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 This is a watercolor study I did to as a demonstration for my fall Nature Sketching and Painting Indoor class that just finished up. I used it to show the stages it took to make a simple study, step by step, layering washes, values etc. Posted below are the steps it took to make this 5″x5″ study head, be sure to click on pictures to see larger views! Enjoy!
Detailed sketch – Shown below, first I started with a light gesture sketch of the shape of the bird, then rechecked placements of things and refined details.
 Darkest Darks-This is one approach to watercolors, start by laying in your darkest darks and blacks. If you start with a confident sketch it should work out fine, when you work this way you set out from the beginning with a defined dark end of the value range. You can then judge all other values against it as you paint. You won’t have to go back and keep “pushing” your darks to make them pop.
I also painted the eye, being carful not to touch the highlight area, black for the pupil, and brown put into the wet black for the iris. (I think I put my reading glasses on for this step! haha). 
Below I started to lay in more darks of the cheek, as my brush was drying out I would ‘sketch’ areas I wasn’t sure about…just to start to lay in some value so I could see where I wanted to paint.  Color Wash-Here I laid in a bluish grey, ultramarine and black thinned with water. After it dried I laid in some small lines for feathers.
 Changeing the drawing– A pale yellow ochre wash on skin of eye area and nares. A wash over the eye highlight to tone it down and soften it. Here I also made a decision about the beak, now that I was putting values down, I thought the beak looked a bit too heavy. So before committing to paint, I erased! I reworked the curve then I painted keeping all areas soft and blended slightly.
 Feather details-I brushed on more feather details here, laid in more darks with repeated ‘feather’ strokes to top of head and all around eye. Nice spotty look at right edge, I like when the watercolor can been seen for what it is, it gives it a looseness. See the photo below for this step, just repeated tiny strokes.
  Yellow of beak and eye-Here I laid in the yellow on the nares and eye area, and it’s completed! See it on my Art Gallery Blog soon with prices for note cards and prints! 
 I did this little sketch (5″x5″) in October, but wanted to post it before too much time slips away! I did it while waiting for my car to have it’s oil changed, at a small dirty table in the car garage waiting room. I used water-soluble graphite pencils in three softness’s and a waterbrush to wet it. I really am having fun playing with these pencils, they’re new to me. I did most of this sketch in one hour…finishing it up at home. Hope you like it, I’ll have note cards and prints of it available.
This is about my first day in England and the drive across the country through the Lake District to Ravenglass, West Cumbria. Forgive me for not having sketches for this entry, I kept busy with my camera recording what I saw, and being so exhausted it would have to suffice. Everywhere I looked, all was new to me and exciting, so the camera clicked away! Let me tell you about my travels with the photos below.
This first one is the view I had upon waking on my first day in England. It’s outside Alnwick in Northumberland, (Northeast England) a gorgeous countryside just bursting with fresh greens of all sorts and rolling hills. I had a hot cup of tea with a biscuit, parted the curtains and there you go…lovely. The stone structure across the street is a bus stop.
 The next picture shows a view from the other window, looking down the street. The mist hung heavy across all the houses in the tiny village, you’d never know there were very tall hills just behind the houses! I love the mystery in the roofs disappearing into the fog.  The next picture below is just outside the door, I went for a walk with my host Major Bullman and his very old dog “Bracken”. It felt good to shake the travel fog from my mind and breath some clean fresh air, I had to pinch myself to remind myself that I was really in England! haha…  Then my friend Gary and I set out to cross England to the Lake District. Along the way I saw amazing sights, beautiful lakes and views. The red fungus below is from our stop at Ulswater Lake; I haven’t tried to identify it yet, but would love to do a watercolor sketch of it. It had the neatest golden thread all over beneath it, like spun gold fibres, a spiderweb that perhaps had pollen all over it? Or spores from the fungus?  This is a picture of a VERY tired me (!!) at Ulswater. You can see how much rain the area had been getting, the little islands behind me were under water!  This below is Ulswater, it was placid and peaceful, the sun was just coming out in spotlights upon the distant hills…it was so dramatic and inspiring!  This is a breathtaking area that we stopped to take in the view at, a valley near Brotherswater on the way to Kirkstone Pass. I just couldn’t get over the prettiness of the view here, but it was getting late and we had far to travel still!  The view below is an unbelievable place, looking down the Kirkstone Pass towards Lake Windemere with the woodland around Hawkshead in the distance. If I remember right, the b+b and pub here are at the highest point in England. (I’ll check on that!) I joked with my friend that we should have a pint of beer here just because of this! But alas, we needed to press on, can you see the darkening of the sky?? We still needed to cross some mountains to reach Ravenglass on the West coast.
