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 Spring Fuzzy Buds on "Long Lane Farm" Today is the “Equilux”, that is the day of the Equinox, where day is the same length as night. I heard that it’s also “World Storytelling Day“; now this interests me greatly as I love to tell stories and love to hear and read them. I’ll have to look into that further. For me today was like a story of Spring coming. The sun was out, though the air was still very cold, and the birds are all vying for attention, not from me but they were certainly getting it! I did some sketches and wrote notes and a poem while I was walking so I’ll re-type what I penned on my pages for you to read. So I tell a story today. (Please click pictures to see enlarged).
 "Step Out Your Back Door" notes, poem and Hawthorn needle. Journal: “March 20, 2011 Just had to pop outside. It’s sunny but cold; I am wearing a wooly cap + wool fingerless mittens. Though the sun shines + the birds are all singing, it’s COLD! Daffodils by the back door are getting ready for their entrance into Spring.”
Then I walked out into the pasture, totally flooded and squishy; so lucky I wore my ‘barn boots’ or Wellies as they call them in England. Here’s a little poem I wrote while standing and listening to the birds:
Journal:
“Step Outside Your Door Today”
“Step outside your door today, walk in your backyard.
Watch the Blackbirds sing and play, smiling is not hard.
The woodpecker laughs from his high perch,
As signs of Spring you do search.
Cardinals red and grasses of brown,
You smell the earth deep beneath the ground.
A stirring of creatures above and below,
Spring’s arrival defeats Winter’s foe!”
Mary McAndrew
 Hawthorne needle Then I walked on and around “Aspen Hall”, a favorite area of my land where the boys and I used to picnic, I found a branch from the Hawthorne tree on the ground. I plucked many of the long sharp spines off it, then poked one through my paper like a needle. This looks really cool if you click the picture to see it enlarged!
As I walked it was so cold I had to keep my hat and scarf on. When I found a sunny spot in the “Maze”, it actually felt better to sit down out of the breeze. I was able to pull my wooly hat off and stretch my legs out; I put a plastic kitchen garbage bag on the ground to keep the wet where it belonged! Just make sure you don’t put it on any pokey stubs of things, you’ll get a hole and be surprised later!
 Black Crayola Crayon Sketch Here’s a page in my sketch journal that I worked on, a view of the path I had just walked on. I started with a little border line around the edges to add a neat design element. Then sketched in black ‘Crayola’ wax crayon that I had sharpened with my knife. Using this crayon was SO MUCH FUN! I can’t wait to try it some more, I loved the feel of the crayon on the slightly rough paper, you could see the texture too. You can press harder for darker lines and very lightly to make it light of course.
 Using the flat tipped waterbrush to wet the watercolor crayons Then I tested my colors by making a tiny dot at the bottom of the next page and wet it. Make sure you test your colors before you scrawl all over a drawing, watercolor pencils and crayons can surprise you at how different they look wet! I very lightly, using the side of the point of each crayon, added color to the areas. I saw the bushes and trees in front of me as more of a mass of value with some standing out in the foreground; so I massed it in as brownish reds then added heavier marks for trees and branches. Experiment with adding lines onto your wet paper, they will be very distinct and bold; this is good for adding branches.
I’m using the flat waterbrush, I really like this brush for studies that need large washed areas and it’s great for making grass marks! PS. yes it was cold still, I did the sketch with the mittens on, the flipped back the finger cover to use my brush!
 Sketch in the Maze done with watercolor crayons on black wax crayon Here’s a picture of my crayons, (each is broken in half to make them fit and weigh less in my pack) I have them tucked into an “Altoids” tin with some paper towel. The ones in the lid on the left are what I used for this sketch. Another thing you can see is how in the foreground I used more lines from the crayons going back and forth to add texture. Then the flat waterbrush with tip sort of dry, it spreads apart and makes good grass type marks. Touch it to your crayon tip to get color and brush it on the paper. Click on the finished sketch below.
 "Springtime Path in the Maze" watercolor crayon + wax crayon Here’s the finished sketch done in wax and water soluble crayons. I rather like it! Oh and the three bigger trees on the left are the “Sister Trees”, they are a group of huge trees I’ve painted before.
