This is an old gate in Alnwick, Northumberland, that I drew while waiting for Gary one morning. I don’t know how old it is or what the history of the name is but I liked the gate, green trees inside, golden sandstone blocks all worn away and the tread worn threshold stone below the gate. It’s just on a side street above the main shopping area of Bondgate Within in Alnwick. I leaned against a wall and many cars and passers by gave me a glance wondering what I was doing there.
Green Batt Gate + moths
Though it doesn’t show you much, I included the sketch in it’s early stages because I started it on one day and went back to finish on another. I wasn’t happy with the first sketch outline as I knew I had my comparative measurements off. So when I returned I decided to just draw over what was there with the pen and oh well! So it came out well, I bet you can’t really tell too much of where I drew over it? I like to show you my mistakes because they’re not really mistakes; every artist starts a drawing and needs to alter it to ‘make it right’. Drawing in permanent pen can make this difficult but also spontaneous, “wysiwyg” or “what you see is what you get”. You learn little things to cover up the mislaid lines or how to work with them. I was in a hurry when I laid down the initial lines but glad I was able to return to finish it!
I’ll save the information about the moth sketches for another post, just thought I’d show you how my pages get all kinds of things drawn next to each other!
Well I must admit I’m getting way behind in my posts, I have lots of new pages to share and adventures to tell about, but keep running out of time (or energy!) to keep up. Here’s a short story about my morning walk in the tiny village of Edlingham on a sunny morning in July.
Edlingham Castle from across fields
You can read my notes written on my sketch page too. The drawing above I sketched while standing on the side of a road, I just pulled out the watercolor pencil I needed as I worked. First I did a quick sketch with permanent ink pen then touched in with colors. Edlingham Castle is a great ruin to visit and explore, I love wondering what it must have looked like ages ago.
Meadow Cranesbill
There were Meadow Cranesbill flowers growing along side the road, very pretty! I guess they’re named such because as the flower head looks a bit like a crane’s head and bill.
Black Faced Sheep in the Field
This is how pretty it is around Edlingham, black faced sheep and huge shadows passing over hills of many greens.
Sheep with lambs
Now these sheep are ok as sheep go, but really not my favorites; I think they are a variety from France. I tend to refer to them as “uglies” ohh I know that sounds harsh…but they look like ‘beefy’ sheep thugs wearing wool sweaters.
Burnside Cottage, Edlingha
I made my way up the lane to near where the busy road is and sat on a gas meter to look over the hills. As I made my way back down there is a sweet cottage called “Burnside Cottage” right by a stream; Burn meaning stream. I stood across the road and just up a bit from it to do this ink sketch while standing. The light changed as I worked but I was interested in an ink drawing so it didn’t matter. I did take a few snap shots of it so if I want to go back and color it, which I think would be nice, I could. (forgive the quality of the picture, it’s not scanned, I only have my camera to photograph my sketchbook with then I try to edit them a bit on the computer to brighten them)
Song Thrush
At the very end of my walk I was greeted by the song of the Song Thrush. And here is a little poem I just made up in honor of the Thrush:
The Song Thrush
The Song Thrush
Hides in the bush.
The air is ringing
With his joyful singing.
Take to the air
Snails beware.
The thrush he is a winging!
(c) Mary McAndrew 2010
Don’t forget to visit my shop on Zazzle where you’ll find my most recent photos of landscapes and nature from my hikes in Northern England, CLICK HERE.
Today I did something a little different, I went to the 11th c church next to Edlingham castle and instead of sketching it (architecturally) I went inside where it was dark, cold and damp. I only had the natural light to sketch by and you can see the day was overcast.
Skull 1737
I know this sketch looks really spooky, well it was supposed to! Sometimes the old gravestones had rather grim or skull like faces carved on them. Was it a fear of the afterlife? I found this one on a huge wall gravestone, inside the church. I find it fascinating to read the dates on really old stones and imagine what was happening back in history at that time. I’m a terrible historian and need to learn more, this helps to inspire me. The skull I sketched using charcoal is life size, about 3″ across, and they put some kind of black paint into the eyes, nose and creases. It was so dim in the church I had a really hard time seeing my drawing while I was doing it!
