil mood. So I thought I’d share with you a good lesson for people starting out with watercolor pencils or those wanting to practice.
Set up for watercolor pencil color play
I have quite a few colors but when I go into the field I try to carry as little as possible to keep the weight down. Above you can see many pencils and containers with lots of color charts, my sketchbook, waterbrush, bit of paper towel and of course the cup of coffee! You may notice my pencils are short, I cut them in half so I have less weight and bulk in the field, keeping the other set at home or in other field kits.
Watercolor Pencil Practice - page 1
I was specifically trying to pick out colors I could use for landscapes while in England, so you’ll notice I made little ‘mountains’ with the colors to test the mixing when overlapped. To do a color ‘spot’ with medium pressure just scribble a small area and label it with initials of the color. Take your wet brush or waterbrush and rub into the color then keep rubbing lightly as you move the brush away; it will get lighter and you’ll create a nice color swatch. I group mine together, blues, yellows, greens etc. Between colors, either rinse your brush then wipe on paper towel, or if you’re using a waterbrush, just stroke it on the paper towel until it appears clean.
From the blue swatches at the top left, I then selected a few and lightly colored them next to it and then wet it to see if it’d look good as ‘sky’ colors. Then at the bottom right I was pleased with the test of mixing basic blues with my yellows to make various greens. If I like I could leave the green pencils behind but it does mean more layering and mixing and while in the field I try to make it so I can sketch fast.
Watercolor Pencil Practice - page 2
This picture looks paler than I’d like, I don’t have use of a scanner here so these are photographed with my camera! But anyways, at the top I was experimenting with first laying down a light blue wash then putting the green mountains on top. Then I tried purpley colors because distant mountains sometimes have that hue. Then I made up some fields and tried layers of various yellows, blues and greens. At the bottom I experimented with toning down the vibrant colors by adding charcoal grey and various reddish colors (red is opposite of green so it can tone it down)
Watercolor Pencil Practice - page 3
This page is also a bit light but you can see my colors still. I was determined to eliminate any excess green pencils if I could, so I tested them next to each other. At the top you can see I tested some browns, overlapping them in a square pattern. At the bottom is a quicky sketch in ink done at the beach, later I played with the colors to test them on it.
Well I know it’s not a thrilling post but it shows you how to get familiar with your watercolor pencils if your a beginner or very experienced and just needing to pick out some colors. Once you pick the colors you’ll use in your ‘kit’, make a small color chart of them, labeled so you can refer to it quickly until the pencil choices come easily.
A note about one of the reasons I like watercolor pencils; if you lay more than one color down dry, then wet it to blend and bring out the vibrant color, I like the grainy textures left and how you can see bits of both colors (depending on how much you rub it to blend). You can draw lines and leave them somewhat or you can shade lightly for more of a watercolor look.
So, grab your watercolor pencils and have some fun playing!
Though I went for this walk a month ago, I need to catch up on posting my sketches from all my walks so you can see where I’ve been. This walk started at the Edlingham Church from the 11thC and Edlingham Castle.
Edlingham church and castle quick sketch
As I noted on my page, it was a gorgeous, sunny day. I started by walking past the old church and as I stood in the parking lot near it, I sketched using my Derwent Inktense “Ink Black” watercolor pencil. I then used my waterbrush to make washes using the pencil lines. You can add more color or value by touching the tip of your pencil with the waterbrush and adding it to the already damp paper. If you re-draw on the damp paper the pencil will make a very strong line and be harder to blend. Since I don’t have use of a scanner here, I photographed my pages and then brightened them, the picture here looks a bit more contrasty than the real one.
The sketch of the castle at the bottom of the page (shown above) is started with the same Inktense pencil then later colored with watercolors and watercolor pencils. I was way up in a sheep field looking back when I did this, just a quick impression.
Edlingham Church and Castle
After my walk I added color to the top sketch of the church, with watercolor pencils. I’m going through a phase with them right now, as I so often do…then I switch back to my loved watercolors. I’m having fun layering colors to find nice greens and browns. I don’t like a drawing or painting to look ‘mushy’, that is be too soft, and I’m tempted to go back and draw with my ink pens into these little studies. But they are studies and sometimes the soft look of them is nice.
Lapwing
As I walked up through another farmers field I saw Lapwings on the ground. They are such a neat bird with two long feathers on their crest that looks like a fancy plumed hat! When they fly their wings are wide, rounded and a sharp looking black and white. They have a very nice call too. This picture is a bit blurry as I shot it from far away, but you get the idea of what they look like.
Dog Rose + Lapwing
I’ll type out the notes from this page down below.
I had fun and created a old fashioned looking greeting card with this Dog Rose watercolor I did. Click to see it in the shop, it has pink inside and you can add your own text. Click your back button to return.
