Well today there were the most beautiful high clouds, and the sun, making an appearance for the afternoon, gave nice shadows and light to them. I used my square format journal that I made and opened it fully to take advantage of the great sky-scape.
Cloud study done with water soluble crayons
This view is from my studio window, I stood by the old sink finding room near the coffee pot! I worked very quickly to sketch the clouds as they were moving fast with the wind. I used a plain old “Crayola” black crayon to sketch and very lightly put some lines in for the field below. Then I scumbled on the watersoluble crayon starting with the sky. This is only the second time I’ve used these crayons; when I first bought them I hated them! They were bright in color and garish to me. But I’m going lightly and trying some layering of colors to see how it looks.
Water soluble crayons in a tin
Here’s my little black crayon and an “Altoids” tin filled with watersoluble crayons that I broke in half to fit them in. I keep a folded up piece of “Viva” paper towel in it with them.
Using the lid of the tin for watering down colors
Being that the colors ARE so vivid and strong I found it helpful to get my brush loaded with water then touch the tip of the crayon to pick up color and mix it into the wet brush on the lid. First I directly laid color on the paper and wet it, then I used this ‘brush to tip’ method (that’s what I call it!) to add more color.
Cloud studies and round brush I used
This is showing you the brush I used, just a simple round. (The sketch is unfinished here). I used it instead of the waterbrush because I wanted to get lots of water quickly and just scrub freely with the brush tip.
I’m still getting used to the crayons but I think I’m starting to like them more! I like how you can cover large areas quickly and when you wet them they really get juicy. I actually got some color on my hands (it got kind of messy!) so I was picking color up from my fingers with the brush! I think I’ll look for some other colors for landscapes in other name brands. Most of the crayons I have are Caran D’Ache.
Give them a try and let me know how you like them too!
As my page describes, it was overcast, wet and dreary. I did the small landscape sketch while standing up, just a small little thing but it reminds me exactly of the time and place. At the bottom I wrote words I associated with where I was sat, this is a great way to begin creative writing. When I got back to the house I added the background colors behind the words and around the landscape to perk the page up. Without it it was quite plain looking! Then I outlined the leaf shapes under the crocuses to give it more ‘umph’.
Wet Walk in March (2011)
I was sitting on a small pile of dead trees that I stacked as I could during the winter, right in the middle of “Aspen Hall”, a favorite place on my land. It’s just a clump of Aspen trees that sticks out into my field and can be seen from the house. As you walk up the lane, lined with bushes and some trees, you come to a place where there are thick trees on both sides and it forms a sort of shady canopy, so we named it “Aspen Hall”. When my boys were just two and four (when we first moved here) we found it to be just the right distance to hike from the house and have a picnic. I then planted daffodils, crocuses and maybe some tulips some seventeen years ago! When I went out the other day I was excited to see shoots coming up! Today there were crocuses ready to open, I can’t wait to see what will be out next time I visit.
Mud Boots and Paint
This picture and those that follow I took with my cell phone! I guess I was glad I had it, sometimes it is great to get some pictures. Had to add this photo! The mud boots or “Wellies” are standard fare around here; if you want dry feet you practically live in your mud boots! I just reached down to use the colors but it wasn’t the most comfortable after awhile for my lower back, even though I was on a low seat.
My Watercolor Paints and Watersoluble Crayons
Here’s a closer look at my watercolors and crayons. I didn’t use the crayons but put them out just in case; they’re new to me so I want to play around with them more while out in the field. I also used just a tiny round watercolor brush with a small container of water I had, not my usual waterbrush.
Ginger's Big Nose
My little companion Ginger, she loves to walk with me and waits patiently (though she whimpers when she wants to keep going) as I stop often to sketch or paint. She’s getting older now though so it’s probably good for her to stop.
Water Droplets on Seed Heads
On my return to the house I noticed something glimmering like diamonds in a rather dreary landscape; it was water droplets hanging on the seed heads of the plants.
