Well I decided that I’d concentrate on birds of prey amongst all the other nature stuff I’m painting. It’s great to concentrate on a particular subject for awhile; you’ll learn more information as you read about it, visit locations where it can be studied in real life and ask questions of those who know more than you about your subject.
This little (3.5″x3.5″) watercolor painting is a warm up for a larger painting I want to do in oil. I am working from photographs by my photographer friend Gene Witkowski (of Buffalo) from when we went to the Sterling Renaissance Festival three years ago. (wow has it been that long??) After that I became a full time artisan there but never had time to go visit the acts and see the owls or joust first hand. So now I use the invaluable photos. The oil painting I’m going to do is a full size pose of this owl named Boo, sitting on the gloved hand of his owner Jenn, who did the bird of prey show.
She told me he was an African Eagle Owl, now that I read about the Eagle Owls, I’ve learned he is indeed an Eurasian Eagle Owl (Bubo bubo) and that the ones found in Africa would be smaller and greyer as he is. I wondered because as I read about them it says they are brown mostly, and mine was not. Another fact I never knew, our Great Horned Owl is an Eagle Owl, Cool!
Below shows my set up as I worked, I put a masonite drawing board on top of a tv tray table and this is where I plunk myself sometimes to work near the woodstove. Ahhhh, you can’t beat that heat when it’s freezing outside! I limited myself to my field palette of watercolors and yes, I had to use the reading glasses! An invaluable tool when working on tiny paintings!
In this post I bring you two owls, both are Barn Owls but look very different. The first is a sketch of a Barn Owl from the United States, the typical light heart shaped face and brown markings on the feathers. I think the same species is what you see in the UK, but theirs are slightly different in color or size. I need to research this further! (a note from me…I did put this up in a post back in August, but this shows it scanned in much clearer and the framed version.)
I used watersoluble graphite (graphitint) color pencils to do it, and a waterbrush to blend and make washes with the drawn lines. The property I like about watercolor type pencils is how you can leave the drawn lines if you like, it give a certain texture. If you don’t like that, just rub it a little more with the brush tip and it will all go to wash. The original sketch is only 2.5″ x 3.5″ big; it’s already been sold but I do have mini framed prints of it available, note cards and 8×10 handsigned prints. The original sketch is only 2.5″ x 3.5″ big; it’s already been sold but I do have mini framed prints available (shown below), note cards and 8×10 handsigned prints. This owl below is an Ashy Faced Barn Owl, an owl I never heard of until I visited the Kielder Water Bird of Prey Centre in Northumberland England. The owner let me take pictures of their owl, telling me it’s an uncommon bird even in England. It’s a young owl, you can see some of the down poking out from the feathers still. It’s dark face contrasted by it’s golden feathers were fascinating to look at! I looked it up in my two huge owl books and can’t find it in there, time to research this one more also!
This tiny painting was done exclusivly with watercolors and a tiny brush, it measures 2.5″ x 3″. The original has sold but I have tiny framed prints (shown below) available and note cards. Just email me to inquire: mary@marymcandrew.com
Today was my second day at Muncaster Castle. I’ve uploaded a video for you to listen to at the end of this post, don’t miss it!
I was invited by Patrick Gordon-Duff-Pennington to visit he and his wife Philida for coffee in the morning at the castle, they are the couple who own the stately castle. How wonderful does that sound? I was also invited to bring my sketch book and my prints to share with them. Patrick had to meet with the woodsman who oversees the property so Philida, a wonderful person to share time with, and I sat on a silk covered couch in the library and enjoyed hot tea. We chatted about my artwork and the castle. The picture below shows some of the library, it was filled with wonderful paintings, antiquities and memorabilia. I like the miniature chairs on the table. Since it was before the general public was allowed in, I was left to wander freely about the library on the ‘other’ side of the rope! I wish I had a whole week to spend wandering around and drawing the interior of the castle. Below is a little painting I did while up on the balcony of the library. The library is round and if you look up you’ll see there is a balcony with iron railings that goes all around it way up above. Well I was given a big old ancient key and told that I could use it to unlock the door to the balcony at my leisure! I did go up there and it was a little scary, you had to watch your step, the floor boards were old and the ramp around was quite narrow! But I’m adventurous…I wanted to explore! About the little painting, I had my painting kit on my waist, my small field palette, little bottle of water, small brushes and held the sketchbook while I worked. I set some things on the window sill and looked out over the valley through the very old and very drafty windows. It was blowing up a gale and very chilly outside, so I was glad to be in. This is a cherub statue with more antiquities and wonderful stained glass. I was walking down the stairs, a wide expanse of marble…and tourists were milling about with wonder in their eyes, and appeared Patrick. Patrick is a talented poet bard…and not shy. He stood on the stairs of their castle and recited one of his wonderful poems to all the visitors. He is genuinely interested in all who visit his castle! Another view out a window in the great hall, everywhere you turned there were beautiful things to look at.
