A post sharing my notes and photos from a cold, wet walk on Easter Sunday. I was still able to find interesting life, wait till you see the video clip with Tadpole eggs! Please click images to see them larger or be taken to see them as cards you can zoom in on, use the BACK button to return.
Easter Sunday 2011
Below is a picture of what it looked like when I was sitting on a pile of dead logs, my rubber boots deep in water, and trying not to drop anything! My hands were cold, as you could guess from my trusty wool flip back mittens. This is just a small, quick sketch done with watercolor crayons.
Watercolor crayons, brush and journal on my lap above the water.
Then I video taped the little tadpoles floating in the water here in front of the pond, have a look!
By the time I got to Oak Lane, where the wild Mayapples grow, I was tired and cold.
A sea of green umbrellas, like little people waiting in the woods!
I was excited to see the Mayapples though, they always surprise me as they don’t grow anywhere else on my land. They look like a sea of green umbrellas held by miniature people standing in the woods, maybe they’re fairies?
Mayapples softly unfolding.
Mayapple unopened yet, such a tender green with hints of reddish tints.
Below just a few small sketches done while standing and looking down at them. I had to give up soon though, my back was seizing up saying enough!
Mayapples + Green Frogs
I was excited to find a Green Frog in the pasture on my way back, he was moving slow because it was so cold. I was actually able to snatch him up after he dove under water! heehee…I felt like a little kid!
Meet my new friend, Mr. Green Frog
Always gentle with creatures I touch, I was careful how I held him, and with experienced deftness (;-) ) whipped out my tiny camera and got some close up shots of him.
Mr. Green Frog poses for his 3/4 profile shot!
Don’t worry, I didn’t entertain thoughts of kissing him! I already found my prince! But I do think Mr. Green Frog was trying to look handsome.
Green Frog in the grass
Then he was gently returned to the grass and as many frogs will do, just sat there while I continued to snap pictures and also do the small watercolor sketch. They believe themselves to be invisible while not moving. Here’s a tip from me, when photographing a frog, or any critter, take some shots right away in case they jump away. Then after you have a few, try moving your position a bit or as I sometimes do, move some grasses that might be in the way. With this green guy, I was actually able to gently remove grasses in front of his face, then from his body as he sat frozen, watching me. It was a cold day so maybe he was extra sluggish. Then he jumped away into the water and I took more shots.
I really do like frogs and feel a bit guilty for not doing a nice little painting for you to see, BUT I was really cold and wet by the time I met Mr. Green Frog and couldn’t wait to get home for a hot bath. I’d like to do some drawings from my photos though, when I do you’ll be first to know!
I hope you enjoyed coming on my walk with me, it was kind of lonely until I met the tadpoles and then the frog. I guess you’re always surrounded by friends if you stop to meet them!
Here’s some links to fun things in my shop with “Mr. Green Frog” on them:
I thought I’d add a series of posts that introduce my new watercolor crayons, a few old ones, and how to start using them in hopes that some of what I do may help someone else.
When I first bought watercolor (or water soluble) crayons I tried them and didn’t like them at all! I thought the colors garish and harsh. I thought “what a lot of money for these little things and I’m not going to use them!”. Well I’ve only recently pulled them back out and have been playing with them. I’ve learned from using watercolor pencils, go lightly at first until you know just what your colors will do when you wet them.
Please click on pictures to see them bigger.
Water soluble crayons in a tin
Here’s the set of colors I started with, Caran D’Ache Neo colors and one or two Derwent Watercolor crayons. I also show a “crayola wax crayon” and explained in another post (below) how I used it. I cut them in half (oh heavens yes I did!) to make them lighter to carry in my sketch bag and I could fit more; here I show them in an “Altoids” mint tin. The other halves go into a baggy for later or to carry in another kit.
I took them out into the field and did some small landscape studies using these few crayons. There are links at the end of my post you can click on to read about them. After doing them I was feeling more enthused about my crayons, I think it’s time to look for more colors!
