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Today I’ll take you to the Marina at Derwent water where I stayed overnight at The Derwent Hotel. It’s a gorgeous place to stay all newly refinished, the bedroom was just sumptuous! And oh yes, I really liked that they had internet so I could catch up with the folks at home and let them know I wasn’t lost somewhere in the English countryside!
 This is the front lobby, coming down in the early morning to have my oatmeal made with cream and oh boy was it rich!  Then I made my way across the street and just down a driveway and there you are…the marina. A small, uncomplicated, peaceful place so early in the morning. http://www.derwentwatermarina.co.uk/ Walking toward the water…I took note of birds I saw, almost all were new to me, how exciting!  I love when the mist is lower than the mountains around it, the puffs were making their way up each ‘valley’ from the lake. Small coots were chugging across the still water looking for fish…I did some small sketches of birds and wrote my bird list on the sketch page shown below.  Click the page to read my notes.  These are simple sketches done while walking around, this is typically how I draw birds in the field. Not much to them, just identification notes, and I had my Altoids watercolor kit with me and did some simple coloring. I think one of my favorite birds was the wood pidgeon; with a flash of white on his wings when he flew from the deep trees where hidden. They are quite big compared to ‘our’ rock doves or pidgeons.  Later in the day I walked up the hill behind the hotel. It was very chilly and damp as I sat and worked. I did a small sketch of the lake view over the hotel, trying to get some color notes on it so I’d remember how it looked. I think my friend Gary arrived just in time though as my fingers were getting quite stiff! Time for hot tea!  I just finished the sketch,(back home in the states) working from a dull photo because it was a dull day. I sat in a coffee/lunch area in the grocery store on a nasty snowy day and worked on it…then finished it in the comfort of my studio. I perked up the color a little trying to keep in mind the original colors I had on the paper. I signed it Lake Derwent before I learned that it’s called Derwent Water. By the way, I did the entire painting using one waterbrush and my travel palette. I’m trying to practice using the waterbrush so it’ll come naturally in the field.
I think it’s a nice little painting!
I think the painting will always mean something different to the artist who painted it in the field. As I sat and sketched, then painted…I absorbed all around me. My eyes studied the colors, my ears heard wrens and thrushes singing, the wind blowing through the pines, my fingers felt the cool rain drops and mist, my face felt the breeze and my nose smelled the wet leaves and mosses in the undergrowth behind me…and the smells of the kitchen below. As I look at that little painting…I can remember it all! THIS is what makes painting outside in nature so rewarding, and it’s why I do it. I hope you’ll join me someday in experiencing this feeling.
In the morning looking out my window, I was greeted by an unusual sight, sheep in the courtyard! I guess it would be very frustrating to have a garden here as the sheep kind of wander where they like, especially if their gate is left open. The owners of Cote Howe B+B told me it was hard to protect the garden and they try to put fencing around it.
 This morning I was leaving Rydal Water, I was sad to say good-bye. I went out behind the B+B to wait for my friend Gary to come, it was chilly and damp. I climbed up on top of a big wooden gate with huge stone posts and did a balancing act as I swung my legs to the other side. The stone wall is fascinating in itself to study, notice the huge cap stone at the end on the left…I don’t know how deep it goes into the ground, but I’m sure it goes down a few feet at least. This is how the stones were set for Stonehenge and the other stone circles around England and Ireland. The big stone here is used as the post, the wall being built up against it and also gates can be hung on it. The wall has a niche in it, I forget what the owner told me it was for? Does anyone know?
 Above you can see some beautiful forms of fungus’s and moss. It seems anything that wasn’t moving in England this fall, was covered with mosses! I’ll try to identify these later from my field guides, if anyone has some good identification, leave me a comment please!
 There were sheep in the field, an occasional hiker and just a beautiful view looking towards Rydal Water and the path I took yesterday for my hike. I sat on a gate and sketched the sheep and path view, the bunny is from when I was standing by the garden and saw him there. I sat so quietly sketching that the sheep came right up under me, when I spoke to her, she was very surprised to see me! That’s the neat thing about sketching in nature, you sit so quietly engrossed that wildlife will come around you.
Below you can see my original page, this is what I did as I sat on the fence, I painted it in while looking at the photos on my computer screen, using my tiny Altoids watercolor kit and just one waterbrush. You can see my tiny color tests in the spiral area of the paper. 
