I go through phases with what materials I use when I go out sketching and my love of watercolors sometimes gets pushed aside for watercolor pencils. It normally doesn’t last too long and I’m reaching for my familiar pan of watercolor paints, but for now I am in a watercolor pencil mood. So I thought I’d share with you a good lesson for people starting out with watercolor pencils or those wanting to practice.
Set up for watercolor pencil color play
I have quite a few colors but when I go into the field I try to carry as little as possible to keep the weight down. Above you can see many pencils and containers with lots of color charts, my sketchbook, waterbrush, bit of paper towel and of course the cup of coffee! You may notice my pencils are short, I cut them in half so I have less weight and bulk in the field, keeping the other set at home or in other field kits.
Watercolor Pencil Practice - page 1
I was specifically trying to pick out colors I could use for landscapes while in England, so you’ll notice I made little ‘mountains’ with the colors to test the mixing when overlapped. To do a color ‘spot’ with medium pressure just scribble a small area and label it with initials of the color. Take your wet brush or waterbrush and rub into the color then keep rubbing lightly as you move the brush away; it will get lighter and you’ll create a nice color swatch. I group mine together, blues, yellows, greens etc. Between colors, either rinse your brush then wipe on paper towel, or if you’re using a waterbrush, just stroke it on the paper towel until it appears clean.
From the blue swatches at the top left, I then selected a few and lightly colored them next to it and then wet it to see if it’d look good as ‘sky’ colors. Then at the bottom right I was pleased with the test of mixing basic blues with my yellows to make various greens. If I like I could leave the green pencils behind but it does mean more layering and mixing and while in the field I try to make it so I can sketch fast.
Watercolor Pencil Practice - page 2
This picture looks paler than I’d like, I don’t have use of a scanner here so these are photographed with my camera! But anyways, at the top I was experimenting with first laying down a light blue wash then putting the green mountains on top. Then I tried purpley colors because distant mountains sometimes have that hue. Then I made up some fields and tried layers of various yellows, blues and greens. At the bottom I experimented with toning down the vibrant colors by adding charcoal grey and various reddish colors (red is opposite of green so it can tone it down)
Watercolor Pencil Practice - page 3
This page is also a bit light but you can see my colors still. I was determined to eliminate any excess green pencils if I could, so I tested them next to each other. At the top you can see I tested some browns, overlapping them in a square pattern. At the bottom is a quicky sketch in ink done at the beach, later I played with the colors to test them on it.
Well I know it’s not a thrilling post but it shows you how to get familiar with your watercolor pencils if your a beginner or very experienced and just needing to pick out some colors. Once you pick the colors you’ll use in your ‘kit’, make a small color chart of them, labeled so you can refer to it quickly until the pencil choices come easily.
A note about one of the reasons I like watercolor pencils; if you lay more than one color down dry, then wet it to blend and bring out the vibrant color, I like the grainy textures left and how you can see bits of both colors (depending on how much you rub it to blend). You can draw lines and leave them somewhat or you can shade lightly for more of a watercolor look.
So, grab your watercolor pencils and have some fun playing!
It was bright and sunny today but winter still hangs on, the snow is over a foot deep and I wish I had my snow-shoes on! The snow is heavy, wet and deep; as I trudge through it I thought of the word ‘slogging’! Under the heavy snow is a deep, wet slaw of melted snow; I’m glad for my rubber boots.
"The Branches Reach Towards the Moon"
Ginger prances on ahead of me, begging me to hurry. Finally along the edge of the pasture I paused to catch my breath and attempt to capture a likeness of the moon with the trees reaching up towards it. At the end of this post you’ll see my small sketchbook and watercolors, and how I hold them on a clip board. Almost all my field sketches are done while standing and holding my book.
"The Field in Late February"
Well as you can read in my honest notes, Ginger surprised me and did something different; I feed her really I do! I guess you can’t stop instinct. I’m happy with how this little watercolor came out, I’m always trying to capture that color of the bushes in winter, they’re gorgeous. I was standing in deep snow and at the same time had to shrug my coat off my shoulders and take my hat off as the sun made me that warm. Maybe spring is coming?
