I know it seems out of place, this painting of snow when it’s Spring (at least it’s trying to be spring!) but I found I had never posted this and would hate to have it forgotten! So here’s a short post about a cold, snowy walk in January! If you click it you’ll see prints of it in many sizes.
"Field at Long Lane Farm" watercolor
I did this little 7 x 7″ painting in my journal while standing in the lane that goes out to the fields on my farm. I love the subtle colors of winter, the red tipped bushes and the cool blues in the snow. On a good sunny day you can have to most intensely blue colored skies and high contrast clouds. Not that you’ll ever hear your weather man call them that! “today there’s a chance of high contrast clouds with rain” hahaha.
Seed heads along the walk
Here are some notes I wrote as I paused to look at some dead seed heads.
Watercolor pan, brush and waterbottle
And this shows you what I used, not a waterbrush but a ‘proper’ watercolor brush, just used the one and a plastic bottle for water. In the winter you can’t use the waterbrushes that are so popular as the water tends to freeze as you paint on the paper.
Hope you enjoyed the late posting…I hope we can all say goodbye to winter weather soon!
Here’s some prints and note cards of this little watercolor in my shop:
(if viewing this in an email subscription, please go to the website to see the video clip and pictures better)
Clouds Over Fox Lane
Above, this is the first view Ginger and I got when we started out on our walk; clouds, gorgeous clouds stretching as far as the eye could see! I love the way the old pasture fence looks here along “Fox Lane”.
“Wind in the Willows”
I’ll show you right away what I ended up sketching after we walked all the way out on the property. (At the end of my post I have links to note cards and gifts using this image!) I had a page in my journal with the first verse of the song from “The Wind in the Willows”, the popular children’s tv show, written in permanent ink. I knew eventually I’d do some kind of painting over it of trees. I just love the song from this show, I posted a link below so you could have a listen too!
To explain a little how I did the sketch, as I stood in about 8″ of water on a particularly wet path, I held my sketch journal and balanced the little box of crayons on it. I have taken all my water soluble crayons and cut them in half so I could carry more in a smaller space and less weight! I put it on a peice of paper towel to protect a little watercolor I’ve got on that page, and I put a piece of paper towel (Viva) next to the box for wiping my brush on. I used one flat water brush, a favorite of mine when I want to do very quick washes and scrubbing. This particular brand releases water quite fast, at first I didn’t like that but now it’s also why I DO use it!
First thing I did was to scribble with white crayola wax crayon where I wanted to show white clouds. It doesn’t really show up until you color around it, but if you tip your paper a tiny bit you can see it. Then I colored very quickly with two different blue water soluble crayons all around; I found that I could shade right over the white wax and it didn’t really disturb it, cool! Then very quick scrubbing with the waterbrush to wet and move the color around. I grabbed the paper towel and sometimes blotted off the white cloud and it helped soften the look. Using the grey crayon ‘under’ each cloud really helped to pull them out and make them look real.
The trees were drawn on with a brown wc crayon from Derwent, using the hard edge to make branches. It works really great on damp paper, the lines are very vivid. I must say, it’s the scribbley look of the painting that I like so much! I could go back and soften the bottom of the moon, but it was a field sketch and I think I’ll just leave it as is. It was hard to get the look in such a tiny thing while hand holding my journal.
View I painted from while standing in water!
This is a photo from the spot I was standing, can you see the tiny moon in the middle?
A close up of the moon
Sometimes when you’re outside in the middle of the day, if you look for it you’ll see the moon amongst the clouds. I always think it’s a nice surprise.
Ginger all wet!
Yes, Miss Ginger is wet but doesn’t mind. This is the lane I stood in to do my sketch.
An old nest left from last year
I spotted some old nests as I walked, this one was out near “The North Pole”, the furthest part of my land. It’s amazing how many nests are at our eye level but we don’t see them when the bushes are in full leaf.
Clouds in Spring Over the Lane
I’ll leave you with one more pretty picture. I just love the colors in this, the blues contrasting with the golden colors of the dried grasses, the reds in the tips of the bushes and trees and the purpley colors under the clouds.
