Here’s a very small sketch (4″x5″) that I did outside in the freezing cold. The sun had set and twilight time was coming, when the snowy landscape takes on a bluish cold tone. I tried to use my waterbrush but the water was freezing on the paper too fast and in the bristles! So I used my permanent ink pen and that was scraping the ice off the paper, I had to laugh a bit, I’ve never tried to watercolor when it was this cold. I colored it inside after thawing my fingers out.
Below I included the small page of notes that I wrote about the sketch.
Just some little sketches from my field book. I pick up leaves just like so many people do, I can’t help it, they call to me from the ground all wet and shiny and brilliant colors. Each one calls, “Pick me up, pick me!” I end up with a pile tucked into my sketchbook where they get nicely pressed but I usually only have time to get one done before they lose their vibrant color. That’s what happened here, I wanted to use my watercolor pencils (and waterbrush) to test colors it would take and the second day when I went to finish it the leaf had already faded quite a bit.
European Goldfinches
The Goldfinches were neat, they kept landing in the long grass in front of my window and eating the dandelion seeds from the seed heads. It was funny to see this one bird with a seed sticking out of his beak, he’s twirl it around from one side of his beak to the other, it looks like a cigarette in the sketch! I used my watercolor pencils for this too, with a waterbrush.
Hi folks, just passing on some great news, I have three paintings I submitted to be juried for the Miniature Painters, Sculptors + Gravers Society in Washington DC and all were accepted! Yay! The three paintings I entered are following, click on each to see them larger in my gallery and more details about each. I even have links there to blog posts about how I painted them, have a look!
Here is a direct quote from their website about the society: “The Miniature Painters, Sculptors & Gravers Society of Washington, DC, (MPSGS) was founded in 1931 by Alyn Williams (1865-1941), a well-known portrait miniaturist. The MPSGS is the oldest Miniature Art Society in the U.S. It is the second oldest in the world next to the Royal Society of Miniature Painters, Sculptors and Gravers in London, England–the world’s first Miniature Art Society also founded by Mr. Williams. The Inaugural Exhibition of the MPSGS of Washington, DC, was held at the Corcoran Gallery of Art in December 1931. The Society has held exhibitions annually for 71 years with the exception of the years 1932 and 1942.”
Let me know if you live in the DC area and are going to the show. I’ll be unable to attend as I’ll still be in England.
Today we visited Howdiemont Sands beach along the coast of the North Sea in Northumberland England. We walked across Sugar Sands and climbed up to a point where we could view the point at Howick Haven. I wanted to sit and try to do a small watercolor landscape so I bundled up and brought the usual field kit.
Water color painting "View of Howick Haven"
Here’s the finished painting, I did most in the field sitting on top a windy, grassy cold hill. I’ll share the photographs with you of what I saw and tell you a bit about how I did the little painting.
We walked along this beach
When you first arrive at Howdiemont Sands you can choose to walk either right or left. We chose left because it was new to us and we always wonder at what new views might be found or other discoveries.
Sugar Sands
The beach here (called Sugar Sands) is unbelievable, a pretty color of ‘sand’ shade, (hahah…) clean, soft and inviting even on a cold sunny October day. You can see many other people and their dogs found the beach irresistible today too.
Bird tracks
There were lots of interesting bird tracks too, gulls leave a track with a little web foot. This one? It was big and looked like it would drag it’s front toe in the sand when it stepped; I wish I knew what it was.
Looking back at Sugar Sands
Here’s a view looking back on the beach we crossed, sometimes you have to go up over the grassy banks to get past areas that are under water still.
The red rocks below me
This is looking down from where I decided to paint, how beautiful the patterns and colors are in these rocks. As the tide continues to go out the rocks will be more exposed.
View from my painting spot
This is the gorgeous view from where I decided to sit, light was fading fast and I had to pick a place quick. It’s really hard to pick a scene when there’s so much to see around you. It helps to hold up your hands and make a little opening like a rectangle and pretend that’s your paper. Move your hands around until you find a cropped scene that you like.
View I painted
Because I wasn’t working really big I tried to limit what I was going to paint, also I didn’t have tons of time with the sun leaving soon as it was about 4:30pm when we arrived.
my sketch
I sat on a picnic blanket with a waterproof bottom, wore my wind/rain pants over my regular pants, this helped to cut the cold and wind. I also had on my fingerless gloves as usual, sorry no picture today! I’m using a homemade sketchpad that I created so it would be extra long. It’s great for landscapes! I worked with my field pan and regular watercolor brushes, usually when in the field I use my waterbrush. I don’t like the waterbrush for larger works needing big washes of color. You can see in the picture a baggy just off the blanket, tucked into the grass. I forgot a watercup to rinse my brushes in, so I used a baggy with some water in it, it worked great!!