Then I picked a window just outside the billiard room to draw. I was in a narrow hall way outside it, so people were walking by, but I stood up as I drew this with my charcoal pencils, a stiff brush and tortillion. It was so chilly, but one of the ladies that worked at the castle, Candy, brought me hot tea! How nice was that? Very nice!! The perspective on this window was tricky, you have to remember when drawing NOT to draw what you think, but what you SEE, in the end it will (or should) come together. It’s funny how when you stop to draw other people stop and look, wondering at what is so interesting! I like the way the blustery clouds came out through the window. This last photo is from the Tapestry room and shows a Tudor carved fireplace, it commemorates the victory over the Spanish Armada. I just loved looking at all the carvings throughout the castle. I really do wish I had more time to draw what I saw, but relied on taking photos to use later for drawing. This is a video clip taken at my window sill which overlooked the owl yard…every morning I was greeted by the song of a European Robin singing.
Imagine the most beautiful valley you can. The mountains surrounding the valley are covered with rusty reds of Bracken changing color in the fall, and rich, deep greens from the excessive rains and some parts have exposed rock face a pink tint in certain light. Now imagine a perfect winding lazy river meandering across it’s deep valley and the view from where you stand is so perfect, you can see for miles down it’s center, the distant mountains turning blue with the atmospheric mists. Now you look up and realize there are Buzzards (Hawks) flying up the valley, floating on the drafts that carry them.
You turn and look just behind you and there is a great castle, standing like a strong old soldier. This is Muncaster Castle, built in 1258 partly on Roman foundations. A Roman coin from AD380 was found there!
So, onto my adventure! You can see below I’m standing on the road that winds around the castle, sketching the view of the valley. My art kit is strapped to my waist, at the ready to grab my waterbrushes or pencils, and my backpack with extra supplies in case I need them, including my 35mm camera, rain pants, extra art suppies and snacks.
Below you can click on my sketchbook page to read the notes I wrote. I talked about my first English Breakfast, and my first impression upon seeing the castle. I was surprised when I turned the bend and saw it, wow! The color scribbles on the page are just that, I was testing out colors there for another sketch.Below, here I am now sitting at the top of Cannon Bank, the castle is right behind me again. I did the small watercolor below the picture, working with my little travel palette. It’s from this bank that every afternoon they feed the wild herons…more on that later.
The “Eskdale Valley and Muncaster Bridge”
Below is a view of the back of the Castle, I’m now headed up the hill for a walk into the expansive woods. There are 1,800 acres with the property, I think that’d keep me busy exploring for awhile!
This is a great shot of a back door into the castle, what a great drawing this will make!
Everyday they hold an owl demonstration behind the castle, with the birds being flown to educate people about them. I think this might be an Eagle Owl.
I added this picture just so you could see (and enjoy) the fantastic wing span of this beautiful bird. Here is another page from my sketchbook, not too many sketches here, but lots of notes about what I was seeing. I then headed into the Owl Center they have on the grounds to take pictures. I listed the owls I photographed for further reference.
Next..well you gotta eat sometime! I sat and had a most enjoyable hot lunch after all that exploring. There is a phenomenal cafe on the property with so many choices. I tried the carrot and marrow soup because I never heard of marrow and it’s an English vegetable. It was great!