 Below is a stone wall, a stone wall you ask? Why? Well I found it interesting that as for many things, when you take the time to notice, there is an art and beauty to it. Gary explained to me that those who build the old style stone walls, with no mortar, all have their own style when they create. This one shows the rows of flat stones laid in between the big round ones, a mark of this wall makers. I snapped this picture out the window while Gary was asking directions!  We stopped here at a cafe parking lot with a great view, as you can see! Here we’re looking down Hartside Pass in Cumbria, towards the Solway Firth. You can see the Irish Sea and Scotland in the distance! That ribbon of road is where we would drive next…a long and winding road. You can just see a tiny white cottage on the right side, that is an open cottage for travelers who may get stuck in bad weather. It makes me wonder just how bad the weather gets here? But I like the idea of the shelter for travelers.  Well I guess that’s it for this entry! Next will be sketches and paintings from Muncaster Castle in Ravenglass!
I just thought I’d put up some pictures from the annual art opening that the Buffalo Arts Studio has just before Christmas. It’s a great event to go to, see friends, have a drink and lots of nice appetizers and even some live music. David Kane played the keyboard and there was an improve dancer.  My painter friend Sue, me and Carl, a writer and musician.  Some crowd shots. 
 Me and Roberto, a buddy of mine from Buffalo State College sculpture class.  Wood sculpture by Roberto Pacheco, a woman dancer.  Ken Morgan photographer and David Kane the musician.  Bill Cooper, painter, and for this show he decided to make some paper sculptures.
Well, late last night, I just had to play with my new little watercolor field kit I put together. I love making up new kit ideas to carry my art stuff around in.
 A picture of it all packed up, it only stands 6″ tall and 4″ wide. Here it is with all the contents laid out, can you believe how much stuff I can fit inside it?
For the painting, I actually painted it while laying on the bedroom floor! Sometimes I think I’m just a kid in grown up clothes, doing things I would have done when I was younger. In College I painted using an old bread board on the floor, all the time! I had no desk in my apartment and it was just easier.
Well, back to my tiny watercolor. It’s only 3 1/2″ x 4 1/2″ big! I used little brushes and the tiny little cup for water. I didn’t start with any drawing, I just started painting, looking for the shapes and laid them in lightly. As I started to add the face details, that’s when I checked using comparative measurements, where her mouth, nose, eyes all fell. Then I pulled the hood down a tad before putting it’s green color on.
 Below, I added the background wash and more on the hood, washing some background blue onto the green of the hood. I lightened the eyes also, touching them up. And then darkened the shadows.
Last is the finished little painting. I worked on hair details more, adding some burnt sienna to add warm darker tones and more hair strands. I painted some purple in the shadow on her chest near my signature. The purple was a nice choice, darkened without making it look dirty colored. I added more greens and a light wash of cadmium yellow to the upper hood to warm it up. The hood on the left side (shadow side) got only blue washes. I added some darks on her upper chest and washed over her shoulder, then lifted the highlight by dabbing a clean paper towel after wetting the paper repeatedly. Then after deciding the eyes were as good as I wanted them, (sometimes a hard thing to let go of) I added a tiny white highlight with a dot of white watercolor paint.  Finished little beauty!! Hope you like it!