You may like to read my notes on this page that I wrote as I did the little painting. They are here at full size so you don’t have to click it and I typed out the notes below the picture!
 Notes from my walk with colors for sketch at bottom. Journal: “I’ve found a sunny spot to sit in a clearing on one of the paths in the “Maze”, an overgrown field on my property that I cut paths and tracks all around. This is an area I cleared more into an open, private spot along one path. I put a clean plastic garbage bag upon the ground and that’s where I’m sat; legs stretched out and wooly hat off! Sun warming me nicely now! 🙂 I did the little sketch with Black Crayola crayon and it was wonderful to see the fine texture of the paper under my hand; pressing hard or light to get variety of lines. Then I lightly scumbled over it all with watercolor crayons by Caran d’ Ache. I never used these before as I thought the colors too garish- but if you go light the browns + the golden yellow were great over the black wax crayon! I love how the black crayon just stays. I used the big, flat waterbrush and it blended all nicely, then made perfect marks for texture on the ground in front.
Just sitting here quietly feels wonderful. I hear birds + distant sound of cars. The Chickadees are so curious they keep coming closer and closer. One just looked down on me from a small bush. Something else interesting, I can hear the ground making sound! There is a barely audible sound like “ticking” here and there all about me. I’m sure it’s the sound of air bubbles coming to the surface of this very wet ground…the earth breaths as the ice melts…the peepers awake.
12:10 pm 3/20/2011 Mary McAndrew”
 Ginger on Long Lane, listening to the Peepers singing. Now, go get your dog, your children or just yourself, grab that sketchbook and some crayons and get out there!! Good days don’t wait for anyone, go enjoy what’s around you no matter where you live. I’d love to hear from you if you’ve been out and noticed signs of Spring, leave me some comments.
I started putting lots of my sketches on “Flickr” if you want to stop by and see them, I may use it as a place to show all my sketch pages? We’ll see. Don’t forget to stop by my ‘SHOP’ to see the new Easter and Spring cards.
 "Field at Long Lane Farm" watercolor Saturdays in March (5th, 12th, 19th, 26th) Time: 1 – 3 pm
Explore nature as we work indoors from real subjects and photos. Share my field sketchbooks from England and New York. Learn ‘drawing from life’ techniques that will help you next time you are out in nature and want to capture something on paper. Work in your field sketchbook using real nature objects as we learn how to draw and paint them. Learn how to use pencil, color pencil, watercolor pencil and watercolor in creative ways to embellish your sketchbook pages. Adults and mature young students are welcome. We will occasionally sketch and learn in the park if weather permits.
 Students drawing near the creek on a nice day $75 for 4 classes, a $6 materials fee payable to the instructor the first day covers the cost of various papers and a water brush.
•If you sign up for the second Nature Sketching class now there will be a $5 discount for each class, We’ll continue our studies in April, learning more about painting and drawing, spending more time in the park as weather permits.
•This class follows the Creative Journaling class also offered on Saturdays. Both would compliment each other. If taken together get a $5 discount on each.
•A complete materials list will be emailed to you after registering. Contact me with any questions. For your convenience several varieties of water brushes will be available in class to purchase.
•Read more about my sketching adventures in England and New York here on the blog, click on categories in right column. You can sign your email to receive automatic updates when there are new posts.
To register for class go to http://www.burchfieldnac.org/Spring_Classes.html to download form.
Phone: 716-677-4843 or www.burchfieldnac.org
 Painting an "Angle Shades" moth from life  Garden Snail, England  Sketching a brown moth one morning before breakfast
 Me drawing and writing in my journal along the coast of England Meeting each Saturday in March (5th, 12th, 19th, 26th) 10 am – 12 noon
Get Creative with Journaling! A class for all ages. We’ll combine sketching, painting and writing with experienced guidance from our instructor to create a journal of experiences and special days. Learn drawing skills, how to add decorative borders, creative designs and lettering to your journal. Learn creative writing tips; dabble in poetry writing and techniques for creating a very personal record. You’ll also be introduced to the use of watercolor pencils, watercolors, permanent ink pens, and water brushes to create images and illustrations to share. We’ll even make our own all media journal! Creative Journaling is becoming increasingly popular; it complements internet blogs or conventional diaries and provides a highly visual and descriptive book to treasure for years to come.