My watercolor field pan
This is the painting/sketch laid out at home, you can see this is how far I got with it in the field. The pan watercolors I used is an old metal kit that I popped the large pans out of and replaced with half pans of Windsor Newton brand paints. I use a bit of sticky tack or blue tack to hold each one in place and you can see the handles on my brushes are cut, so I can fit more “things” in it. I brought that one long brush with me and used only that to do all this so far.
My set up to finish from photo at home
Now I set up my laptop with a photo I took while there, and worked on details with smaller brushes while looking at it. I didn’t touch the sky, just left it the way I did it in the field. If you start to mess around with all of it, it can get stiff looking. Notice I put my coffee on the left side…if your right handed, water should go on that side and you don’t want to be dipping into your coffee by mistake! So, I worked on trees and details of that main area; I also used a razor blade to scrape fine lines for the white fence. Also, you may have noticed a funny looking cone shape that looks like a child’s’ painting of a tree? It’s a recreation of one of the oldest ‘houses’ in Britain probably from the Bronze age. Remains of one were found on this very spot! They made their homes from tree limbs in a sort of tee pee style, with turf for the roofing material. I’ll try to find a link about it to add here.
Go here to see the finished painting in the GALLERY.
I am not sure when I started to be fascinated by mushrooms and fungi, but when I go hiking I find I’m always stopping to notice them tucked away under branches, logs or leaves. Sometimes they’re right in front of you on the sides of dead or dying trees or right on the path, or they may be hiding waiting for your keen eye to catch them.
I spotted this pair right in the lawn (that needed cutting!) and what an interesting mushroom. My best guess is a “Shaggy Ink Cap”. I wondered why it was named that until I saw it a few days later.
Shaggy Ink Cap watercolor sketch
I did this little sketch with just watercolors, I wanted to avoid doing a careful pencil sketch and just kind of block in some green to form the light shapes of the mushrooms. I used a waterbrush which is handy but can be a bit limiting; it’s not as easy to mix quick pools of color in your pan and you must have a paper towel handy to clean between colors. Also I usually use just the one size waterbrush when doing a quick sketch so you use it to make wide and narrow lines or marks. The challenge on this set of fungi was the shaggy part, how to paint it without fussing too much? The “shags” were light and pointy, really their form was created by the darks around them…above and below. If I was doing a careful study I’d spend more time on that feature.
Me working on the sketch
Here’s a picture of me working to show my set up; I’m sitting on my blue foam pad because the grass is damp and chilly, it was early morning still. It’s not the best posture for someone with a ‘bad’ back, no support, but what are you going to do? That’s partly why I worked so fast, I get achy!
Looking over my shoulder
You can see my new little field kit there, I use it as a purse and carry my bare essentials for field sketching. The art supplies take presedence I have to admit…no make-up just some money, credit card and the rest is for drawing! My motto, “Be Prepared”! I’m holding the watercolor pan in my left hand, waterbrush in the other. I have regular brushes in the pan in case I want to use them or have water with me.
Shaggy Ink Cap
This is how it looked the day I painted it.
Two days later
And this is just two days later, I was shocked! I guess that’s where it gets it’s name, INK cap. It was eerie looking, dripping black goo, like it had melted.
Two days later close-up
I would like to learn more about this, and why it does that. Any of my readers know?… leave me a comment please. I didn’t have a chance to draw it at this stage, been too busy going off on hikes. I have been photographing many types of mushrooms, my favorite so far is the Fly Agaric…bright red cap with white flecks on it. I hope to do a painting of that one too.
Just had to share some good news, today I sold one of my bird paintings! I have just recently decided to release this one, I painted it in 1985 and never really wanted to part with it. I met Shirley and she told me it really caught her eye and though I’ve had people desire to buy it before, I just never felt ready to let it go. Well, it’ll have a good home I think, both her and her husband love nature and art. I think she came to the right place then at my gallery as those are two things very important to me!
Shirley with her new painting!