I hope you enjoyed our walk again out on “Long Lane Farm” at Springtime. Please enjoy the pictures links shown below, they go to prints, note cards, tee shirts and a magnet using my “Wind in the Willows” field sketch painting, in my shop. I can’t wait to order a tee shirt for myself!
Visit mySHOP to see many beautiful note cards with photos of the new Spring flowers, bees, landscapes etc!
As my page describes, it was overcast, wet and dreary. I did the small landscape sketch while standing up, just a small little thing but it reminds me exactly of the time and place. At the bottom I wrote words I associated with where I was sat, this is a great way to begin creative writing. When I got back to the house I added the background colors behind the words and around the landscape to perk the page up. Without it it was quite plain looking! Then I outlined the leaf shapes under the crocuses to give it more ‘umph’.
Wet Walk in March (2011)
I was sitting on a small pile of dead trees that I stacked as I could during the winter, right in the middle of “Aspen Hall”, a favorite place on my land. It’s just a clump of Aspen trees that sticks out into my field and can be seen from the house. As you walk up the lane, lined with bushes and some trees, you come to a place where there are thick trees on both sides and it forms a sort of shady canopy, so we named it “Aspen Hall”. When my boys were just two and four (when we first moved here) we found it to be just the right distance to hike from the house and have a picnic. I then planted daffodils, crocuses and maybe some tulips some seventeen years ago! When I went out the other day I was excited to see shoots coming up! Today there were crocuses ready to open, I can’t wait to see what will be out next time I visit.
Mud Boots and Paint
This picture and those that follow I took with my cell phone! I guess I was glad I had it, sometimes it is great to get some pictures. Had to add this photo! The mud boots or “Wellies” are standard fare around here; if you want dry feet you practically live in your mud boots! I just reached down to use the colors but it wasn’t the most comfortable after awhile for my lower back, even though I was on a low seat.
My Watercolor Paints and Watersoluble Crayons
Here’s a closer look at my watercolors and crayons. I didn’t use the crayons but put them out just in case; they’re new to me so I want to play around with them more while out in the field. I also used just a tiny round watercolor brush with a small container of water I had, not my usual waterbrush.
Ginger's Big Nose
My little companion Ginger, she loves to walk with me and waits patiently (though she whimpers when she wants to keep going) as I stop often to sketch or paint. She’s getting older now though so it’s probably good for her to stop.
Water Droplets on Seed Heads
On my return to the house I noticed something glimmering like diamonds in a rather dreary landscape; it was water droplets hanging on the seed heads of the plants.
The World Upside Down in a Drop of Water
Did you know that water droplets hanging like this reflect the world upside down? It reminds me of the drawing I did of a crystal ball reflecting the woods around it (Ravensphere), everything is upside down. I think someone poetic could think of ways to use this imagery of the world being caught like this. (This picture is a bit dark but it shows the glimmering of the droplets quite well).
Well I hope you enjoyed coming on this walk with me today! There’s always something to discover outside your door and you don’t have to go that far. I hope you will go out today and see and hear what you can!
Four Saturdays in April (2nd, 9th, 16th, 30th, no class on the 23rd) Time: 1 – 3 pm
At the Burchfield Nature and Art Center in West Seneca, NY.
Explore nature as we work indoors and out when the weather is nice, from real subjects and photos. Share my field sketchbooks from England and New York. Learn how to make your own easy field sketch journal! Learn ‘drawing from life’ techniques that will help you next time you are out in nature and want to capture something on paper. Work in your field sketchbook using real nature objects as we learn how to draw and paint them. Learn how to use pencil, watercolor pencil and watercolor in creative ways to embellish your sketchbook pages. Adults and mature young students are welcome. We will sketch and learn in the park if weather permits.
"Springtime Path in the Maze" watercolor crayon + wax crayon
$75 for 4 classes, a $6 materials fee payable to the instructor the first day covers the cost of various papers and a water brush to keep.
•This class follows the Creative Journaling class also offered on Saturdays. Both would compliment each other. If taken together get a $5 discount on each.
