It is a cold and dreary day here in Western New York, I guess it is in many places around the world. But the drippy dreariness also shows me spring is coming; snow melting on soggy but still frozen ground, dripping of ice from the trees and an almost silent occasional gurgle of air from under the ice as I worked quietly.
Oil sketch field kit, ready to be tested.
I created this lightweight kit to take outside with me, just for oil painting sketches. I mostly want to focus on practicing mixing colors for landscapes from the real thing. I’m not concerned about finished paintings, though as the weather is warmer I may work longer on them.
It’s a plastic box that I bought at an office supply store. I used a metal pencil box for my paint and as a palette; it’s held on with blue sticky tack. I also have a pill box that has colors in it, though I want to buy a long one so it will fit better. I have canvas paper cut to standard sizes and tape it in and also created a place for brushes with loops of masking tape.
My mineral spirits container slots over a strap I made out of masking tape.
I had a tiny plastic bottle of mineral spirits with me but didn’t need to pull it out, I had a tiny bit in this metal medium cup. It’s got a screw on lid and I created a strap with masking tape that it could slip over to hold it in place. Then I stuck a blob of blue sticky tack behind it to keep it from slipping off. (Just love that sticky tack!)
Here's how I held the kit and painted while standing.
It was very lightweight as I worked. As all tests should do, it helped me find what was ‘not’ working great; I need to make a little holder for dirty brushes on the left and both need a holder with some kind of bottom, like a pouch. My brushes were sliding out the bottom too easily and may get dropped.
A view of the painting and the subject.
Here’s the whole thing in progress. Note the paper towel with red paint all over it!! Ok, I admit it, the very first thing, when I lifted the lid of the metal pan (with my very cumbersome mittens on) I inadvertently got Cadmium Red paint on my mitten thumb, WITHOUT KNOWING IT! It suddenly showed up in three to four places, probably on my face too and I didn’t know it! Ok, those who paint with oils know that sometimes this just happens, oil paint likes to migrate. Cad Red is one of the worse to get on stuff! You see traces of where I had to scrub off the second canvas paper there, sigh. Nobody’s perfect.
Ginger is waiting patiently, telling me her tootsies are cold!
Ginger loves to go out on walks, but gets bored when I stop to paint or sketch. Today was worse because her feet were cold! But a good sign, when I was ready to leave, she didn’t turn towards home, she wanted to go further.
Cleaning my brushes, stand them up in the snow as you go.
When I’m done, I set the kit on the snow and stuck my dirty brushes in the snow (bottom down) and just dipped the tip of each one in mineral spirits and pushed on the lid/palette to work much of the paint out. Wipe it really well on paper towel, it won’t be clean but well enough to travel home for cleaning. Most of my brushes I used were bristle brushes for scumbly strokes and one small, flat, soft but firm nylon brush for the thin line strokes.
The field study for today.
Here’s the quicky field sketch fresh from the icy field. I know my colors look brighter than the photo, but that’s the beauty of painting from life, the colors were more vivid and beautiful to my eyes, a photo will lose a lot of true color and atmosphere. If I want I can let this dry and work more on it or do it while it’s still wet. Ideally, touch up what you want right when you return and it’s fresh in your mind. I don’t want to fuss too much over these sketches unless I do one that I feel is worthy of fussing. My main goal is to just get out and get quick color studies and not complicate things too much.
Hope you enjoyed, I’ll be trying out my field kit more and will keep you ‘posted’ as they say! haha.
Happy New Year everyone! I’m looking forward to a year filled with tons of new paintings by me and look forward to getting back to England for more adventures! Please share my blog with those you think would enjoy it.
I wrote some notes upon my return to the house, they are posted below if you’d like to read them about my day outside in nature. Both paintings were done with a dry palette of watercolors and one waterbrush. The sketch below I first drew with a permanent ink pen, brown color, then put washes of color on it while standing there in my snow shoes. This sketchbook is a mere 4.5″x5″!