The painting is done with soft pastels for the background and oil pastels for the bird. I was difficult to do the details in oil pastels but I chiseled off the tip of the crayon to make small marks. A light hand and building layers of color is important. Shirley asked about how it feels to part with a painting and commented on how hard it must be. I think an artist has to decide, some of their art they can keep forever or pass down to their loved ones, but it feels good to share what others see as a treasure and beautiful. I love sharing my love of my subjects, birds, horses, trees, nature and people.
Proud owner of a new painting
To see more bird paintings visit my gallery, I have four different sections in the bird gallery- birds of prey, owls, water birds and perching birds. Click here to visit. I also have interesting paintings with birds in my Fantasy Gallery and my Goddesses Gallery.
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Have you ever gone for a walk on a beautiful day, listening to all the wonderful birds singing around you, and there’s one that seems to be singing right in front of you, but won’t show itself? Sigh. That’s what happened today at the midpoint of my hike, standing quietly listening intently, trying to ‘see’ this mystery bird. So, I think I found a new species, we’ll call it “Invisible Warbler” , perhaps with a Latin name of Invisibulus? Haha, anyone else seen signs of this bird? Well enjoy reading my pages below and the added photos, I’ll add a few notes here and there to explain.
This page from my sketchbook shows a quick watercolor sketch where I was standing. It’s a very wet area filled with these swamp type grasses or sedges and surprisingly I wasn’t bothered by mosquitoes here! As I stood painting, Ginger flushed two Woodcocks at separate times, I guess they like wet areas as they use their long beaks to probe the soil (mud) for worms. My dad said that’s why Woodcocks don’t taste good and I can attest to that! When he used to hunt we had some for dinner…very strong tasting meat. I remember he said they were also very challenging to hunt as they are a hard target; when I see one explode from the brush I can’t imagine how you could actually shoot one! ( I never would anyways!!)
Yellow Throat (2)
Now here’s one of my favorite warblers, a Yellow Throat. I still remember the first time I saw one down in Pennsylvania at Lake Sheridan.
Yellow Throat
He was so difficult to see in the brush, I’m just happy I got these two pictures though they are blurry! I really need to paint this warbler.
Burr
Did you know, the guy who invented “Velcro” got the idea from this little plant? Next time you see some prickly headed Burrs, take a closer look at it. You’ll notice the prickles have little hooked ends on them, not so nice when you go hiking and they stick all over your socks!
Hairy Woodpecker ?
I saw him on “Memory Lane”, heard his tapping before I saw him.
Flycatcher
I’m not very good at identifying Flycatchers, though I got a lot of great photos of this one if anyone wants to help me. Is it just a Phoebe? I found him by my pond.
Eyed Brown
I’m so excited about finding TWO new butterflies, for me that is! The first is this “Eyed Brown Butterfly”, a very simple and plain looking creature. Sometimes it’s looking closer at the ‘plain janes’ that you can appreciate their subtle colors and patterns. I like the combination of light brown with the dark brown spots and the rings with dots. If I was teaching children to notice this, it’d be fun to draw these dots and rings. Also notice the repeated lines of the veins on the wings, a nice pattern.
Eyed Brown (2)
Rose Breasted Grosbeak (fem. or juvenile)
This was a great capture! I was standing quietly on “Oak Lane” and saw him up on a branch at the edge of the woods adjoining a field. It looks like a gigantic sparrow if you were to compare it to something familiar, but notice the heavy beak. This is either a young Rose Breasted Grosbeak or a female, I’m not sure. I’d guess a young one because it looks so ruffled.
Rufus Sided Towhee (m)
Another favorite of mine, the Rufus Sided Towhee. I still remember the first time I saw one of these too, also at Lake Sheridan in Pa. So many great birding memories from Pennsylvania when I was a teenager! My family is originally from the Scranton area…I spent lots of time at Lake Wallenpaupak too…anyone familiar with these lakes?
Rufus Sided Towhee 2 (m)
Wasp
To get this picture, I was a lot farther away then it may seem! I used the zoom on my tiny Olympus camera to capture this one, I just love the pose…looks very elegant actually!
Common Wood Nymph (mating pair)
This is the second new butterfly discovery of the day for me, the “Wood Nymph”. This is a pair mating, I don’t know if the male of female is the larger one, but one was definitely larger and more pronounced markings. On closer look (in real life) the wings looking rather plain here were actually slightly irridescent and rather pretty.
Common Wood Nymph (mating pair) 2
Well I did not find that invisible warbler, let me know if you ever find one, maybe I can figure out a way to get a picture of him?? haha….