On the way to the top
This photo shows just how gorgeous the views were; I wanted to stop and paint all the time! But if you don’t keep walking you’ll never see as much, so on I went. (click it to see it in my shop larger)
Yup, that's me!
Yes, well, that’s me! I was happy to be out walking alone, stopping as I pleased and discovering interesting things, like the butterflies below.
Painted Lady Butterfly
This is a tattered looking Painted Lady, it looks similar to the Tortoiseshell below, but see how that one is dark in the center around the body?
Small Tortoiseshell Butterfly
This small little Tortoiseshell butterfly looks like it’s been through some weather, maybe even escaped a birds beak? I saw quite a few butterflies along the little dirt lane I walked on, I think they enjoyed the windbreak of the stone wall that followed it.
At the Roman Fort site, wow, buttercups!
(Click to see this picture as a glossy note card) This picture is at the top of the hill where the Roman Fort used to be. There are piles of stones around in a big rectangle shape, all that is left of it now. The Buttercups were so pretty, I crouched down low to get this shot, I liked the angle of it.
Here are the notes I wrote on my page: ” Headed to the Old Roman Fort. Sitting here now- it’s so beautiful the scene. Skylark is singing to my right + sheep are calling down the valley behind me. I don’t have time to paint the landscape, I have too much to do at home. 🙁 oh…I couldn’t resist! Quick watercolor sketch!” (See below!)
Small watercolor view from top of Edlingham
I’m so glad I took some time to do this little watercolor, now I look at it in my field journal and can remember the scene so well. I sat on a huge rock of the fort, with my feet up and set a little container of water besides me. I used regular watercolor brushes for this one. I first laid on washes of blue and quickly lifted areas with a tissue for clouds. Then overlapping (on purpose) the blue near the horizon, I put pale green hills. The blue showed through and it made very nice distant hills, keep it soft and pale for this. Then I put various patches of greens for the fields in front.
View from Top, "Ah, this is the life!"
I used this picture to create a glossy note card for those who love hiking, click on the picture to see my “people in landscapes” but I also created one that says on it: “Ah, this is the life!” I guess that says it all, you’ll find that one in my shop here.
More posts coming as I catch up! Please sign your email in the box at the right if you’d like to be notified. Exciting news coming soon about Creative Journaling and Sketching tours!
I actually walked pretty far on my land today, I bundled up with lots of layers and told Ginger the magic words, “Go for a WALK?” She can’t contain herself, to the point I get a little annoyed at her insistence at leaving this very moment, regardless of how cold it is and how many layers I believe I need.
"Tree on a Winter Day"
Today I tried to walk without stopping to look at every little thing, just for the start of my walk. I wanted to get some exercise today and do some studies once I get out on the land a bit. When we reached a lane I call “White Tail Trail” I was searching for something interesting. The sky was so blue and clear and when I looked up at this tree, I think an Ash, I liked the branches, shadows and colors. Armed today with my sawed off watercolor pencils and a waterbrush I started the tree, first with a light sketch of the trunk and branches with a light grey watercolor pencil. Now remember I told you I was bundled up? Well imagine freezing cold temperatures a bulky big coat, freezing toes and BIG mittens! haha…it’s always an adventure! I like to wear mittens where the tops flips back and your fingers are then exposed; these are great for quick sketching in winter. I tried to color the drawing with my little pencils and wet them with the waterbrush, but got frustrated when the water froze in a thin layer on the paper. So subsequent color layers became impossible; when I returned home I played around with adding some more color.
1-21-10 "Tree Scars and Bullrushes"
On my way back I stopped to look at the patterns on the trees in Aspen Hall, a favorite area on Long Lane. Where old branches had been but broken off now, there are scars that made interesting marks on the bark.
Here’s the notes I wrote on the page: “Old Branch Scars on an Aspen. Cold today but pretty, Blue skies, snow crunching, Ginger whimpers, we walk on, Chickadee calls, car drones in the distance. I wish I were farther away. We walk on. I pause to study a grapevine tendril- curled still though long dead. And the beauty of the Bull Rushes, the elegant lines…”
1-21-10 "A Bit of Grapevine"
I just love the way grapevine tendrils reach out for anything and grab on…twirling and twining. With this one I was trying to sketch their forms as they twisted out into the air too, I like the way the sunlight cast a good shadow. My feet and hands were very cold at this point and it was hard to concentrate, holding my sketchbook in front of me as I stood to draw this vine clinging to my fence. But as usual I’m glad I took my sketchbook with me to stop and see things.