There were words carved in the center (written to the left of skull) and the date at the end, I love the style so I copied it. The funny thing was they had a ‘type-o’ way back then and changed the 3 to a 4 later, why I don’t know. You can see the chisel marks in the eyes.
carving on columns
Just some interesting ‘beading’ on the columns inside the church.
Gravestones at Edlingham
I then went out to explore the graveyard, looking at more dates and admiring the carved stones. I guess I get interested in the heavily carved stones with the lichens and mosses growing on them. The greenish stone made me sad, I wrote some of the words down on the page, “John Cowans of Edlingham 1894-67 yrs Erected by his 10 sons. 1898-Mary Cranston wife 69 yrs. I imagined his 10 sons, standing proud together as a family, erecting such a big and impressive stone so long ago. Where would we be without family love, pride and memory?
Some more sketches of architectural elements from about Alnwick (pronounced Annick). The page above is my entire sketchbook page, I drew the boarded window, then much later added the doorway. I kept the page just for windows and doors or things like that. Then even later than that I played around with decorating the page with scrolly bits and made up lettering for the word “Alnwick”
Window in Alnwick
I did this sketch using an inktense watercolor pencil and my waterbrush while standing looking over a stone wall into an abandoned yard.
"Number 8"
This “Number 8” was done with a permanent ink pen when I was sitting in the car waiting. People might think that I’m secret police studying their houses! I drew some of the leaves at top (vines) and bottom in the hedge then left it to finish later by repeating mostly. This was a little cottage with a white door, dark stone walls and pink roses and greenery all around, very sweet!
Here’s a quick little post about a building sketch I did in Alnwick, Northumberland England. Alnwick is an old town, perhaps 800 years or so, and therefor filled with interesting architectural elements. It has it’s very own castle on the edge of town and a huge stone gate that once was part of a wall around the town, now gone for building stones.
Baily's Cafe sketch
I sat on a cold, hard, stone wall on the busy “Bondgate Within” street, a street with shops, small hotels and the upper part still filled with bumpy cobbles. They do have new benches but none gave this straight-on view of the shop I wanted to sketch. I only had enough time to start my sketch when Gary showed up and we were off and running again; this was on June 17.
We returned on July 20 and I, with sketchbook in hand, said I’d be drawing while he ran errands. I had about 35-45 minutes to finish this sketch, so I found the same hard, cold rock on the stone wall to sit on and got busy. This is with a permanent ink pen so whatever marks I made were not erasable. I first tried to put the rest of the lines in for the main building row and the dome. Then I added windows, lamps, people and cars. I didn’t bother to add the distant buildings and cars till the end, but glad I got them in, they really add some depth and interest to the drawing. What I loved about this building was it’s green patina dome, I would really like to do another sketch of it using my colors.
I go through phases with what materials I use when I go out sketching and my love of watercolors sometimes gets pushed aside for watercolor pencils. It normally doesn’t last too long and I’m reaching for my familiar pan of watercolor paints, but for now I am in a watercolor pencil mood. So I thought I’d share with you a good lesson for people starting out with watercolor pencils or those wanting to practice.
Set up for watercolor pencil color play
I have quite a few colors but when I go into the field I try to carry as little as possible to keep the weight down. Above you can see many pencils and containers with lots of color charts, my sketchbook, waterbrush, bit of paper towel and of course the cup of coffee! You may notice my pencils are short, I cut them in half so I have less weight and bulk in the field, keeping the other set at home or in other field kits.
Watercolor Pencil Practice - page 1
I was specifically trying to pick out colors I could use for landscapes while in England, so you’ll notice I made little ‘mountains’ with the colors to test the mixing when overlapped. To do a color ‘spot’ with medium pressure just scribble a small area and label it with initials of the color. Take your wet brush or waterbrush and rub into the color then keep rubbing lightly as you move the brush away; it will get lighter and you’ll create a nice color swatch. I group mine together, blues, yellows, greens etc. Between colors, either rinse your brush then wipe on paper towel, or if you’re using a waterbrush, just stroke it on the paper towel until it appears clean.