$75 for 4 classes, a $6 materials fee payable to the instructor the first day covers the cost of a journal and water brush.
•Following this class (after a lunch break) is “Nature Sketching”, a two-hour class that ties in beautifully with Creative Journaling. Sign up for both and save $5 on both classes!
•Sign up now for a second Creative Journaling class in April with another version of the journal, learn more ways to enhance it and make a feather pen and save $5 on each class!
•A complete materials list will be emailed to you after registering. Contact Mary with any questions.
•Read more on my blog about my sketching adventures in England and New York, just click links in the right hand column. You can sign your email to receive automatic updates when there are new posts.
To register for class go to http://www.burchfieldnac.org/Spring_Classes.html to download form.
Phone: 716-677-4843 or www.burchfieldnac.org
 Learn how to sketch biuldings.  Drawing a window and creative borders on my journal page in Alnwick, England
(A late entry that I wanted to add photos to before sharing, it’s from a tiny field sketchbook I made that’s handy to take in my pocket or a small bag when it’s wintry weather like this.)
 Dead Weed heads Covered with Snow What a cold day today, but Ginger and I ventured forth into the frozen whiteness and found some pretty things. I liked looking at the heads of dead flowers way out in my field, the snow was cupped upon the tops like cotton waiting to be picked. I did the two sketches today using a small sharpie marker in my tiny field sketchbook I created.
 "Shadows on Fox Lane" 2 This photo is of “Fox Lane”, one of the ways I can walk out to my fields. I love the blue winter shadows cast here.
 Tracks in the Snow Up Long Lane The drawing above is of “Long Lane”, a VERY quick, simple sketch done with mittens on while Ginger and I paused on our walk. I at least wanted to show the perspective of the lane and the trees, the tracks in the snow help with that too. Long Lane is the prettiest, trees much closer and thicker along the lane, it’s so beautiful in springtime.
 Furry Fronds of Ice These furry branches are weeds growing just under my back deck, just where the exhaust from the furnace comes out the moisture in the air has created these pretty stems.
 "Shadows on Fox Lane" 1 Another photo of Fox Lane. Hope you enjoyed this chilly walk with me!
 "Moon Thoughts" Not much to add here, the sketch says it all. I guess I was feeling down because my back was still hurting a lot and there’s just something about looking at the glowing moon at night when I’m alone that sort of depresses me. But doing a little poem and sketch really changes my mood, can’t help but think about good things when you start to paint.
A fun thing to do in your journal is sketch the moon and clouds then add colors. I added these colors the next day after studying how the darks and lights looked. Sometimes it’s nice to paint (color) something later, you can be more expressive with color or design.
Here’s the small poem in case it’s hard for you to read:
“The moon rises up
through the black fingers
of clouds,
stretched across the frozen
Deep
Night sky.”
Mary McAndrew
ps. I keep trying to do my physical therapy exercises everyday, sometimes I miss a day but I do try to get out for walks with Ginger and she really likes that! I believe you just have to keep moving!
 Tints made from some earthy colors. I always advise students when they are starting out painting with watercolors or oils, to take each color they have and do color studies. If you keep them small, they are great (especially for beginners) to carry with you while you work to check what color’s would be good choices to use. It’s a little different for oils than watercolors as you want to add white to make tints of a color. Sometimes when you mix a color and it’s dark, you can tell a lot about it by adding a bit of white to some of it, it helps you ‘read’ the color better.
Here’s a few definitions for you:
- “Tint” is a color with white added.
- “Shade” is a color with black added.
- “Chroma” is the brightness or dullness of a color.
- “Value” is the lightness or darkness of a color.
- “Hue” is the color name, as in red, blue, yellow etc.
Now though I’ve been oil painting for years, I still find it helpful, when I’m away from it for a time, to do color studies to warm up and re-familiarize myself with the colors and their properties. (I get involved with my watercolors and set the oils aside sometimes for too long!) It’s also advisable to do when you purchase new colors.
