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“Sketch of Field in December”

"Field Sketch"

This is a sketch in oil crayons I did while looking out my studio window in December.I have made up a small kit of easy to carry art supplies and am giving the oil crayons a go. It’s been years since I’ve used them but am looking for transportable color. I always liked using them as you can smear them like oil paint, thought it’s a bit harder to do! But they won’t smudge all over in a sketch book like soft pastels can. They are a bit hard to get detail with if your sketching with them, but you can if you take your time and sharpen the end with a blade.
Anyhow….to keep my small kit small…I broke the oil crayons in half, half for my kit, half in a baggie to keep in studio. This way I can try out colors, see what works, what doesn’t.

“Winter Shadows” 1-3-08

This little ditty I did outside, while bundled up in snow bib overalls, boots with wool socks, down coat, wool hat, scarf over half my face and leather gloves. I did the painting (6″x 8″) with Oil Pastels that I cut in half so I could fit more in my little field kit. Do you know how hard it is to paint/draw with a one inch chunk of crayon while wearing bulky gloves and fffffrrrreeeeezzzing to death?? I actually worked as quickly as possible, laying down some outlines for the shadows and other shapes with pale grey, then drew in some shadow and tree color so I could finish it inside later. I took some pics with my Canon 20D…even looking at those later, you can’t see the colors in the tree as well. That is why it’s so important to work from life!

“Sunrise” watercolor sketch 1-3-08

This is a watercolor sketch I did just before the sun came up over the horizon. It took me about 30 minutes…I laid on the background sky, trees and field, then the forground trees. It’s on the pale side, I was working on sketch paper, not heavy enough to mess around on. My objective was to practice with my small kit for field work. Once the sun came up, I couldn’t work on it because it was just too bright to look at.

“Oak Tree Along Edge of Feild” 11-2-07

I painted this 4″ x 6″ oil painting on an early November day, sunny, cold and gorgeous. I have updated this post with photos of the day out in the field, please see below.

"Oak Tree"

"Oak Tree"

The great thing about painting or drawing outside, en plein air is what you observe…hear, see, feel, smell. This day it was the visit of the bees and teeny tiny spiders. It sounds creepy but when you’re used to treking around in nature you learn to just observe the critters for what they are and do, and not get ‘creeped out’!
Burnt Umber sketch with bee

Burnt Umber sketch with bee

So as a wasp kept landing on my painting and easel, I figured it was interesting. I took pictures of him of course.This shows the first stage of my painting, I used a ‘wipe off’ method here; you paint Burnt Umber on the masonite board and brush it out so it’s a medium value. Then you ‘wipe off’ with a rag and your finger or a brush, the areas that are lighter. It’s like sketching with value, it’s very freeing as you won’t try to catch details you just look for the big shapes and wipe them out. If you don’t like it you brush it back on, easy! Then you lay in darks and bring out shadow shapes with more burnt umber. I have my board attached to a piece of cardboard that has clear tape covering it. There is another small canvas ready to go next to it and they are both attached temporarily with ‘sticky tack’ or ‘blue tack’.
spider on easel

spider on easel

Then every time I started to paint, a tiny spider would appear hanging from the brim of my baseball cap, I’d lift him off with his thread of silk and put him in the grass, then another would appear on my easel. My guess was they were ‘sailing’ on their threads down from the beautiful oak tree.

“Looking to the Edge of Nowhere”

This is an oil painting I did in early November. We’ve been having a mild fall, pretty dry, so I didn’t have to wear mud boots in my field! The painting is 6″x 8″. Before I did this one I completed the small oil sketch of an oak tree (4″ x 6″).