"Paw Prints"
There are so many things to see if you take your time and look around you. The snow was quite hard on top, if you’re a lightweight animal. I noticed little tracks as I walked, then saw these little prints and had to sketch them. I brought no camera on purpose today, I wanted to really have to describe all I saw with my brush and pen. For tracks you can use your pencil or pen to measure the real size onto your sketchbook. I call this Comparative Measurements and it can be extremely accurate when you practice using it. These tracks were a bit hard to see because they were so shallow and the snow had dusted over them a bit. I drew the tracks at real size and then measured the distance between the sets, finding they were one pen length. This tells me it’s a small animal, at first I thought raccoon but when I looked on my pocket animal tracks guide I think it may be a skunk! Hey hibernation must be over! Look at this link to see a picture of my pocket track guide which, by the way, I don’t carry with me in the field.
"Snow Burrow"
Then as my eyes followed some more tracks, made by a fox I think, they led me to a small hole dug into the snow. I guessed that a fox, who used his great sense of hearing to listen for small mammals under the snow, had been by and dug down to ‘no surprise’ a burrow or tunnel of a vole. I like to think about the event that may have taken place, probably while the moon was shining on the snow at night. I wonder if he got his dinner?
"Paul's Chair"
As I said the sun was shining brightly as I returned from my day’s walk, trudging along the deep snowy lane. I looked off the lane into the woods and saw there a black metal folding chair. This chair is not there by mistake, my son Paul placed it there years ago and would disappear at times and he’d go here to sit in the woods. I think everyone should have a chair in the woods somewhere, where we can go escape or think. I felt a bit sad seeing it there by itself, perhaps it’s owner would never sit in it again as he’s off to college now. I just hope (as his mother) that he’ll always “find a chair somewhere” and sit in the woods.
Clip board with closed sketchbook
Here’s a picture of my clear clipboard with my handmade 4 1/2″ x 5″ sketchbook and watercolor palette attached. This is how it looks when I pull it from my bag, I use the rubber bands to hold the book shut and the palette. The palette is held on with blue ‘sticky tack’ or ‘blue tack’. The sketchbook is clipped on with metal clips with the front cover.
Clip board with open sketchbook
This is how it looks when open, I use the white rubberband (actually it’s a hairband thing) to hold the piece of paper towel or to help hold the book open, or you can use a metal bankers clip. You can see I’m using my waterbrush today with the watercolors, I find it easier when hiking and especially in cold weather. Though it won’t work when it’s ‘really’ cold, it turns to ice on my paper!
I hope you enjoyed coming on my walk, please leave me a comment! I’ll have classes this summer in England where you can come along and sketch while we explore the gorgeous countryside. Please sign up your email address in the “subscribe to posts” box in the right column.
Today it was sunny and very blustery! We decided to take a hike near Clennell up the valley along the River Alwin then we looped back by walking up and along one of the huge hills. What gorgeous views we had! Of course I brought my field kit for watercolors with me hoping to find a quick sketch, as usual we pushed on without much lingering for painting or we’d never do the loop before dark. I did get some pencil sketches done that I later colored with watercolor as you’ll see.
Along the Alwin River
This is the valley we hiked along for a few miles, flat and easy except for the driving wind blowing on us at the start. It settled down as we got into the valley more. You can see on the far left a dust cloud with a huge truck in it, that’s a logging truck coming down the road we’re walking on, we’ll be headed around the base of that hill soon.
River Alwin into the Kidlandlee Dean
As we walked occasionally a Grey heron would be spooked from the river and fly upstream a bit. We had the valley all to ourselves except for the sheep and maybe one passing truck. The Kidlandlee Dean is the forest area ahead; a Dean is a small ravine, a word that comes from the Anglo Saxon’s. At the base of those pine trees we’ll turn our path up to the right and go up onto the hill we’ve been hiking along side.
RIver Alwin and "The Dodd" (hill)
Here I was able to convince Gary to stop long enough to let me catch my breath and sneak in a quick pencil sketch. This is just before we started to walk up the huge hill and I’m looking across the River Alwin and the Kidlandlee Dean is just to my left. The hill I sketched I found out later is called “The Dodd”. Later at home I painted the colors in with my waterbrush and watercolors while looking at the laptop photos. I put notes at the bottom of the colors I used.