From the blue swatches at the top left, I then selected a few and lightly colored them next to it and then wet it to see if it’d look good as ‘sky’ colors. Then at the bottom right I was pleased with the test of mixing basic blues with my yellows to make various greens. If I like I could leave the green pencils behind but it does mean more layering and mixing and while in the field I try to make it so I can sketch fast.
Watercolor Pencil Practice - page 2
This picture looks paler than I’d like, I don’t have use of a scanner here so these are photographed with my camera! But anyways, at the top I was experimenting with first laying down a light blue wash then putting the green mountains on top. Then I tried purpley colors because distant mountains sometimes have that hue. Then I made up some fields and tried layers of various yellows, blues and greens. At the bottom I experimented with toning down the vibrant colors by adding charcoal grey and various reddish colors (red is opposite of green so it can tone it down)
Watercolor Pencil Practice - page 3
This page is also a bit light but you can see my colors still. I was determined to eliminate any excess green pencils if I could, so I tested them next to each other. At the top you can see I tested some browns, overlapping them in a square pattern. At the bottom is a quicky sketch in ink done at the beach, later I played with the colors to test them on it.
Well I know it’s not a thrilling post but it shows you how to get familiar with your watercolor pencils if your a beginner or very experienced and just needing to pick out some colors. Once you pick the colors you’ll use in your ‘kit’, make a small color chart of them, labeled so you can refer to it quickly until the pencil choices come easily.
A note about one of the reasons I like watercolor pencils; if you lay more than one color down dry, then wet it to blend and bring out the vibrant color, I like the grainy textures left and how you can see bits of both colors (depending on how much you rub it to blend). You can draw lines and leave them somewhat or you can shade lightly for more of a watercolor look.
So, grab your watercolor pencils and have some fun playing!
Though I went for this walk a month ago, I need to catch up on posting my sketches from all my walks so you can see where I’ve been. This walk started at the Edlingham Church from the 11thC and Edlingham Castle.
Edlingham church and castle quick sketch
As I noted on my page, it was a gorgeous, sunny day. I started by walking past the old church and as I stood in the parking lot near it, I sketched using my Derwent Inktense “Ink Black” watercolor pencil. I then used my waterbrush to make washes using the pencil lines. You can add more color or value by touching the tip of your pencil with the waterbrush and adding it to the already damp paper. If you re-draw on the damp paper the pencil will make a very strong line and be harder to blend. Since I don’t have use of a scanner here, I photographed my pages and then brightened them, the picture here looks a bit more contrasty than the real one.
The sketch of the castle at the bottom of the page (shown above) is started with the same Inktense pencil then later colored with watercolors and watercolor pencils. I was way up in a sheep field looking back when I did this, just a quick impression.
Edlingham Church and Castle
After my walk I added color to the top sketch of the church, with watercolor pencils. I’m going through a phase with them right now, as I so often do…then I switch back to my loved watercolors. I’m having fun layering colors to find nice greens and browns. I don’t like a drawing or painting to look ‘mushy’, that is be too soft, and I’m tempted to go back and draw with my ink pens into these little studies. But they are studies and sometimes the soft look of them is nice.
Lapwing
As I walked up through another farmers field I saw Lapwings on the ground. They are such a neat bird with two long feathers on their crest that looks like a fancy plumed hat! When they fly their wings are wide, rounded and a sharp looking black and white. They have a very nice call too. This picture is a bit blurry as I shot it from far away, but you get the idea of what they look like.
Dog Rose + Lapwing
I’ll type out the notes from this page down below.
I had fun and created a old fashioned looking greeting card with this Dog Rose watercolor I did. Click to see it in the shop, it has pink inside and you can add your own text. Click your back button to return.
On the way to the top
This photo shows just how gorgeous the views were; I wanted to stop and paint all the time! But if you don’t keep walking you’ll never see as much, so on I went. (click it to see it in my shop larger)
Yup, that's me!
Yes, well, that’s me! I was happy to be out walking alone, stopping as I pleased and discovering interesting things, like the butterflies below.
Painted Lady Butterfly
This is a tattered looking Painted Lady, it looks similar to the Tortoiseshell below, but see how that one is dark in the center around the body?
Small Tortoiseshell Butterfly
This small little Tortoiseshell butterfly looks like it’s been through some weather, maybe even escaped a birds beak? I saw quite a few butterflies along the little dirt lane I walked on, I think they enjoyed the windbreak of the stone wall that followed it.