•A complete materials list will be emailed to you after registering. Contact me with any questions. For your convenience several varieties of water brushes will be available in class to purchase.
•Read more about my sketching adventures in England and New York here on the blog, click on categories in right column. You can sign your email to receive automatic updates when there are new posts.
Me drawing and writing in my journal along the coast of England
It is a cold and dreary day here in Western New York, I guess it is in many places around the world. But the drippy dreariness also shows me spring is coming; snow melting on soggy but still frozen ground, dripping of ice from the trees and an almost silent occasional gurgle of air from under the ice as I worked quietly.
Oil sketch field kit, ready to be tested.
I created this lightweight kit to take outside with me, just for oil painting sketches. I mostly want to focus on practicing mixing colors for landscapes from the real thing. I’m not concerned about finished paintings, though as the weather is warmer I may work longer on them.
It’s a plastic box that I bought at an office supply store. I used a metal pencil box for my paint and as a palette; it’s held on with blue sticky tack. I also have a pill box that has colors in it, though I want to buy a long one so it will fit better. I have canvas paper cut to standard sizes and tape it in and also created a place for brushes with loops of masking tape.
My mineral spirits container slots over a strap I made out of masking tape.
I had a tiny plastic bottle of mineral spirits with me but didn’t need to pull it out, I had a tiny bit in this metal medium cup. It’s got a screw on lid and I created a strap with masking tape that it could slip over to hold it in place. Then I stuck a blob of blue sticky tack behind it to keep it from slipping off. (Just love that sticky tack!)
Here's how I held the kit and painted while standing.
It was very lightweight as I worked. As all tests should do, it helped me find what was ‘not’ working great; I need to make a little holder for dirty brushes on the left and both need a holder with some kind of bottom, like a pouch. My brushes were sliding out the bottom too easily and may get dropped.
A view of the painting and the subject.
Here’s the whole thing in progress. Note the paper towel with red paint all over it!! Ok, I admit it, the very first thing, when I lifted the lid of the metal pan (with my very cumbersome mittens on) I inadvertently got Cadmium Red paint on my mitten thumb, WITHOUT KNOWING IT! It suddenly showed up in three to four places, probably on my face too and I didn’t know it! Ok, those who paint with oils know that sometimes this just happens, oil paint likes to migrate. Cad Red is one of the worse to get on stuff! You see traces of where I had to scrub off the second canvas paper there, sigh. Nobody’s perfect.
Ginger is waiting patiently, telling me her tootsies are cold!
Ginger loves to go out on walks, but gets bored when I stop to paint or sketch. Today was worse because her feet were cold! But a good sign, when I was ready to leave, she didn’t turn towards home, she wanted to go further.
Cleaning my brushes, stand them up in the snow as you go.
When I’m done, I set the kit on the snow and stuck my dirty brushes in the snow (bottom down) and just dipped the tip of each one in mineral spirits and pushed on the lid/palette to work much of the paint out. Wipe it really well on paper towel, it won’t be clean but well enough to travel home for cleaning. Most of my brushes I used were bristle brushes for scumbly strokes and one small, flat, soft but firm nylon brush for the thin line strokes.
The field study for today.
Here’s the quicky field sketch fresh from the icy field. I know my colors look brighter than the photo, but that’s the beauty of painting from life, the colors were more vivid and beautiful to my eyes, a photo will lose a lot of true color and atmosphere. If I want I can let this dry and work more on it or do it while it’s still wet. Ideally, touch up what you want right when you return and it’s fresh in your mind. I don’t want to fuss too much over these sketches unless I do one that I feel is worthy of fussing. My main goal is to just get out and get quick color studies and not complicate things too much.
Hope you enjoyed, I’ll be trying out my field kit more and will keep you ‘posted’ as they say! haha.
Happy New Year everyone! I’m looking forward to a year filled with tons of new paintings by me and look forward to getting back to England for more adventures! Please share my blog with those you think would enjoy it.
(This post is done AFTER returning home to NY…gosh I miss my Northumberland!)