"Winter Water and Shadows"
my notes
I hope you enjoyed a glimpse of my walk, I encourage everyone to get outside despite what the weather might be like to have a closer look around you.
It was bright and sunny today but winter still hangs on, the snow is over a foot deep and I wish I had my snow-shoes on! The snow is heavy, wet and deep; as I trudge through it I thought of the word ‘slogging’! Under the heavy snow is a deep, wet slaw of melted snow; I’m glad for my rubber boots.
"The Branches Reach Towards the Moon"
Ginger prances on ahead of me, begging me to hurry. Finally along the edge of the pasture I paused to catch my breath and attempt to capture a likeness of the moon with the trees reaching up towards it. At the end of this post you’ll see my small sketchbook and watercolors, and how I hold them on a clip board. Almost all my field sketches are done while standing and holding my book.
"The Field in Late February"
Well as you can read in my honest notes, Ginger surprised me and did something different; I feed her really I do! I guess you can’t stop instinct. I’m happy with how this little watercolor came out, I’m always trying to capture that color of the bushes in winter, they’re gorgeous. I was standing in deep snow and at the same time had to shrug my coat off my shoulders and take my hat off as the sun made me that warm. Maybe spring is coming?
"Paw Prints"
There are so many things to see if you take your time and look around you. The snow was quite hard on top, if you’re a lightweight animal. I noticed little tracks as I walked, then saw these little prints and had to sketch them. I brought no camera on purpose today, I wanted to really have to describe all I saw with my brush and pen. For tracks you can use your pencil or pen to measure the real size onto your sketchbook. I call this Comparative Measurements and it can be extremely accurate when you practice using it. These tracks were a bit hard to see because they were so shallow and the snow had dusted over them a bit. I drew the tracks at real size and then measured the distance between the sets, finding they were one pen length. This tells me it’s a small animal, at first I thought raccoon but when I looked on my pocket animal tracks guide I think it may be a skunk! Hey hibernation must be over! Look at this link to see a picture of my pocket track guide which, by the way, I don’t carry with me in the field.
"Snow Burrow"
Then as my eyes followed some more tracks, made by a fox I think, they led me to a small hole dug into the snow. I guessed that a fox, who used his great sense of hearing to listen for small mammals under the snow, had been by and dug down to ‘no surprise’ a burrow or tunnel of a vole. I like to think about the event that may have taken place, probably while the moon was shining on the snow at night. I wonder if he got his dinner?
"Paul's Chair"
As I said the sun was shining brightly as I returned from my day’s walk, trudging along the deep snowy lane. I looked off the lane into the woods and saw there a black metal folding chair. This chair is not there by mistake, my son Paul placed it there years ago and would disappear at times and he’d go here to sit in the woods. I think everyone should have a chair in the woods somewhere, where we can go escape or think. I felt a bit sad seeing it there by itself, perhaps it’s owner would never sit in it again as he’s off to college now. I just hope (as his mother) that he’ll always “find a chair somewhere” and sit in the woods.
Clip board with closed sketchbook
Here’s a picture of my clear clipboard with my handmade 4 1/2″ x 5″ sketchbook and watercolor palette attached. This is how it looks when I pull it from my bag, I use the rubber bands to hold the book shut and the palette. The palette is held on with blue ‘sticky tack’ or ‘blue tack’. The sketchbook is clipped on with metal clips with the front cover.
Clip board with open sketchbook
This is how it looks when open, I use the white rubberband (actually it’s a hairband thing) to hold the piece of paper towel or to help hold the book open, or you can use a metal bankers clip. You can see I’m using my waterbrush today with the watercolors, I find it easier when hiking and especially in cold weather. Though it won’t work when it’s ‘really’ cold, it turns to ice on my paper!
I hope you enjoyed coming on my walk, please leave me a comment! I’ll have classes this summer in England where you can come along and sketch while we explore the gorgeous countryside. Please sign up your email address in the “subscribe to posts” box in the right column.