New Tin of Watercolor Crayons, Staedtler "Karat Aquarell" Neocolor II
More colors in other brands…landscape colors hopefully. I thought I’d try these Staedtler “Karat Aquarell” neo color II, they were reasonably priced online. Because I’ve been desperate for sunshine this spring, it was gorgeous that evening so I sat on my front steps to do my color charts.
New Watercolor Crayons, wow look at all those colors!
Here’s the crayons! Woohoo….they look nice! I’m hopeful that some of those greens might be what I was looking for.
Getting ready to wet the colors and have some fun!
First I want to stress that before you do any paintings with ANY media, watercolors, color pencils, oils etc, you should ALWAYS do some color charts of all your colors. This will help you to get to know the colors as they really look on paper (or canvas) and get familiar with how to handle them.
In my sketch journal, I rubbed a small spot of color and wrote in permanent ink pen the colors name next to it. It helps to also put an initial for the name brand too or label it at the top as I did. Prepare one row and do the wash before you color the next set of spots, just so you don’t run out of room. Keep it neat because you can refer back to these charts again and again as you get to know your colors.
Color Charts of two brands of Watercolor Crayons
After you make your dry spots of color take a waterbrush or regular watercolor brush and water, wet the bristles and touch it to the color spot. Notice how as you ‘rub’ the color it releases and becomes like watercolor. If you rub a lot you can blend the spot right out for an even tone, but leave some intense color there, drag your brush as you rub back and forth, to one side to pull color away. Then lift your brush to stop, don’t rub too far out, keep ’em neat. Now your ready to put on any more spots you may need to and wet them; leave room for labeling them. After wetting a color rinse your brush and wipe or rub on a paper towel to make sure all color is cleaned off it.
As you can see, I did my new crayons on the left, my original crayons on the right so I can compare them.
Color Charts with my comparing colors close together in the centre.
Now to have some more fun, it’s time to compare colors from different sets so I can decide which ones are too similar to carry around with me. This is a ‘getting to know you’ exercise now and VERY important! The more you play with your colors the better your choices will be when you’re painting. Sometimes when I haven’t painted in a certain media in awhile, I’ll go through and do color charts just like this. So you can see the middle is a riot of colors!! I grouped the blues, then greens then browns and goldie colors, all good for landscapes. Label, label, label!!
( I really like how this page looks with all the color swatches, I decided to make note cards and t-shirts of it!! See the links at the end of this post 😉 )
More color play to further test some out.
Ok, then the page adjoining that one had to be used for more testing, wow, am I going to use all these pinks?
My Watercolor Crayons + Waterbrush
After all this playing I ended up with a pile of cut crayons (yes I cut my new crayons in half too! Yikes how awful!) So I searched through my favorite shelf of odds n ends, containers etc for my field kits, and found a plastic case from I think, a small first aid kit. I love that it’s plastic = lightweight! This is a picture from my previous blog post where I used the big flat water brush.
Here are the blog posts I’ve done so far using the crayons, in order of date posted:
I know it seems out of place, this painting of snow when it’s Spring (at least it’s trying to be spring!) but I found I had never posted this and would hate to have it forgotten! So here’s a short post about a cold, snowy walk in January! If you click it you’ll see prints of it in many sizes.
"Field at Long Lane Farm" watercolor
I did this little 7 x 7″ painting in my journal while standing in the lane that goes out to the fields on my farm. I love the subtle colors of winter, the red tipped bushes and the cool blues in the snow. On a good sunny day you can have to most intensely blue colored skies and high contrast clouds. Not that you’ll ever hear your weather man call them that! “today there’s a chance of high contrast clouds with rain” hahaha.
Seed heads along the walk
Here are some notes I wrote as I paused to look at some dead seed heads.
Watercolor pan, brush and waterbottle
And this shows you what I used, not a waterbrush but a ‘proper’ watercolor brush, just used the one and a plastic bottle for water. In the winter you can’t use the waterbrushes that are so popular as the water tends to freeze as you paint on the paper.