At the Roman Fort site, wow, buttercups!
(Click to see this picture as a glossy note card) This picture is at the top of the hill where the Roman Fort used to be. There are piles of stones around in a big rectangle shape, all that is left of it now. The Buttercups were so pretty, I crouched down low to get this shot, I liked the angle of it.
Here are the notes I wrote on my page: ” Headed to the Old Roman Fort. Sitting here now- it’s so beautiful the scene. Skylark is singing to my right + sheep are calling down the valley behind me. I don’t have time to paint the landscape, I have too much to do at home. 🙁 oh…I couldn’t resist! Quick watercolor sketch!” (See below!)
Small watercolor view from top of Edlingham
I’m so glad I took some time to do this little watercolor, now I look at it in my field journal and can remember the scene so well. I sat on a huge rock of the fort, with my feet up and set a little container of water besides me. I used regular watercolor brushes for this one. I first laid on washes of blue and quickly lifted areas with a tissue for clouds. Then overlapping (on purpose) the blue near the horizon, I put pale green hills. The blue showed through and it made very nice distant hills, keep it soft and pale for this. Then I put various patches of greens for the fields in front.
View from Top, "Ah, this is the life!"
I used this picture to create a glossy note card for those who love hiking, click on the picture to see my “people in landscapes” but I also created one that says on it: “Ah, this is the life!” I guess that says it all, you’ll find that one in my shop here.
More posts coming as I catch up! Please sign your email in the box at the right if you’d like to be notified. Exciting news coming soon about Creative Journaling and Sketching tours!
Come with me on a sunny, breezy stroll along the Northumberland coast of England, south of Cullernose Point and Dunstanburgh Castle.
South of Cullernose Point, Northumberland
This sketch is done looking northwards while I sat on the grass. I used one water soluble “Inktense” pencil (Ink Black) by Derwent, ; after doing a light sketch I wet it with my waterbrush to create tonal values. It’s like doing an ink wash sketch, great for quick sketches and you can go back over it later with color. The inktense pencils are relatively permanent once dry, so I’m experimenting with using the black then coloring later from photos. These colors of Inktense are very intense, so you need to practice and go lightly with your pressure. You can also achieve very black areas which I like.
Drawing near Cullernose Point
Here I am with my field sketchbook, what a view! (click on the picture to see it as a note card with a quote by Pablo Picasso)
Enjoy the many photographs I took below, they show the things we discovered as we walked and some I used later to do sketches from at home.
Brown Lipped Snails on Cowslip Leaves
It’s funny, once you learn about something you start noticing it more and more, as is the case with snails for me. Now when we walk I see them everywhere!
Brown Lipped Snails
These are Brown Lipped Snails; notice the brown line at the edge of their shell. I just love the striped patterns they have.
Pool with Grey Heron
This is looking down from the coastal path we walked on, there is a Grey Heron in that pool down there.
Grey Heron
Well spotted! He’s a beauty; we watched him fish in the pool as I took pictures from afar.
View of the coastal rocks we explored
Here’s another view of the coast where we walked. You can see two figures walking on the path ahead, that’s where we’ll be going.
Common Limpets and a Sea Slater bug
When we ‘clambered’ down to the shore, (hey it’s an old word but it fits here!), we found lots of Limpets, snails and Periwinkles. It wasn’t until I looked at my pictures on the computer later that I noticed the bug, a “Sea Slater”, how interesting! The Limpets are living creatures that cling very tightly to the rocks, you’ll see a watercolor sketch below of one I did.
Yellow Scales
This is called Yellow Scales, a type of lichen that grows near the coast on rocks. It’s very beautiful along with the whitish lichens and grey rocks.
Southern Marsh Orchid
When we returned to the top of the cliffs, we found these small unusual orchids growing here and there. I was surprised at how tiny they were and may have passed them by if Gary didn’t point them out. As near as I can tell they are Southern Marsh Orchids, if anyone knows better, please let me know!
