Hi folks, just passing on some great news, I have three paintings I submitted to be juried for the Miniature Painters, Sculptors + Gravers Society in Washington DC and all were accepted! Yay! The three paintings I entered are following, click on each to see them larger in my gallery and more details about each. I even have links there to blog posts about how I painted them, have a look!
Here is a direct quote from their website about the society: “The Miniature Painters, Sculptors & Gravers Society of Washington, DC, (MPSGS) was founded in 1931 by Alyn Williams (1865-1941), a well-known portrait miniaturist. The MPSGS is the oldest Miniature Art Society in the U.S. It is the second oldest in the world next to the Royal Society of Miniature Painters, Sculptors and Gravers in London, England–the world’s first Miniature Art Society also founded by Mr. Williams. The Inaugural Exhibition of the MPSGS of Washington, DC, was held at the Corcoran Gallery of Art in December 1931. The Society has held exhibitions annually for 71 years with the exception of the years 1932 and 1942.”
Let me know if you live in the DC area and are going to the show. I’ll be unable to attend as I’ll still be in England.
Today we visited Howdiemont Sands beach along the coast of the North Sea in Northumberland England. We walked across Sugar Sands and climbed up to a point where we could view the point at Howick Haven. I wanted to sit and try to do a small watercolor landscape so I bundled up and brought the usual field kit.
Water color painting "View of Howick Haven"
Here’s the finished painting, I did most in the field sitting on top a windy, grassy cold hill. I’ll share the photographs with you of what I saw and tell you a bit about how I did the little painting.
We walked along this beach
When you first arrive at Howdiemont Sands you can choose to walk either right or left. We chose left because it was new to us and we always wonder at what new views might be found or other discoveries.
Sugar Sands
The beach here (called Sugar Sands) is unbelievable, a pretty color of ‘sand’ shade, (hahah…) clean, soft and inviting even on a cold sunny October day. You can see many other people and their dogs found the beach irresistible today too.
Bird tracks
There were lots of interesting bird tracks too, gulls leave a track with a little web foot. This one? It was big and looked like it would drag it’s front toe in the sand when it stepped; I wish I knew what it was.
Looking back at Sugar Sands
Here’s a view looking back on the beach we crossed, sometimes you have to go up over the grassy banks to get past areas that are under water still.
The red rocks below me
This is looking down from where I decided to paint, how beautiful the patterns and colors are in these rocks. As the tide continues to go out the rocks will be more exposed.
View from my painting spot
This is the gorgeous view from where I decided to sit, light was fading fast and I had to pick a place quick. It’s really hard to pick a scene when there’s so much to see around you. It helps to hold up your hands and make a little opening like a rectangle and pretend that’s your paper. Move your hands around until you find a cropped scene that you like.
View I painted
Because I wasn’t working really big I tried to limit what I was going to paint, also I didn’t have tons of time with the sun leaving soon as it was about 4:30pm when we arrived.
my sketch
I sat on a picnic blanket with a waterproof bottom, wore my wind/rain pants over my regular pants, this helped to cut the cold and wind. I also had on my fingerless gloves as usual, sorry no picture today! I’m using a homemade sketchpad that I created so it would be extra long. It’s great for landscapes! I worked with my field pan and regular watercolor brushes, usually when in the field I use my waterbrush. I don’t like the waterbrush for larger works needing big washes of color. You can see in the picture a baggy just off the blanket, tucked into the grass. I forgot a watercup to rinse my brushes in, so I used a baggy with some water in it, it worked great!!
My watercolor field pan
This is the painting/sketch laid out at home, you can see this is how far I got with it in the field. The pan watercolors I used is an old metal kit that I popped the large pans out of and replaced with half pans of Windsor Newton brand paints. I use a bit of sticky tack or blue tack to hold each one in place and you can see the handles on my brushes are cut, so I can fit more “things” in it. I brought that one long brush with me and used only that to do all this so far.
My set up to finish from photo at home
Now I set up my laptop with a photo I took while there, and worked on details with smaller brushes while looking at it. I didn’t touch the sky, just left it the way I did it in the field. If you start to mess around with all of it, it can get stiff looking. Notice I put my coffee on the left side…if your right handed, water should go on that side and you don’t want to be dipping into your coffee by mistake! So, I worked on trees and details of that main area; I also used a razor blade to scrape fine lines for the white fence. Also, you may have noticed a funny looking cone shape that looks like a child’s’ painting of a tree? It’s a recreation of one of the oldest ‘houses’ in Britain probably from the Bronze age. Remains of one were found on this very spot! They made their homes from tree limbs in a sort of tee pee style, with turf for the roofing material. I’ll try to find a link about it to add here.
Go here to see the finished painting in the GALLERY.
Hi folks, I wanted to get this page of sketches up before I embark upon my ‘Big Journey’ to England! I’ll be blogging and posting away while I’m there, hopefully getting access to a scanner so I can put up my sketches I’ll do as I go. I hope you sign up your email in the post “Subscribe” box in the right column, then you’ll see my new paintings and read about my adventures. But, for now, check out my Groundhog!