Please leave me your comments and if you may know any of the things I asked about…lets hear your thoughts!
This morning while eating my oatmeal and sipping my coffee, I heard a strange rustling sound behind the curtain of my sliding door. Hmmm…..dare I look? Could it be a mouse? Err…um…ok, I’m not squeemish about mice so I pulled the curtain aside and a large brown moth came flying out! He was looking for a way out and followed the light, no pun intended. I had no idea what kind it was and in the “old days” I would have said, “yuch a moth!” But now I find it’s much more interesting to take a closer look and study things, understand them. I went to the barn to retrieve my butterfly net, despite the very wet grass and chilly fog.
Once I caught the little guy I put it carefully under my “Britta Waterfilter Jug”, probably first it’s been used in a long time! haha. It’s nice and clear. I grabbed my sketchbook and did some basic outline sketches, and looked at it with the magnifying glass and identified it as a “Large Yellow Underwing”. Then I took pictures with my tiny Olympus camera because it has a nice closeup feature. I started some of the basic patterns while looking at him, but really was able to add the real detail after printing out some pictures. By the way, at first I thought it was a “False Underwing”, as you can see from my crossed out note, but looking closer at his underwing you can see the extra orangy yellow band at the bottom, or in Butterfly wing language “the Margin”. It was interesting to study his legs as they had slender needle like ‘thorns’ on them.
He was at first a dull brown looking moth, but as you can see here, so beautiful when you study the patterns on his wings. After I had some pictures I let him go outside right away, don’t want to stress him. He flew around in my screen porch a bit and that’s when I got the best pictures, no plastic between us!
I’m adding this little sketch that I did yesterday. While looking over my parsley plants, checking for signs of Black Swallowtails, I noticed a tiny Damselfly flying around. It was only one inch long and though it was orangy colored, it was hard to notice at first. I tried to study its color, pattern and size and when I went back inside drew a small pencil sketch. Damselflies hold thier wings together and Dragonflies hold them out, so I knew it was a Damselfly. As soon as I opened my bug field guide to the Damselflies, there it was! A “Rambur’s Forktail”, the adults are a pale blue color. Here’s a link for photos: http://bugguide.net/index.php?q=search&keys=Rambur%27s+Forktail&search=Search
Today I went for another walk on Long Lane Farm with my 4 legged companion Ginger. Below I have a page from my sketchbook journal where I show a fun technique of using a frame as a design element. If you keep a few ‘frame’ templates in your field kit you can have some fun tracing them. Some template ideas could be a post it note, an index card, maybe the lens cap from your camera (I thought of this one while sitting and drawing today) and what I used here was a simple refrigerator magnet that has the center that pops out. I think if you take more time to play with this you can really do some nice designs!
field-study-flowers
Clockwise from the top left you can see a Daisey in the grass, then the male Oriole popping his head through the oak leaves at the top of a VERY high old oak. Above that a yellow wildflower that I think is ‘King Devil’ a type of Hawkweed, then ‘Fleabane’, the little pink flower underneath the Oriole. The bottom right is a very pretty wildflower that I found in the Maze..anyone help me with this one? (I have photos of these wildflowers coming up.) In the frame are ‘Common’ or ‘Tall Buttercups’ and around the frame I listed the names of birds I saw or heard today.
field-study-grasses
On the second page I just used the micron permanent pen and drew some grasses. On the right are ‘Soft Rushes’, their pliable stems are what would be used to weave mats or baskets and next to it some type of sedge. The rushes are more closely related to lilies than grasses, my field guide says and I know the stem is round. It’s neat to follow the stem to the top with your fingers and feel how absolutely perfect a point it comes to. The sketch next to it is of some type of sedge, honestly I can’t find it in my guide. They had a most interesting design in their growth, three leaves jutting out from the top in different directions and the clustered seed pods looking like spikey critters! It had a triangular stem which reminds me of the saying…”Sedges have edges”.
tree-swallow-youngster
I snapped this shot as I was leaving the yard, just after his mom or dad had visited the hole. What a face! haha!
fleabane
And here’s the pretty pink ‘Daisy Fleabane’, people used to hang it in their houses to keep away the fleas…not sure if it worked! I have a big clump of these sprouted up in my front flower bed and they are really pretty. Many people would have yanked it thinking ‘weed’, but well, it has lots of company with all the other weeds!
white-flower
This is the mystery flower, can anyone help me identify it? I love the fine fuzz on it, as I look at a close up picture, it catches the sun. They were growing together in a patch in the middle of the Maze.
