Today we visited Howdiemont Sands beach along the coast of the North Sea in Northumberland England. We walked across Sugar Sands and climbed up to a point where we could view the point at Howick Haven. I wanted to sit and try to do a small watercolor landscape so I bundled up and brought the usual field kit.
Water color painting "View of Howick Haven"
Here’s the finished painting, I did most in the field sitting on top a windy, grassy cold hill. I’ll share the photographs with you of what I saw and tell you a bit about how I did the little painting.
We walked along this beach
When you first arrive at Howdiemont Sands you can choose to walk either right or left. We chose left because it was new to us and we always wonder at what new views might be found or other discoveries.
Sugar Sands
The beach here (called Sugar Sands) is unbelievable, a pretty color of ‘sand’ shade, (hahah…) clean, soft and inviting even on a cold sunny October day. You can see many other people and their dogs found the beach irresistible today too.
Bird tracks
There were lots of interesting bird tracks too, gulls leave a track with a little web foot. This one? It was big and looked like it would drag it’s front toe in the sand when it stepped; I wish I knew what it was.
Looking back at Sugar Sands
Here’s a view looking back on the beach we crossed, sometimes you have to go up over the grassy banks to get past areas that are under water still.
The red rocks below me
This is looking down from where I decided to paint, how beautiful the patterns and colors are in these rocks. As the tide continues to go out the rocks will be more exposed.
View from my painting spot
This is the gorgeous view from where I decided to sit, light was fading fast and I had to pick a place quick. It’s really hard to pick a scene when there’s so much to see around you. It helps to hold up your hands and make a little opening like a rectangle and pretend that’s your paper. Move your hands around until you find a cropped scene that you like.
View I painted
Because I wasn’t working really big I tried to limit what I was going to paint, also I didn’t have tons of time with the sun leaving soon as it was about 4:30pm when we arrived.
my sketch
I sat on a picnic blanket with a waterproof bottom, wore my wind/rain pants over my regular pants, this helped to cut the cold and wind. I also had on my fingerless gloves as usual, sorry no picture today! I’m using a homemade sketchpad that I created so it would be extra long. It’s great for landscapes! I worked with my field pan and regular watercolor brushes, usually when in the field I use my waterbrush. I don’t like the waterbrush for larger works needing big washes of color. You can see in the picture a baggy just off the blanket, tucked into the grass. I forgot a watercup to rinse my brushes in, so I used a baggy with some water in it, it worked great!!
My watercolor field pan
This is the painting/sketch laid out at home, you can see this is how far I got with it in the field. The pan watercolors I used is an old metal kit that I popped the large pans out of and replaced with half pans of Windsor Newton brand paints. I use a bit of sticky tack or blue tack to hold each one in place and you can see the handles on my brushes are cut, so I can fit more “things” in it. I brought that one long brush with me and used only that to do all this so far.
My set up to finish from photo at home
Now I set up my laptop with a photo I took while there, and worked on details with smaller brushes while looking at it. I didn’t touch the sky, just left it the way I did it in the field. If you start to mess around with all of it, it can get stiff looking. Notice I put my coffee on the left side…if your right handed, water should go on that side and you don’t want to be dipping into your coffee by mistake! So, I worked on trees and details of that main area; I also used a razor blade to scrape fine lines for the white fence. Also, you may have noticed a funny looking cone shape that looks like a child’s’ painting of a tree? It’s a recreation of one of the oldest ‘houses’ in Britain probably from the Bronze age. Remains of one were found on this very spot! They made their homes from tree limbs in a sort of tee pee style, with turf for the roofing material. I’ll try to find a link about it to add here.
Go here to see the finished painting in the GALLERY.
Another small sketch done in brown permanent ink pen (Micron) in my field sketchbook. This was done while sitting and waiting to leave for another adventure. It looks across a farmers field, where the tall pines and trees are is a Burn or stream, then behind that up the hill to more fields with a stone wall crossing it, a nice house and the wall along the top is for the B road that runs along the crags. Above it you can see the hill of crags with heather and bracken growing.