Come along with me as I do a small oil painting in a very gorgeous location in the Coquetdale (River Coquet Valley) area of Northumberland, England. I think of all the areas I’ve traveled around in Northumberland, the Coquetdale is one of the most beautiful and always catches me by surprise when we drive along it’s long winding path through the valley. It has quite a few meanders before reaching the North Sea which makes it that much more picturesque to an artist, it’s curves reflected in the sun as a shimmering snake in a green velvet valley.
Painting while looking over the River Coquet
There I am! We hiked up this great high hill and entered the Bronze Age Celtic ring fort at the top. It’s surrounded by a deep ditch, as was the practice for all ring forts, though I guess a few thousand years ago it would have been deeper and very impressive. After exploring the fort and ditch I settled down inside a ditch with my back to the VERY brisk wind! While I painted I had my hood up to keep the wind off and you notice I’m wearing fingerless gloves, a must for outdoor painting!
For my set up, my favorite wooden field easel and a backpack with attached stool. This is a popular one found in many art supply catalogs but I altered it (as usual!), I took the backrest off by hammering on it until it came away. With the backrest off, I can now sit on it in any direction I like, sometimes the bars of the seat hurt the back of my legs and I feel less attachments equals less weight. I’m put a camping inflatable pillow on the seat, makes it a bit better. All in all, I don’t usually sit when painting outdoors, I find it tiresome to my back; usually I stand up and feel freer with my painting and you can move around to keep warm.
My View Over Coquetdale
Here’s a view of what I saw, you may wonder how my masonite board is staying up so magically on the easel? The wonders of Blue Sticky Tack never cease!! I use it all the time, I have some little dots of it on the easel to hold small boards like this, just where I want them. With a small board, I don’t like the wood of the easel’s clamp to get in the way.
stage 1-View Over Coquetdale
When in the field I usually don’t pencil sketch the scene on the canvas, but use either Burnt Umber thinned with mineral spirits, or pick a color in the landscape and sketch directly with the brush. Just pay attention as you divide up your canvas with the horizon line placement and other important elements. If you get it wrong in the beginning, it’ll always be wrong! I go for blocking in big shapes in the ‘nearest’ color to it’s overall color.
When I started this one I blocked in some really bright green, later I decided I should have tried to match the color better to begin with. I just wanted to get it going, so I painted into the wet oil to adjust the color. You’ll notice my river color is quite light, just laying it in to mark it, I’ll adjust the color later. I wanted to have a wet base to paint into. I painted the sky with an all over tone of blue with the gradation of dark to light, later I’ll add the clouds. I also started to establish where the dark areas are, the tree lines.
Stage 2- View Over Coquetdale
Now I’m set up back at home and continue working from my laptop where I have photos of the scene. I’m sorry I missed a few stages with the photos as I got involved with the painting! I studied where the background mountains should go and toned down blueish green for them. I continued to study where the tree lines were and payed close attention to the light and dark areas of the hills and tree clumps. Don’t put too much detail in the distant trees, just let them describe the curve of the hills as their lines criss cross and disappear. I also started to tuck darks under the tree lines and to the shadow side of them. You begin to notice the tree line on the left front is different than the ones on the right. They are different types of trees so the form and colors are different.
Stage 3- View Over Coquetdale
Picking out a little more detail of the hills in the mid-ground, I add some lights to define the hills and more detail to the tree lines. I lightly defined the little dirt road in the front left and a ‘hint’ of a fence, but kept it soft and also added more light to the left field. I put a small path that crossed the field in the middle but then later decided it was just too much of a distraction and took it out. I also added some lights to the trees on the right, you can see they are more pointy than the other trees as they are pines.
Stage 4- View Over Coquetdale
Above you can see I’ve added some darker (but still bright) blues to the river, taking care which direction I stroked it on. I added some yellow to the fields on the left to warm it up and cut down on the lightness. I added more bushes and detail to the front right side by the bank.
Completed "View over Coquetdale" 6x8" oil
The completed painting,6 x 8″ in oil, click it to view it larger in my Gallery of Landscapes. Here you can see I’ve added just a little more detail on the bank and sheep (whitish dots!) on the hills. One thing you notice when driving about the countryside of England are sheep just about everywhere! No hill would be complete without some of these white dots. Of course I didn’t just make blobs but made sure they had a bit of a long shape and slightly darker underneath, it’s just to ‘hint’ at a sheep, not to paint one in full detail at such a distance.