 Not too long ago I posted about my hike around Rydal Water in the Lake District of England. I did sketches as I went, some being quick as the day grew short and chilly. Below is a sketch I did with a permanent micron pen, I just couldn’t resist the view. I wrote notes on it about how I felt and even some abbreviations for color notes.
Last night, quite late actually, around midnight I found myself in front of the computer with a photo I had taken on the spot up on the screen. I used my tiny altoids watercolor kit and one #8 round brush to color in the sketch. I went over the words in a heavier line because they started to get lost. I think it’s a bit distracted looking if that makes sense, I think because I was in a lot of pain (neck and lower back! ohhhh!). But I wanted to do this up…I may go back into it with a micron pen to scribble in more forms. But at least I practiced with my colors and what I could produce with my tiny kit.  I have another post coming soon that I colored after also, of some sheep, a bunny and a little view of my path.
 Today I painted this miniature watercolor of some wetlands in England. It measures only 2.25″ x 4.25″, yes it’s a wee tiny thing! I have some pictures from England I want to work from sitting on my kitchen table; so this morning as my oatmeal and coffee got cold, I did this little painting.  Here’s a picture of one of my tiny travel kits, this one is set up with my ‘Altoids’ watercolor kit. I have small watercolor brushes that I cut the handles off of so they are short and fit in my kit. The watercolor kit or box is stuck into a metal pencil case that I can use to mix my colors and hold the paper and watercup at the same time. It’s a great little set up, and I like keeping it handy at the table. I did the Snowy Egret in the last post using this kit, but just drew with my inktense watersoluble pencil, not watercolors.
This painting will be up for sale soon after it returns from a show in Washington DC, soon I’ll have a picture of it framed on my gallery page of it.
 Last night as I walked out to the barn, I paused to admire the stars, it being a clear night with a small crescent moon. My dog Ginger was bouncing around me waiting for me to continue to the barn for feeding time, I had to watch awhile. I watched them twinkling and thought again about how people all over the world are connected when they look up at the stars and moon. I noticed too how the light cast from the barn made the trees glow against the dark sky, the lighting from below was haunting. It was just then I saw a bright shooting star fly over the trees…with bright sparkling colors behind it; it didn’t have a long tail, but a very brilliant short one.  This is the painting taped to the table (it’s 5″x7″), I used a liquid friskit with the pen tip to quickly sketch the trees on. They are a little clumsy but I meant to do it as a quick sketch, and have some liveliness to it. The stars came out a bit too big so later I had to paint them in a bit.
After the liquid friskit is dry and only then, is it ok to do liberal washes over it. The friskit keeps the paper white, I should have taken a photo to show you how bright and ‘garish’ it looked when I rubbed it off. My son Paul loved the look, kind of modern but a bit too stark for me. I brushed over the trees liberally with browns and then used a damp brush to lift color around the tree tops…a softening effect to suggest the finer branches and glow.
 This is my tiny kit with the Altoids tin of watercolors, I mixed my paints on the metal pencil case. The last thing I did was put a little color in behind the shooting star, I took note of this right when I saw it and that’s what I found fascinating about it.
So that’s it, a little sketch of a shooting star…and oh yes…I DID WISH UPON IT!! (but I’m not telling! 😉
 This is a tiny little watercolor painting I did on New Year’s Eve morning, while drinking my coffee and looking out the back studio window. It measures a mere 2.5 x 3.5″. You can see below a photo I took while working, but I put the tin down to take the photo. I painted it while standing and holding this little set-up in my left hand. It’s a pencil case that I stick my “Altoids” watercolor kit in using blue tack or sticky tack, and the same for the tiny watercup. I also use the tack to hold two brushes at the ready on the side; I use the metal area under the paint kit to mix colors. This set up works well for small paintings and studies.
 It was a full moon a few nights before, so tonight as I saw the glow of the moon trying to come to fruition behind the clouds…I was hopeful of some good moon gazing. Hmmm….no such luck. It started to show promise as I saw a curious yellow glow in the clouds, so I grabbed my tiny Altoids watercolor kit, my reading light and very small watercolor field kit.
I set up in my bathroom where it’s extra dark when the door is closed and tried to paint quickly in the dark. I didn’t have anything to put my piece of paper on, so I held the little thing in my hand and the watercolor kit also; it was not a great set up but I was in a hurry!