Woodchuck studies
Very early in the morning I saw a Groundhog or Woodchuck (known as both) nosing around in the back yard. It was well before Ginger was up so this plump furry one was eating, I noticed it ate only what we’d consider weed plants, dandelion leaves and clover. All the little sketches I did from life while observing him foraging, looking down from my studio window on the second floor. I did them using a black watercolor pencil and waterbrush just to keep it simple. First I snapped a bunch of photos using my long lens and zoom, because he was far away, there was a dirty window and a screen and it was foggy…the pics are blurry a bit. BUT they are good enough to refer back to to notice details or general form shading. The bottom little painting I did from a photo, I sketched the general shape of him with pencil (graphite) while soaking in the tub. (haha yes, we must find any time possible to get work done!) Then the next day while visiting my dad in Endicott, NY I painted him from the photo using my watercolors and one waterbrush, as I sat chatting with the family. I’m pleased with how it came out, at the end I added some blue washes here and there and that’s what really made it look good, it was a chilly, foggy morning and his coat had that tint to it. They are actually a handsome little critter, study one next time you see one, they have a lovely reddish tone in some parts of their fur and their head is nice with the light area of the cheek and dark top.
Um..no he didn’t see his shadow…but anyways…
Don’t forget to visit my Galleries to have a look around and sign your email in the subscribe box on the blog, you can also sign up for my occasional emailed newsletter found in the left column. Have a great day!!
Just had to share some good news, today I sold one of my bird paintings! I have just recently decided to release this one, I painted it in 1985 and never really wanted to part with it. I met Shirley and she told me it really caught her eye and though I’ve had people desire to buy it before, I just never felt ready to let it go. Well, it’ll have a good home I think, both her and her husband love nature and art. I think she came to the right place then at my gallery as those are two things very important to me!
Shirley with her new painting!
The painting is done with soft pastels for the background and oil pastels for the bird. I was difficult to do the details in oil pastels but I chiseled off the tip of the crayon to make small marks. A light hand and building layers of color is important. Shirley asked about how it feels to part with a painting and commented on how hard it must be. I think an artist has to decide, some of their art they can keep forever or pass down to their loved ones, but it feels good to share what others see as a treasure and beautiful. I love sharing my love of my subjects, birds, horses, trees, nature and people.
Proud owner of a new painting
To see more bird paintings visit my gallery, I have four different sections in the bird gallery- birds of prey, owls, water birds and perching birds. Click here to visit. I also have interesting paintings with birds in my Fantasy Gallery and my Goddesses Gallery.
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This morning while eating my oatmeal and sipping my coffee, I heard a strange rustling sound behind the curtain of my sliding door. Hmmm…..dare I look? Could it be a mouse? Err…um…ok, I’m not squeemish about mice so I pulled the curtain aside and a large brown moth came flying out! He was looking for a way out and followed the light, no pun intended. I had no idea what kind it was and in the “old days” I would have said, “yuch a moth!” But now I find it’s much more interesting to take a closer look and study things, understand them. I went to the barn to retrieve my butterfly net, despite the very wet grass and chilly fog.
Once I caught the little guy I put it carefully under my “Britta Waterfilter Jug”, probably first it’s been used in a long time! haha. It’s nice and clear. I grabbed my sketchbook and did some basic outline sketches, and looked at it with the magnifying glass and identified it as a “Large Yellow Underwing”. Then I took pictures with my tiny Olympus camera because it has a nice closeup feature. I started some of the basic patterns while looking at him, but really was able to add the real detail after printing out some pictures. By the way, at first I thought it was a “False Underwing”, as you can see from my crossed out note, but looking closer at his underwing you can see the extra orangy yellow band at the bottom, or in Butterfly wing language “the Margin”. It was interesting to study his legs as they had slender needle like ‘thorns’ on them.
He was at first a dull brown looking moth, but as you can see here, so beautiful when you study the patterns on his wings. After I had some pictures I let him go outside right away, don’t want to stress him. He flew around in my screen porch a bit and that’s when I got the best pictures, no plastic between us!
I’m adding this little sketch that I did yesterday. While looking over my parsley plants, checking for signs of Black Swallowtails, I noticed a tiny Damselfly flying around. It was only one inch long and though it was orangy colored, it was hard to notice at first. I tried to study its color, pattern and size and when I went back inside drew a small pencil sketch. Damselflies hold thier wings together and Dragonflies hold them out, so I knew it was a Damselfly. As soon as I opened my bug field guide to the Damselflies, there it was! A “Rambur’s Forktail”, the adults are a pale blue color. Here’s a link for photos: http://bugguide.net/index.php?q=search&keys=Rambur%27s+Forktail&search=Search
This coming Saturday April 4, 2009, I’ll be giving a free talk and demonstration about nature sketching in the field. It’ll be held at the Iroquois Wildlife Refuge from 1pm, at the refuge headquarters building, 1101 Casey Road. I’ll be showing my personal sketchbooks, art supplies I use in the field, how I carry things and demonstrating some basic drawing techniques along with how to make a simple field sketchbook for yourself! Please come and meet me and see my sketchbooks and be inspired to go drawing in the field after!