 Color tint chart The first thing you’ll want to do is make color tints with white. Take some canvas paper and try to plan out how you’ll group your colors together, probably blues, greens, reds, yellows, browns and black. This one is on a scrap piece of canvas paper; I started then added a few I forgot, so it’s not perfectly arranged. I created this one when I was in England and didn’t have many of my paints around.
Just use your brush to put a bit of one color down in a rectangle shape then pick up some white and add it to the color leaving some alone at the end. Wipe your brush off and pick up more white and dab it on, mixing it in leaving the area you just did alone, basically your adding more white progressively to lighten it. OR you can mix it on your palette using a palette knife and adding white to a bit of color, then take a dab of that new tint and start a ‘new’ mix and add more white to it; you’ll get progressively whiter mixes.
Clean your brush well between colors, when switching to a new color group (reds to greens etc.) use a new brush.
 New colors and tints of them. I added a few new ones to the back last night, I also ALWAYS label the color and an initial if you want, of the brand name.
Now that you have color tints, lay them aside to dry for several days and get some more canvas paper to play with color mixes. Here are pictures of studies I did at two different times.
 A sample of color mixing practice This one is a little helter skelter as I didn’t plan out too much! I abbreviated the color names so I could understand what they were. I tried typical mixes, taking one color and adding different kinds of yellows to it, or blues etc. My main goal was to eliminate colors in my field kit that were similar or could be gotten easily by mixing. I always try to keep my backpack as light as I can.
 Playing with my reds and blues Here I took two different reds, Alizarin Crimson and Cadmium Red, which I added Ultramarine Blue and then Cobalt Blue to, in varying amounts, then added white to really show the differences in them.
 Playing with Greens and Yellows I did the same with three greens, Cad. Green, Prussian Green and Sap Green, to which I added Cad. Yellow and Yellow Ochre.
 A variety of color mixes being tested On this scrap piece of canvas paper I was mixing Sap Green with blues and also Raw Sienna; and excited to play around with my Green Umber, a darker, duller green but lovely! I also tested the Raw Sienna and Burnt Sienna with some blues, because the sienna’s are a orangy color, they yeild various greys with the blues.
 A closeup of the green and blue mixes, so subtle. Well get your oils out and get busy! Sometimes playing around with color mixes is a great thing to do in between paintings, when you don’t have time or inclination (inspiration) to work on a piece.
 Here's my field on a dreary New Year's Day (Please click each picture to see it enlarged)
It is a cold and dreary day here in Western New York, I guess it is in many places around the world. But the drippy dreariness also shows me spring is coming; snow melting on soggy but still frozen ground, dripping of ice from the trees and an almost silent occasional gurgle of air from under the ice as I worked quietly.
 Oil sketch field kit, ready to be tested. I created this lightweight kit to take outside with me, just for oil painting sketches. I mostly want to focus on practicing mixing colors for landscapes from the real thing. I’m not concerned about finished paintings, though as the weather is warmer I may work longer on them.
It’s a plastic box that I bought at an office supply store. I used a metal pencil box for my paint and as a palette; it’s held on with blue sticky tack. I also have a pill box that has colors in it, though I want to buy a long one so it will fit better. I have canvas paper cut to standard sizes and tape it in and also created a place for brushes with loops of masking tape.
 My mineral spirits container slots over a strap I made out of masking tape. I had a tiny plastic bottle of mineral spirits with me but didn’t need to pull it out, I had a tiny bit in this metal medium cup. It’s got a screw on lid and I created a strap with masking tape that it could slip over to hold it in place. Then I stuck a blob of blue sticky tack behind it to keep it from slipping off. (Just love that sticky tack!)
 Here's how I held the kit and painted while standing. It was very lightweight as I worked. As all tests should do, it helped me find what was ‘not’ working great; I need to make a little holder for dirty brushes on the left and both need a holder with some kind of bottom, like a pouch. My brushes were sliding out the bottom too easily and may get dropped.