The World Upside Down in a Drop of Water
Did you know that water droplets hanging like this reflect the world upside down? It reminds me of the drawing I did of a crystal ball reflecting the woods around it (Ravensphere), everything is upside down. I think someone poetic could think of ways to use this imagery of the world being caught like this. (This picture is a bit dark but it shows the glimmering of the droplets quite well).
Well I hope you enjoyed coming on this walk with me today! There’s always something to discover outside your door and you don’t have to go that far. I hope you will go out today and see and hear what you can!
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Spring Fuzzy Buds on "Long Lane Farm"
Today is the “Equilux”, that is the day of the Equinox, where day is the same length as night. I heard that it’s also “World Storytelling Day“; now this interests me greatly as I love to tell stories and love to hear and read them. I’ll have to look into that further. For me today was like a story of Spring coming. The sun was out, though the air was still very cold, and the birds are all vying for attention, not from me but they were certainly getting it! I did some sketches and wrote notes and a poem while I was walking so I’ll re-type what I penned on my pages for you to read. So I tell a story today. (Please click pictures to see enlarged).
"Step Out Your Back Door" notes, poem and Hawthorn needle.
Journal: “March 20, 2011 Just had to pop outside. It’s sunny but cold; I am wearing a wooly cap + wool fingerless mittens. Though the sun shines + the birds are all singing, it’s COLD! Daffodils by the back door are getting ready for their entrance into Spring.”
Then I walked out into the pasture, totally flooded and squishy; so lucky I wore my ‘barn boots’ or Wellies as they call them in England. Here’s a little poem I wrote while standing and listening to the birds:
Journal:
“Step Outside Your Door Today”
“Step outside your door today, walk in your backyard.
Watch the Blackbirds sing and play, smiling is not hard.
The woodpecker laughs from his high perch,
As signs of Spring you do search.
Cardinals red and grasses of brown,
You smell the earth deep beneath the ground.
A stirring of creatures above and below,
Spring’s arrival defeats Winter’s foe!”
Mary McAndrew
Hawthorne needle
Then I walked on and around “Aspen Hall”, a favorite area of my land where the boys and I used to picnic, I found a branch from the Hawthorne tree on the ground. I plucked many of the long sharp spines off it, then poked one through my paper like a needle. This looks really cool if you click the picture to see it enlarged!
As I walked it was so cold I had to keep my hat and scarf on. When I found a sunny spot in the “Maze”, it actually felt better to sit down out of the breeze. I was able to pull my wooly hat off and stretch my legs out; I put a plastic kitchen garbage bag on the ground to keep the wet where it belonged! Just make sure you don’t put it on any pokey stubs of things, you’ll get a hole and be surprised later!
Black Crayola Crayon Sketch
Here’s a page in my sketch journal that I worked on, a view of the path I had just walked on. I started with a little border line around the edges to add a neat design element. Then sketched in black ‘Crayola’ wax crayon that I had sharpened with my knife. Using this crayon was SO MUCH FUN! I can’t wait to try it some more, I loved the feel of the crayon on the slightly rough paper, you could see the texture too. You can press harder for darker lines and very lightly to make it light of course.
Using the flat tipped waterbrush to wet the watercolor crayons
Then I tested my colors by making a tiny dot at the bottom of the next page and wet it. Make sure you test your colors before you scrawl all over a drawing, watercolor pencils and crayons can surprise you at how different they look wet! I very lightly, using the side of the point of each crayon, added color to the areas. I saw the bushes and trees in front of me as more of a mass of value with some standing out in the foreground; so I massed it in as brownish reds then added heavier marks for trees and branches. Experiment with adding lines onto your wet paper, they will be very distinct and bold; this is good for adding branches.
I’m using the flat waterbrush, I really like this brush for studies that need large washed areas and it’s great for making grass marks! PS. yes it was cold still, I did the sketch with the mittens on, the flipped back the finger cover to use my brush!