I thought I’d put up some pictures of the Harris Hawk oil painting I’m trying to find time to work on. I started this a year or so ago! The underpainting shown below, has been sitting around in my studio so patiently waiting for more! It’s done with wet burnt umber then I wiped off to ‘draw’ the bird on the canvas. A very nice, freeing technique, you just concentrate on the shapes like you should.
 Then below, I start what’s called the dead color stage, flat blocked in areas of color as close to the final color as possible.
Below you can see me, wow do I look serious or what? I decided to hold the palette this time, sometimes I put it on my custom biult (by me) painting tower. But I like having the colors right there in my hand so to speak, for mixing and direct painting onto canvas.  This is it so far…shapes are looking good, colors too. I have to decide what I’ll do with the sky or background.
Well, I’m finally home from my big adventure in England and Ireland! I have so much to share about my hikes, the people I met and of course my sketches and photos. It’s taken me awhile to get back on track with the time changes and catching up on things around the house, paying bills etc. That’ll never change!
This is a sketch done while waiting at Gate 6, Buffalo Airport, it’s watersoluble color pencil. Oh it was so cold, the air conditioning was on too high. I wrote a note on my sketch, “I’m glad for my wool hoodie I made”. For my trip I designed a nice pull over wool hoodie, lined with cotton, it came in handy on the flight. I could pull the hood up to help block out the noise, light and keep warm. My flight leaves at 5:40pm. Backing away from the gate at Philadelphia airport, on the way to Gatwick airport in London. It should take 6 hours or so. I sleep a little, it was nice and dark. At 1:33 am (my time) I woke and saw the sun coming up. It was almost surreal because we floated above the clouds and the sun colors were below…while the stars were still up in the dark sky. I could see the Big Dipper, it was odd because we were above it more than I’m used to. (I learned in England they call it the Great Plow, I would point to it and say…”oh, look at the big dipper!…I’d be corrected and told that it’s the Great Plow.) I pulled out my sketchkit, my pad, watersoluble colorpencils, waterbrush and my little reading light. I hung the reading light on the collar of my hoodie and did my sketch by it’s light only. The whole plane was very dark and quiet, everyone was sleeping. I felt like a kid awake in bed at night with the little light on, trying not to wake anyone else! Oh what a trip it turned into, I had to wait so long in line at Gatwick that my plane for Newcastle upon Tyne left without me! After waiting a few hours while they looked for my misplaced luggage, I had to catch a train, then a subway, then another train all the way up to Newcastle. Needless to say I was exhausted when I hit the other end. There was extensive flooding in Morpeth nearby and the trains weren’t running, lucky I made it! Below is a picture from the plane, as we come over England…Oh gosh I was excited! Well, I’ll try to get more about my trip up soon. I’ll start with my adventure at Muncaster Castle in Ravenglass. Keep checking back to read about it all…better yet, leave your name in the box at the right and you’ll get an automatic email when I do.
 What a day I had at the Swallow Hollow nature trail, part of the Iroqouis Wildlife Preserve. The above photo was just one of the many beautiful scenes I saw that day; the trail follows the water in a nice loop, sometimes going through woods, mostly near the marsh or some natural looking water canals. Much of the trail is a boardwalk to keep you up from the very wet ground, especially after such a rainy summer!
This is a picture of my new sketchbook cover, it’s a sketchbook that I designed and made myself with a long format. I thought it’d be fun to put some pictures of my paintings on the cover, to show people I meet some of my work. I can add or take pages from the sketchbook as I want to.
This is the first page of my sketchbook from my day out. I stopped at a nice area in the Tonawanda Wildlife Management area, Elizabeth Hilldurger Estate project. I was so happy to see two Great Egrets (or in my old Peterson guide American Egret) flying around. The one roosted in a tree far away, I tried to do some little sketches by looking through my binoculars.