 A view of the painting and the subject. Here’s the whole thing in progress. Note the paper towel with red paint all over it!! Ok, I admit it, the very first thing, when I lifted the lid of the metal pan (with my very cumbersome mittens on) I inadvertently got Cadmium Red paint on my mitten thumb, WITHOUT KNOWING IT! It suddenly showed up in three to four places, probably on my face too and I didn’t know it! Ok, those who paint with oils know that sometimes this just happens, oil paint likes to migrate. Cad Red is one of the worse to get on stuff! You see traces of where I had to scrub off the second canvas paper there, sigh. Nobody’s perfect.
 Ginger is waiting patiently, telling me her tootsies are cold! Ginger loves to go out on walks, but gets bored when I stop to paint or sketch. Today was worse because her feet were cold! But a good sign, when I was ready to leave, she didn’t turn towards home, she wanted to go further.
 Cleaning my brushes, stand them up in the snow as you go. When I’m done, I set the kit on the snow and stuck my dirty brushes in the snow (bottom down) and just dipped the tip of each one in mineral spirits and pushed on the lid/palette to work much of the paint out. Wipe it really well on paper towel, it won’t be clean but well enough to travel home for cleaning. Most of my brushes I used were bristle brushes for scumbly strokes and one small, flat, soft but firm nylon brush for the thin line strokes.
 The field study for today. Here’s the quicky field sketch fresh from the icy field. I know my colors look brighter than the photo, but that’s the beauty of painting from life, the colors were more vivid and beautiful to my eyes, a photo will lose a lot of true color and atmosphere. If I want I can let this dry and work more on it or do it while it’s still wet. Ideally, touch up what you want right when you return and it’s fresh in your mind. I don’t want to fuss too much over these sketches unless I do one that I feel is worthy of fussing. My main goal is to just get out and get quick color studies and not complicate things too much.
Hope you enjoyed, I’ll be trying out my field kit more and will keep you ‘posted’ as they say! haha.
Happy New Year everyone! I’m looking forward to a year filled with tons of new paintings by me and look forward to getting back to England for more adventures! Please share my blog with those you think would enjoy it.
(This post is done AFTER returning home to NY…gosh I miss my Northumberland!)
Come along with me as I do a small oil painting in a very gorgeous location in the Coquetdale (River Coquet Valley) area of Northumberland, England. I think of all the areas I’ve traveled around in Northumberland, the Coquetdale is one of the most beautiful and always catches me by surprise when we drive along it’s long winding path through the valley. It has quite a few meanders before reaching the North Sea which makes it that much more picturesque to an artist, it’s curves reflected in the sun as a shimmering snake in a green velvet valley.
 Painting while looking over the River Coquet There I am! We hiked up this great high hill and entered the Bronze Age Celtic ring fort at the top. It’s surrounded by a deep ditch, as was the practice for all ring forts, though I guess a few thousand years ago it would have been deeper and very impressive. After exploring the fort and ditch I settled down inside a ditch with my back to the VERY brisk wind! While I painted I had my hood up to keep the wind off and you notice I’m wearing fingerless gloves, a must for outdoor painting!
For my set up, my favorite wooden field easel and a backpack with attached stool. This is a popular one found in many art supply catalogs but I altered it (as usual!), I took the backrest off by hammering on it until it came away. With the backrest off, I can now sit on it in any direction I like, sometimes the bars of the seat hurt the back of my legs and I feel less attachments equals less weight. I’m put a camping inflatable pillow on the seat, makes it a bit better. All in all, I don’t usually sit when painting outdoors, I find it tiresome to my back; usually I stand up and feel freer with my painting and you can move around to keep warm.
 My View Over Coquetdale Here’s a view of what I saw, you may wonder how my masonite board is staying up so magically on the easel? The wonders of Blue Sticky Tack never cease!! I use it all the time, I have some little dots of it on the easel to hold small boards like this, just where I want them. With a small board, I don’t like the wood of the easel’s clamp to get in the way.
 stage 1-View Over Coquetdale When in the field I usually don’t pencil sketch the scene on the canvas, but use either Burnt Umber thinned with mineral spirits, or pick a color in the landscape and sketch directly with the brush. Just pay attention as you divide up your canvas with the horizon line placement and other important elements. If you get it wrong in the beginning, it’ll always be wrong! I go for blocking in big shapes in the ‘nearest’ color to it’s overall color.