River Alwin below
You can see we’ve been walking along the hillside, this is looking back towards the spot where I sat and sketched. We walked all along that ribbon of road down there! Along the way there are sheep that give you a look before running off into the grass, these two were right on the edge of the hill, it was pretty steep.
Hills called "The Dodd" and "Old Rookland"
Looking back again; though the hills look bleak the colors on them of the bracken, grasses and grey-blue stone are really beautiful, but most especially when the sun hits it and creates dramatic shadows!
An old Drovers road also called "Border County Ride"
This is a view looking back along the road that we picked up on top of the hill. Gary says that it probably an old Drovers road, a drover being someone who’d be hired to drive cattle to market by the farmers 200 years ago or more. So they are English Cowboys I guess! Some 400 years ago they would have been using this road and would have to defend the cattle against the Border Rievers who could steal the cattle.
View of Clennell Hill
This is a view looking across the valley (at the steep edge the sheep are on) to Clennell, we walked up that valley along the river. The wind was whipping but you can see the views were spectacular, so vast.
View over Clennell towards Rothbury
We sat here upon the top of this hill looking out over Clennell and Rothbury would be further on in the distance, Alwinton would be to our right. A farmer was burning some wood piles down below and it could be imagined that in ancient times when the Celts had their settlements there, there would be similar fires burning. Just below us to the right, on top of a smaller hill is the remains of a Celtic ring fort, at one time it would have had small fires burning in the crisp fall air.
Watercolor sketch "Views over Clennell"
We threw the waterproof picnic blanket on the ground and I sat to do a quick sketch. I just used my pencil and ‘zoomed’ in on a view that you see in the photo previous. It was so windy and cold I had a heavy wool blanket over my shoulders as I sat to help block the wind. Come to think of it, lucky I had on my rain pants too, they block the wind quite a bit. All the paint marks you see in the upper left I did on the spot as color notes. I used my big flat waterbrush and labeled colors, yes I know it is right on my watercolor sketch but it’s a ‘working sketchbook’ too and I wanted to do color notes on the spot. So when I got home I painted it in while looking at my laptop, using my big waterbrush (pictured on my equipment page).
I hope you enjoyed coming along on this hike with me, you didn’t have the feel of the wind on your face or smell the fires burning but maybe someday you can come on a real hike with me and learn how to paint in the field too. I welcome your comments below!
This hike was such an adventure that I’ll never forget! It was long and had so many great views that I have quite a few photos to share with you before you see my sketch and watercolor painting at the end.
Hike up the valley
First we parked the car near an old Medieval church that in itself is very interesting and I’d like to go back to explore it and it’s graveyard with old stones. We hiked up this valley along all those pine trees you see…past all those white dots, those are sheep!
The tough looking sheep closed in on us
I’ll be a little silly here and tell you when we walked past these sheep, they kept coming closer and closer like they were ganging up on us. It’s my silly side that thinks they look like thugs in tight wool sweaters, not very attractive sheep! The one who doesn’t have to short pig-like look is a different breed, he must be wondering what he’s doing with all those thugs! haha.
The hill we need to climb
We passed the sheep and went up a very gentle sloping hill, but it was huge so it took us awhile. It may look all sunny and pretty but it was really cold and extremely windy that day. You can see the beautiful line of Scotch pines up on the hill, that’s where we’re headed to the ring fort.
Old walls of the Celtic Ring Fort
Well we made it up, the hill seemed to never have a top to it…we walked and walked but enjoyed the views. If you look at the photo above you’ll see a mound of dirt with grass on it, looks like a dune at the ocean, and there’s a spot you can walk through. That’s the Celtic Ring Fort entrance and the mounds are the walls, they used to be much taller and had deep ditches dug all around like a moat for protection. It’s such a huge site, it’s hard to imagine the layout of the fort, but if you look at it on Google Earth it’s really cool to see the image of the rings from above.
Steep hillside defense of the ring fort
This is the view off the front of the hill fort, it’s a very steep hillside which would have given them protection from enemies. At the top of the hill you can just see several mounds of dirt, those are remains of the walls.
