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Stone Wall Studies in Gouache

(Please click on photos to see enlarged, click again for larger view.)

Blocking in base colors.

For these two new little studies I’m working from photos I took this Autumn of a wall in our back garden. Instead of braving the elements right now, I’m painting in the sitting room with a wood fire going! I’m still a bit new to gouache but the more I use it the more I like it. Above you see I start by blocking in colors and shapes of areas with not much added detail.

Getting those darks laid in there.

If there is a dark area like under plants or in crevices, put them in early. This way you can paint lighter details on top and they will really show up. The rocks in the foreground had a violet coloring, that was fun to put in and see if it worked.

Adding the moss on top of the rocks.

After getting the rock colors right I dabbed on greens for moss, leaving the lightest values to use last. I used a very rough dry brush to dab paint on that wasn’t very wet. After it’s all dry I added the tiny wisps of dry grass over areas. I was also trying to use different brush strokes and dabs to create the fern fronds.

Working on my studies in my little cigar box pochade, with gouache paints and palette.

The picture above shows I’m using my very small cigar box plein air kit that I’ve created to use as a pochade box. I’ve tried to make it small and very lightweight so I can carry it in a backpack. It has a mount attached to the bottom that clips onto a tripod. But indoors I just set it on the table and use it to see how everything fits and if there was anything I could leave out.

What I want to point out is the bright blueish purple blotch and the blue one next to that at the right side of the paper. They were blotches from when I was just messing around with the gouache. I took a very wet brush and repeatedly wet, scumbled and lifted color with paper towel to remove the color as much as I could. It was stained into the paper so I decided to just work on top of it.

Painting on top of purple and blue stained paper.

When I looked at my reference photo, the stones had a cool cast to them so I thought I’d give it a go. I first lightly sketched the rocks in using a small brush to make the crevices between the rocks. You can clearly see the purple and blue colors in the paper! I started to dabble on the moss and the yellow color in some rocks.

Adding darks at base of wall, then leaves.

Then, at the base of the wall, I put dark burnt umber and sepia brown as a background. Then when you paint leaves and stems on top, they show up nicely. But this is the tricky part for me still, trying to have opacity and rich color but light enough to show up on the dark colors.

Here’s a better view of my little cigar box set up. The study is quite small but I’m very happy with how it came out. You can also see the two little studies I did last summer by our stone barn. (When you click the picture below you’ll see them much better.) I experimented by approaching them in different ways. The left one I put down black brown background and then painted the stones on top. The right one I first painted a dirty yellow ochre color (more of the stone color) then painted the crevices of the rocks. Then I added different colors of rocks on top. I definitely think some more studies of the barn walls would be a great idea!

I’m finding the gouache colors, chroma and values really lend themselves to woodland, mossy rocks, trees and muted color scenes. So many times I’ve seen gouache paintings that are all bright colors and scenes, but right now I’m attracted to their softer look. I have started using them with some of the children’s book style paintings I’m doing and that’s really different for me. This is still a new medium for me so there’s lots to try out and discover!

I’ve already completed two gouache paintings since doing these studies, and I’m very happy with how they came out! One is from a photo I took of an old Beech tree along a favorite walk we had in Northumberland. The other is a photo right from my back garden here in the Scottish Borders, an old Hawthorn tree and mossy wall in winter. Those will be shared in posts coming up.

Thank you for stopping by to read about my painting adventures and to those who have been following me, thanks for being patient as I know my posts are very sporadic! I AM working very hard and always have some projects on the go. I’m looking into buying a good printer so I can produce prints as I used to before I moved to the UK. Then I can offer my new works and old, and get my website organized for that. Always something to work on isn’t there?!

You can see current photos I share while I’m working on paintings, on my Facebook page “Mary McAndrew Painting and Illustration” and on Instagram as “mary_mcandrew_artist”. Follow me there to see the up to date goings on and some photos of the views I see around me here in the Borders.

2 comments to Stone Wall Studies in Gouache

  • Ed Saugstad

    Very nice, Mary I can appreciate how you bring depth into your paintings – attention to details.

  • Thanks Ed, I’m learning with Gouache you have to go back and layer more darks. Dark colors dry lighter and I’m getting used to that, but I also work thinly like the watercolors that I’m used to. That’s ok with me because I’d rather build up to a dark then have to remove it later. I would love to do some fungi paintings with this gouache, I could really picture it!

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