Just some little sketches from my field book. I pick up leaves just like so many people do, I can’t help it, they call to me from the ground all wet and shiny and brilliant colors. Each one calls, “Pick me up, pick me!” I end up with a pile tucked into my sketchbook where they get nicely pressed but I usually only have time to get one done before they lose their vibrant color. That’s what happened here, I wanted to use my watercolor pencils (and waterbrush) to test colors it would take and the second day when I went to finish it the leaf had already faded quite a bit.
European Goldfinches
The Goldfinches were neat, they kept landing in the long grass in front of my window and eating the dandelion seeds from the seed heads. It was funny to see this one bird with a seed sticking out of his beak, he’s twirl it around from one side of his beak to the other, it looks like a cigarette in the sketch! I used my watercolor pencils for this too, with a waterbrush.
On Sunday, September 20th, I went on a carriage drive with eight different buggy’s and all kinds of horses, through Coquetdale (or the Coquet river Valley) all around Rothbury.
Graham's Boys
This is a drawing I did after the drive while looking at one of my photos on the computer screen. It was WAY too bumpy to even consider sketching while on the drive. This was done with a permanent ink pen with no preliminary pencil sketch, so I had to plan as I sketched because you can’t erase.
View above Coquetdale
A bit about the carriage drive. It’s hard to pick out just a few pictures. As you can imagine on an 8 mile pony trek through some of the most beautiful English countryside while in the back of a 4 wheeled horse cart, left me with lots of photos. The day was perfect, a bit breezy but no rain and no dark clouds!
Sheep above Coquetdale
Through a farmers field with gorgeous views of Coquetdale below.
I got to ride in a 4 wheel buggy as I said, pulled by a team of two, half-brother horses. They were perfectly matched though, both dark brown. They were only 4 years old so young by standards of experience and the owner, Graham, was thrilled at how well they did.
Butterknowes Mare
This is a water color pencil sketch I did once again after the drive. I used one black pencil and a waterbrush to do it. It was a mare in the field we passed, the gate read, “Butterknowes”, that’s the farm name. Any time we passed a field with horses they all galloped around and bucked, you could feel their excitement! This mare had a foal and they did the same thing, running along the fence as we passed, it was really exciting.
Driving a buggy can be dangerous stuff though, all in the cart had riding helmets on in case of a tip over, me…well I didn’t have one. I had to just hope the horses and terrain would cooperate! There were some parts where we had to duck from tree branches over an old railway line, where the steep bank was just a step away; and parts where the road was so bumpy I held myself up off the seat by partial standing and using my arms. I just couldn’t take the bumps with my back. But other than that it was relaxing and fun.
On the highway
This is the buggy that was just behind us in the first part, then we switched positions so our horses could feel secure and follow.
We went through farmers fields, on a two lane paved ‘highway’, on old railroad lines, on country dirt roads (complete with pot holes!), through many field gates, up past the Simonside Hills and moors covered with bracken and heather, to swing down through gorgeous mature pine forests and then into Rothbury, a quiet little town in Coquetdale (the River Coquet valley).
Pausing at the parking area of Simonside
We had a brief pause at the parking area near Simonside in the open moorland areas. We were trying to let the others catch up. It was windy and cold up here, but we couldn’t stand long or the horses would chill.
Tower at Rothbury
This is the old tower just outside of Rothbury, I’m not sure if it was used to look out for invading Scots or not? I have to find out.
Coming home
Everyone filed in after the drive to June’s farm at East Raw, June’s the shepherdess who hosted the drive. The buggy in the back with the gorgeous chestnut horse is June with her groomswoman (or gate opener!) Becky. The cart in front is a lady from Scotland who came down just for the drive, with her Shetland Pony.
Chester sweated
What can I say? Is this not a perfect looking horse?! (June’s horse Chester)
After the drive
I’ll leave you with this picture of the buggy I rode in, with these two chaps having a talk over it, under a huge ancient tree. Sigh…a perfect day. I feel some horse paintings coming soon.
Hi folks, I wanted to get this page of sketches up before I embark upon my ‘Big Journey’ to England! I’ll be blogging and posting away while I’m there, hopefully getting access to a scanner so I can put up my sketches I’ll do as I go. I hope you sign up your email in the post “Subscribe” box in the right column, then you’ll see my new paintings and read about my adventures. But, for now, check out my Groundhog!