It was a gorgeous day so after my walk with my dog Ginger I sat on the old picnic table in the center of the yard and played around with my watercolor pencils and watercolors. I still prefer to use my watercolors as I can make any color I like as to the watercolor pencils where you can sketch areas quickly but the color is so very different when you wet it. You really have to practice and maybe do some small test areas (as I did at the bottom of the page) to see what it will look like.
"May Field sketch page"
The first picture is my whole sketchbook page including some little sketches of an unfinished Barn Owl and the Tree Swallows who were swooping over me. I sat on the table in the middle of the yard and was attacked by darn black flies! You can read my note, I even left out a word I was SO distracted by them trying to bite me and fly into my eyes.
"May Field close-up"
There’s a close up of the field sketch, the thing I do like about watercolor pencils is that you can show your lines; it can be very expressive.
"May Trees"
This picture above shows a watercolor study of trees far off in my field. I was using just one waterbrush for this, as the paint dried fast working in the sun outdoors, I found that I could actually put some bright yellow dots over dark areas.
"Watercolor Pencil color test"
This picture is really what I set out to practice today, color swatches in watercolor pencils to match the grass I was seeing. I laid down one color and labeled it then tested putting one color over the top area and labeled it too. When you wet it the color changes quite a bit, that’s why I wanted to play around with it. You can hold your sketchbook up and look directly at the grass (or whatever you’re trying to match) in front of you, next to the sketchbook. Look back and forth and ask yourself if it’s too yellow?, too bright green? Does the chroma need to be dulled down? I find that the watercolor pencils are very bright in chroma, that’s why I’m practicing with them.
Today I’ll take you to the Marina at Derwent water where I stayed overnight at The Derwent Hotel. It’s a gorgeous place to stay all newly refinished, the bedroom was just sumptuous! And oh yes, I really liked that they had internet so I could catch up with the folks at home and let them know I wasn’t lost somewhere in the English countryside! This is the front lobby, coming down in the early morning to have my oatmeal made with cream and oh boy was it rich!
Then I made my way across the street and just down a driveway and there you are…the marina. A small, uncomplicated, peaceful place so early in the morning. http://www.derwentwatermarina.co.uk/Walking toward the water…I took note of birds I saw, almost all were new to me, how exciting!
I love when the mist is lower than the mountains around it, the puffs were making their way up each ‘valley’ from the lake. Small coots were chugging across the still water looking for fish…I did some small sketches of birds and wrote my bird list on the sketch page shown below.
Click the page to read my notes.
These are simple sketches done while walking around, this is typically how I draw birds in the field. Not much to them, just identification notes, and I had my Altoids watercolor kit with me and did some simple coloring. I think one of my favorite birds was the wood pidgeon; with a flash of white on his wings when he flew from the deep trees where hidden. They are quite big compared to ‘our’ rock doves or pidgeons.
Later in the day I walked up the hill behind the hotel. It was very chilly and damp as I sat and worked. I did a small sketch of the lake view over the hotel, trying to get some color notes on it so I’d remember how it looked. I think my friend Gary arrived just in time though as my fingers were getting quite stiff! Time for hot tea!
I just finished the sketch,(back home in the states) working from a dull photo because it was a dull day. I sat in a coffee/lunch area in the grocery store on a nasty snowy day and worked on it…then finished it in the comfort of my studio. I perked up the color a little trying to keep in mind the original colors I had on the paper. I signed it Lake Derwent before I learned that it’s called Derwent Water. By the way, I did the entire painting using one waterbrush and my travel palette. I’m trying to practice using the waterbrush so it’ll come naturally in the field.
I think it’s a nice little painting!
I think the painting will always mean something different to the artist who painted it in the field. As I sat and sketched, then painted…I absorbed all around me. My eyes studied the colors, my ears heard wrens and thrushes singing, the wind blowing through the pines, my fingers felt the cool rain drops and mist, my face felt the breeze and my nose smelled the wet leaves and mosses in the undergrowth behind me…and the smells of the kitchen below. As I look at that little painting…I can remember it all! THIS is what makes painting outside in nature so rewarding, and it’s why I do it. I hope you’ll join me someday in experiencing this feeling.