Hope you enjoyed the late posting…I hope we can all say goodbye to winter weather soon!
Here’s some prints and note cards of this little watercolor in my shop:
(if viewing this in an email subscription, please go to the website to see the video clip and pictures better)
Clouds Over Fox Lane
Above, this is the first view Ginger and I got when we started out on our walk; clouds, gorgeous clouds stretching as far as the eye could see! I love the way the old pasture fence looks here along “Fox Lane”.
“Wind in the Willows”
I’ll show you right away what I ended up sketching after we walked all the way out on the property. (At the end of my post I have links to note cards and gifts using this image!) I had a page in my journal with the first verse of the song from “The Wind in the Willows”, the popular children’s tv show, written in permanent ink. I knew eventually I’d do some kind of painting over it of trees. I just love the song from this show, I posted a link below so you could have a listen too!
To explain a little how I did the sketch, as I stood in about 8″ of water on a particularly wet path, I held my sketch journal and balanced the little box of crayons on it. I have taken all my water soluble crayons and cut them in half so I could carry more in a smaller space and less weight! I put it on a peice of paper towel to protect a little watercolor I’ve got on that page, and I put a piece of paper towel (Viva) next to the box for wiping my brush on. I used one flat water brush, a favorite of mine when I want to do very quick washes and scrubbing. This particular brand releases water quite fast, at first I didn’t like that but now it’s also why I DO use it!
First thing I did was to scribble with white crayola wax crayon where I wanted to show white clouds. It doesn’t really show up until you color around it, but if you tip your paper a tiny bit you can see it. Then I colored very quickly with two different blue water soluble crayons all around; I found that I could shade right over the white wax and it didn’t really disturb it, cool! Then very quick scrubbing with the waterbrush to wet and move the color around. I grabbed the paper towel and sometimes blotted off the white cloud and it helped soften the look. Using the grey crayon ‘under’ each cloud really helped to pull them out and make them look real.
The trees were drawn on with a brown wc crayon from Derwent, using the hard edge to make branches. It works really great on damp paper, the lines are very vivid. I must say, it’s the scribbley look of the painting that I like so much! I could go back and soften the bottom of the moon, but it was a field sketch and I think I’ll just leave it as is. It was hard to get the look in such a tiny thing while hand holding my journal.
View I painted from while standing in water!
This is a photo from the spot I was standing, can you see the tiny moon in the middle?
A close up of the moon
Sometimes when you’re outside in the middle of the day, if you look for it you’ll see the moon amongst the clouds. I always think it’s a nice surprise.
Ginger all wet!
Yes, Miss Ginger is wet but doesn’t mind. This is the lane I stood in to do my sketch.
An old nest left from last year
I spotted some old nests as I walked, this one was out near “The North Pole”, the furthest part of my land. It’s amazing how many nests are at our eye level but we don’t see them when the bushes are in full leaf.
Clouds in Spring Over the Lane
I’ll leave you with one more pretty picture. I just love the colors in this, the blues contrasting with the golden colors of the dried grasses, the reds in the tips of the bushes and trees and the purpley colors under the clouds.
I hope you enjoyed our walk again out on “Long Lane Farm” at Springtime. Please enjoy the pictures links shown below, they go to prints, note cards, tee shirts and a magnet using my “Wind in the Willows” field sketch painting, in my shop. I can’t wait to order a tee shirt for myself!
Visit mySHOP to see many beautiful note cards with photos of the new Spring flowers, bees, landscapes etc!
(if you are viewing this from your email subscription, please visit my blog on the actual website to see the video and links properly)
Today I went for a walk with Ginger. We ventured forth out into the wet lanes and fields, the mud sucking at our feet, water swirling as we waded. Not all my land is wet mind you, but this time of year it certainly is in some areas. I start my post off today with my drawings of the little snail I met while out walking, because I knew you’d be curious to see him.