When I started this one I blocked in some really bright green, later I decided I should have tried to match the color better to begin with. I just wanted to get it going, so I painted into the wet oil to adjust the color. You’ll notice my river color is quite light, just laying it in to mark it, I’ll adjust the color later. I wanted to have a wet base to paint into. I painted the sky with an all over tone of blue with the gradation of dark to light, later I’ll add the clouds. I also started to establish where the dark areas are, the tree lines.
 Stage 2- View Over Coquetdale Now I’m set up back at home and continue working from my laptop where I have photos of the scene. I’m sorry I missed a few stages with the photos as I got involved with the painting! I studied where the background mountains should go and toned down blueish green for them. I continued to study where the tree lines were and payed close attention to the light and dark areas of the hills and tree clumps. Don’t put too much detail in the distant trees, just let them describe the curve of the hills as their lines criss cross and disappear. I also started to tuck darks under the tree lines and to the shadow side of them. You begin to notice the tree line on the left front is different than the ones on the right. They are different types of trees so the form and colors are different.
 Stage 3- View Over Coquetdale Picking out a little more detail of the hills in the mid-ground, I add some lights to define the hills and more detail to the tree lines. I lightly defined the little dirt road in the front left and a ‘hint’ of a fence, but kept it soft and also added more light to the left field. I put a small path that crossed the field in the middle but then later decided it was just too much of a distraction and took it out. I also added some lights to the trees on the right, you can see they are more pointy than the other trees as they are pines.
 Stage 4- View Over Coquetdale Above you can see I’ve added some darker (but still bright) blues to the river, taking care which direction I stroked it on. I added some yellow to the fields on the left to warm it up and cut down on the lightness. I added more bushes and detail to the front right side by the bank.
 Completed "View over Coquetdale" 6x8" oil The completed painting,6 x 8″ in oil, click it to view it larger in my Gallery of Landscapes. Here you can see I’ve added just a little more detail on the bank and sheep (whitish dots!) on the hills. One thing you notice when driving about the countryside of England are sheep just about everywhere! No hill would be complete without some of these white dots. Of course I didn’t just make blobs but made sure they had a bit of a long shape and slightly darker underneath, it’s just to ‘hint’ at a sheep, not to paint one in full detail at such a distance.
To view prints, note cards and more with this painting, click the links below to see them in my shop! (You can personalize any of them with your own text.)
 St. Paul's Church Just a quick little post to share a sketch I did the other morning while in Alnwick, (Northumberland England). While I was waiting for Gary I had about 30 minutes to walk to St. Paul’s Church to see if I could find something interesting to sketch. I was first drawn to the architectural feature that is over the door, like a large chimney pot with a crown. (Not sure what it is)
I walked around the church, pea gravel crunching beneath my feet on this cold October morning, and I met the grounds-woman Dorothy. She talked to me about the church and the plants, then I found a spot at the very entrance where I first entered and caught sight of the view I liked. I only had a short bit of time left to sketch and my hands were freezing and stiff, but I held my sketchbook with one hand while I stood there. I used a permanent ink pen so any lines I made were there to stay.
As I drew the biulding, I realized my eyes were fooling me and after reviewing the horizontal alignments I saw the roof was pitched much more dramatically than I thought. This is what I love about drawing buildings, you must draw what you see and take real measurements and alignments to check it.
When I got home I just touched up a tiny bit by adding more lines to indicate stones and darkened in the areas of the windows a bit. I hope you enjoyed this sketch, more coming soon!
 Limpets, Periwinkle and Bladder Wrack Well you can see by the date on my sketch page above, that I’m way behind on my posts! I had another very nice visit to the sea on this day, at Howick Haven in Northumberland England, one of our favorites. There are many rock pools to explore when the tide goes out and that’s just what I did before settling down on a rock perch to draw the above sketch. (Click on it to see it as a glossy note card with text removed) You can read my little note about how it’s damp and chilly, my hands got so stiff it was hard to draw. Then there were too many people walking around for my liking, when they see someone sitting alone on some rocks sketching they get curious and come out pretending to explore just to peek over your shoulder. Well I don’t mind really, many times I chat with nice folks this way. (Hey if you ever see someone out drawing in nature and you think it’s me, introduce yourself!!)