First stone we found
Now this is the best part, there is ancient rock art on the stones found around this site. These were carved around 3,000 – 4,000 years ago by the ancient Celtic people who made the hillfort. They are generally called ‘Cup and Ring Marks’, the ones above are ring marks. It’s so beautiful to see the symetrical designs carved into the rocks but they are so worn with age and covered with lichens that they just look so natural.
I'm measuring the rings with my sketchbook
Here I’m showing how I use the ruler I drew on the back of my homemade sketchbook to measure one of the rings circumferences.
This is the larger stone on Old Bewick
This is the second rock we found and probably very photographed by hikers. If you do an image search for “Old Bewick Rock Art” you’ll come up with a lot of interesting stuff.
Drawing rings
Here I’m sketching some of the rings of the second rock, gosh it was really cold, if you could only imagine it was hard to stand still because the wind was blowing on me so hard!
Sketch of the rings
Here’s the sketches of ring marks. I tried to hold my pencil lightly and used the side of the tip so I could sort of lightly scribble the forms and build up darks as I went.
Drawing the line of 'cup' marks
Just as we were getting ready to leave I looked back at the huge stone and noticed (with my keenly trained nature sketching eyes!!) the little ‘cup’ marks along the front of the stone.
Old Bewick field sketch
I had to go back, even though we were tired and ready to go, I sat and did a quick pen sketch with permanent ink of the outline and basic cracks.I’m just getting used to using my new homemade sketchbook and I like that I can draw across two pages instead of having a spiral in the way.
Painting of Old Bewick Rock
This is the finished painting of Old Bewick Rock. Once I get home I only have my laptop to look at for reference from photos I take. As I now had time to sit in a warm house with a hot cup of tea I could see where I was a bit ‘off’ with my cracks and added maybe two extra cups marks! But it’s a field sketch, no big deal. So I had fun painting it with watercolors and you can see I left color testing notes in the upper right corner. While I sat there I did note the direction I was facing with my compass and wrote it on my paper.
I hope you enjoyed coming on a great hike with me, I’m inspired to study more of the numerous ‘rock art’ sites all around Northumberland and do some paintings.
I thought I should add a note here about the ancient sites like this, in case you ever visit one please remember they are irreplaceable. Gary and I talked about how soft the sandstone is and crumbles very easy if you just touch it. It’s my opinion that you shouldn’t really touch it too much or especially do rubbings on paper, I think it’s too much abrasion for the stone. Please never climb on it and encourage others to consider it’s delicacy too. Thanks!
Today we visited Howdiemont Sands beach along the coast of the North Sea in Northumberland England. We walked across Sugar Sands and climbed up to a point where we could view the point at Howick Haven. I wanted to sit and try to do a small watercolor landscape so I bundled up and brought the usual field kit.
Water color painting "View of Howick Haven"
Here’s the finished painting, I did most in the field sitting on top a windy, grassy cold hill. I’ll share the photographs with you of what I saw and tell you a bit about how I did the little painting.
We walked along this beach
When you first arrive at Howdiemont Sands you can choose to walk either right or left. We chose left because it was new to us and we always wonder at what new views might be found or other discoveries.
Sugar Sands
The beach here (called Sugar Sands) is unbelievable, a pretty color of ‘sand’ shade, (hahah…) clean, soft and inviting even on a cold sunny October day. You can see many other people and their dogs found the beach irresistible today too.
Bird tracks
There were lots of interesting bird tracks too, gulls leave a track with a little web foot. This one? It was big and looked like it would drag it’s front toe in the sand when it stepped; I wish I knew what it was.
Looking back at Sugar Sands
Here’s a view looking back on the beach we crossed, sometimes you have to go up over the grassy banks to get past areas that are under water still.
The red rocks below me
This is looking down from where I decided to paint, how beautiful the patterns and colors are in these rocks. As the tide continues to go out the rocks will be more exposed.
View from my painting spot
This is the gorgeous view from where I decided to sit, light was fading fast and I had to pick a place quick. It’s really hard to pick a scene when there’s so much to see around you. It helps to hold up your hands and make a little opening like a rectangle and pretend that’s your paper. Move your hands around until you find a cropped scene that you like.