Sketch in the Maze done with watercolor crayons on black wax crayon
Here’s a picture of my crayons, (each is broken in half to make them fit and weigh less in my pack) I have them tucked into an “Altoids” tin with some paper towel. The ones in the lid on the left are what I used for this sketch. Another thing you can see is how in the foreground I used more lines from the crayons going back and forth to add texture. Then the flat waterbrush with tip sort of dry, it spreads apart and makes good grass type marks. Touch it to your crayon tip to get color and brush it on the paper. Click on the finished sketch below.
"Springtime Path in the Maze" watercolor crayon + wax crayon
Here’s the finished sketch done in wax and water soluble crayons. I rather like it! Oh and the three bigger trees on the left are the “Sister Trees”, they are a group of huge trees I’ve painted before.
You may like to read my notes on this page that I wrote as I did the little painting. They are here at full size so you don’t have to click it and I typed out the notes below the picture!
Notes from my walk with colors for sketch at bottom.
Journal: “I’ve found a sunny spot to sit in a clearing on one of the paths in the “Maze”, an overgrown field on my property that I cut paths and tracks all around. This is an area I cleared more into an open, private spot along one path. I put a clean plastic garbage bag upon the ground and that’s where I’m sat; legs stretched out and wooly hat off! Sun warming me nicely now! 🙂 I did the little sketch with Black Crayola crayon and it was wonderful to see the fine texture of the paper under my hand; pressing hard or light to get variety of lines. Then I lightly scumbled over it all with watercolor crayons by Caran d’ Ache. I never used these before as I thought the colors too garish- but if you go light the browns + the golden yellow were great over the black wax crayon! I love how the black crayon just stays. I used the big, flat waterbrush and it blended all nicely, then made perfect marks for texture on the ground in front.
Just sitting here quietly feels wonderful. I hear birds + distant sound of cars. The Chickadees are so curious they keep coming closer and closer. One just looked down on me from a small bush. Something else interesting, I can hear the ground making sound! There is a barely audible sound like “ticking” here and there all about me. I’m sure it’s the sound of air bubbles coming to the surface of this very wet ground…the earth breaths as the ice melts…the peepers awake.
12:10 pm 3/20/2011 Mary McAndrew”
Ginger on Long Lane, listening to the Peepers singing.
Now, go get your dog, your children or just yourself, grab that sketchbook and some crayons and get out there!! Good days don’t wait for anyone, go enjoy what’s around you no matter where you live. I’d love to hear from you if you’ve been out and noticed signs of Spring, leave me some comments.
I started putting lots of my sketches on “Flickr” if you want to stop by and see them, I may use it as a place to show all my sketch pages? We’ll see. Don’t forget to stop by my ‘SHOP’ to see the new Easter and Spring cards.
(A late entry that I wanted to add photos to before sharing, it’s from a tiny field sketchbook I made that’s handy to take in my pocket or a small bag when it’s wintry weather like this.)
Dead Weed heads Covered with Snow
What a cold day today, but Ginger and I ventured forth into the frozen whiteness and found some pretty things. I liked looking at the heads of dead flowers way out in my field, the snow was cupped upon the tops like cotton waiting to be picked. I did the two sketches today using a small sharpie marker in my tiny field sketchbook I created.
"Shadows on Fox Lane" 2
This photo is of “Fox Lane”, one of the ways I can walk out to my fields. I love the blue winter shadows cast here.
Tracks in the Snow Up Long Lane
The drawing above is of “Long Lane”, a VERY quick, simple sketch done with mittens on while Ginger and I paused on our walk. I at least wanted to show the perspective of the lane and the trees, the tracks in the snow help with that too. Long Lane is the prettiest, trees much closer and thicker along the lane, it’s so beautiful in springtime.
Furry Fronds of Ice
These furry branches are weeds growing just under my back deck, just where the exhaust from the furnace comes out the moisture in the air has created these pretty stems.