 Limpets, Periwinkle and Bladder Wrack full page This is a picture of the whole sketch page to show you my list of what we saw there, I also listed my pencil colors. When you look closer at little things around you, you’ll be amazed at how much more you see. When you start to identify and learn about these things you will see them many more times. One of the new ‘discoveries’ of the day was a Green Chiton, wow it was so cool! (see below)
 Green Chiton in the water This Chiton was a gorgeous green with black trimming. Gary found it when I coaxed him out to have a ‘play’ like me around the rock pools, looking for interesting things. It was settled under water in a shallow pool, looking similar to a Limpet that clings tightly to rocks. This was unique in that it was oval shaped, and segmented like a pill bug, it could curl it’s shell! I want to do a little color study of it when I have time.
 Green Chiton curled up This is what it looked like when touched, it curled slowly. Don’t worry, it was soon placed safely back into the tidal pool.
 pencils + drawing of seaweed with limpet I wanted to show you my set up with the laptop because the weather was so damp and chilly it was impossible for me to finish my color sketch on the spot. I took lots of photos and then at home just referred to my laptop screen to finish details and colors. Those are all the watercolor pencils I used laid out on the side. I had the sketch book and pencils on a little board on top of the keyboard. I used a variety of watercolor pencil types, mostly Derwent with a few Prismcolor, both great brands to use. As I studied the colors in the Bladder Wrack, this sort of ugly seaweed became more interesting to me. I liked the subtle colors of olive and yellow, the form of the leaves as they lay curling on the rocks and the fascinating little ‘bladders’ of air sacs on them to help them float, with little bumps all over them. What perked up the painting was adding light blue washes here and there where the light was hitting the wet surfaces.
I ended up using the permanent black marker to really define the drawing forms, to ‘dig in’ to dark areas and make them stand out more. I also like the way ink can loosen up a drawing and keep it from looking stiff.
Below I’ve added lots of random photos from my short visit to the coast here in Northumberland England, please have a look and enjoy my day with me! (Some I’ve made note cards of, you’ll see them in my shop when you click on those photos; you can hover over them in the shop to see close up views!)
 The Beach-Tides going Out You see some of the pools here, the beach and high dunes where we park the car are in the distance. Not a very sunny day!
 Limpets along a rock A nice photo showing the Limpets and Bladder Wrack (so named for the little ‘bladders’ on their leaves).
 Dunlin wading in the water My birdy expert friend Stuart over at “The Boulmer Birder” helped me out with this ID, it’s a Dunlin.
 Immature Pied Wagtail This Pied Wagtail had my scratching my head, I’m still new to the birds of England but thought this was a Wagtail but it had no bib. Thanks to Stuart for telling me it is a Wagtail but the immature ones lack the bib.
 Cormorant + Friends Some more popular shore birds, a Cormorant, Gulls and an Oystercatcher. I love the Oyster-catcher’s red beak and very black and white plumage when they fly.
 Grey Heron and Oyster Catcher Can’t forget the Grey Heron, sorry he’s a bit blurry, I had to zoom in a lot to get him. They are incredibly shy, hard to get near so the zoom comes in handy.
 Dunstanburgh Castle This is Dunstanburgh Castle, it’s just north of Craster along the coast. From Howick Haven you can see it in the distance, I zoomed again for this one.
 My Boots at the Beach Then there’s the ‘ol boot picture! Just to show I do kick back sometimes and take in the beautiful scenery. (I have a bunch of cool boot note cards for those people who like hiking, click on the picture to check ’em out in my shop, more coming all the time!)
 Meadow Pipit singing up in the dunes One more bird, we saw this one while we were walking up on the dunes and as the caption says, it’s a Meadow Pipit.
 Small Tortoiseshell Butterfly The final beautiful picture I leave you with today is the Small Tortoiseshell Butterfly. I spotted him flying around in the grasses, also up on the dunes. Just love his furry little body and gorgeous colors! Click on the picture to see many photos I’ve taken of these beauties!
I hope you’ve enjoyed the walk with me at the coast. I hope you visit my shop to see the note cards I made, explore my many categories there to see other photographs and paintings. http://www.zazzle.com/marymcandrew*
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