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View from Gary's
Another small sketch done in brown permanent ink pen (Micron) in my field sketchbook. This was done while sitting and waiting to leave for another adventure. It looks across a farmers field, where the tall pines and trees are is a Burn or stream, then behind that up the hill to more fields with a stone wall crossing it, a nice house and the wall along the top is for the B road that runs along the crags. Above it you can see the hill of crags with heather and bracken growing.
A beautiful view everyday.
I am not sure when I started to be fascinated by mushrooms and fungi, but when I go hiking I find I’m always stopping to notice them tucked away under branches, logs or leaves. Sometimes they’re right in front of you on the sides of dead or dying trees or right on the path, or they may be hiding waiting for your keen eye to catch them.
I spotted this pair right in the lawn (that needed cutting!) and what an interesting mushroom. My best guess is a “Shaggy Ink Cap”. I wondered why it was named that until I saw it a few days later.
Shaggy Ink Cap watercolor sketch
I did this little sketch with just watercolors, I wanted to avoid doing a careful pencil sketch and just kind of block in some green to form the light shapes of the mushrooms. I used a waterbrush which is handy but can be a bit limiting; it’s not as easy to mix quick pools of color in your pan and you must have a paper towel handy to clean between colors. Also I usually use just the one size waterbrush when doing a quick sketch so you use it to make wide and narrow lines or marks. The challenge on this set of fungi was the shaggy part, how to paint it without fussing too much? The “shags” were light and pointy, really their form was created by the darks around them…above and below. If I was doing a careful study I’d spend more time on that feature.
Me working on the sketch
Here’s a picture of me working to show my set up; I’m sitting on my blue foam pad because the grass is damp and chilly, it was early morning still. It’s not the best posture for someone with a ‘bad’ back, no support, but what are you going to do? That’s partly why I worked so fast, I get achy!
Looking over my shoulder
You can see my new little field kit there, I use it as a purse and carry my bare essentials for field sketching. The art supplies take presedence I have to admit…no make-up just some money, credit card and the rest is for drawing! My motto, “Be Prepared”! I’m holding the watercolor pan in my left hand, waterbrush in the other. I have regular brushes in the pan in case I want to use them or have water with me.
Shaggy Ink Cap
This is how it looked the day I painted it.
Two days later
And this is just two days later, I was shocked! I guess that’s where it gets it’s name, INK cap. It was eerie looking, dripping black goo, like it had melted.
Two days later close-up
I would like to learn more about this, and why it does that. Any of my readers know?… leave me a comment please. I didn’t have a chance to draw it at this stage, been too busy going off on hikes. I have been photographing many types of mushrooms, my favorite so far is the Fly Agaric…bright red cap with white flecks on it. I hope to do a painting of that one too.
On Sunday, September 20th, I went on a carriage drive with eight different buggy’s and all kinds of horses, through Coquetdale (or the Coquet river Valley) all around Rothbury.
Graham's Boys
This is a drawing I did after the drive while looking at one of my photos on the computer screen. It was WAY too bumpy to even consider sketching while on the drive. This was done with a permanent ink pen with no preliminary pencil sketch, so I had to plan as I sketched because you can’t erase.
View above Coquetdale
A bit about the carriage drive. It’s hard to pick out just a few pictures. As you can imagine on an 8 mile pony trek through some of the most beautiful English countryside while in the back of a 4 wheeled horse cart, left me with lots of photos. The day was perfect, a bit breezy but no rain and no dark clouds!
Sheep above Coquetdale
Through a farmers field with gorgeous views of Coquetdale below.
I got to ride in a 4 wheel buggy as I said, pulled by a team of two, half-brother horses. They were perfectly matched though, both dark brown. They were only 4 years old so young by standards of experience and the owner, Graham, was thrilled at how well they did.
Butterknowes Mare
This is a water color pencil sketch I did once again after the drive. I used one black pencil and a waterbrush to do it. It was a mare in the field we passed, the gate read, “Butterknowes”, that’s the farm name. Any time we passed a field with horses they all galloped around and bucked, you could feel their excitement! This mare had a foal and they did the same thing, running along the fence as we passed, it was really exciting.