Woodchuck studies
Very early in the morning I saw a Groundhog or Woodchuck (known as both) nosing around in the back yard. It was well before Ginger was up so this plump furry one was eating, I noticed it ate only what we’d consider weed plants, dandelion leaves and clover. All the little sketches I did from life while observing him foraging, looking down from my studio window on the second floor. I did them using a black watercolor pencil and waterbrush just to keep it simple. First I snapped a bunch of photos using my long lens and zoom, because he was far away, there was a dirty window and a screen and it was foggy…the pics are blurry a bit. BUT they are good enough to refer back to to notice details or general form shading. The bottom little painting I did from a photo, I sketched the general shape of him with pencil (graphite) while soaking in the tub. (haha yes, we must find any time possible to get work done!) Then the next day while visiting my dad in Endicott, NY I painted him from the photo using my watercolors and one waterbrush, as I sat chatting with the family. I’m pleased with how it came out, at the end I added some blue washes here and there and that’s what really made it look good, it was a chilly, foggy morning and his coat had that tint to it. They are actually a handsome little critter, study one next time you see one, they have a lovely reddish tone in some parts of their fur and their head is nice with the light area of the cheek and dark top.
Um..no he didn’t see his shadow…but anyways…
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It was a gorgeous day so after my walk with my dog Ginger I sat on the old picnic table in the center of the yard and played around with my watercolor pencils and watercolors. I still prefer to use my watercolors as I can make any color I like as to the watercolor pencils where you can sketch areas quickly but the color is so very different when you wet it. You really have to practice and maybe do some small test areas (as I did at the bottom of the page) to see what it will look like.
"May Field sketch page"
The first picture is my whole sketchbook page including some little sketches of an unfinished Barn Owl and the Tree Swallows who were swooping over me. I sat on the table in the middle of the yard and was attacked by darn black flies! You can read my note, I even left out a word I was SO distracted by them trying to bite me and fly into my eyes.
"May Field close-up"
There’s a close up of the field sketch, the thing I do like about watercolor pencils is that you can show your lines; it can be very expressive.
"May Trees"
This picture above shows a watercolor study of trees far off in my field. I was using just one waterbrush for this, as the paint dried fast working in the sun outdoors, I found that I could actually put some bright yellow dots over dark areas.
"Watercolor Pencil color test"
This picture is really what I set out to practice today, color swatches in watercolor pencils to match the grass I was seeing. I laid down one color and labeled it then tested putting one color over the top area and labeled it too. When you wet it the color changes quite a bit, that’s why I wanted to play around with it. You can hold your sketchbook up and look directly at the grass (or whatever you’re trying to match) in front of you, next to the sketchbook. Look back and forth and ask yourself if it’s too yellow?, too bright green? Does the chroma need to be dulled down? I find that the watercolor pencils are very bright in chroma, that’s why I’m practicing with them.
My third day at Muncaster was so full, I did two posts to cover it, this is the second half!
The following pictures are all from the World Trust Owl Centre at Muncaster Castle on September 9th in the late afternoon after a busy day filled with hiking and exploring the castle. At the end of my day I walked around the owl yard and sketched a little…I was quite tired so I didn’t sketch too much! It was raining gently so I limited myself to a few brown watercolor pencils and watersoluble graphite pencils, a brown micron pen and a sepia micron pen. I listed the owls of England on my sketchbook page; Long Earred Owl, Short Earred Owl, Little Owl, Tawny Owl, White Breasted Barn Owl.Above is a Buzzard that is being brought out to take part in the Bird of Prey show they put on everyday behind the castle.
This is a Buffy Fish Owl, they have a funny sort of look with their ‘ears’ flopping out to the sides many times.
This is a Mackinder’s Eagle Owl…the Eagle Owls are some of the largest owls in the world. I just love the sleepy look of this bird…I really want to do a painting of this one!
This gorgeous bird is the Oriental Bay Owl; I just love it’s patterns and colors! I feel another painting coming on!
This is a video of Red Tailed Kites flying around in their pen. Such a beautiful bird, it’s centres like this one that help educate people about Birds of Prey so they won’t kill them in the wild or take their eggs.
The sunrise was just too beautiful to ignore. While I was making my morning coffee, I kept looking out the studio window at it. Knowing how fast a sunrise will change, I ran and grabbed my camera (literally!) to catch some photos. All the fantastic colors can bloom to unbelievable brilliance, then it can fade as the sun comes out so bright you can’t look, or it will slip behind clouds.
After taking some photos, I then grabbed my watercolor pencils and worked very quickly to sketch out some colors. I used watercolor pencils, watersoluble graphite and inktense watersoluble ink pencils with my waterbrush to blend and wet them. These are all Derwent brand pencils I used. I played around with drawing on the paper wet and dry when I did the trees. At first I drew them on dry…then ran the brush over bringing out the darkness of the color, but it also washes it out or softens it. Then I tried drawing the trees on wet paper and they were dark and intense from the start. This is good for trees in the forground. You can use both methods to your liking. (Below) I liked this one better, though it’s more simple, the colors are so pleasant. When I do a sunrise sketch, the colors shift very fast so I work on the large color impressions and cloud patterns, then try to work from memory. This leads to a lively painting but don’t be surprised if you look at the photos you took at the time and they look very different!
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