To view prints, note cards and more with this painting, click the links below to see them in my shop! (You can personalize any of them with your own text.)
Come walk with me on my Spring morning hike at Long Lane Farm!
Song Sparrow
Below is the first page in my small field sketchbook from today, I’ll type what it says below in case my handwriting is hard to read! (Click the photos for larger view, drawings are already enlarged.)
"A Glorious Morning!" 4-23-2010 pg 1
“A glorious morning! Frost on the ground and now at 9am it’s just wet in the sun, sparkles on the grass everywhere. The House Sparrows are chattering at the barn and a Song Sparrow has staked his claim to the back corner of the yard. Ginger waits in Fox Lane for me. Tree Swallows diving at each other near the nest box, constant twittering, bubbling, chatter. “
Tree Swallow
I saw some great birds today, the Tree Swallows are a joy to watch! They swoop and turn and I’ve watched them play a game by snatching up chicken feathers from the ground while in flight, then carrying it up high they drop it and another bird will catch it out of the air! I can’t get over the glossy green blue of their feathers.
me sketching
Here’s a picture of me sketching in the lane, wearing my tall mud boots (Wellies), winter coat, bag for sketch supplies and my camera with the long lens. I like to cross the strap diagonally from my shoulder as it takes pressure off my neck and back better.
"Budding Tree" 4-23-2010 pg 2
“Song Sparrow over and over, cardinal in the treeline and a crow, gurgling of the Red Winged Blackbird and Tree Sparrows. Such a sound! Now a Yellow Shafted Flicker…off up the field somewhere. I hear a Field Sparrow now at the maze.”
The trees are just starting to bud, looking up at them in the sunlight they looked like little gems glittering on the tips of branches.
Bluebirds
I was so happy to see a pair of Bluebirds have chosen one of the houses in the field, the Tree Sparrows have claimed the other one.
"Secret Circle Lane" 4-23-2010 pg 3
I had fun discovering tadpoles, snails and a tiny red mite on “Secret Circle Lane”, all in the freezing cold water flooding the lane.
Water Mite
As I wrote in my sketchbook, I was finally able to scoop up a ‘red dot’ floating in the water. Later I was able to study the tiny red dot from the photos I took and found out it’s a Water Mite. Before it got any ideas of how tasty my finger would be I released it back into the water! I’d like to know what they do live on or how they live.
Here’s a short video clip I shot while standing over the flooded lane (now promise you won’t laugh at me!) :
"The Wet Woods" 4-23-2010
I walked into the wet woods and standing in 4″ of water I did this tiny watercolor sketch of the dead tree. What fascinated me the most was how the shadows and sunlight dappled on the ground and tree branches
"Snail Study" 4-23-2010
Once home I looked at my photos on the computer screen and did this little watercolor study of a snail and two tadpoles. I haven’t identified the snail yet, but it was amazing to see when it was floating in the water it wriggled until it looked like it was out of it’s shell. It was a queer blue color, I never saw one like it.
The shell of the snail was not flashy or patterned boldly but I think it was beautiful in it’s own subtle way. It looked almost of a gunmetal grey with a cream background.
There’s nothing prettier than a field in springtime. Today I took a walk with Ginger out back…up very wet lanes and through my field with water in all the low spots and ditches. There are dandelions coming up and tiny little specks of pale violet flowers that look like bits of paper in the grass they’re so small. Something people often forget is to stop and take a look back from where they came, for a different view or perspective.
"Looking Back" 4-18-2010
(Go here to see Note Cards of this painting: “Looking Back”)
I tried hard to find a spot I might sit and do some sketching, but the ground was too wet even for my plastic bag. As I turned to look back I thought I’d do I quick sketch of the house and field with my watercolor pan and waterbrush. I used just one brush for this, a large, juicy flat that lets water flow quite easily. A little messy but I was cold and my bag was heavy, I didn’t feel like standing too long, and neither did Ginger.