In the morning looking out my window, I was greeted by an unusual sight, sheep in the courtyard! I guess it would be very frustrating to have a garden here as the sheep kind of wander where they like, especially if their gate is left open. The owners of Cote Howe B+B told me it was hard to protect the garden and they try to put fencing around it.
This morning I was leaving Rydal Water, I was sad to say good-bye. I went out behind the B+B to wait for my friend Gary to come, it was chilly and damp. I climbed up on top of a big wooden gate with huge stone posts and did a balancing act as I swung my legs to the other side. The stone wall is fascinating in itself to study, notice the huge cap stone at the end on the left…I don’t know how deep it goes into the ground, but I’m sure it goes down a few feet at least. This is how the stones were set for Stonehenge and the other stone circles around England and Ireland. The big stone here is used as the post, the wall being built up against it and also gates can be hung on it. The wall has a niche in it, I forget what the owner told me it was for? Does anyone know? Above you can see some beautiful forms of fungus’s and moss. It seems anything that wasn’t moving in England this fall, was covered with mosses! I’ll try to identify these later from my field guides, if anyone has some good identification, leave me a comment please! There were sheep in the field, an occasional hiker and just a beautiful view looking towards Rydal Water and the path I took yesterday for my hike. I sat on a gate and sketched the sheep and path view, the bunny is from when I was standing by the garden and saw him there. I sat so quietly sketching that the sheep came right up under me, when I spoke to her, she was very surprised to see me! That’s the neat thing about sketching in nature, you sit so quietly engrossed that wildlife will come around you.
Below you can see my original page, this is what I did as I sat on the fence, I painted it in while looking at the photos on my computer screen, using my tiny Altoids watercolor kit and just one waterbrush. You can see my tiny color tests in the spiral area of the paper.
Not too long ago I posted about my hike around Rydal Water in the Lake District of England. I did sketches as I went, some being quick as the day grew short and chilly. Below is a sketch I did with a permanent micron pen, I just couldn’t resist the view. I wrote notes on it about how I felt and even some abbreviations for color notes.
Last night, quite late actually, around midnight I found myself in front of the computer with a photo I had taken on the spot up on the screen. I used my tiny altoids watercolor kit and one #8 round brush to color in the sketch. I went over the words in a heavier line because they started to get lost. I think it’s a bit distracted looking if that makes sense, I think because I was in a lot of pain (neck and lower back! ohhhh!). But I wanted to do this up…I may go back into it with a micron pen to scribble in more forms. But at least I practiced with my colors and what I could produce with my tiny kit.
I have another post coming soon that I colored after also, of some sheep, a bunny and a little view of my path.
Today I painted this miniature watercolor of some wetlands in England. It measures only 2.25″ x 4.25″, yes it’s a wee tiny thing! I have some pictures from England I want to work from sitting on my kitchen table; so this morning as my oatmeal and coffee got cold, I did this little painting. Here’s a picture of one of my tiny travel kits, this one is set up with my ‘Altoids’ watercolor kit. I have small watercolor brushes that I cut the handles off of so they are short and fit in my kit. The watercolor kit or box is stuck into a metal pencil case that I can use to mix my colors and hold the paper and watercup at the same time. It’s a great little set up, and I like keeping it handy at the table. I did the Snowy Egret in the last post using this kit, but just drew with my inktense watersoluble pencil, not watercolors.
This painting will be up for sale soon after it returns from a show in Washington DC, soon I’ll have a picture of it framed on my gallery page of it.
After a long night time drive from Muncaster, I arrived at Rydal Water and settled into my room at Cote How Bed and Breakfast. I had only one day to explore as I spent an extra day under Muncaster’s spell. I spent the entire day hiking, taking photos, sketching, talking to people and video taping. Every few steps I had to stop and exclain “wow”…”oh!”…”beautiful!”…I couldn’t stop taking pictures. I wish I had a week so I could really go out to draw and paint. I’ll do work from the photos in the studio and try to return there perhaps to teach a class as we hike around the lake?