View I painted
Because I wasn’t working really big I tried to limit what I was going to paint, also I didn’t have tons of time with the sun leaving soon as it was about 4:30pm when we arrived.
my sketch
I sat on a picnic blanket with a waterproof bottom, wore my wind/rain pants over my regular pants, this helped to cut the cold and wind. I also had on my fingerless gloves as usual, sorry no picture today! I’m using a homemade sketchpad that I created so it would be extra long. It’s great for landscapes! I worked with my field pan and regular watercolor brushes, usually when in the field I use my waterbrush. I don’t like the waterbrush for larger works needing big washes of color. You can see in the picture a baggy just off the blanket, tucked into the grass. I forgot a watercup to rinse my brushes in, so I used a baggy with some water in it, it worked great!!
My watercolor field pan
This is the painting/sketch laid out at home, you can see this is how far I got with it in the field. The pan watercolors I used is an old metal kit that I popped the large pans out of and replaced with half pans of Windsor Newton brand paints. I use a bit of sticky tack or blue tack to hold each one in place and you can see the handles on my brushes are cut, so I can fit more “things” in it. I brought that one long brush with me and used only that to do all this so far.
My set up to finish from photo at home
Now I set up my laptop with a photo I took while there, and worked on details with smaller brushes while looking at it. I didn’t touch the sky, just left it the way I did it in the field. If you start to mess around with all of it, it can get stiff looking. Notice I put my coffee on the left side…if your right handed, water should go on that side and you don’t want to be dipping into your coffee by mistake! So, I worked on trees and details of that main area; I also used a razor blade to scrape fine lines for the white fence. Also, you may have noticed a funny looking cone shape that looks like a child’s’ painting of a tree? It’s a recreation of one of the oldest ‘houses’ in Britain probably from the Bronze age. Remains of one were found on this very spot! They made their homes from tree limbs in a sort of tee pee style, with turf for the roofing material. I’ll try to find a link about it to add here.
Go here to see the finished painting in the GALLERY.
I am not sure when I started to be fascinated by mushrooms and fungi, but when I go hiking I find I’m always stopping to notice them tucked away under branches, logs or leaves. Sometimes they’re right in front of you on the sides of dead or dying trees or right on the path, or they may be hiding waiting for your keen eye to catch them.
I spotted this pair right in the lawn (that needed cutting!) and what an interesting mushroom. My best guess is a “Shaggy Ink Cap”. I wondered why it was named that until I saw it a few days later.
Shaggy Ink Cap watercolor sketch
I did this little sketch with just watercolors, I wanted to avoid doing a careful pencil sketch and just kind of block in some green to form the light shapes of the mushrooms. I used a waterbrush which is handy but can be a bit limiting; it’s not as easy to mix quick pools of color in your pan and you must have a paper towel handy to clean between colors. Also I usually use just the one size waterbrush when doing a quick sketch so you use it to make wide and narrow lines or marks. The challenge on this set of fungi was the shaggy part, how to paint it without fussing too much? The “shags” were light and pointy, really their form was created by the darks around them…above and below. If I was doing a careful study I’d spend more time on that feature.
Me working on the sketch
Here’s a picture of me working to show my set up; I’m sitting on my blue foam pad because the grass is damp and chilly, it was early morning still. It’s not the best posture for someone with a ‘bad’ back, no support, but what are you going to do? That’s partly why I worked so fast, I get achy!
Looking over my shoulder
You can see my new little field kit there, I use it as a purse and carry my bare essentials for field sketching. The art supplies take presedence I have to admit…no make-up just some money, credit card and the rest is for drawing! My motto, “Be Prepared”! I’m holding the watercolor pan in my left hand, waterbrush in the other. I have regular brushes in the pan in case I want to use them or have water with me.
Shaggy Ink Cap
This is how it looked the day I painted it.
Two days later
And this is just two days later, I was shocked! I guess that’s where it gets it’s name, INK cap. It was eerie looking, dripping black goo, like it had melted.
Two days later close-up
I would like to learn more about this, and why it does that. Any of my readers know?… leave me a comment please. I didn’t have a chance to draw it at this stage, been too busy going off on hikes. I have been photographing many types of mushrooms, my favorite so far is the Fly Agaric…bright red cap with white flecks on it. I hope to do a painting of that one too.