Little Golden Snail Sketches
I did these studies actually back at my studio while looking at him under a magnifying glass. I did some while in the field (you’ll see below) but it was so small it was hard to really get a good look at him while I sat on a log! So he came home for a visit. I first lightly sketched him with pencil then drew with a permanent ink pen and then watercolor on that. After I drew the swirly curly border I drew over it with one watercolor pencil then just dragged a wet waterbrush over all of it to soften it and make the color bleed out a bit.
Now back to our walk.
Secret Circle Lane
This is “Secret Circle Lane”, as wet as it always is in springtime; (click it for high res. view in my shop) how pretty reflecting the sky like that! Ginger and I crept quietly along through this water because I heard an interesting call from some kind of frog along with the zillions of peepers that were singing.
Here’s a short video clip I shot while standing in the water, just to let you hear the sound of the Peepers calling.
my boots
Ah yes, the trusty boots! Can’t go anywhere without these mud boots or “Wellies”. Well these boots weren’t made for “walkin” they were made for “sloshin”!! I did see some interesting little critters in the water before our feet disturbed it, some snails and a few water beetles.
me
Oh, and there’s me…had to show you my favorite hat of all time and my Dad’s hunting coat! The hat I bought in England at a farm supply shop, where they sell the expensive horsey equipment and clothes. Well it WAS expensive too, BUT well worth ever penny! It’s waterproof, lined for warmth, has a flap that drops down over your ears and makes it fit your head like a helmet and has an elastic cord that goes under your chin for high winds. When the wind blew hard on the high hills of Northumberland, my wonderful hat stayed put!! The other nifty thing is it has a little button on the brim you click and you get two settings of led lights! High power beams!! I’m telling you we’ve used it to find our way on paths past dusk and it’s great for visiting old castle ruins because you can point your beam into dark places that you wouldn’t have seen before. I should get paid money to promote this hat!
And the wonderful old Woolrich hunting coat my dad gave me so I love it. He used to put it on when going out hunting, I still remember seeing him in the kitchen with the pants on with bright red suspenders and laughing playing like he was Santa! It is covered with pockets and has a special pocket at the back for carrying your ‘game’ home in. I have been known to carry sketchbooks there and always keep a spare kitchen size garbage bag for sitting on wet ground.
Crocuses in Aspen Hall
I told you before that we planted flowers in “Aspen Hall”, here’s two little crocuses I wanted to sketch. Click to see a note card of it where you can zoom in and see it bigger.
golden snail
I love the close up pictures of this pretty little golden snail. I spotted him on the ground amongst the leaf litter, but in the sun he glistened like gold. I took my tiny Olympus camera on the macro setting and shot this picture through a close up part of my magnifying glass! It really works at getting a little closer. Click on the pictures to view note cards that you can view close up.
golde snail pointy end up!
Here’s another shot of him, I love the form of the shell twisting up like that.
Studying the snail closely for sketches
Now this picture is important because it shows you how tiny he was and when you need reading glasses to see things better, it doesn’t help. The other thing that made it difficult to draw him in the field was sitting on one little log made my back hurt terribly so I was not comfortable. I wrote my notes and did some little sketches anyways.
golden snail peeking at me
Another great shot, I love the patterns in the shell that the sunlight catches. And notice the subtle color that runs up through those eye stalks? I notice how well it matches the dead stick he was crawling on.
My Journal page
Here’s my actual journal page from my time sitting in “Aspen Hall”, go ahead and click it to read it.
Tiny Golden Snail with metallic gold watercolor paint added.
Now I had a little more fun with the snail studies I did by using some metallic watercolor paint on them. I took some pictures of the snail paintings tipped at an angle to catch the sun and really show the metallic watercolor paint I added on top. It was a lot of fun using it and really made it look like the snail did, it sparkled in the sun!
Golden Snails in watercolor with gold metallic watercolor over.
And one more shot showing the glitter in the full sun.
I hope you enjoyed our walk today and you didn’t even have to get your feet wet! 😉 Don’t forget to visit my SHOP by clicking the pictures above to see note cards of the little golden snail or the landscape photos in this post.