After a wonderful breakfast at the Cote How b+b, I came down a path and this is the view of the lake as I approached. The day had a promise of rain; I had my rain gear in my backpack, some snacks bought on the way to Rydal, bottle of water, and extra art supplies. My video camera was hanging from my waist in handy reach, 35mm around my neck, and my art kit hanging from my waist also. Umm…I felt a little like a pack horse but believe me I tried to keep it light! I always try to not carry too much, my back just can’t take it.
Sometimes the path veers away from the lake but always followes along through woods and over hills. Every gate I came to was set in a different scene, mood and lighting. I saw wooden gates and metal, all attached to ancient stone walls with lush green moss on anthing that wasn’t moving!
Once I got out and walked next to the lake, I did a really quick sketch looking across to the other side. I put color notes on the sketch and wrote about some nice walkers I met along the way.
Another gate, this one is for the cows who are lazily lounging along the lake. I put a video clip at the end of this post that shows this view with the wall. Can you see the other side across the water? That’s where I’m eventually headed, this hike today will take me around the entire Rydal Water lake.
Ok…no one said the hike was super easy! This is one part of my walk that took me up the mountain on the other side of the lake. Sometimes I was following a dry creek bed for a path.
After that part of the hike I smartly decided to sit and have lunch, maybe it was a cover so when people walked by they wouldn’t notice my heavy breathing! haha…I sat and did a micron pen sketch of the gate on the path. I added notes about color and things so I could remember later if I do a painting. Just as I finished the sketch my favorite little European Robin landed on the gate! I had to sketch him in.
I’m on the other side of the lake now…looking back and down the valley at the sheep in the fields. They were everywhere, wandering about even on the paths were I was walking.
Along the way I met all kinds of nice people, this is a group of photographers from Scotland. I knew they’d be friendly if I chatted with them, I have friends in Buffalo who go shooting and they love talking shop. As we talked standing along the valley stone wall, a friendly European Robin came and started looking for handouts. One of the group put some crumbs out and we became instant friends with the little bird! Here’s a picture taken with my tiny camera on zoom, not so great for clarity, but it works!
I love when you’re hiking along and if you keep your eyes open, really take notice of what you see, you may see something almost underfoot, literally! I was chatting with an older gentleman while up on the far side of the mountain, a good thing to do to catch your breath. I pointed out a dung beetle crawling along on the ground. I took lots of photos…it’s just great to look at later and notice all the cool things you don’t see at the time. His feet had long ‘toe’ parts, his antennae were a beautiful color with several parts to it, his legs a gorgeous deep purple. When I looked at him from above he was just like the ancient scarabs the Egyptians used in their jewelry. Ok..yes, he’s still a dung beetle, as I studied him…he crawled directly across the path and found..umm…dung! I spared you the picture of that!
This I did while up at the highest point, looking down at the b+b I came from. I stradled a cold, damp stone wall and tried to sit on my coat. I had to hang one leg over the side towards the valley, it was a pretty big drop off. People passed by and I just tried to do my best with my small set of oil pastels, smearing the clouds as the weather changed and mist came in.
This quick sketch was done on the fly…the weather was changing and I was a little worried about how long it would take me to finish my hike. I did take pictures so I could do a little color study later, if I can I’ll post it.
And this is the last page of my sketchbook for today that I wrote while at the Badger Pub. After my hike I freshened up at the b+b then walked the back path to cross over the bridge to the pub. The dinner was excellent and when 9pm rolled around, we were invited to go out back of the pub to watch the badgers get fed! I counted at least nine of them! It was really cool, my only experience with badgers was when I was a zookeeper, his name was Boris! You had to keep a shovel between you and him to keep from being nipped!
I hope you enjoy the video clip below of the lake from my hike. It was a fantastic walk that has filled my memory with wonderful things. I hope you come along with me on the rest of my journey in England!