The watercolor of the water scene I did using my little watercolor ‘altoids’ field kit and just a water-brush. It’s pretty simple looking but I did it quickly while standing up.
This is me pausing to sketch along the boardwalk. You can see I have my art kit bag on my waist and a backpack with other supplies on my back. Almost all of what I draw, I draw while I’m standing and looking at things.
 Along the way on my walks I usually meet some nice people who are curious about what I’m doing. I met a couple walking their dogs, Papillions…Pudgie is the puppy furiously digging the hole in the back…Max is the one gazing up at his owner. Maybe this is the kind of dog I should get to keep me company in the house? I’ve seen them before and thought about it. Their owner told me Papillion means butterfly in french….well at least it’s their names meaning, I guess because of how they look with their ears perked.
Next is another page from my sketchbook, click it to see it closer. I met a little Leopard frog along the way and did quick little sketches of him, then painted it at home using metallic watercolor paints. He really had a metallic look to his skin, so beautiful! At the end of this post you’ll see a little video clip of him!
I saw many Harvestman spiders in the woods and did a sketch of one on a dying milkweed leaf. I also took photos so when I got home I was able to paint it with watercolors. I took step by step photos of the painting, perhaps I’ll get to post it separately later.
I did some reading about Harvestmen Spiders, which are only distantly related to spiders, they are not venomous, lack fangs and do not bite. They use their legs to walk, breath, smell and capture prey! There are 5,000 species, about 235 known in North America, most are drab brown or grey, but a few are rusty red, mottled spots or have a stripe down their back. Now that I know that, I know I was lucky to see a rusty red one, and the one I painted had a mottled kind of dark stripe on it. One more interesting detail to keep my eyes open for while hiking! I hope you take a closer look next time you meet one.
This next page shows a light pencil sketch I did of the path, I also took some photos so later I could color it in. I haven’t gotten that far yet! The mushrooms at the bottom of the page I went specifically to Swallow Hollow to try to find again and paint, I saw them there just a week before. I could use some help indentifying them if anyone has expertise in this area?? I have become fascinated with mushrooms and fungi…when you walk in the woods, just take a close look at the ground or on trees or dead logs, you’ll be surprised at what you might discover! I’ve seen gorgeous yellow or orange mushrooms that I didn’t expect. The picture of the orange mushroom I could use help identifying too.
I set up my stool in the woods and I painted this study from life. It was difficult because the lighting kept changing, first direct, raking light, then very dark shadows. As I painted a Harvestmen Spider crawled across my sketchbook, pausing over my painting to ‘taste’ the wet paint! Before I could get my camera, he crawled off down my leg….he being a spider that he was I helped him hurry off me! I don’t mind them too much, but don’t want them lingering. At least I can say, knowing they are harmless helps me not to react like Little Miss Muffet! Remember her story?
 
This is the last page from my outing…while I was in the field I sketched the tiny mushrooms in pencil…kneeling in the pine needles to gain a closer look. They’re done at life size. Then while walking later I went over the lines with a sepia colored Micron Permanent ink pen. Later at home I printed out the photos I took of them and added the watercolor. I have found that when I do something in graphite pencil in the field, I get disappointed at how it will smear or fade with all the use the sketchbook gets, so I like to use my micron pens a lot to draw.
The while fungus is fascinating…they are hard to notice…you might just step right past them, but you have to be aware of everything and look everywhere when you walk. These are also drawn at life size, aproximately 2″ tall and coming up like delicate white filaments from the forest floor. A mystery to me, if anyone can tell us please do.
The butterfly was a type I saw all day, following me it seemed, to see what I was doing in their woods? I sketched it in the field on a leaf, but later painted it from a photo. Can anyone help me with identifying it? 
I added a short video clip of my meeting with the Leopard Frog along a sunny path, check it out!
Well, it’s time to play ‘catch up’, this is from July, but better late than never! If you click on the pictures you’ll see an enlarged view, where you can read my notes.