"Shadows on Fox Lane" 1
Another photo of Fox Lane. Hope you enjoyed this chilly walk with me!
Not much to add here, the sketch says it all. I guess I was feeling down because my back was still hurting a lot and there’s just something about looking at the glowing moon at night when I’m alone that sort of depresses me. But doing a little poem and sketch really changes my mood, can’t help but think about good things when you start to paint.
A fun thing to do in your journal is sketch the moon and clouds then add colors. I added these colors the next day after studying how the darks and lights looked. Sometimes it’s nice to paint (color) something later, you can be more expressive with color or design.
Here’s the small poem in case it’s hard for you to read:
“The moon rises up
through the black fingers
of clouds,
stretched across the frozen
Deep
Night sky.”
Mary McAndrew
ps. I keep trying to do my physical therapy exercises everyday, sometimes I miss a day but I do try to get out for walks with Ginger and she really likes that! I believe you just have to keep moving!
It is a cold and dreary day here in Western New York, I guess it is in many places around the world. But the drippy dreariness also shows me spring is coming; snow melting on soggy but still frozen ground, dripping of ice from the trees and an almost silent occasional gurgle of air from under the ice as I worked quietly.
Oil sketch field kit, ready to be tested.
I created this lightweight kit to take outside with me, just for oil painting sketches. I mostly want to focus on practicing mixing colors for landscapes from the real thing. I’m not concerned about finished paintings, though as the weather is warmer I may work longer on them.
It’s a plastic box that I bought at an office supply store. I used a metal pencil box for my paint and as a palette; it’s held on with blue sticky tack. I also have a pill box that has colors in it, though I want to buy a long one so it will fit better. I have canvas paper cut to standard sizes and tape it in and also created a place for brushes with loops of masking tape.
My mineral spirits container slots over a strap I made out of masking tape.
I had a tiny plastic bottle of mineral spirits with me but didn’t need to pull it out, I had a tiny bit in this metal medium cup. It’s got a screw on lid and I created a strap with masking tape that it could slip over to hold it in place. Then I stuck a blob of blue sticky tack behind it to keep it from slipping off. (Just love that sticky tack!)
Here's how I held the kit and painted while standing.
It was very lightweight as I worked. As all tests should do, it helped me find what was ‘not’ working great; I need to make a little holder for dirty brushes on the left and both need a holder with some kind of bottom, like a pouch. My brushes were sliding out the bottom too easily and may get dropped.
A view of the painting and the subject.
Here’s the whole thing in progress. Note the paper towel with red paint all over it!! Ok, I admit it, the very first thing, when I lifted the lid of the metal pan (with my very cumbersome mittens on) I inadvertently got Cadmium Red paint on my mitten thumb, WITHOUT KNOWING IT! It suddenly showed up in three to four places, probably on my face too and I didn’t know it! Ok, those who paint with oils know that sometimes this just happens, oil paint likes to migrate. Cad Red is one of the worse to get on stuff! You see traces of where I had to scrub off the second canvas paper there, sigh. Nobody’s perfect.
Ginger is waiting patiently, telling me her tootsies are cold!
Ginger loves to go out on walks, but gets bored when I stop to paint or sketch. Today was worse because her feet were cold! But a good sign, when I was ready to leave, she didn’t turn towards home, she wanted to go further.
Cleaning my brushes, stand them up in the snow as you go.
When I’m done, I set the kit on the snow and stuck my dirty brushes in the snow (bottom down) and just dipped the tip of each one in mineral spirits and pushed on the lid/palette to work much of the paint out. Wipe it really well on paper towel, it won’t be clean but well enough to travel home for cleaning. Most of my brushes I used were bristle brushes for scumbly strokes and one small, flat, soft but firm nylon brush for the thin line strokes.
The field study for today.