Driving a buggy can be dangerous stuff though, all in the cart had riding helmets on in case of a tip over, me…well I didn’t have one. I had to just hope the horses and terrain would cooperate! There were some parts where we had to duck from tree branches over an old railway line, where the steep bank was just a step away; and parts where the road was so bumpy I held myself up off the seat by partial standing and using my arms. I just couldn’t take the bumps with my back. But other than that it was relaxing and fun.
On the highway
This is the buggy that was just behind us in the first part, then we switched positions so our horses could feel secure and follow.
We went through farmers fields, on a two lane paved ‘highway’, on old railroad lines, on country dirt roads (complete with pot holes!), through many field gates, up past the Simonside Hills and moors covered with bracken and heather, to swing down through gorgeous mature pine forests and then into Rothbury, a quiet little town in Coquetdale (the River Coquet valley).
Pausing at the parking area of Simonside
We had a brief pause at the parking area near Simonside in the open moorland areas. We were trying to let the others catch up. It was windy and cold up here, but we couldn’t stand long or the horses would chill.
Tower at Rothbury
This is the old tower just outside of Rothbury, I’m not sure if it was used to look out for invading Scots or not? I have to find out.
Coming home
Everyone filed in after the drive to June’s farm at East Raw, June’s the shepherdess who hosted the drive. The buggy in the back with the gorgeous chestnut horse is June with her groomswoman (or gate opener!) Becky. The cart in front is a lady from Scotland who came down just for the drive, with her Shetland Pony.
Chester sweated
What can I say? Is this not a perfect looking horse?! (June’s horse Chester)
After the drive
I’ll leave you with this picture of the buggy I rode in, with these two chaps having a talk over it, under a huge ancient tree. Sigh…a perfect day. I feel some horse paintings coming soon.
We went to Berwick-Upon-Tweed, on the Scottish border on two occasions. I found it to be a nice town to walk through, you can shop or just a few streets over is the water front, complete with an old fort you can walk about on. It’s on the River Tweed and that’s where it gets it’s name.
Berwick-upon-Tweed unfinished
The first visit I only had time to start a small watercolor of the houses in the town while sitting on the grassy wall of the fort. Here it is unfinished above.
Berwick cemetery gate
This is an old gate to the cemetery of a church right behind the grassy walls of the fort. I didn’t have much time to do a nice painting but really just wanted to study the colors of the stones used in the wall. I also didn’t have the nice sunshine you see coming through the gate while I worked, it popped out just for the photo. If I ever have time I’ll go back to the sketch and add more details in the stones from my photos.
Painting the gate
Here’s a picture of me working on the gate, you can see I’m sitting on the grass but am using a foldable foam pad to keep the moisture and chill away. I still always get so stiff when I sit on the ground like this, I think it’s the position for my back, no support. I’m holding my sketchbook with the pan of colors on the left hand side. I’m also using a ‘real’ brush not my waterbrush to do this, I have a container of water sitting on the ground nearby.
Painting the gate view 2
Below are some photos of the biuldings in Berwick-Upon-Tweed
biuldings in Berwick
Town Hall
Skyline of Berwick
Tweed Mouth Dock Fort
This is the fort in Berwick called Tweed Mouth Dock.
Ship coming in
Here’s a ship coming into harbour.
Hopefully I’ll get another chance to go back and work on some longer studies. It’d be a nice town to spend a weekend in, I saw lots of couples walking about hand in hand going to shops.
Keep checking back, more updates from England coming!
The feeling of standing on top of a cliff with the wind blowing through your hair, out to the North Sea, can really clear your mind, your body and your soul.
Standing on Scottish Soil
Leave behind all worries, breath deep and let go, (just don’t let go of that nice shawl that you’re holding as the wind whips!)
Clear your mind, your body and your soul.
The beginning of any good journey should have some time to assimilate and absorb, relax into the moment and be happy.
Breath deep and let go!