I have notes on the page about meeting the owner of the castle himself! Please read it and see!
As the day wound down I took an adventurous walk down the hill along a path that I had no idea where it went. All I know is it went down and I was curious to see if it got anywhere near that gorgeous valley? I had my trusty L.L. Bean rain hat with light in the brim so I could see if it got dim, and with the surroundings always noted, I began. The photo below shows the ‘picture perfect’ top of the hill path, this is a painting waiting to happen!
The path meanders down from there…crossing a noisy little brook on a wooden bridge, and many large stone pavers.
I made it all the way to the bottom and walked off to the left following the path. It ended suddenly at a big metal gate and the view I had was wonderful, yes it was my valley floor I was looking for! There were sheep grazing in the distance and as the light faded I did a small sketch with my watercolor pencils. It was getting chilly and hard to draw as my hands were stiff, I saw a bat flying overhead and then….the clock tower bell tolled 8 times…eight o’clock, time to pack up and go before it gets dark suddenly and I can’t find my way back!
I don’t have a picture or drawing to tell about the last adventure of the day but it was exciting. After dark, I grabbed my 35 mm camera and tripod and headed outside. It was pitch black and not a soul was about, absolutely quiet! I wanted to play around with getting some photos of the sky, it was just full of stars! I heard a deep hooting from the owl pens just near me in the owl center, I imitated it and then…I heard the same call answer but not from the pens…but from up the hill in the woods!! How cool is that?! I tried to imitate it as best I could and we called back and forth.
After this I walked down to the side of the castle that looks over the valley. In total blackness I sat on the same bench that I had sat upon that day, listening to the sounds of the night. I heard a very large bird (of prey) give an alarm call from the woods below. If I hadn’t ventured out at night, I would have missed so much!
Please come back for the next post about Muncaster, I have so much more to tell!
This is a watercolor study I did to as a demonstration for my fall Nature Sketching and Painting Indoor class that just finished up. I used it to show the stages it took to make a simple study, step by step, layering washes, values etc. Posted below are the steps it took to make this 5″x5″ study head, be sure to click on pictures to see larger views! Enjoy!
Detailed sketch – Shown below, first I started with a light gesture sketch of the shape of the bird, then rechecked placements of things and refined details.
Darkest Darks-This is one approach to watercolors, start by laying in your darkest darks and blacks. If you start with a confident sketch it should work out fine, when you work this way you set out from the beginning with a defined dark end of the value range. You can then judge all other values against it as you paint. You won’t have to go back and keep “pushing” your darks to make them pop.
I also painted the eye, being carful not to touch the highlight area, black for the pupil, and brown put into the wet black for the iris. (I think I put my reading glasses on for this step! haha).
Below I started to lay in more darks of the cheek, as my brush was drying out I would ‘sketch’ areas I wasn’t sure about…just to start to lay in some value so I could see where I wanted to paint. Color Wash-Here I laid in a bluish grey, ultramarine and black thinned with water. After it dried I laid in some small lines for feathers.
Changeing the drawing– A pale yellow ochre wash on skin of eye area and nares. A wash over the eye highlight to tone it down and soften it. Here I also made a decision about the beak, now that I was putting values down, I thought the beak looked a bit too heavy. So before committing to paint, I erased! I reworked the curve then I painted keeping all areas soft and blended slightly. Feather details-I brushed on more feather details here, laid in more darks with repeated ‘feather’ strokes to top of head and all around eye. Nice spotty look at right edge, I like when the watercolor can been seen for what it is, it gives it a looseness. See the photo below for this step, just repeated tiny strokes. Yellow of beak and eye-Here I laid in the yellow on the nares and eye area, and it’s completed! See it on my Art Gallery Blog soon with prices for note cards and prints!
What a day I had at the Swallow Hollow nature trail, part of the Iroqouis Wildlife Preserve. The above photo was just one of the many beautiful scenes I saw that day; the trail follows the water in a nice loop, sometimes going through woods, mostly near the marsh or some natural looking water canals. Much of the trail is a boardwalk to keep you up from the very wet ground, especially after such a rainy summer!