As we entered the field I noticed a flutter of blue out a ways, it was a male Blue Bird! He and his mate were perching on tops of bushes and flitting down to the ground to hunt or gather grasses. I think he was hunting bugs to impress her, as I never saw her fly down! I think he’s impressive! I shot a lot of pictures of him, though it was difficult with the wind whipping up and I was hand holding a very long lens. So some are a little fuzzy but still great for painting references.
"Two Bluebirds with an Angel"
(Link for note card with this Bluebird photo-Two Bluebirds with Angel I also have mugs in the link above, with this picture on it)
In the photo above, I had a little fun playing with a setting on my photo program under “Effects”, it’s called “mirror”. The cool thing is when I flipped the image, an angel appeared in the centre! I think it could make a good inspiration for a painting!, I’ll have to think about this.
And last I leave you with a gorgeous photo of Long Lane in springtime. How pretty this is, a simple lane of grass with bushes…blue sky and budding leaves. But there’s something more perhaps, a promise of new beginnings? A full summer of growth? It makes me forget about “Looking Back” at the past..time to look ahead to what’s coming anew!
Hope you enjoyed this walk with me, please leave me comments below.
Don’t forget to visit my Zazzle shop to see lovely note-cards, prints, t-shirts and other gifts with my photographs and art on it.
I wrote some notes upon my return to the house, they are posted below if you’d like to read them about my day outside in nature. Both paintings were done with a dry palette of watercolors and one waterbrush. The sketch below I first drew with a permanent ink pen, brown color, then put washes of color on it while standing there in my snow shoes. This sketchbook is a mere 4.5″x5″!
"Winter Water and Shadows"
my notes
I hope you enjoyed a glimpse of my walk, I encourage everyone to get outside despite what the weather might be like to have a closer look around you.
I actually walked pretty far on my land today, I bundled up with lots of layers and told Ginger the magic words, “Go for a WALK?” She can’t contain herself, to the point I get a little annoyed at her insistence at leaving this very moment, regardless of how cold it is and how many layers I believe I need.
"Tree on a Winter Day"
Today I tried to walk without stopping to look at every little thing, just for the start of my walk. I wanted to get some exercise today and do some studies once I get out on the land a bit. When we reached a lane I call “White Tail Trail” I was searching for something interesting. The sky was so blue and clear and when I looked up at this tree, I think an Ash, I liked the branches, shadows and colors. Armed today with my sawed off watercolor pencils and a waterbrush I started the tree, first with a light sketch of the trunk and branches with a light grey watercolor pencil. Now remember I told you I was bundled up? Well imagine freezing cold temperatures a bulky big coat, freezing toes and BIG mittens! haha…it’s always an adventure! I like to wear mittens where the tops flips back and your fingers are then exposed; these are great for quick sketching in winter. I tried to color the drawing with my little pencils and wet them with the waterbrush, but got frustrated when the water froze in a thin layer on the paper. So subsequent color layers became impossible; when I returned home I played around with adding some more color.
1-21-10 "Tree Scars and Bullrushes"
On my way back I stopped to look at the patterns on the trees in Aspen Hall, a favorite area on Long Lane. Where old branches had been but broken off now, there are scars that made interesting marks on the bark.
Here’s the notes I wrote on the page: “Old Branch Scars on an Aspen. Cold today but pretty, Blue skies, snow crunching, Ginger whimpers, we walk on, Chickadee calls, car drones in the distance. I wish I were farther away. We walk on. I pause to study a grapevine tendril- curled still though long dead. And the beauty of the Bull Rushes, the elegant lines…”
1-21-10 "A Bit of Grapevine"
I just love the way grapevine tendrils reach out for anything and grab on…twirling and twining. With this one I was trying to sketch their forms as they twisted out into the air too, I like the way the sunlight cast a good shadow. My feet and hands were very cold at this point and it was hard to concentrate, holding my sketchbook in front of me as I stood to draw this vine clinging to my fence. But as usual I’m glad I took my sketchbook with me to stop and see things.
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