Here’s a note card using the watercolor studies:
Speaking of snails I’m honored to say there’s a wonderful blog written by two talented women one of which was inspired by my posts about the snail I found and did studies of while I was in England! Have a look here: “The Dao of Doing”
(This post is done AFTER returning home to NY…gosh I miss my Northumberland!)
Come along with me as I do a small oil painting in a very gorgeous location in the Coquetdale (River Coquet Valley) area of Northumberland, England. I think of all the areas I’ve traveled around in Northumberland, the Coquetdale is one of the most beautiful and always catches me by surprise when we drive along it’s long winding path through the valley. It has quite a few meanders before reaching the North Sea which makes it that much more picturesque to an artist, it’s curves reflected in the sun as a shimmering snake in a green velvet valley.
Painting while looking over the River Coquet
There I am! We hiked up this great high hill and entered the Bronze Age Celtic ring fort at the top. It’s surrounded by a deep ditch, as was the practice for all ring forts, though I guess a few thousand years ago it would have been deeper and very impressive. After exploring the fort and ditch I settled down inside a ditch with my back to the VERY brisk wind! While I painted I had my hood up to keep the wind off and you notice I’m wearing fingerless gloves, a must for outdoor painting!
For my set up, my favorite wooden field easel and a backpack with attached stool. This is a popular one found in many art supply catalogs but I altered it (as usual!), I took the backrest off by hammering on it until it came away. With the backrest off, I can now sit on it in any direction I like, sometimes the bars of the seat hurt the back of my legs and I feel less attachments equals less weight. I’m put a camping inflatable pillow on the seat, makes it a bit better. All in all, I don’t usually sit when painting outdoors, I find it tiresome to my back; usually I stand up and feel freer with my painting and you can move around to keep warm.
My View Over Coquetdale
Here’s a view of what I saw, you may wonder how my masonite board is staying up so magically on the easel? The wonders of Blue Sticky Tack never cease!! I use it all the time, I have some little dots of it on the easel to hold small boards like this, just where I want them. With a small board, I don’t like the wood of the easel’s clamp to get in the way.
stage 1-View Over Coquetdale
When in the field I usually don’t pencil sketch the scene on the canvas, but use either Burnt Umber thinned with mineral spirits, or pick a color in the landscape and sketch directly with the brush. Just pay attention as you divide up your canvas with the horizon line placement and other important elements. If you get it wrong in the beginning, it’ll always be wrong! I go for blocking in big shapes in the ‘nearest’ color to it’s overall color.
When I started this one I blocked in some really bright green, later I decided I should have tried to match the color better to begin with. I just wanted to get it going, so I painted into the wet oil to adjust the color. You’ll notice my river color is quite light, just laying it in to mark it, I’ll adjust the color later. I wanted to have a wet base to paint into. I painted the sky with an all over tone of blue with the gradation of dark to light, later I’ll add the clouds. I also started to establish where the dark areas are, the tree lines.
Stage 2- View Over Coquetdale
Now I’m set up back at home and continue working from my laptop where I have photos of the scene. I’m sorry I missed a few stages with the photos as I got involved with the painting! I studied where the background mountains should go and toned down blueish green for them. I continued to study where the tree lines were and payed close attention to the light and dark areas of the hills and tree clumps. Don’t put too much detail in the distant trees, just let them describe the curve of the hills as their lines criss cross and disappear. I also started to tuck darks under the tree lines and to the shadow side of them. You begin to notice the tree line on the left front is different than the ones on the right. They are different types of trees so the form and colors are different.
Stage 3- View Over Coquetdale
Picking out a little more detail of the hills in the mid-ground, I add some lights to define the hills and more detail to the tree lines. I lightly defined the little dirt road in the front left and a ‘hint’ of a fence, but kept it soft and also added more light to the left field. I put a small path that crossed the field in the middle but then later decided it was just too much of a distraction and took it out. I also added some lights to the trees on the right, you can see they are more pointy than the other trees as they are pines.