Here’s the quicky field sketch fresh from the icy field. I know my colors look brighter than the photo, but that’s the beauty of painting from life, the colors were more vivid and beautiful to my eyes, a photo will lose a lot of true color and atmosphere. If I want I can let this dry and work more on it or do it while it’s still wet. Ideally, touch up what you want right when you return and it’s fresh in your mind. I don’t want to fuss too much over these sketches unless I do one that I feel is worthy of fussing. My main goal is to just get out and get quick color studies and not complicate things too much.
Hope you enjoyed, I’ll be trying out my field kit more and will keep you ‘posted’ as they say! haha.
Happy New Year everyone! I’m looking forward to a year filled with tons of new paintings by me and look forward to getting back to England for more adventures! Please share my blog with those you think would enjoy it.
(This post is done AFTER returning home to NY…gosh I miss my Northumberland!)
Come along with me as I do a small oil painting in a very gorgeous location in the Coquetdale (River Coquet Valley) area of Northumberland, England. I think of all the areas I’ve traveled around in Northumberland, the Coquetdale is one of the most beautiful and always catches me by surprise when we drive along it’s long winding path through the valley. It has quite a few meanders before reaching the North Sea which makes it that much more picturesque to an artist, it’s curves reflected in the sun as a shimmering snake in a green velvet valley.
Painting while looking over the River Coquet
There I am! We hiked up this great high hill and entered the Bronze Age Celtic ring fort at the top. It’s surrounded by a deep ditch, as was the practice for all ring forts, though I guess a few thousand years ago it would have been deeper and very impressive. After exploring the fort and ditch I settled down inside a ditch with my back to the VERY brisk wind! While I painted I had my hood up to keep the wind off and you notice I’m wearing fingerless gloves, a must for outdoor painting!
For my set up, my favorite wooden field easel and a backpack with attached stool. This is a popular one found in many art supply catalogs but I altered it (as usual!), I took the backrest off by hammering on it until it came away. With the backrest off, I can now sit on it in any direction I like, sometimes the bars of the seat hurt the back of my legs and I feel less attachments equals less weight. I’m put a camping inflatable pillow on the seat, makes it a bit better. All in all, I don’t usually sit when painting outdoors, I find it tiresome to my back; usually I stand up and feel freer with my painting and you can move around to keep warm.
My View Over Coquetdale
Here’s a view of what I saw, you may wonder how my masonite board is staying up so magically on the easel? The wonders of Blue Sticky Tack never cease!! I use it all the time, I have some little dots of it on the easel to hold small boards like this, just where I want them. With a small board, I don’t like the wood of the easel’s clamp to get in the way.
stage 1-View Over Coquetdale
When in the field I usually don’t pencil sketch the scene on the canvas, but use either Burnt Umber thinned with mineral spirits, or pick a color in the landscape and sketch directly with the brush. Just pay attention as you divide up your canvas with the horizon line placement and other important elements. If you get it wrong in the beginning, it’ll always be wrong! I go for blocking in big shapes in the ‘nearest’ color to it’s overall color.
When I started this one I blocked in some really bright green, later I decided I should have tried to match the color better to begin with. I just wanted to get it going, so I painted into the wet oil to adjust the color. You’ll notice my river color is quite light, just laying it in to mark it, I’ll adjust the color later. I wanted to have a wet base to paint into. I painted the sky with an all over tone of blue with the gradation of dark to light, later I’ll add the clouds. I also started to establish where the dark areas are, the tree lines.
Stage 2- View Over Coquetdale
Now I’m set up back at home and continue working from my laptop where I have photos of the scene. I’m sorry I missed a few stages with the photos as I got involved with the painting! I studied where the background mountains should go and toned down blueish green for them. I continued to study where the tree lines were and payed close attention to the light and dark areas of the hills and tree clumps. Don’t put too much detail in the distant trees, just let them describe the curve of the hills as their lines criss cross and disappear. I also started to tuck darks under the tree lines and to the shadow side of them. You begin to notice the tree line on the left front is different than the ones on the right. They are different types of trees so the form and colors are different.
