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“Peregrine Falcon” watercolor

This is a watercolor study I did to as a demonstration for my fall Nature Sketching and Painting Indoor class that just finished up. I used it to show the stages it took to make a simple study, step by step, layering washes, values etc. Posted below are the steps it took to make this 5″x5″ study head, be sure to click on pictures to see larger views! Enjoy!

Detailed sketch – Shown below, first I started with a light gesture sketch of the shape of the bird, then rechecked placements of things and refined details.
Darkest Darks-This is one approach to watercolors, start by laying in your darkest darks and blacks. If you start with a confident sketch it should work out fine, when you work this way you set out from the beginning with a defined dark end of the value range. You can then judge all other values against it as you paint. You won’t have to go back and keep “pushing” your darks to make them pop.
I also painted the eye, being carful not to touch the highlight area, black for the pupil, and brown put into the wet black for the iris. (I think I put my reading glasses on for this step! haha).

Below I started to lay in more darks of the cheek, as my brush was drying out I would ‘sketch’ areas I wasn’t sure about…just to start to lay in some value so I could see where I wanted to paint. Color Wash-Here I laid in a bluish grey, ultramarine and black thinned with water. After it dried I laid in some small lines for feathers.

Changeing the drawing– A pale yellow ochre wash on skin of eye area and nares. A wash over the eye highlight to tone it down and soften it. Here I also made a decision about the beak, now that I was putting values down, I thought the beak looked a bit too heavy. So before committing to paint, I erased! I reworked the curve then I painted keeping all areas soft and blended slightly.
Feather details-I brushed on more feather details here, laid in more darks with repeated ‘feather’ strokes to top of head and all around eye. Nice spotty look at right edge, I like when the watercolor can been seen for what it is, it gives it a looseness. See the photo below for this step, just repeated tiny strokes.
Yellow of beak and eye-Here I laid in the yellow on the nares and eye area, and it’s completed! See it on my Art Gallery Blog soon with prices for note cards and prints!

Coffee Experiment on Watercolor Paper 1-20-08

The other day I did some experimenting with watercolor paper and instant coffee. I had seen this used for a background for classical drawings. Now that I’ve tried it I can see that a bit of practice and light-handed use of coffee is a good idea. The first ones I did with just wet paper, brushed on with a big ‘mop’ watercolor brush, then I sprinkled INSTANT coffee crystals all over it. (No it doesn’t matter if it’s decaf or regular! ) I then brushed it until it colored the paper, then I re-sprinkled it with a bit of coffee. I guess I could mix some coffee up with water first to use as a tint. The one where I used bristol board I brushed with a house painters brush, it gave it interesting streaks.

The second set of papers I used two different brown watercolor paints to tint the paper. I used one big 11″x14″ sheet that I taped to a board 1st. I wet it with water and the mop brush then brushed the color on. As it took on a sheen I sprinkled the coffee on and watched what it did…#1 is just coffee sprinkled and not touched, a little too heavy and spotty looking to me. #2 is same as #1 but then I brushed the coffee after awhile and re-sprinkled a tiny amount. #3 is same as #2 but I added salt and just left it alone. (note here…I just love using salt!! I love the random patterns it creates!) The sample pictures I posted here are cropped parts of the actual sheet I made. If I get a sheet I like I’ll scan it, save it and perhaps I can print it out to use for drawings without worrying about messing up a hand-painted sheet. Let me know if you ever use this technique and how it worked for you. I’ll be drawing with brown ink, brown pencils or pastels with some white chalk highlights on this paper. If I get time, I’ll post what I do with it!

“Iris Watercolor Painting with Travel Palette”

Me painting with sketchbook and watercolor palette in one hand.

I decided to put that little travel watercolor palette to test. I picked up a gorgeous iris and lily yesterday, sketched it out and started the first stages of painting. My objective here was really to test out the palette, watercup arrangement and holding the light board all in one hand. I want to see if I can use it like this in the field without an easel for little studies. You can click on any picture to see enlarged views.

My travel watercolor palette with watercups attached

I show a close up of the arrangement so you can see the watercups; they are actually for holding mediums for oil painting, designed to hold the liquid even when tipped slightly on a hand held palette. They worked fantastic! I had to get over the habit of looking for my watercup on the table! You can see the ‘sticky tack’ or ‘blue tack’ in my palette. Yesterdays blog explained that better, so they get tested today and it worked wonderfully! Yay..two experiments that worked.My hand got a bit tired from holding the board and palette but this set up is supposed to be for quick studies, I worked on it longer than I would in the field.
The pictures are to show the stages of my painting, start to finish.

Iris pencil sketch

starting to lay in some colors

Putting on the blues, make sure yellow is dry first

Adding more details now, layering on more blues

Adding final details and darker values

Finished!

Click here to see Note Cards of this painting,

and Click here for magnets in my shop!