This is a picture of my new sketchbook cover, it’s a sketchbook that I designed and made myself with a long format. I thought it’d be fun to put some pictures of my paintings on the cover, to show people I meet some of my work. I can add or take pages from the sketchbook as I want to.
This is the first page of my sketchbook from my day out. I stopped at a nice area in the Tonawanda Wildlife Management area, Elizabeth Hilldurger Estate project. I was so happy to see two Great Egrets (or in my old Peterson guide American Egret) flying around. The one roosted in a tree far away, I tried to do some little sketches by looking through my binoculars.
The watercolor of the water scene I did using my little watercolor ‘altoids’ field kit and just a water-brush. It’s pretty simple looking but I did it quickly while standing up.
This is me pausing to sketch along the boardwalk. You can see I have my art kit bag on my waist and a backpack with other supplies on my back. Almost all of what I draw, I draw while I’m standing and looking at things. Along the way on my walks I usually meet some nice people who are curious about what I’m doing. I met a couple walking their dogs, Papillions…Pudgie is the puppy furiously digging the hole in the back…Max is the one gazing up at his owner. Maybe this is the kind of dog I should get to keep me company in the house? I’ve seen them before and thought about it. Their owner told me Papillion means butterfly in french….well at least it’s their names meaning, I guess because of how they look with their ears perked.
Next is another page from my sketchbook, click it to see it closer. I met a little Leopard frog along the way and did quick little sketches of him, then painted it at home using metallic watercolor paints. He really had a metallic look to his skin, so beautiful! At the end of this post you’ll see a little video clip of him!
I saw many Harvestman spiders in the woods and did a sketch of one on a dying milkweed leaf. I also took photos so when I got home I was able to paint it with watercolors. I took step by step photos of the painting, perhaps I’ll get to post it separately later.
I did some reading about Harvestmen Spiders, which are only distantly related to spiders, they are not venomous, lack fangs and do not bite. They use their legs to walk, breath, smell and capture prey! There are 5,000 species, about 235 known in North America, most are drab brown or grey, but a few are rusty red, mottled spots or have a stripe down their back. Now that I know that, I know I was lucky to see a rusty red one, and the one I painted had a mottled kind of dark stripe on it. One more interesting detail to keep my eyes open for while hiking! I hope you take a closer look next time you meet one.
This next page shows a light pencil sketch I did of the path, I also took some photos so later I could color it in. I haven’t gotten that far yet! The mushrooms at the bottom of the page I went specifically to Swallow Hollow to try to find again and paint, I saw them there just a week before. I could use some help indentifying them if anyone has expertise in this area?? I have become fascinated with mushrooms and fungi…when you walk in the woods, just take a close look at the ground or on trees or dead logs, you’ll be surprised at what you might discover! I’ve seen gorgeous yellow or orange mushrooms that I didn’t expect. The picture of the orange mushroom I could use help identifying too.
I set up my stool in the woods and I painted this study from life. It was difficult because the lighting kept changing, first direct, raking light, then very dark shadows. As I painted a Harvestmen Spider crawled across my sketchbook, pausing over my painting to ‘taste’ the wet paint! Before I could get my camera, he crawled off down my leg….he being a spider that he was I helped him hurry off me! I don’t mind them too much, but don’t want them lingering. At least I can say, knowing they are harmless helps me not to react like Little Miss Muffet! Remember her story?
This is the last page from my outing…while I was in the field I sketched the tiny mushrooms in pencil…kneeling in the pine needles to gain a closer look. They’re done at life size. Then while walking later I went over the lines with a sepia colored Micron Permanent ink pen. Later at home I printed out the photos I took of them and added the watercolor. I have found that when I do something in graphite pencil in the field, I get disappointed at how it will smear or fade with all the use the sketchbook gets, so I like to use my micron pens a lot to draw.
The while fungus is fascinating…they are hard to notice…you might just step right past them, but you have to be aware of everything and look everywhere when you walk. These are also drawn at life size, aproximately 2″ tall and coming up like delicate white filaments from the forest floor. A mystery to me, if anyone can tell us please do.