Stage 3- View Over Coquetdale
Picking out a little more detail of the hills in the mid-ground, I add some lights to define the hills and more detail to the tree lines. I lightly defined the little dirt road in the front left and a ‘hint’ of a fence, but kept it soft and also added more light to the left field. I put a small path that crossed the field in the middle but then later decided it was just too much of a distraction and took it out. I also added some lights to the trees on the right, you can see they are more pointy than the other trees as they are pines.
Stage 4- View Over Coquetdale
Above you can see I’ve added some darker (but still bright) blues to the river, taking care which direction I stroked it on. I added some yellow to the fields on the left to warm it up and cut down on the lightness. I added more bushes and detail to the front right side by the bank.
Completed "View over Coquetdale" 6x8" oil
The completed painting,6 x 8″ in oil, click it to view it larger in my Gallery of Landscapes. Here you can see I’ve added just a little more detail on the bank and sheep (whitish dots!) on the hills. One thing you notice when driving about the countryside of England are sheep just about everywhere! No hill would be complete without some of these white dots. Of course I didn’t just make blobs but made sure they had a bit of a long shape and slightly darker underneath, it’s just to ‘hint’ at a sheep, not to paint one in full detail at such a distance.
To view prints, note cards and more with this painting, click the links below to see them in my shop! (You can personalize any of them with your own text.)
Well I must admit I’m getting way behind in my posts, I have lots of new pages to share and adventures to tell about, but keep running out of time (or energy!) to keep up. Here’s a short story about my morning walk in the tiny village of Edlingham on a sunny morning in July.
Edlingham Castle from across fields
You can read my notes written on my sketch page too. The drawing above I sketched while standing on the side of a road, I just pulled out the watercolor pencil I needed as I worked. First I did a quick sketch with permanent ink pen then touched in with colors. Edlingham Castle is a great ruin to visit and explore, I love wondering what it must have looked like ages ago.
Meadow Cranesbill
There were Meadow Cranesbill flowers growing along side the road, very pretty! I guess they’re named such because as the flower head looks a bit like a crane’s head and bill.
Black Faced Sheep in the Field
This is how pretty it is around Edlingham, black faced sheep and huge shadows passing over hills of many greens.
Sheep with lambs
Now these sheep are ok as sheep go, but really not my favorites; I think they are a variety from France. I tend to refer to them as “uglies” ohh I know that sounds harsh…but they look like ‘beefy’ sheep thugs wearing wool sweaters.
Burnside Cottage, Edlingha
I made my way up the lane to near where the busy road is and sat on a gas meter to look over the hills. As I made my way back down there is a sweet cottage called “Burnside Cottage” right by a stream; Burn meaning stream. I stood across the road and just up a bit from it to do this ink sketch while standing. The light changed as I worked but I was interested in an ink drawing so it didn’t matter. I did take a few snap shots of it so if I want to go back and color it, which I think would be nice, I could. (forgive the quality of the picture, it’s not scanned, I only have my camera to photograph my sketchbook with then I try to edit them a bit on the computer to brighten them)
Song Thrush
At the very end of my walk I was greeted by the song of the Song Thrush. And here is a little poem I just made up in honor of the Thrush:
The Song Thrush
The Song Thrush
Hides in the bush.
The air is ringing
With his joyful singing.
Take to the air
Snails beware.
The thrush he is a winging!
(c) Mary McAndrew 2010
Don’t forget to visit my shop on Zazzle where you’ll find my most recent photos of landscapes and nature from my hikes in Northern England, CLICK HERE.
Though I went for this walk a month ago, I need to catch up on posting my sketches from all my walks so you can see where I’ve been. This walk started at the Edlingham Church from the 11thC and Edlingham Castle.