King Devil-Hawkweed
I think this is called King Devil a type of Hawkweed; I found it growing at ‘Aspen Hall’ a shady area along the lane just before the Maze. It has fine bristly hairs all over it and the flowers were all confined to just the top of one long stem. I had to move grasses to find the leaves, which were tucked low at ground level.
white-moth
This white moth was interesting to study. I spotted him when Ginger and I were returning along ‘Oak Lane’, it was flitting eratically along the path, as butterflies do. I kept following it to try and get a picture and I’m sure it knew it was being followed. I thought about how strange it is for a WHITE butterfly to be amonst so much green! It stands out like a sore thumb, well I have a feeling this photo will teach you something. When it landed instead of staying on top of the leaf and closing it’s wings, it very quickly flipped under the leaf and laid it’s wings out. Now you’d think oh I’ll still see the white, but no, the green leaf reflected on it’s wings and it now looked green! How cool is that? If you ask questions as you stand and watch the bugs and critters around you, you’ll start to notice details you never thought of before.
oriole-male
Here is the gloriously beautiful male Baltimore Oriole! I love seeing them, such an intense orange and yellow breast set off by deep black like velvet! He’s way up in an oak tree looking down at me, can you tell? I love this picture of him. This was along Oak Lane and I ended up standing still here for quite a long time. I kept hearing several different birds give their warning chirp like they had babies near.
oriole-nest
I’m glad I stood as long as I did, I caught sight of what I guessed was a female Oriole and studied where she disappeared to. Aha! They have a nest way up in the oak tree, hanging out over the path! It’s amazing that birds can actually weave a basket nest like this in the tree and it supports the eggs and adult, later all growing into heavier fledglings. If you look close you can just see the female through the leaves, leaning down into the nest to feed the babies.
green-bug
I think this little green guy who came to visit me while I was eating and painting was really neat! I haven’t found him yet in my field guide, I think I need another bug guide to cross reference.
black-beetle
And last we have a very black, very shiney beetle…no I don’t think it’s this beetle but I’d love to hear some suggestions? Closest I’ve come is either a ‘Ground Beetle’, or ‘Red Legged Ham Beetle’ or a ‘Blue Milkweed Beetle’.
I hope you enjoyed the walk with me today, so much was seen and discovered in what looks just like an ordinary field and woodland edge. Take time to stand or sit still and just watch what the creatures around you do. And you’ll see so much more if you look a bit closer at the ground, grasses or flowers as there is always something living there.
Please post a comment if you like and if you may know what my bugs or flowers are, please lets have a stab at it!
Here’s the books I referenced after my hike today:
Reader's Digest Wildflowers Guide
Nat.Wildlife Fed. Field Guide to Insects and Spiders of N. America
My finished miniature watercolor painting of a Great Grey Owl, measuring a mere 2″x2″! Be sure to check it out in my Owl Gallery too. It’s an owl named “Aspen” that I photographed at the Keilder Water Bird of Prey Centre in Northumberland England. I’ll show you the stages of painting and talk about how I did it below.
"Great Grey Owl" -first washes
This shows the first stages of painting, the beginning washes to lay down the values, color hue and expression of the painting. I first started with a light sketch in pencil, lifting it as much as I could with a kneaded rubber eraser before painting. Then I painted the washes and sprinkled salt on wet areas to see how it would ‘pull’ the color and create interesting patterns. It is at this stage of the painting that you can get a feel for how the painting will go, will you be loose and expressive? Will you go for more details? Sometimes I think we have to let our intuition guide us, or perhaps our mood.
First wash set up
This picture shows you my set up for the first washes, I always start flat on the table so the color doesn’t run. Many times on larger paintings I stand up and work loosely with my brush. (check out this short Utube video of me working on the “Screech Owl” painting, it shows how I paint loosely when standing). This set up shows my photo reference to the left, the salt above that, then my field palette to the right because I’m right handed, the water bowl above that. I keep a white paper towel folded nearby for wiping off excess water and it allows me to see if there’s paint left on my brush. You see my magnifying lamp which I find good because the light is cool and matches daylight; but I don’t use the magnifier on it as I find it clumsy to use my brushes under it and I bump into all the time when I lean in super close! Sometimes I use a hand held magnifying glass or you’ll see pictures later of my glasses.