Today was my second day at Muncaster Castle. I’ve uploaded a video for you to listen to at the end of this post, don’t miss it!
I was invited by Patrick Gordon-Duff-Pennington to visit he and his wife Philida for coffee in the morning at the castle, they are the couple who own the stately castle. How wonderful does that sound? I was also invited to bring my sketch book and my prints to share with them. Patrick had to meet with the woodsman who oversees the property so Philida, a wonderful person to share time with, and I sat on a silk covered couch in the library and enjoyed hot tea. We chatted about my artwork and the castle. The picture below shows some of the library, it was filled with wonderful paintings, antiquities and memorabilia. I like the miniature chairs on the table. Since it was before the general public was allowed in, I was left to wander freely about the library on the ‘other’ side of the rope! I wish I had a whole week to spend wandering around and drawing the interior of the castle. Below is a little painting I did while up on the balcony of the library. The library is round and if you look up you’ll see there is a balcony with iron railings that goes all around it way up above. Well I was given a big old ancient key and told that I could use it to unlock the door to the balcony at my leisure! I did go up there and it was a little scary, you had to watch your step, the floor boards were old and the ramp around was quite narrow! But I’m adventurous…I wanted to explore! About the little painting, I had my painting kit on my waist, my small field palette, little bottle of water, small brushes and held the sketchbook while I worked. I set some things on the window sill and looked out over the valley through the very old and very drafty windows. It was blowing up a gale and very chilly outside, so I was glad to be in. This is a cherub statue with more antiquities and wonderful stained glass. I was walking down the stairs, a wide expanse of marble…and tourists were milling about with wonder in their eyes, and appeared Patrick. Patrick is a talented poet bard…and not shy. He stood on the stairs of their castle and recited one of his wonderful poems to all the visitors. He is genuinely interested in all who visit his castle! Another view out a window in the great hall, everywhere you turned there were beautiful things to look at.
Then I picked a window just outside the billiard room to draw. I was in a narrow hall way outside it, so people were walking by, but I stood up as I drew this with my charcoal pencils, a stiff brush and tortillion. It was so chilly, but one of the ladies that worked at the castle, Candy, brought me hot tea! How nice was that? Very nice!! The perspective on this window was tricky, you have to remember when drawing NOT to draw what you think, but what you SEE, in the end it will (or should) come together. It’s funny how when you stop to draw other people stop and look, wondering at what is so interesting! I like the way the blustery clouds came out through the window. This last photo is from the Tapestry room and shows a Tudor carved fireplace, it commemorates the victory over the Spanish Armada. I just loved looking at all the carvings throughout the castle. I really do wish I had more time to draw what I saw, but relied on taking photos to use later for drawing. This is a video clip taken at my window sill which overlooked the owl yard…every morning I was greeted by the song of a European Robin singing.
The sunrise was just too beautiful to ignore. While I was making my morning coffee, I kept looking out the studio window at it. Knowing how fast a sunrise will change, I ran and grabbed my camera (literally!) to catch some photos. All the fantastic colors can bloom to unbelievable brilliance, then it can fade as the sun comes out so bright you can’t look, or it will slip behind clouds.
After taking some photos, I then grabbed my watercolor pencils and worked very quickly to sketch out some colors. I used watercolor pencils, watersoluble graphite and inktense watersoluble ink pencils with my waterbrush to blend and wet them. These are all Derwent brand pencils I used. I played around with drawing on the paper wet and dry when I did the trees. At first I drew them on dry…then ran the brush over bringing out the darkness of the color, but it also washes it out or softens it. Then I tried drawing the trees on wet paper and they were dark and intense from the start. This is good for trees in the forground. You can use both methods to your liking. (Below) I liked this one better, though it’s more simple, the colors are so pleasant. When I do a sunrise sketch, the colors shift very fast so I work on the large color impressions and cloud patterns, then try to work from memory. This leads to a lively painting but don’t be surprised if you look at the photos you took at the time and they look very different!
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