Stage 4- View Over Coquetdale
Above you can see I’ve added some darker (but still bright) blues to the river, taking care which direction I stroked it on. I added some yellow to the fields on the left to warm it up and cut down on the lightness. I added more bushes and detail to the front right side by the bank.
Completed "View over Coquetdale" 6x8" oil
The completed painting,6 x 8″ in oil, click it to view it larger in my Gallery of Landscapes. Here you can see I’ve added just a little more detail on the bank and sheep (whitish dots!) on the hills. One thing you notice when driving about the countryside of England are sheep just about everywhere! No hill would be complete without some of these white dots. Of course I didn’t just make blobs but made sure they had a bit of a long shape and slightly darker underneath, it’s just to ‘hint’ at a sheep, not to paint one in full detail at such a distance.
To view prints, note cards and more with this painting, click the links below to see them in my shop! (You can personalize any of them with your own text.)
Well you can see by the date on my sketch page above, that I’m way behind on my posts! I had another very nice visit to the sea on this day, at Howick Haven in Northumberland England, one of our favorites. There are many rock pools to explore when the tide goes out and that’s just what I did before settling down on a rock perch to draw the above sketch. (Click on it to see it as a glossy note card with text removed) You can read my little note about how it’s damp and chilly, my hands got so stiff it was hard to draw. Then there were too many people walking around for my liking, when they see someone sitting alone on some rocks sketching they get curious and come out pretending to explore just to peek over your shoulder. Well I don’t mind really, many times I chat with nice folks this way. (Hey if you ever see someone out drawing in nature and you think it’s me, introduce yourself!!)
Limpets, Periwinkle and Bladder Wrack full page
This is a picture of the whole sketch page to show you my list of what we saw there, I also listed my pencil colors. When you look closer at little things around you, you’ll be amazed at how much more you see. When you start to identify and learn about these things you will see them many more times. One of the new ‘discoveries’ of the day was a Green Chiton, wow it was so cool! (see below)
Green Chiton in the water
This Chiton was a gorgeous green with black trimming. Gary found it when I coaxed him out to have a ‘play’ like me around the rock pools, looking for interesting things. It was settled under water in a shallow pool, looking similar to a Limpet that clings tightly to rocks. This was unique in that it was oval shaped, and segmented like a pill bug, it could curl it’s shell! I want to do a little color study of it when I have time.
Green Chiton curled up
This is what it looked like when touched, it curled slowly. Don’t worry, it was soon placed safely back into the tidal pool.
pencils + drawing of seaweed with limpet
I wanted to show you my set up with the laptop because the weather was so damp and chilly it was impossible for me to finish my color sketch on the spot. I took lots of photos and then at home just referred to my laptop screen to finish details and colors. Those are all the watercolor pencils I used laid out on the side. I had the sketch book and pencils on a little board on top of the keyboard. I used a variety of watercolor pencil types, mostly Derwent with a few Prismcolor, both great brands to use. As I studied the colors in the Bladder Wrack, this sort of ugly seaweed became more interesting to me. I liked the subtle colors of olive and yellow, the form of the leaves as they lay curling on the rocks and the fascinating little ‘bladders’ of air sacs on them to help them float, with little bumps all over them. What perked up the painting was adding light blue washes here and there where the light was hitting the wet surfaces.
I ended up using the permanent black marker to really define the drawing forms, to ‘dig in’ to dark areas and make them stand out more. I also like the way ink can loosen up a drawing and keep it from looking stiff.
Below I’ve added lots of random photos from my short visit to the coast here in Northumberland England, please have a look and enjoy my day with me! (Some I’ve made note cards of, you’ll see them in my shop when you click on those photos; you can hover over them in the shop to see close up views!)
The Beach-Tides going Out
You see some of the pools here, the beach and high dunes where we park the car are in the distance. Not a very sunny day!
Limpets along a rock
A nice photo showing the Limpets and Bladder Wrack (so named for the little ‘bladders’ on their leaves).