Don’t just rush into it with a vengeance, you’re probably too tired from the flight anyways!
We had fun shooting these pictures on the drive down from Edinburgh to Northumberland. The day was windy, cloudy and cold, but it felt so good to be out in the fresh air and know that I was there at last. My wonderful boyfriend Gary shot these photos of me, he shares my love of nature and the countryside.
Town of St. Abbs on Scottish east coast
On our drive we stopped at some small port towns, watching the fishermen’s boats and thinking of how tough that life must be. This is in the town of St. Abbs in Berwickshire Scotland, in what they call the Scottish Borders.
St. Abbs Wildlife Reserve
Then we stopped at St. Abbs Wildlife Reserve along the coast. It’s very exposed but popular for bird watching and seeing the beautiful cliffs. We sat for awhile in the car looking out to take a break from the cold wind, while we sat I spotted a Stoat just running along the top of the bank you see in the photo. Gary said it’ll be after rabbits, it was an attractive animal, one worth doing a little painting of.
Stepping closer to the edge
We walked around and then closer to the edge, being very careful of course! The water was a gorgeous deep aqua blue color and the cliffs were a flurry of activity from the birds coming and going.
A row of Kittiwakes on the cliff face
A nice neat row of gulls. At first glance I thought these were black headed gulls in winter plumage because they have the tell tale spot behind the ear. (Ah…didn’t wash behind the ears, don’t tell mom!) But when I looked in my field guide (“The Hamlyn Guide to Birds of Britain and Europe”) I saw that they have yellow legs and a light beak. When you bird watch the fun part is deciphering the markings of birds and figuring out what kind of bird it’s NOT. Process of elimination many times is what works. See more description below.
Immature Kittiwake
Kittiwake immature + adult
At first it looks like two different species of birds, but the one in the forground is an immature and the one behind is an adult, both Kittiwakes. They have both have black feet, the immature has a partial ring around the back of it’s neck a black spot behind the ear and a black beak; the adult has a yellow beak. It’s like solving a puzzle, that’s why I like birding. Though I am NO expert by far, especially at shore birds as I don’t get to see them often. But I like to show how you can enjoy them and figure out what kind they are by looking up clues in your field guide or going online to search.
More of the northeast coastline
Well here’s one last photo of the coast.
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Hello Folks! Well as they say it’s been a “dog’s age” since I’ve updated my blog. I left you with a study of the Groundhog or Woodchuck in August just before I left for my trip to England. Well I’ve made the journey and have been staying in Northumberland for a few months time. I’ve been hiking all over this beautiful region and taking tons of photos for painting references, but as you can see got way behind on my blog. Well, my focus has been off sketching and on absorbing the local views and country life. I also don’t have easy access to a scanner, so what I’ve finally figured out is how to photograph my sketchbook pages and edit them to brighten the contrast so you can see them better. With that said, I’ll have lots of posts coming up now with my sketches and lots of photography of the scenes and nature. Please add your email address to the little box in the right column to be notified of new posts.
Buffalo Airport
The little watercolor above was done while waiting for my flight at the Buffalo International Airport. I used a waterbrush and my favorite pan of colors that I put together myself. The little color notes at the bottom are for the Mourning Cloak Butterfly, I was looking for the right colors to do his wings. Just before I left Buffalo I got some great pictures of one that I wanted to do a sketch of.
On the Mark
Here you can see the ground crew guiding the jet in.
Jet Sketch
This is a very quick sketch in ink of the jet once it pulled up, they drove a box like cart up to it and this is what it hitched to. It was really hard to get the gentle swell of the outline of this jet, as always I did it for practice. It isn’t symetrical because the jet was at a tiny angle to me, not straight on. Then it started to move, so I scribbled faster!!
Window Views
When we were over Newark NJ the sun was setting, I had to do the sketch very quickly as we were preparing to land soon. When I departed for Scotland it was an all night flight, I landed in Edinburgh then was driven down to England. The little ink sketch is the window and it’s view. The pencil of the butterfly is what I did while we were flying from my photo of the Mourning Cloak.
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