Edlingham church and castle quick sketch
As I noted on my page, it was a gorgeous, sunny day. I started by walking past the old church and as I stood in the parking lot near it, I sketched using my Derwent Inktense “Ink Black” watercolor pencil. I then used my waterbrush to make washes using the pencil lines. You can add more color or value by touching the tip of your pencil with the waterbrush and adding it to the already damp paper. If you re-draw on the damp paper the pencil will make a very strong line and be harder to blend. Since I don’t have use of a scanner here, I photographed my pages and then brightened them, the picture here looks a bit more contrasty than the real one.
The sketch of the castle at the bottom of the page (shown above) is started with the same Inktense pencil then later colored with watercolors and watercolor pencils. I was way up in a sheep field looking back when I did this, just a quick impression.
Edlingham Church and Castle
After my walk I added color to the top sketch of the church, with watercolor pencils. I’m going through a phase with them right now, as I so often do…then I switch back to my loved watercolors. I’m having fun layering colors to find nice greens and browns. I don’t like a drawing or painting to look ‘mushy’, that is be too soft, and I’m tempted to go back and draw with my ink pens into these little studies. But they are studies and sometimes the soft look of them is nice.
Lapwing
As I walked up through another farmers field I saw Lapwings on the ground. They are such a neat bird with two long feathers on their crest that looks like a fancy plumed hat! When they fly their wings are wide, rounded and a sharp looking black and white. They have a very nice call too. This picture is a bit blurry as I shot it from far away, but you get the idea of what they look like.
Dog Rose + Lapwing
I’ll type out the notes from this page down below.
I had fun and created a old fashioned looking greeting card with this Dog Rose watercolor I did. Click to see it in the shop, it has pink inside and you can add your own text. Click your back button to return.
On the way to the top
This photo shows just how gorgeous the views were; I wanted to stop and paint all the time! But if you don’t keep walking you’ll never see as much, so on I went. (click it to see it in my shop larger)
Yup, that's me!
Yes, well, that’s me! I was happy to be out walking alone, stopping as I pleased and discovering interesting things, like the butterflies below.
Painted Lady Butterfly
This is a tattered looking Painted Lady, it looks similar to the Tortoiseshell below, but see how that one is dark in the center around the body?
Small Tortoiseshell Butterfly
This small little Tortoiseshell butterfly looks like it’s been through some weather, maybe even escaped a birds beak? I saw quite a few butterflies along the little dirt lane I walked on, I think they enjoyed the windbreak of the stone wall that followed it.
At the Roman Fort site, wow, buttercups!
(Click to see this picture as a glossy note card) This picture is at the top of the hill where the Roman Fort used to be. There are piles of stones around in a big rectangle shape, all that is left of it now. The Buttercups were so pretty, I crouched down low to get this shot, I liked the angle of it.
Here are the notes I wrote on my page: ” Headed to the Old Roman Fort. Sitting here now- it’s so beautiful the scene. Skylark is singing to my right + sheep are calling down the valley behind me. I don’t have time to paint the landscape, I have too much to do at home. 🙁 oh…I couldn’t resist! Quick watercolor sketch!” (See below!)
Small watercolor view from top of Edlingham
I’m so glad I took some time to do this little watercolor, now I look at it in my field journal and can remember the scene so well. I sat on a huge rock of the fort, with my feet up and set a little container of water besides me. I used regular watercolor brushes for this one. I first laid on washes of blue and quickly lifted areas with a tissue for clouds. Then overlapping (on purpose) the blue near the horizon, I put pale green hills. The blue showed through and it made very nice distant hills, keep it soft and pale for this. Then I put various patches of greens for the fields in front.
View from Top, "Ah, this is the life!"
I used this picture to create a glossy note card for those who love hiking, click on the picture to see my “people in landscapes” but I also created one that says on it: “Ah, this is the life!” I guess that says it all, you’ll find that one in my shop here.
More posts coming as I catch up! Please sign your email in the box at the right if you’d like to be notified. Exciting news coming soon about Creative Journaling and Sketching tours!