Dunlin wading in the water
My birdy expert friend Stuart over at “The Boulmer Birder” helped me out with this ID, it’s a Dunlin.
Immature Pied Wagtail
This Pied Wagtail had my scratching my head, I’m still new to the birds of England but thought this was a Wagtail but it had no bib. Thanks to Stuart for telling me it is a Wagtail but the immature ones lack the bib.
Cormorant + Friends
Some more popular shore birds, a Cormorant, Gulls and an Oystercatcher. I love the Oyster-catcher’s red beak and very black and white plumage when they fly.
Grey Heron and Oyster Catcher
Can’t forget the Grey Heron, sorry he’s a bit blurry, I had to zoom in a lot to get him. They are incredibly shy, hard to get near so the zoom comes in handy.
Dunstanburgh Castle
This is Dunstanburgh Castle, it’s just north of Craster along the coast. From Howick Haven you can see it in the distance, I zoomed again for this one.
My Boots at the Beach
Then there’s the ‘ol boot picture! Just to show I do kick back sometimes and take in the beautiful scenery. (I have a bunch of cool boot note cards for those people who like hiking, click on the picture to check ’em out in my shop, more coming all the time!)
Meadow Pipit singing up in the dunes
One more bird, we saw this one while we were walking up on the dunes and as the caption says, it’s a Meadow Pipit.
Small Tortoiseshell Butterfly
The final beautiful picture I leave you with today is the Small Tortoiseshell Butterfly. I spotted him flying around in the grasses, also up on the dunes. Just love his furry little body and gorgeous colors! Click on the picture to see many photos I’ve taken of these beauties!
I hope you’ve enjoyed the walk with me at the coast. I hope you visit my shop to see the note cards I made, explore my many categories there to see other photographs and paintings. http://www.zazzle.com/marymcandrew*
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This is an old gate in Alnwick, Northumberland, that I drew while waiting for Gary one morning. I don’t know how old it is or what the history of the name is but I liked the gate, green trees inside, golden sandstone blocks all worn away and the tread worn threshold stone below the gate. It’s just on a side street above the main shopping area of Bondgate Within in Alnwick. I leaned against a wall and many cars and passers by gave me a glance wondering what I was doing there.
Green Batt Gate + moths
Though it doesn’t show you much, I included the sketch in it’s early stages because I started it on one day and went back to finish on another. I wasn’t happy with the first sketch outline as I knew I had my comparative measurements off. So when I returned I decided to just draw over what was there with the pen and oh well! So it came out well, I bet you can’t really tell too much of where I drew over it? I like to show you my mistakes because they’re not really mistakes; every artist starts a drawing and needs to alter it to ‘make it right’. Drawing in permanent pen can make this difficult but also spontaneous, “wysiwyg” or “what you see is what you get”. You learn little things to cover up the mislaid lines or how to work with them. I was in a hurry when I laid down the initial lines but glad I was able to return to finish it!
I’ll save the information about the moth sketches for another post, just thought I’d show you how my pages get all kinds of things drawn next to each other!
Some more sketches of architectural elements from about Alnwick (pronounced Annick). The page above is my entire sketchbook page, I drew the boarded window, then much later added the doorway. I kept the page just for windows and doors or things like that. Then even later than that I played around with decorating the page with scrolly bits and made up lettering for the word “Alnwick”
Window in Alnwick
I did this sketch using an inktense watercolor pencil and my waterbrush while standing looking over a stone wall into an abandoned yard.
"Number 8"
This “Number 8” was done with a permanent ink pen when I was sitting in the car waiting. People might think that I’m secret police studying their houses! I drew some of the leaves at top (vines) and bottom in the hedge then left it to finish later by repeating mostly. This was a little cottage with a white door, dark stone walls and pink roses and greenery all around, very sweet!
Though I went for this walk a month ago, I need to catch up on posting my sketches from all my walks so you can see where I’ve been. This walk started at the Edlingham Church from the 11thC and Edlingham Castle.