The butterfly was a type I saw all day, following me it seemed, to see what I was doing in their woods? I sketched it in the field on a leaf, but later painted it from a photo. Can anyone help me with identifying it?
I added a short video clip of my meeting with the Leopard Frog along a sunny path, check it out!
Sometimes it’s hard to be an artist. Let me explain, I have been thinking about how much I want to try to paint the moon at night, in the dark using a tiny light. I’ve never done it before so the other night when the moon was streaming through my window, I had to get back out of bed and go to the studio to get my paints!! Yes…it’s difficult to be an artist, but fun!! For the above painting I used liquid mask to block the moon, which I don’t use much but wanted to play with. Then I worked wet into wet with the colors. Now keep in mind I said before I wanted to work in the dark so I could see the moon still, so I took a tiny reading light and clipped it onto my neck collar of my t-shirt. (Um…did anyone ever tell you artists were kind of nuts? haha) I pointed the light down at my painting, it was a neat experiment. Above you can see my tiny watercolor kit I put together. On the left is a pack of assorted brushes that I cut the handles down on so they are smaller and fit in my field bag, above that is the reading light. In the center is my field kit of watercolors that I have tucked into a tiny Altoids tin, I use the lid for mixing my colors. Above the kit is a plastic vitamin bottle that I use for water; I like this container because I can get my brushes down into it for swishing around, but it also fits in my waterbottle holder that I can put around my waist for field work. And next to all that, on the far right is a new little invention of mine, it’s a tiny cigar case my friend Mark gave me. I told him I like little containers to play around with for field stuff….I know, I sound like a little kid! Well….if you don’t think creatively and play, you don’t think of great ideas! I cut up little squares of watercolor paper to fit inside the cigar case, it holds about 14 sheets of paper, I also put in some bristol board to play with. The sheets measure only 3 1/2″ x 3″….kind of fun to work on if you keep it simple. I then took two paper clips and bent them so they go over the edge and hold down the paper while you work. You can see how tiny the kit is as it fits right into my hand! Below is the tiny moon painting I did, I like it!! For this one I didn’t use liquid mask and it show the moon for how it really was, it wasn’t full like I showed above.I hope you enjoyed my post about my experimental moon painting! Remember I did it in the dark, it was fun! I will bring this kit with me when I travel to England and Ireland and play around with it. Please let me know what you think and leave me a comment!
Well I’m finally getting some pictures up from my day of exploring at Evangola State Park, in Brandt NY. (it’s near Angola) My photographer friend Mark Baker and I are picking areas around Buffalo to go explore, he concentrates on photography while I grab some pictures and then try to sketch. It is nice to spend time with a friend this way but it is a little harder for me to settle down and draw things. I guess as we explore more together I’ll get more comfortable with just saying, “I’ll be sitting here for awhile while you go shooting”. He got some neat shots of me working and I took the ones of my hand holding the palette in the creek bed and the cool “hanging by a root” photo.
It was a very overcast day, windy but pleasant enough. Sometimes that’s a great kind of lighting for photography or drawing, no glaring sun to deal with. I sketched the covered bridge and wanted to work on it more at home, but never got time. That’s why I waited so long to post this!, ah, the best laid plans of mice and women….ahem.
The picture of me standing in the stream, I’m sketching the scene very quickly using a permanent ink pen, then the close up of my hand holding the palette and pad shows how I hold it to use the watercolors. I just kept bending down to rinse my brush in the water flowing past me, no watercup necessary!
Then I sat down on the bank to do a quick watercolor of the lake using my Chinese brush, the colors were really dull because of the type of day it was. But I wanted to experiment and practice painting outdoors. You can see in the picture that Mark took looking over my shoulder that I’ve spread my bag out in front of me, but all within quick reach in case I have to pack up suddenly and go. Um…rain, creepy men …you ladies know what I mean! haha…another good reason to have a male friend on the exploration trip with you. A side note here to my painting, drawing, exploring lady friends, ALWAYS pay attention to what’s going on around you!! Don’t be naive, believe me you don’t want to run into trouble out by yourself, better to be paying attention to who’s around you.