Me Drawing near Cullernose Point
This photo will show you how tiny they were, the orchid is just in front of my sketchbook. I just lay in the grass and did a tiny light, sketch with a pencil. (click to see this and other photos like this, in my shop)
Shell and Flower studies
When I got home I downloaded my photos and did these studies from the laptop. I used watercolors for these, but using Titanium White this time for the white highlights and ‘wet’ look. I don’t usually use white paint, I rub or scrape off to create lights, but I quite liked using the paint for the glaze look. You can read my list of things we saw while there that day on my page.
Studies of Grey Heron
The little studies at the top of the page show my experiment with “Inktense” and just a black watercolor pencil, using watercolor pencil to color it. I wanted to see how much the blacks would lift or blend, hoping they wouldn’t. As I thought the Inktense didn’t lift as well and that’s exactly what I wanted.
The heron studies are also done from the laptop, just painted without sketching him out first. The little one in the left corner was an experiment of painting solid blue water then lifting color and using white paint to add the heron after. I’m not thrilled with how it came out but you should always experiment!
I hope you enjoyed coming along on this walk by the sea. Get outside and bring a small sketchpad with you, you’ll be surprised at how much you’ll see when you sit and start to draw things around you; a whole new world opens up before your eyes.
Here’s a little video clip of the waves washing over the rocks where we were, enjoy!
NOTE: Many of the photographs in this post have been made into beautiful glossy note cards and gifts and are in my shop (home page link). There are many more besides the links in this post, I hope you have a look and please pass it on to friends!
Sometimes when you don’t feel like painting or don’t have the time to work on a painting, it can be helpful to just play with color mixing; this is also great for a beginner in watercolor (or any medium!) or if you haven’t touched them in awhile and feel rusty.
Watercolor practice mixing - pages 1+2 of sketchbook
Here is my small field sketchbook opened up to show you my color studies. I wanted to experiment with greens and then various blues for landscape painting. It can be great fun to do this, it’s relaxing and loosens you up with the paints. I find it good practice to try to copy from life, that is the landscape right in front of you, but also from pictures of paintings you like in books.
Watercolor - practice mixing - pg 1
I made this nice and big so you could read my notes, I abbreviate the names of my colors and put (+) plus signs where I mixed a new color in.
Watercolor practice mixing - pg 2
The blues at the bottom of this page are from looking at watercolor paintings and trying to copy the color and study how the artist (A. Heaton Cooper) made it look like water.
Having these pages in my field sketchbook is great reference when I’m in the field painting or at home in the studio, you can refer to your color notes when searching for the right color. This was a great exercise and glad to share it with you, give it a try no matter what your level of experience, remember even virtuoso violinists warm up and practice their scales everyday!
I’ve been studying my snail Cuthbert, and really learning a lot of interesting facts. I know they’re slimy, strange little creatures that eat your garden plants, but they still merit study in my opinion. So I went outside the strange thing was I just walked over to a huge Sycamore tree and felt directed to look right at it’s base in the long grasses, tucked between some big roots. I pulled the grass aside and there, lo and behold two snails! I must have felt the “Snail Vibes” hahah.
big snail photo
One of the snails was this big guy (or girl!) that has now been named “Jabba the Hut”! He’s munching on some sweet corn here. Enjoy the simple stages of painting in watercolor shown below, to give you an idea of how I paint them.
big snail stage 1- ink
First I did drawings using light pencil, then go over it my micro permanent pen, keeping it simple and cartoon-like so I could add the detail with watercolor.
big snail stage 2
Then I look at the snails to see what pale color I see ‘underneath’ the other darker colors. I make a wash of this color and put it on, and while it’s wet, sometimes I drag a bit more of the wash or color into areas I want darker, with the tip of my brush.
big snail stage 3
Here you can see I’m just adding a bit more details and colors, keeping it simple. Look for dark patterns and be careful to leave light or white areas alone.
big snail stage 4
Sorry my stages kind of jumped here, I think I got busy and didn’t photograph any more stages! But all I did was kept looking for pattern, colors and shapes, let areas dry before adding new patterns so it doesn’t all blur together. If it does, take your paper towel tip and push it on the area to blot it, rub with brush tip and repeat until you get it lightened. You can add dappley marks with your brush tip for texture.
big snail stage 4 + paint
This is my sketch book along side my pan of watercolors, this is what I used to paint them.
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