Here’s some links to past entries on my Nature Sketching blog from hikes around the Iroquois Wildlife Refuge.
A Valentines Day bouquet from your sweetie is very nice…smells so sweet, warms your heart..but doesn’t last forever no matter what you do. Unless you get out your paints and do some studies! After a week of enjoying the blooms…then watching some slowly fade, I picked out the freshest ones and moved them into another vase up to my studio. As I did the tulips dropped their petals in a flourish, woosh…all over the table. I picked some up and looked at them, thinking how beautiful their individual forms and colors were.
I decided to do studies of the petals and laid them on my paper with a strong little lamp above me. I should have titled this post “How to Paint Through Pain”…that is, how to cope with painting while in pain. I painted these on the floor, my lower back has been hurting and sitting in a chair was too much to bear. So, I put it on the floor and kept moving around…kneeling, laying on my stomach…what ever I could. I got a bit messy with some areas of these studies, but then it was hard to concentrate! I started each with a basic gesture of the shape very lightly drawn with pencil. The shadows were the most fun to paint, studying the colors coming through the petals. A tip here, to keep the petals fresh until you’re ready to work, put them in a ziplock sandwich bag with a sprinkle of water, then put them in the refrigerator. Tell everyone NOT to eat them!!
Oh yes, the other thing is I did them with just my waterbrush…see above picture. You can see the petals laying on my paper and waterbrush in my hand. (PS. this was really late at night…actually I think it was 1am!)
So now I can look at the little study and always remember my Valentines surprise bouquet! I wish I had time to do more studies..I had planned to, but you know how that goes!
I’ve been trying to go back into my sketches I did on my trip to England and add some color or finish what I’ve started. On this little sketch I scribbled it out in 5min….and added some notes on color right on the page. So to keep practicing with my waterbrush and watercolors I added some color while looking at a photo I had taken that day. It’s different using the waterbrush alone and not an assortment of brushes. You have one tip to work with and a different kind of flow of water. I’m liking it more and more, but it still has it’s limitations, most especially when wanting to lay in a large wash of color. You have to mix a puddle of color first on your palette, squeezing the barrel to make drops of water come out.
photo courtesy of John Rusak-Clarence Bee News, teaching at the Burchfield Nature and Art Center Spring 2008, 5th grade class
Indoor and Field Classes
Join Naturalist Artist guide Mary McAndrew in sketching, painting and experiencing nature through art.
Mary McAndrew (716) 741-4544 mary@marymcandrew.com
Mary McAndrew, naturalist artist guide, will be giving a FREE introductory talk and lesson on “Nature Sketching in the Field” at the Iroquis National Wildlife Refuge. Please bring a sketch pad and pencils; the time of the program is 1pm at the refuge visitors center 1101 Casey Road. To read more about the Iroquois Wildlife Refuge visit their website: http://www.fws.gov/northeast/iroquois/mary@marymcandrew.com
My students trying watercolors for the first time, it was so much fun!
In the morning looking out my window, I was greeted by an unusual sight, sheep in the courtyard! I guess it would be very frustrating to have a garden here as the sheep kind of wander where they like, especially if their gate is left open. The owners of Cote Howe B+B told me it was hard to protect the garden and they try to put fencing around it.
This morning I was leaving Rydal Water, I was sad to say good-bye. I went out behind the B+B to wait for my friend Gary to come, it was chilly and damp. I climbed up on top of a big wooden gate with huge stone posts and did a balancing act as I swung my legs to the other side. The stone wall is fascinating in itself to study, notice the huge cap stone at the end on the left…I don’t know how deep it goes into the ground, but I’m sure it goes down a few feet at least. This is how the stones were set for Stonehenge and the other stone circles around England and Ireland. The big stone here is used as the post, the wall being built up against it and also gates can be hung on it. The wall has a niche in it, I forget what the owner told me it was for? Does anyone know? Above you can see some beautiful forms of fungus’s and moss. It seems anything that wasn’t moving in England this fall, was covered with mosses! I’ll try to identify these later from my field guides, if anyone has some good identification, leave me a comment please! There were sheep in the field, an occasional hiker and just a beautiful view looking towards Rydal Water and the path I took yesterday for my hike. I sat on a gate and sketched the sheep and path view, the bunny is from when I was standing by the garden and saw him there. I sat so quietly sketching that the sheep came right up under me, when I spoke to her, she was very surprised to see me! That’s the neat thing about sketching in nature, you sit so quietly engrossed that wildlife will come around you.
Below you can see my original page, this is what I did as I sat on the fence, I painted it in while looking at the photos on my computer screen, using my tiny Altoids watercolor kit and just one waterbrush. You can see my tiny color tests in the spiral area of the paper.
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