This is a little (5 x 7″) oil painting I did “en plein air”, or translation… “while standing in the snowy field freezing my fingers off”! What I wanted to do was study the colors in oil and not get too caught up in the finished look of a painting. It was a good exercise in study of color for me, it would not have been as successful if I did it from a photograph.
My oil field kit, closed.
I rigged up a little field kit for oil painting, just for taking out on hikes. Here’s a picture of the kit closed, it’s a plastic case you can buy at an office supply department. I’ve only used it this once but hope to work with it more and ‘tweek’ it. The main objective was to keep it as light as possible.
Here it is open to show you the metal pencil case and use of 'sticky tack'.
This shows the kit open with two areas of gessoed canvas ready to use. Notice the four dots of ‘sticky tack’ on the left, they’ll hold the lid of the metal pencil case when I want to paint, using the lid for mixing. I used tape to make loops to hold brushes; just put tape sticky sides together to make it ‘not’ sticky in the middle.
I created a loop of tape to slide my medium cup into.
I used the tape in the same way here, keeping it sticky on the ends but not in the middle, I created a loop that my medium cup would slot onto. At the angle I would hold the kit, the cup would not come off! It was then held from behind with a dab of ‘sticky tack’.
Here is my field kit in action!
I held the homemade kit in one hand, using my arm for support, and painted with my right hand. It’s all in my reach and I brought no tubes of paint. Notice my fingers are holding one brush at the ready and the other ‘dirty’ or ‘in use’ brushes are kept on the left of the hinge, clean ones to the right in the loop.
Of course Ginger was along for the adventure and waits patiently to continue with our walk!
I put a squeeze of my colors in a metal pencil case and put some in a pill box from the pharmacy before I left the house. The pill box was an experiment and I wasn’t really satisfied with it, it gets too messy on the lids and doesn’t keep the paint really airtight. Since then I’ve moved to using contact lens cases that screw shut…we’ll see how the paint lasts in them as they’re all back in England and I won’t see them until spring!
This shows you my view of the field as I worked.
The above picture shows you the view I had as I worked, it also illustrates how dull the colors look on a photograph and how I perceived the colors with my eyes to be a bit more vivid. This is why working in the field is so important whether you are oil painting, using watercolors, pastels…etc.
When I came back home, I stuck the little study up on a wood post in my living room using ‘Loctite” sticky tack. I hung there for ages and I enjoyed looking at it whenever I walked by. It wasn’t until I found a great frame and laid it on top that it popped out and said “HEY…I’m a good little painting!” hahah…yes sometimes my paintings talk to me…don’t yours? It also told me to stop ignoring it and get it framed so it could have a proper place on the wall! Yes…yes, the voice of guilt, this painting actually was done last year (12/31/10) and since I traveled to England it got sort of forgotten!
 (Some of the images go my shop where you can hover and see enlarged details)
Snowy Lane in black wax crayon colored with watercolor
Even though I did this sketch back in December, while I was in Northumberland England, I guess it’s appropriate now seeing as there’s been a return of snow there! This was their first snow of the winter and it fell quite heavy for a time, coating everything with that heavy kind of silent snow. I had a cold but peaceful walk up the lane and stopped at this view with the trees I always like looking at. I did the sketch while standing to the side of the road using a black wax crayola crayon. The snow was falling on my paper as I drew and it made it hard to draw, not to mention drawing while wearing my fingerless mittens. It was later that I added some touches of watercolor.
A lovely gate along the way
I love the way this ivy covered gate looks and would love to do a painting of it. Problem is it’s someone’s front gate and with the house being just inside, they may think I’m being rude standing there staring at it.
The snowy lane so quiet under snow
This is one of my favorite views as the lane curves into the distance. You can see this is the view I stood and sketched in my drawing.
Another view along the high lane
The trees stand sentinel as they’ve done for hundred’s of years. Many of the trees you see along a lane are just overgrown from old hedges that weren’t kept trimmed down.
The black faced sheep were quiet in the cold.
I love how the trees look in the back of the field and how peaceful the sheep were, just trying to conserve energy I guess. These ewes are probably getting fat with lambs in them now…can’t wait to see the little ones in spring!
The thick snowy hedge along the lane.
There are beautiful colors all around you even in winter!
I like seeing the leaves in winter; these were interesting with the red spots. Sorry the picture isn’t brighter but the day was so grey!