Yes, it was quite dark, I could hardly see the colors I was using but I wanted to really see the moon and didn’t want the distraction of the light. So as it slipped quickly away behind a dark veil of clouds, I just painted from memory and it was ok. It’s only after when you turn on the lights and let the colors and wetness finish their ‘melding’ that you’ll see what you’ve got. It’s kind of fun! This one is only 3.5″x2.5″ on watercolor paper.
Sometimes it’s hard to be an artist. Let me explain, I have been thinking about how much I want to try to paint the moon at night, in the dark using a tiny light. I’ve never done it before so the other night when the moon was streaming through my window, I had to get back out of bed and go to the studio to get my paints!! Yes…it’s difficult to be an artist, but fun!!  For the above painting I used liquid mask to block the moon, which I don’t use much but wanted to play with. Then I worked wet into wet with the colors. Now keep in mind I said before I wanted to work in the dark so I could see the moon still, so I took a tiny reading light and clipped it onto my neck collar of my t-shirt. (Um…did anyone ever tell you artists were kind of nuts? haha) I pointed the light down at my painting, it was a neat experiment.
 Above you can see my tiny watercolor kit I put together. On the left is a pack of assorted brushes that I cut the handles down on so they are smaller and fit in my field bag, above that is the reading light. In the center is my field kit of watercolors that I have tucked into a tiny Altoids tin, I use the lid for mixing my colors. Above the kit is a plastic vitamin bottle that I use for water; I like this container because I can get my brushes down into it for swishing around, but it also fits in my waterbottle holder that I can put around my waist for field work. And next to all that, on the far right is a new little invention of mine, it’s a tiny cigar case my friend Mark gave me. I told him I like little containers to play around with for field stuff….I know, I sound like a little kid! Well….if you don’t think creatively and play, you don’t think of great ideas!
 I cut up little squares of watercolor paper to fit inside the cigar case, it holds about 14 sheets of paper, I also put in some bristol board to play with. The sheets measure only 3 1/2″ x 3″….kind of fun to work on if you keep it simple. I then took two paper clips and bent them so they go over the edge and hold down the paper while you work. You can see how tiny the kit is as it fits right into my hand! Below is the tiny moon painting I did, I like it!! For this one I didn’t use liquid mask and it show the moon for how it really was, it wasn’t full like I showed above. I hope you enjoyed my post about my experimental moon painting! Remember I did it in the dark, it was fun! I will bring this kit with me when I travel to England and Ireland and play around with it. Please let me know what you think and leave me a comment!
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This is the front lobby, coming down in the early morning to have my oatmeal made with cream and oh boy was it rich!
Then I made my way across the street and just down a driveway and there you are…the marina. A small, uncomplicated, peaceful place so early in the morning. http://www.derwentwatermarina.co.uk/
Walking toward the water…I took note of birds I saw, almost all were new to me, how exciting!
I love when the mist is lower than the mountains around it, the puffs were making their way up each ‘valley’ from the lake. Small coots were chugging across the still water looking for fish…I did some small sketches of birds and wrote my bird list on the sketch page shown below.
Click the page to read my notes.
These are simple sketches done while walking around, this is typically how I draw birds in the field. Not much to them, just identification notes, and I had my Altoids watercolor kit with me and did some simple coloring. I think one of my favorite birds was the wood pidgeon; with a flash of white on his wings when he flew from the deep trees where hidden. They are quite big compared to ‘our’ rock doves or pidgeons.
Later in the day I walked up the hill behind the hotel. It was very chilly and damp as I sat and worked. I did a small sketch of the lake view over the hotel, trying to get some color notes on it so I’d remember how it looked. I think my friend Gary arrived just in time though as my fingers were getting quite stiff! Time for hot tea!
I just finished the sketch,(back home in the states) working from a dull photo because it was a dull day. I sat in a coffee/lunch area in the grocery store on a nasty snowy day and worked on it…then finished it in the comfort of my studio. I perked up the color a little trying to keep in mind the original colors I had on the paper. I signed it Lake Derwent before I learned that it’s called Derwent Water. By the way, I did the entire painting using one waterbrush and my travel palette. I’m trying to practice using the waterbrush so it’ll come naturally in the field.
