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“Winter Field Sketch” oil

"Winter Field Sketch"

This is a little (5 x 7″) oil painting I did “en plein air”, or translation… “while standing in the snowy field freezing my fingers off”! What I wanted to do was study the colors in oil and not get too caught up in the finished look of a painting. It was a good exercise in study of color for me, it would not have been as successful if I did it from a photograph.

My oil field kit, closed.

I rigged up a little field kit for oil painting, just for taking out on hikes. Here’s a picture of the kit closed, it’s a plastic case you can buy at an office supply department. I’ve only used it this once but hope to work with it more and ‘tweek’ it. The main objective was to keep it as light as possible.

Here it is open to show you the metal pencil case and use of 'sticky tack'.

This shows the kit open with two areas of gessoed canvas ready to use. Notice the four dots of ‘sticky tack’ on the left, they’ll hold the lid of the metal pencil case when I want to paint, using the lid for mixing. I used tape to make loops to hold brushes; just put tape sticky sides together to make it ‘not’ sticky in the middle.

I created a loop of tape to slide my medium cup into.

I used the tape in the same way here, keeping it sticky on the ends but not in the middle, I created a loop that my medium cup would slot onto. At the angle I would hold the kit, the cup would not come off! It was then held from behind with a dab of ‘sticky tack’.

Here is my field kit in action!

I held the homemade kit in one hand, using my arm for support, and painted with my right hand. It’s all in my reach and I brought no tubes of paint. Notice my fingers are holding one brush at the ready and the other ‘dirty’ or ‘in use’ brushes are kept on the left of the hinge, clean ones to the right in the loop.

Of course Ginger was along for the adventure and waits patiently to continue with our walk!

I put a squeeze of my colors in a metal pencil case and put some in a pill box from the pharmacy before I left the house. The pill box was an experiment and I wasn’t really satisfied with it, it gets too messy on the lids and doesn’t keep the paint really airtight. Since then I’ve moved to using contact lens cases that screw shut…we’ll see how the paint lasts in them as they’re all back in England and I won’t see them until spring!

This shows you my view of the field as I worked.

The above picture shows you the view I had as I worked, it also illustrates how dull the colors look on a photograph and how I perceived the colors with my eyes to be a bit more vivid. This is why working in the field is so important whether you are oil painting, using watercolors, pastels…etc.

When I came back home, I stuck the little study up on a wood post in my living room using ‘Loctite” sticky tack. I hung there for ages and I enjoyed looking at it whenever I walked by. It wasn’t until I found a great frame and laid it on top that it popped out and said “HEY…I’m a good little painting!” hahah…yes sometimes my paintings talk to me…don’t yours? It also told me to stop ignoring it and get it framed so it could have a proper place on the wall! Yes…yes, the voice of guilt, this painting actually was done last year (12/31/10) and since I traveled to England it got sort of forgotten!

Click to see photos enlarged:

How it looks framed on the wall

"Winter Field Sketch" framed and in cool daylight

Original framed painting $165 contact me

Go here to see all my Landscape Paintings in the Gallery.

I also made some nice products in my Zazzle Gift Shop with this, please click on the pictures to have a look!

Glossy Note Cards- 2 sizes
Glossy Post Cards

Oil Field Study on New Years Eve, 2010

Here's my field on a dreary New Year's Day

(Please click each picture to see it enlarged)

It is a cold and dreary day here in Western New York, I guess it is in many places around the world. But the drippy dreariness also shows me spring is coming; snow melting on soggy but still frozen ground, dripping of ice from the trees and an almost silent occasional gurgle of air from under the ice as I worked quietly.

Oil sketch field kit, ready to be tested.

I created this lightweight kit to take outside with me, just for oil painting sketches. I mostly want to focus on practicing mixing colors for landscapes from the real thing.  I’m not concerned about finished paintings, though as the weather is warmer I may work longer on them.

It’s a plastic box that I bought at an office supply store.  I used a metal pencil box for my paint and as a palette; it’s held on with blue sticky tack. I also have a pill box that has colors in it, though I want to buy a long one so it will fit better. I have canvas paper cut to standard sizes and tape it in and also created a place for brushes with loops of masking tape.

My mineral spirits container slots over a strap I made out of masking tape.

I had a tiny plastic bottle of mineral spirits with me but didn’t need to pull it out, I had a tiny bit in this metal medium cup. It’s got a screw on lid and I created a strap with masking tape that it could slip over to hold it in place. Then I stuck a blob of blue sticky tack behind it to keep it from slipping off. (Just love that sticky tack!)

Here's how I held the kit and painted while standing.

It was very lightweight as I worked. As all tests should do, it helped me find what was ‘not’ working great; I need to make a little holder for dirty brushes on the left and both need a holder with some kind of bottom, like a pouch.  My brushes were sliding out the bottom too easily and may get dropped.

A view of the painting and the subject.

Here’s the whole thing in progress. Note the paper towel with red paint all over it!! Ok, I admit it, the very first thing, when I lifted the lid of the metal pan (with my very cumbersome mittens on) I inadvertently got Cadmium Red paint on my mitten thumb, WITHOUT KNOWING IT! It suddenly showed up in three to four places, probably on my face too and I didn’t know it! Ok, those who paint with oils know that sometimes this just happens, oil paint likes to migrate. Cad Red is one of the worse to get on stuff! You see traces of where I had to scrub off the second canvas paper there, sigh. Nobody’s perfect.

Ginger is waiting patiently, telling me her tootsies are cold!

Ginger loves to go out on walks, but gets bored when I stop to paint or sketch. Today was worse because her feet were cold! But a good sign, when I was ready to leave, she didn’t turn towards home, she wanted to go further.

Cleaning my brushes, stand them up in the snow as you go.

When I’m done, I set the kit on the snow and stuck my dirty brushes in the snow (bottom down) and just dipped the tip of each one in mineral spirits and pushed on the lid/palette to work much of the paint out. Wipe it really well on paper towel, it won’t be clean but well enough to travel home for cleaning. Most of my brushes I used were bristle brushes for scumbly strokes and one small, flat, soft but firm nylon brush for the thin line strokes.

The field study for today.

Here’s the quicky field sketch fresh from the icy field.  I know my colors look brighter than the photo, but that’s the beauty of painting from life, the colors were more vivid and beautiful to my eyes, a photo will lose a lot of true color and atmosphere.  If I want I can let this dry and work more on it or do it while it’s still wet. Ideally, touch up what you want right when you return and it’s fresh in your mind. I don’t want to fuss too much over these sketches unless I do one that I feel is worthy of fussing. My main goal is to just get out and get quick color studies and not complicate things too much.

Hope you enjoyed, I’ll be trying out my field kit more and will keep you ‘posted’ as they say! haha.

Happy New Year everyone! I’m looking forward to a year filled with tons of new paintings by me and look forward to getting back to England for more adventures!  Please share my blog with those you think would enjoy it.