Just waiting to be put in a drawing!
 This is an old farm shed I always look at along the lane, it’s so old it’s actually fallen off it’s foundation and the sides are collapsed. I don’t usually want to paint old barns as some people do, but this with the trees, shrubs and grass with their colors in this shot, really attract me. I can see it as an ink sketch perhaps or chalk.
I hope you enjoyed coming on this little snowy walk with me. More sketches and photos from England coming soon.
I know it seems out of place, this painting of snow when it’s Spring (at least it’s trying to be spring!) but I found I had never posted this and would hate to have it forgotten! So here’s a short post about a cold, snowy walk in January! If you click it you’ll see prints of it in many sizes.
"Field at Long Lane Farm" watercolor
I did this little 7 x 7″ painting in my journal while standing in the lane that goes out to the fields on my farm. I love the subtle colors of winter, the red tipped bushes and the cool blues in the snow. On a good sunny day you can have to most intensely blue colored skies and high contrast clouds. Not that you’ll ever hear your weather man call them that! “today there’s a chance of high contrast clouds with rain” hahaha.
Seed heads along the walk
Here are some notes I wrote as I paused to look at some dead seed heads.
Watercolor pan, brush and waterbottle
And this shows you what I used, not a waterbrush but a ‘proper’ watercolor brush, just used the one and a plastic bottle for water. In the winter you can’t use the waterbrushes that are so popular as the water tends to freeze as you paint on the paper.
Hope you enjoyed the late posting…I hope we can all say goodbye to winter weather soon!
Here’s some prints and note cards of this little watercolor in my shop:
(A late entry that I wanted to add photos to before sharing, it’s from a tiny field sketchbook I made that’s handy to take in my pocket or a small bag when it’s wintry weather like this.)
Dead Weed heads Covered with Snow
What a cold day today, but Ginger and I ventured forth into the frozen whiteness and found some pretty things. I liked looking at the heads of dead flowers way out in my field, the snow was cupped upon the tops like cotton waiting to be picked. I did the two sketches today using a small sharpie marker in my tiny field sketchbook I created.
"Shadows on Fox Lane" 2
This photo is of “Fox Lane”, one of the ways I can walk out to my fields. I love the blue winter shadows cast here.
Tracks in the Snow Up Long Lane
The drawing above is of “Long Lane”, a VERY quick, simple sketch done with mittens on while Ginger and I paused on our walk. I at least wanted to show the perspective of the lane and the trees, the tracks in the snow help with that too. Long Lane is the prettiest, trees much closer and thicker along the lane, it’s so beautiful in springtime.
Furry Fronds of Ice
These furry branches are weeds growing just under my back deck, just where the exhaust from the furnace comes out the moisture in the air has created these pretty stems.
"Shadows on Fox Lane" 1
Another photo of Fox Lane. Hope you enjoyed this chilly walk with me!
It is a cold and dreary day here in Western New York, I guess it is in many places around the world. But the drippy dreariness also shows me spring is coming; snow melting on soggy but still frozen ground, dripping of ice from the trees and an almost silent occasional gurgle of air from under the ice as I worked quietly.
Oil sketch field kit, ready to be tested.
I created this lightweight kit to take outside with me, just for oil painting sketches. I mostly want to focus on practicing mixing colors for landscapes from the real thing. I’m not concerned about finished paintings, though as the weather is warmer I may work longer on them.
It’s a plastic box that I bought at an office supply store. I used a metal pencil box for my paint and as a palette; it’s held on with blue sticky tack. I also have a pill box that has colors in it, though I want to buy a long one so it will fit better. I have canvas paper cut to standard sizes and tape it in and also created a place for brushes with loops of masking tape.
My mineral spirits container slots over a strap I made out of masking tape.
I had a tiny plastic bottle of mineral spirits with me but didn’t need to pull it out, I had a tiny bit in this metal medium cup. It’s got a screw on lid and I created a strap with masking tape that it could slip over to hold it in place. Then I stuck a blob of blue sticky tack behind it to keep it from slipping off. (Just love that sticky tack!)
Here's how I held the kit and painted while standing.
It was very lightweight as I worked. As all tests should do, it helped me find what was ‘not’ working great; I need to make a little holder for dirty brushes on the left and both need a holder with some kind of bottom, like a pouch. My brushes were sliding out the bottom too easily and may get dropped.