The cardinals I did looking at the little feeder that is stuck to my studio window. I wasn’t concerned with a fantastic drawing, just practicing the gesture sketches of it. I added a touch of color with a waterbrush and watercolor.
Then I decided to take my sketchbook, watercolors and a simple waterbrush with me when I went out to feed the chickens. It was really cold and windy, so it was hard to draw, but I donned the flip top mittens and went to it! Ok..it was worse trying to paint, but I did some simple color studies. It’s very hard to sketch chickens as they move so much!
Then I headed outside the barn and set my pad on top of a tripod that I attached a piece of wood to, it was very windy! The mount isn’t a very strong one, it loosened up sometimes, but it allowed me to set everything down in front of me. I’m always experimenting with ideas.
Above you can see the some chickens that were roosting in the rafters. I painted them with Chinese ink…from a dry cake I keep in a tin; it used to be liquid I just let it dry and can use it like dry watercolors. Below that is the little landscape study with some notes. The hawk sketches I added today actually. I saw a hawk through the window and tried to do a sketch using my binoculars. I’m pretty sure it’s a red tailed hawk.
My landscape was pretty far away from me, but I was after the colors of the field. You can see the picture below. Oh yes…and then there’s Ginger, always waiting for me to walk on somewhere else! haha….
That’s it for now…stay tuned for more updates about my trip to England, sign up your email in the box in the right column. Bye!
Today as the sun shone and the temperatures climbed to a balmy 30 or so degrees, I felt a very strong urge to just grab my field kit and go for a hike with Ginger. I notice whenever I go out field sketching or work on a painting in the studio, it’s like having a visit to the therapist! I feel like I’ve just had some kind of adjustment, and all is right in my world! Troubles melt away as I stop to catch my breath and listen to the wind gusting through the trees. Today was no different. (click on any picture to see enlarged view)
First small sketch done with a micron 05 permanent marker, it’s along the path that’s called “Long Lane” on my farm. To warm up and to see if drawing with my fingerless mittens would feel comfortable, I did the top of a small oak tree, then turned and looked down the lane where Ginger was disappearing down, and did a quickly scrawled sketch. It’s ok that it’s not beautiful and meticulously drawn, I can remember the scene in my mind just be looking at it. Sometimes the field sketch can have more movement and show more excitement than a carefully executed studio drawing. I also find that being able to work loosely in the field keeps my studio painting fresh and lively looking.
Just me in my dad’s old wool hunting coat that I treasure, using the fingerless mitten ok. I picked up this pair in England at a regular clothes store at the mall, I made sure they had wool in them, and I like the dark brown color (to hide the dirt of course silly!). At this point I think my fingers were cold, sometimes I worked with the top pulled back and sometimes closed. I’m using a waterbrush here and watercolors, I put my kit in a new bag to try out, an over the shoulder binder type thing, but no room for apples or water bottles. Extra things had to go in the back secret pouch on the hunting jacket, made for carrying dead birds that the hunter (dad) would shoot. It’s actually a handy pouch…I slid my sketchbook in there when I would get moving on my hike.
This is a page with a simple color study of the red bark on bushes and the little fern heads coming up through the snow. Their forms, almost silhouette because they’re so dark, are wonderful to study.
The photo above shows a leaf I found in a tiny birds nest that was tucked into a tangled bush. It’s small things like this that if you take time to notice the subtle beauty your enjoyment of the natural world and simple walks would be much more memorable. This leaf is a simple shape, but I love the mixture of subtle colors, there’s a promise of green there that makes me think of spring, it’s almost as if the green was frozen from the fresh times of summer. The pattern of the veins and cells is really something too, the wet sheen on it’s surface reflecting a cool light.
Then turn the same leaf over and it’s a whole other leaf! This side has a network of raised veins showing, like fine meshwork netting and the contrast of the color of vein to leaf is at once noticed. The fall like colors are not showing on this side. When you pick something up, turn it over and explore everything about it; if you draw it, you will study it deeply, noting it’s every interesting detail. Sometimes this is good to do once you get back home and can sit in the warmth and take time to study it.