Today I went for a walk with my dog Ginger out through the pasture to the field beyond. As it says in my notes the morning was very cloudy and misty, I think because the temperature has warmed enough that the snow is melting. Click on any picture to see larger.
Page 1-notes from my walk
Believe me it’s still cold! There was ice crunching beneath my boots but it was all water underneath; the ground is absolutely saturated with snow and water. You can see on my first page, I was playing around with the watercolors to capture that beautiful reddish color in the field. It’s actually all the tips of the bushes, together they look like a mass of this color.
Page 2-Watercolor sketch of the field
Here’s a very small sketch I did while standing in the snowy field.
Page 3-Ink sketch on the Lane
Sometimes I like to take a shape and trace it on the page to play around with, sketching inside or outside it. I had already put this square in the sketchbook and found it when I flipped the page, so I decided to do a tiny ink sketch of my view ahead. This is out by Aspen Hall, a special place on my land, all those trees ahead on the left are “Aspen Hall”. When working with permanent ink pen I sketch by making little marks of where I want things placed, you will always see little mismarks on my ink sketches because I believe in being loose and kind of scribbly. It’d be different if this was a planned drawing done while sitting at my drawing table in the studio.
I bundled up because it was extremely cold today and headed outside for some fresh air. I used a clip board to hold my small sketchbook and a small box of oil pastels. I needed to keep it really simple and easy to pick up pastels as I was wearing enormous mittens and with the freezing temperatures I had to work very quickly. The sun was setting and thus hitting the far trees across the field. I laid down a very thin layer of the lightest blue then used a heavy application of white and rubbed it hard to smear or blend it together. Click on the picture to view it a bit larger.
Here’s a very small sketch (4″x5″) that I did outside in the freezing cold. The sun had set and twilight time was coming, when the snowy landscape takes on a bluish cold tone. I tried to use my waterbrush but the water was freezing on the paper too fast and in the bristles! So I used my permanent ink pen and that was scraping the ice off the paper, I had to laugh a bit, I’ve never tried to watercolor when it was this cold. I colored it inside after thawing my fingers out.
Below I included the small page of notes that I wrote about the sketch.
I have a few sketches to share that came before New Years Eve day, I’ve been getting behind on my updates here! So just a few sketches, the above one is a wasp that paid a visit to my bathroom windowsill. I wasn’t even sure what it was at first because it was so small. But I’m pretty sure it’s a wasp, I helped him find his way outside! What was really neat is that I held a magnifying glass up to study him, I was able to see so much more!
Thistle and Chickens in Winter
Then just the other day I realized it had been forever since I went outside and did some sketching in my field sketchbook. So, though it was in the Teens I ventured out with small sketchbook and simple ink pens in hand. I also brought my camera and had fun taking black and white photos till my fingers absolutely froze. I drew these sketches wearing big fat mittens, it was really hard!
December 29, 2009 journal
These are notes from the back of my journal from that day. It’s a small sketchbook that I made myself and in the back are pages made from cheap computer paper just for note taking freely.
Ink sketches of weeds in the snow
“Dead weeds…seeds awaiting Spring..so is it really ever dead? Awaiting a warmer time in a warmer clime.”
New Years Eve watercolor sketch
I hope my writing is readable, I wrote it after dropping my sketchbook into the snow and the paper was damp! It really may look simple but looking back at this little sketch reminds me exactly of the day and standing there to paint it.
New Years Eve 2009 journal
Though I’ve scanned my pages above I’ll type them out so you can read them better. This is what I wrote in the back section of my sketchbook where I just write my thoughts.