Come with me on a sunny, breezy stroll along the Northumberland coast of England, south of Cullernose Point and Dunstanburgh Castle.
South of Cullernose Point, Northumberland
This sketch is done looking northwards while I sat on the grass. I used one water soluble “Inktense” pencil (Ink Black) by Derwent, ; after doing a light sketch I wet it with my waterbrush to create tonal values. It’s like doing an ink wash sketch, great for quick sketches and you can go back over it later with color. The inktense pencils are relatively permanent once dry, so I’m experimenting with using the black then coloring later from photos. These colors of Inktense are very intense, so you need to practice and go lightly with your pressure. You can also achieve very black areas which I like.
Drawing near Cullernose Point
Here I am with my field sketchbook, what a view! (click on the picture to see it as a note card with a quote by Pablo Picasso)
Enjoy the many photographs I took below, they show the things we discovered as we walked and some I used later to do sketches from at home.
Brown Lipped Snails on Cowslip Leaves
It’s funny, once you learn about something you start noticing it more and more, as is the case with snails for me. Now when we walk I see them everywhere!
Brown Lipped Snails
These are Brown Lipped Snails; notice the brown line at the edge of their shell. I just love the striped patterns they have.
Pool with Grey Heron
This is looking down from the coastal path we walked on, there is a Grey Heron in that pool down there.
Grey Heron
Well spotted! He’s a beauty; we watched him fish in the pool as I took pictures from afar.
View of the coastal rocks we explored
Here’s another view of the coast where we walked. You can see two figures walking on the path ahead, that’s where we’ll be going.
Common Limpets and a Sea Slater bug
When we ‘clambered’ down to the shore, (hey it’s an old word but it fits here!), we found lots of Limpets, snails and Periwinkles. It wasn’t until I looked at my pictures on the computer later that I noticed the bug, a “Sea Slater”, how interesting! The Limpets are living creatures that cling very tightly to the rocks, you’ll see a watercolor sketch below of one I did.
Yellow Scales
This is called Yellow Scales, a type of lichen that grows near the coast on rocks. It’s very beautiful along with the whitish lichens and grey rocks.
Southern Marsh Orchid
When we returned to the top of the cliffs, we found these small unusual orchids growing here and there. I was surprised at how tiny they were and may have passed them by if Gary didn’t point them out. As near as I can tell they are Southern Marsh Orchids, if anyone knows better, please let me know!
Me Drawing near Cullernose Point
This photo will show you how tiny they were, the orchid is just in front of my sketchbook. I just lay in the grass and did a tiny light, sketch with a pencil. (click to see this and other photos like this, in my shop)
Shell and Flower studies
When I got home I downloaded my photos and did these studies from the laptop. I used watercolors for these, but using Titanium White this time for the white highlights and ‘wet’ look. I don’t usually use white paint, I rub or scrape off to create lights, but I quite liked using the paint for the glaze look. You can read my list of things we saw while there that day on my page.
Studies of Grey Heron
The little studies at the top of the page show my experiment with “Inktense” and just a black watercolor pencil, using watercolor pencil to color it. I wanted to see how much the blacks would lift or blend, hoping they wouldn’t. As I thought the Inktense didn’t lift as well and that’s exactly what I wanted.
The heron studies are also done from the laptop, just painted without sketching him out first. The little one in the left corner was an experiment of painting solid blue water then lifting color and using white paint to add the heron after. I’m not thrilled with how it came out but you should always experiment!
I hope you enjoyed coming along on this walk by the sea. Get outside and bring a small sketchpad with you, you’ll be surprised at how much you’ll see when you sit and start to draw things around you; a whole new world opens up before your eyes.
Here’s a little video clip of the waves washing over the rocks where we were, enjoy!
NOTE: Many of the photographs in this post have been made into beautiful glossy note cards and gifts and are in my shop (home page link). There are many more besides the links in this post, I hope you have a look and please pass it on to friends!
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