A view of the painting and the subject.
Here’s the whole thing in progress. Note the paper towel with red paint all over it!! Ok, I admit it, the very first thing, when I lifted the lid of the metal pan (with my very cumbersome mittens on) I inadvertently got Cadmium Red paint on my mitten thumb, WITHOUT KNOWING IT! It suddenly showed up in three to four places, probably on my face too and I didn’t know it! Ok, those who paint with oils know that sometimes this just happens, oil paint likes to migrate. Cad Red is one of the worse to get on stuff! You see traces of where I had to scrub off the second canvas paper there, sigh. Nobody’s perfect.
Ginger is waiting patiently, telling me her tootsies are cold!
Ginger loves to go out on walks, but gets bored when I stop to paint or sketch. Today was worse because her feet were cold! But a good sign, when I was ready to leave, she didn’t turn towards home, she wanted to go further.
Cleaning my brushes, stand them up in the snow as you go.
When I’m done, I set the kit on the snow and stuck my dirty brushes in the snow (bottom down) and just dipped the tip of each one in mineral spirits and pushed on the lid/palette to work much of the paint out. Wipe it really well on paper towel, it won’t be clean but well enough to travel home for cleaning. Most of my brushes I used were bristle brushes for scumbly strokes and one small, flat, soft but firm nylon brush for the thin line strokes.
The field study for today.
Here’s the quicky field sketch fresh from the icy field. I know my colors look brighter than the photo, but that’s the beauty of painting from life, the colors were more vivid and beautiful to my eyes, a photo will lose a lot of true color and atmosphere. If I want I can let this dry and work more on it or do it while it’s still wet. Ideally, touch up what you want right when you return and it’s fresh in your mind. I don’t want to fuss too much over these sketches unless I do one that I feel is worthy of fussing. My main goal is to just get out and get quick color studies and not complicate things too much.
Hope you enjoyed, I’ll be trying out my field kit more and will keep you ‘posted’ as they say! haha.
Happy New Year everyone! I’m looking forward to a year filled with tons of new paintings by me and look forward to getting back to England for more adventures! Please share my blog with those you think would enjoy it.
I wrote some notes upon my return to the house, they are posted below if you’d like to read them about my day outside in nature. Both paintings were done with a dry palette of watercolors and one waterbrush. The sketch below I first drew with a permanent ink pen, brown color, then put washes of color on it while standing there in my snow shoes. This sketchbook is a mere 4.5″x5″!
"Winter Water and Shadows"
my notes
I hope you enjoyed a glimpse of my walk, I encourage everyone to get outside despite what the weather might be like to have a closer look around you.
It was bright and sunny today but winter still hangs on, the snow is over a foot deep and I wish I had my snow-shoes on! The snow is heavy, wet and deep; as I trudge through it I thought of the word ‘slogging’! Under the heavy snow is a deep, wet slaw of melted snow; I’m glad for my rubber boots.
"The Branches Reach Towards the Moon"
Ginger prances on ahead of me, begging me to hurry. Finally along the edge of the pasture I paused to catch my breath and attempt to capture a likeness of the moon with the trees reaching up towards it. At the end of this post you’ll see my small sketchbook and watercolors, and how I hold them on a clip board. Almost all my field sketches are done while standing and holding my book.
"The Field in Late February"
Well as you can read in my honest notes, Ginger surprised me and did something different; I feed her really I do! I guess you can’t stop instinct. I’m happy with how this little watercolor came out, I’m always trying to capture that color of the bushes in winter, they’re gorgeous. I was standing in deep snow and at the same time had to shrug my coat off my shoulders and take my hat off as the sun made me that warm. Maybe spring is coming?
"Paw Prints"
There are so many things to see if you take your time and look around you. The snow was quite hard on top, if you’re a lightweight animal. I noticed little tracks as I walked, then saw these little prints and had to sketch them. I brought no camera on purpose today, I wanted to really have to describe all I saw with my brush and pen. For tracks you can use your pencil or pen to measure the real size onto your sketchbook. I call this Comparative Measurements and it can be extremely accurate when you practice using it. These tracks were a bit hard to see because they were so shallow and the snow had dusted over them a bit. I drew the tracks at real size and then measured the distance between the sets, finding they were one pen length. This tells me it’s a small animal, at first I thought raccoon but when I looked on my pocket animal tracks guide I think it may be a skunk! Hey hibernation must be over! Look at this link to see a picture of my pocket track guide which, by the way, I don’t carry with me in the field.