Edlingham church and castle quick sketch
As I noted on my page, it was a gorgeous, sunny day. I started by walking past the old church and as I stood in the parking lot near it, I sketched using my Derwent Inktense “Ink Black” watercolor pencil. I then used my waterbrush to make washes using the pencil lines. You can add more color or value by touching the tip of your pencil with the waterbrush and adding it to the already damp paper. If you re-draw on the damp paper the pencil will make a very strong line and be harder to blend. Since I don’t have use of a scanner here, I photographed my pages and then brightened them, the picture here looks a bit more contrasty than the real one.
The sketch of the castle at the bottom of the page (shown above) is started with the same Inktense pencil then later colored with watercolors and watercolor pencils. I was way up in a sheep field looking back when I did this, just a quick impression.
Edlingham Church and Castle
After my walk I added color to the top sketch of the church, with watercolor pencils. I’m going through a phase with them right now, as I so often do…then I switch back to my loved watercolors. I’m having fun layering colors to find nice greens and browns. I don’t like a drawing or painting to look ‘mushy’, that is be too soft, and I’m tempted to go back and draw with my ink pens into these little studies. But they are studies and sometimes the soft look of them is nice.
Lapwing
As I walked up through another farmers field I saw Lapwings on the ground. They are such a neat bird with two long feathers on their crest that looks like a fancy plumed hat! When they fly their wings are wide, rounded and a sharp looking black and white. They have a very nice call too. This picture is a bit blurry as I shot it from far away, but you get the idea of what they look like.
Dog Rose + Lapwing
I’ll type out the notes from this page down below.
I had fun and created a old fashioned looking greeting card with this Dog Rose watercolor I did. Click to see it in the shop, it has pink inside and you can add your own text. Click your back button to return.
On the way to the top
This photo shows just how gorgeous the views were; I wanted to stop and paint all the time! But if you don’t keep walking you’ll never see as much, so on I went. (click it to see it in my shop larger)
Yup, that's me!
Yes, well, that’s me! I was happy to be out walking alone, stopping as I pleased and discovering interesting things, like the butterflies below.
Painted Lady Butterfly
This is a tattered looking Painted Lady, it looks similar to the Tortoiseshell below, but see how that one is dark in the center around the body?
Small Tortoiseshell Butterfly
This small little Tortoiseshell butterfly looks like it’s been through some weather, maybe even escaped a birds beak? I saw quite a few butterflies along the little dirt lane I walked on, I think they enjoyed the windbreak of the stone wall that followed it.
At the Roman Fort site, wow, buttercups!
(Click to see this picture as a glossy note card) This picture is at the top of the hill where the Roman Fort used to be. There are piles of stones around in a big rectangle shape, all that is left of it now. The Buttercups were so pretty, I crouched down low to get this shot, I liked the angle of it.
Here are the notes I wrote on my page: ” Headed to the Old Roman Fort. Sitting here now- it’s so beautiful the scene. Skylark is singing to my right + sheep are calling down the valley behind me. I don’t have time to paint the landscape, I have too much to do at home. 🙁 oh…I couldn’t resist! Quick watercolor sketch!” (See below!)
Small watercolor view from top of Edlingham
I’m so glad I took some time to do this little watercolor, now I look at it in my field journal and can remember the scene so well. I sat on a huge rock of the fort, with my feet up and set a little container of water besides me. I used regular watercolor brushes for this one. I first laid on washes of blue and quickly lifted areas with a tissue for clouds. Then overlapping (on purpose) the blue near the horizon, I put pale green hills. The blue showed through and it made very nice distant hills, keep it soft and pale for this. Then I put various patches of greens for the fields in front.
View from Top, "Ah, this is the life!"
I used this picture to create a glossy note card for those who love hiking, click on the picture to see my “people in landscapes” but I also created one that says on it: “Ah, this is the life!” I guess that says it all, you’ll find that one in my shop here.
More posts coming as I catch up! Please sign your email in the box at the right if you’d like to be notified. Exciting news coming soon about Creative Journaling and Sketching tours!
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