Ok, back to more pleasant thoughts! I’ve also included an OK clip of the lakes waves. It was my intention to get a clip of the sound, but my friend Mark was diddling around next to me with his camera…made some noises. I’ll shoot a better one next time!
Here’s a link to Mark’s phenomenal website www.mhbaker.com and Evangola State Park link: http://www.evangolastatepark.com/
Today I’ve uploading my sketchbook pages that I did the other day (4-23-08). It was my first day going outside to draw since my car accident…what a great day to be out there! I got to observe the bluebirds trying to nest in one of the bluebird boxes I put up. A Red Spider Mite came and visited, then crawled all over my paint box. I tried to note the bugs I saw, one I need help identifying, the little brown one with tan spots. The thing I wanted to draw most were the little yellow flowers, I still have to figure out what kind they are.
Check out the pictures I added, the Red Spider Mite was crawling over my white watercolor block, I photographed it through my magnifying glass! The other picture shows my field bag and it’s contents…also my palette. I kept the little binoculars handing so I could keep checking out the bluebirds.
Today, I felt a great urge to be outside, the weather was terrible for painting and drawing but actually not bad for a nice cold hike! The air was fresh, the wind steady but not too strong, and Ginger was very excited to go for a run. I used permanent ink fine point markers, no pencil for sketching and even tried out my watercolors. I must be crazy on such a cold day but I really felt like capturing some of the colors with some quick watercolor sketches. You can click on pictures to see the pages of my sketchbook close up or the photos. On the first page we had made it to the ‘maze’ an area of my land that I cut like a maze, and Ginger found something. I could tell it held great interest for her, it was scat (droppings) from I think a fox. Now don’t get grossed out, but any naturalist would record and study it, so I did. It was very full of hairs, probably from the rabbit it ate.
Then I did a quick study of the open field, mostly to capture color, not detail. Detail would be almost impossible in this cold wearing the huge, stiff leather gloves I had on! A flock of geese went over…I tried to catch them through the trees, and some lichens growing on stick in the icy water of the lane.
I think artists should show themselves in their environment, here I was, thoughtful, studying the land…umm freezing! ha! You can see I’m wearing my heavy coat with rain coat over that, wool hat, big gloves. I kind of like the little sketch of my big old ‘sister’ oak tree on the second page of the sketchbook. I’m looking across the field, where there’s the red barked bushes in front.
The third page I had frozen fingers by this time, you can tell by the loose, quick grasses I did. I also show a photo of how I held the sketchbook, palette, watercups and brush. In my hand of course, I also had picked up several ‘treasures’ to take back to the studio. I’m going to design a better way to hold a few brushes or pens, and the water. I was constantly on the move and this was too hard to handle with the gloves and weather. Did you notice the sarcastic note I wrote on my sketchbook about drawing with frozen fingers? At the end I was aggravated with struggling with my watercup lids so I just dipped my brush into the icy water at my feet. I tried not to swish it in where it was muddy and as I painted, it really was cold enough that I was getting icy crystals on my paper! YES, time for cocoa!
The last page of the sketchbook was done in the studio, I took more time to work from some of the ‘treasures’ I brought back. I drew most of it with a permanent fine point marker with no pencil sketch first. When you do this, it helps to make some little marks where you think your line will go before you commit to a solid drawn line. Pay attention to negative spaces especially on things like the center weed, it helped me to look at the spaces between the stems as I laid it out. Hope you enjoyed coming for a hike with me today at Long Lane Farm! ps. I drank two cups of cocoa to thaw out!
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This little (3.5″x3.5″) watercolor painting is a warm up for a larger painting I want to do in oil. I am working from photographs by my photographer friend Gene Witkowski (of Buffalo) from when we went to the Sterling Renaissance Festival three years ago. (wow has it been that long??) After that I became a full time artisan there but never had time to go visit the acts and see the owls or joust first hand. So now I use the invaluable photos. The oil painting I’m going to do is a full size pose of this owl named Boo, sitting on the gloved hand of his owner Jenn, who did the bird of prey show.