Great Grey Owl -stage 3
Now here in stage 3 you see I’ve jumped ahead with lots of details and color. As you work, squint your eyes at the photo and your painting to catch large areas of value that need to be developed and notice color hues. At one point I felt my owl was too brown so I washed a very watered down blue grey over areas, but only on very dry areas. In areas you need to lighten you can either lift color with a damp brush and blot with a paper towel, or you can add it using white watercolor or gauche mixed with your paint colors.
Now on purpose I’m going to point out some things that I found to be unsatisfactory in my painting and I changed. At stage 3 here, I felt like I did a pretty nice painting! I was feeling like it was done, ah….no such luck. If you let it sit a day or two and return to it, or if you show it with the photo reference to a friend with a sharp eye, they’ll be sure to catch something ‘off’ with it. If you’re a conscientious artist, you’ll be bothered by it until you fix it and you probably already knew it was wrong to begin with but wanted to ignore it! Well lets just say my boyfriend has a good eye, sigh, well now he ‘did’ pick me didn’t he? We both agreed the beak wasn’t right, I pointed it out to him then when he agreed it was back to the easel with it. I can’t believe how much I was able to amend the beak being that this is watercolor after all. People are afraid of watercolor because they think it’s unforgiving, wait until you see the changes I made.
Great Grey Owl -stage 4
Stage 4 shows the beak changed, I totally moved the angle of it and lengthened it! (see the enlargements below of these final stages too) If you take a damp brush and gently re-wet an area, and only the area you want to fix, you can then repeatedly rub it gently with a damp brush tip, blot it with a clean paper towel (I prefer Viva!) then clean your brush, wipe it off and repeat. Do this over and over, you’ll be amazed at how much you can lift. When I repainted the beak I thought like an oil painter, I laid down a more opaque yellow layer to clean and brighten the beak, then I kept putting washes over this dry layer to affect the color. It ended up with an unusual translucent look like a real beak would have.
As I did this, of course I started to notice other areas I wanted to improve upon. Sigh…such is the plight of an artist with a picky eye! Notice the area of light tan below his beak, I needed to bring out the lightness of it so I added white watercolor to some cad.yellow, and browns to create a tint for an underlayer. Another note about this painting, next time I will pick a much smoother paper, working with this much detail you need to keep your paper super smooth with no distracting texture.
Great Grey Owl -stage 5
Stage 5 shows how I painted detail on top of the tan area under the beak and the beak has more details added. The owl has an overall lighter look, this is because I kept stroking on little feathers with a tint of whitish blue grey to add detail. Now I thought I was done here, but remember that boyfriend of mine with the good eye? Well he helped me notice I had painted out the nostril! SIGH….yes, when I was adding the little hairs by the beak I must have done that so back to the easel. The picture at the beginning of the post is the final stage, fixed and finished!
Working with my magnifying glasses
This is me working with my reading glasses on and a little set of clip on magnifier lenses. In the photo I have the magnifying lenses lifted up so I can look at the paints in front of me, if they were down I’d need to get much closer to see what I was doing. So I would lift the lenses up when I would sit back a bit and take a look at the ‘whole’ painting and the photo, looking for areas that need attention. Then I’d flip them back down and get close for the detail painting. I wouldn’t use them for the initial stages of painting, you don’t want to focus on details at that point.
Also you notice here my setup is different than before, I have another pan of watercolors and have them set up on some jars so they are closer to my painting. Working with a tiny brush ( 10/0 liner) it dries out super fast and keeping my pallet nearer seemed to help. The nice thing about working on a miniature painting was being able to mix small amounts of color right in the pan lid. (the brush in the picture is not my liner brush)
The pictures below are so you can look at one section close up to see the changes I made to the beak and area around it.
Great Grey Owl close up detail stage 3
Great Grey Owl close up detail stage 4
Great Grey Owl close up detail stage 5
Great Grey Owl -close up detail finished
I hope you’ve enjoyed my post about my painting. I looked forward to showing you my mistakes and how I fixed things as I painted because this is how it goes, it’s a process and doesn’t always go as easy as it looks. I like to encourage my students and others to keep looking at their paintings for more detail but most of all a good beginning drawing is crucial. As you can see here, I missed the beak angle and had to fix it later, but the more you paint and draw the better you’ll be at catching these things in your work. That’s my two cents! Please leave me some comments and if you are interested in note card or prints please let me know.
For the fun of it, here’s some Utube links with owls!
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