Here’s another nest I found that almost looks like it has an ice cream scoop for an egg waiting to be hatched by the warm spring sun. (It’ll have to wait awhile still!) Walking in winter is a good time to look for birds nests, just look at bushes or trees for clumps of dark areas, usually made by leaves and small branches. It’s fun to look closely at them, how the tiny branches are laid criss cross and woven, and imagine two birds picked up ever single twig and made that. Some nests are tiny things..some larger and could even be for grey squirrels. I don’t ever disturb the nests…I feel they are there to be used somehow by other creatures, mice, bugs, etc. and I just let it alone. I will carefully pull some leaves out of a nest to see what the cup might look like.
Now this page has notes you can read, but I’ll explain a bit more. I went to a part of my land that has huge old oak trees on it, and one in particular that is dead. This dead tree had all kinds of funguses growing on it and was great to study.
I learned something new that I didn’t expect, there was an interesting type of fungus growing on the underside of all the large branches. It was a beautiful natural yellow with some orangey colors in it, but very muted. The funny thing was I noticed the snow beneath it had yellow spots following the branches, NO Ginger didn’t do that! haha…but as the snow piled on top of the branches melted, the yellow color in the fungus was dripping down to the ground. I wonder if the Indians or settlers used that as a color for something?
Here’s a close up, if anyone can help me identify this I’d be grateful. I looked it up in my mushroom and fungus books but can’t find it specifically.
This fungus is as far as I can tell, a “Redbelt” shelf fungus. I did a painting in the field while looking at it and looked it up when I got home. (The painting is below). The odd thing was, as closely as I thought I looked at this, I still missed something interesting. When I got home and uploaded my photos, I noticed on some close ups there were little blackish bugs crawling all over the place!! Ewww….I have to admit, I like studying bugs, but the idea that there were bugs all over this fungus and tree and I didn’t know it kind of made me uneasy! But the fascinating thing was that there were bugs out doing their thing in the middle of the winter! You would be surprised at what you’ll see on a mild winter day!At this point, at the end of my hike after being out two hours, my toes were frozen and getting numb. This is when the idea of hot cocoa creeps into my mind and Ginger’s happy face asking, “Can we go home yet?” starts to distract me.
This last page I finished at home while drinking that hot cocoa; the tree and fungus I did in the field. I brought home a stick with neat fungus growing on it, the leaf I photographed and a dead leaf. This stick was very interesting to look at under a magnifying glass, the black fungus was shiny and the rose colored had a velvety sheen almost. I made a stab at identifying the rose colored as Hypoxylon Fragiforme, any experts out there can verify this? I added color notes too so you could see what paints I used.
I hope you enjoyed our hike today in the winter chill! Sign up your email in the right column to recieve updates when I post new things. Happy Hiking!
This is a tiny little watercolor painting I did on New Year’s Eve morning, while drinking my coffee and looking out the back studio window. It measures a mere 2.5 x 3.5″. You can see below a photo I took while working, but I put the tin down to take the photo. I painted it while standing and holding this little set-up in my left hand. It’s a pencil case that I stick my “Altoids” watercolor kit in using blue tack or sticky tack, and the same for the tiny watercup. I also use the tack to hold two brushes at the ready on the side; I use the metal area under the paint kit to mix colors. This set up works well for small paintings and studies.
It was a full moon a few nights before, so tonight as I saw the glow of the moon trying to come to fruition behind the clouds…I was hopeful of some good moon gazing. Hmmm….no such luck. It started to show promise as I saw a curious yellow glow in the clouds, so I grabbed my tiny Altoids watercolor kit, my reading light and very small watercolor field kit.
I set up in my bathroom where it’s extra dark when the door is closed and tried to paint quickly in the dark. I didn’t have anything to put my piece of paper on, so I held the little thing in my hand and the watercolor kit also; it was not a great set up but I was in a hurry!
Yes, it was quite dark, I could hardly see the colors I was using but I wanted to really see the moon and didn’t want the distraction of the light. So as it slipped quickly away behind a dark veil of clouds, I just painted from memory and it was ok. It’s only after when you turn on the lights and let the colors and wetness finish their ‘melding’ that you’ll see what you’ve got. It’s kind of fun! This one is only 3.5″x2.5″ on watercolor paper.
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