I did these two pages in my sketchbook following a very upsetting visit to a surgeon. I left the office in tears because he said I needed surgery on my discs from my car accident! He told me the symptoms to watch out for, all very nasty and debilitating, and then about the surgery and recovery. It was a little too much for me to handle after all the months of trying to recover from the car crash!
So….on my way home, I pulled over at a nice little park by the Niagara River and was determined to look at birds, do some sketching. It was hard but, as most artists know, once you get started there’s nothing better to take your mind off pain and worry. The reason I share this with all of you friends around the world, is to let you know, it’s not always as it seems. That is, I’ve seen other doctors since who believe I can make it without surgery (Yay!!!) and my hopes for proceeding with my life fall back into place. How awful those kind of days are that throw us for a loop of self doubt, or “how will I ever cope?”
 The page above shows some sketches of water plants, and I think Purple Loose strife, considered an invasive weed here. Two bugs, including one of my favorites, the milkweed beetle and notes about birds and flowers seen. I was sitting on a rock that had waves splashing up on it, jutting into the river a bit. What a gorgeous day!
 The second page was more plants, a close up view of some kind of sedge I think…I love the seed pods on this, all pointy and green, and as I studied it and drew, all of a sudden I realised there was a furry catapillar hanging on under one of the leaves. At the bottom of the page you can see a tiny landscape sketch of Niagara Falls in the distance.
I wish the pictures were colored in but I didn’t have time or the energy to stay and do that. Just so you know, All is Well with me!!! I’m getting ready for my trip to England and Ireland now, I’ll be blogging from there I hope, keep tuned!
I brought my small art kit with me while on a road trip to the Sterling Renaissance Festival in Sterling NY. , of course I wasn’t the driver! I experimented with drawing with my new graphitint watersoluble graphite pencils, They are colored but not as intense as watercolor pencils. I did the drawing then wet it with my waterbrush, this brings out the intensity of the colors. You can manipulate the values this way and if you like, work back into the drawing wet or dry. They’re very interesting and I am looking forward to trying them for more drawings. I took a couple pictures of them with my tiny digital camera, since I’m nowhere near my scanner, forgive the not so great color and clarity!
 The “Barn Owl” measures a wee 2″x2″! It was a bit challenging to do with the bumpy road.
 This little landscape measures aproximately 4″x5″ and is of the road we traveled. It was a great day for clouds, the only problem I had was making the line on the road. The set of pencils I bought has no yellow. You can notice that I made little color tests along the margins of the drawing.
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This is a watercolor study I did to as a demonstration for my fall Nature Sketching and Painting Indoor class that just finished up. I used it to show the stages it took to make a simple study, step by step, layering washes, values etc. Posted below are the steps it took to make this 5″x5″ study head, be sure to click on pictures to see larger views! Enjoy!
Darkest Darks-This is one approach to watercolors, start by laying in your darkest darks and blacks. If you start with a confident sketch it should work out fine, when you work this way you set out from the beginning with a defined dark end of the value range. You can then judge all other values against it as you paint. You won’t have to go back and keep “pushing” your darks to make them pop.
Color Wash-Here I laid in a bluish grey, ultramarine and black thinned with water. After it dried I laid in some small lines for feathers.
Changeing the drawing– A pale yellow ochre wash on skin of eye area and nares. A wash over the eye highlight to tone it down and soften it. Here I also made a decision about the beak, now that I was putting values down, I thought the beak looked a bit too heavy. So before committing to paint, I erased! I reworked the curve then I painted keeping all areas soft and blended slightly.
Feather details-I brushed on more feather details here, laid in more darks with repeated ‘feather’ strokes to top of head and all around eye. Nice spotty look at right edge, I like when the watercolor can been seen for what it is, it gives it a looseness. See the photo below for this step, just repeated tiny strokes.
Yellow of beak and eye-Here I laid in the yellow on the nares and eye area, and it’s completed! See it on my Art Gallery Blog soon with prices for note cards and prints!