"Snow Burrow"
Then as my eyes followed some more tracks, made by a fox I think, they led me to a small hole dug into the snow. I guessed that a fox, who used his great sense of hearing to listen for small mammals under the snow, had been by and dug down to ‘no surprise’ a burrow or tunnel of a vole. I like to think about the event that may have taken place, probably while the moon was shining on the snow at night. I wonder if he got his dinner?
"Paul's Chair"
As I said the sun was shining brightly as I returned from my day’s walk, trudging along the deep snowy lane. I looked off the lane into the woods and saw there a black metal folding chair. This chair is not there by mistake, my son Paul placed it there years ago and would disappear at times and he’d go here to sit in the woods. I think everyone should have a chair in the woods somewhere, where we can go escape or think. I felt a bit sad seeing it there by itself, perhaps it’s owner would never sit in it again as he’s off to college now. I just hope (as his mother) that he’ll always “find a chair somewhere” and sit in the woods.
Clip board with closed sketchbook
Here’s a picture of my clear clipboard with my handmade 4 1/2″ x 5″ sketchbook and watercolor palette attached. This is how it looks when I pull it from my bag, I use the rubber bands to hold the book shut and the palette. The palette is held on with blue ‘sticky tack’ or ‘blue tack’. The sketchbook is clipped on with metal clips with the front cover.
Clip board with open sketchbook
This is how it looks when open, I use the white rubberband (actually it’s a hairband thing) to hold the piece of paper towel or to help hold the book open, or you can use a metal bankers clip. You can see I’m using my waterbrush today with the watercolors, I find it easier when hiking and especially in cold weather. Though it won’t work when it’s ‘really’ cold, it turns to ice on my paper!
I hope you enjoyed coming on my walk, please leave me a comment! I’ll have classes this summer in England where you can come along and sketch while we explore the gorgeous countryside. Please sign up your email address in the “subscribe to posts” box in the right column.
Today I went for a walk with my dog Ginger out through the pasture to the field beyond. As it says in my notes the morning was very cloudy and misty, I think because the temperature has warmed enough that the snow is melting. Click on any picture to see larger.
Page 1-notes from my walk
Believe me it’s still cold! There was ice crunching beneath my boots but it was all water underneath; the ground is absolutely saturated with snow and water. You can see on my first page, I was playing around with the watercolors to capture that beautiful reddish color in the field. It’s actually all the tips of the bushes, together they look like a mass of this color.
Page 2-Watercolor sketch of the field
Here’s a very small sketch I did while standing in the snowy field.
Page 3-Ink sketch on the Lane
Sometimes I like to take a shape and trace it on the page to play around with, sketching inside or outside it. I had already put this square in the sketchbook and found it when I flipped the page, so I decided to do a tiny ink sketch of my view ahead. This is out by Aspen Hall, a special place on my land, all those trees ahead on the left are “Aspen Hall”. When working with permanent ink pen I sketch by making little marks of where I want things placed, you will always see little mismarks on my ink sketches because I believe in being loose and kind of scribbly. It’d be different if this was a planned drawing done while sitting at my drawing table in the studio.
I bundled up because it was extremely cold today and headed outside for some fresh air. I used a clip board to hold my small sketchbook and a small box of oil pastels. I needed to keep it really simple and easy to pick up pastels as I was wearing enormous mittens and with the freezing temperatures I had to work very quickly. The sun was setting and thus hitting the far trees across the field. I laid down a very thin layer of the lightest blue then used a heavy application of white and rubbed it hard to smear or blend it together. Click on the picture to view it a bit larger.
Here’s a very small sketch (4″x5″) that I did outside in the freezing cold. The sun had set and twilight time was coming, when the snowy landscape takes on a bluish cold tone. I tried to use my waterbrush but the water was freezing on the paper too fast and in the bristles! So I used my permanent ink pen and that was scraping the ice off the paper, I had to laugh a bit, I’ve never tried to watercolor when it was this cold. I colored it inside after thawing my fingers out.
Below I included the small page of notes that I wrote about the sketch.
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