“December 31, 2009-New Years Eve, I walked across the yard, the ice crunching under my boots, and reaching the side of the yard with bushes, weeds + trees. I stopped as a Mourning dove flew from a distant tree. I stood still and just waited, listened + watched. Then I noticed a group of house sparrows in the treeline, clustered together like a friendly band of cheerful friends. I remained still. Then I saw a sparrow closer this time, oh it’s a Chipping Sparrow! With a red cap! He’s looking for seeds on the weed heads, I remained still. Two Blue Jays silently flew from one tree to the next and then a tiny Chickadee…followed by another…then a woodpecker (Downy) made it’s appearance followed by the whirring sound of doves wings. Overhead now I hear a flock of Canadian Geese coming..one, two, three….23! Just standing silent at the yards edge in Winter, so much life if you stop and watch and listen. Now they seem to all have moved on…time for me to move on.”
The cardinals I did looking at the little feeder that is stuck to my studio window. I wasn’t concerned with a fantastic drawing, just practicing the gesture sketches of it. I added a touch of color with a waterbrush and watercolor.
Then I decided to take my sketchbook, watercolors and a simple waterbrush with me when I went out to feed the chickens. It was really cold and windy, so it was hard to draw, but I donned the flip top mittens and went to it! Ok..it was worse trying to paint, but I did some simple color studies. It’s very hard to sketch chickens as they move so much!
Then I headed outside the barn and set my pad on top of a tripod that I attached a piece of wood to, it was very windy! The mount isn’t a very strong one, it loosened up sometimes, but it allowed me to set everything down in front of me. I’m always experimenting with ideas.
Above you can see the some chickens that were roosting in the rafters. I painted them with Chinese ink…from a dry cake I keep in a tin; it used to be liquid I just let it dry and can use it like dry watercolors. Below that is the little landscape study with some notes. The hawk sketches I added today actually. I saw a hawk through the window and tried to do a sketch using my binoculars. I’m pretty sure it’s a red tailed hawk.
My landscape was pretty far away from me, but I was after the colors of the field. You can see the picture below. Oh yes…and then there’s Ginger, always waiting for me to walk on somewhere else! haha….
That’s it for now…stay tuned for more updates about my trip to England, sign up your email in the box in the right column. Bye!
Last night as I walked out to the barn, I paused to admire the stars, it being a clear night with a small crescent moon. My dog Ginger was bouncing around me waiting for me to continue to the barn for feeding time, I had to watch awhile. I watched them twinkling and thought again about how people all over the world are connected when they look up at the stars and moon. I noticed too how the light cast from the barn made the trees glow against the dark sky, the lighting from below was haunting. It was just then I saw a bright shooting star fly over the trees…with bright sparkling colors behind it; it didn’t have a long tail, but a very brilliant short one.
This is the painting taped to the table (it’s 5″x7″), I used a liquid friskit with the pen tip to quickly sketch the trees on. They are a little clumsy but I meant to do it as a quick sketch, and have some liveliness to it. The stars came out a bit too big so later I had to paint them in a bit.
After the liquid friskit is dry and only then, is it ok to do liberal washes over it. The friskit keeps the paper white, I should have taken a photo to show you how bright and ‘garish’ it looked when I rubbed it off. My son Paul loved the look, kind of modern but a bit too stark for me. I brushed over the trees liberally with browns and then used a damp brush to lift color around the tree tops…a softening effect to suggest the finer branches and glow.
This is my tiny kit with the Altoids tin of watercolors, I mixed my paints on the metal pencil case. The last thing I did was put a little color in behind the shooting star, I took note of this right when I saw it and that’s what I found fascinating about it.
So that’s it, a little sketch of a shooting star…and oh yes…I DID WISH UPON IT!! (but I’m not telling! 😉
This is a tiny little watercolor painting I did on New Year’s Eve morning, while drinking my coffee and looking out the back studio window. It measures a mere 2.5 x 3.5″. You can see below a photo I took while working, but I put the tin down to take the photo. I painted it while standing and holding this little set-up in my left hand. It’s a pencil case that I stick my “Altoids” watercolor kit in using blue tack or sticky tack, and the same for the tiny watercup. I also use the tack to hold two brushes at the ready on the side; I use the metal area under the paint kit to mix colors. This set up works well for small paintings and studies.
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