I know it seems out of place, this painting of snow when it’s Spring (at least it’s trying to be spring!) but I found I had never posted this and would hate to have it forgotten! So here’s a short post about a cold, snowy walk in January! If you click it you’ll see prints of it in many sizes.
"Field at Long Lane Farm" watercolor
I did this little 7 x 7″ painting in my journal while standing in the lane that goes out to the fields on my farm. I love the subtle colors of winter, the red tipped bushes and the cool blues in the snow. On a good sunny day you can have to most intensely blue colored skies and high contrast clouds. Not that you’ll ever hear your weather man call them that! “today there’s a chance of high contrast clouds with rain” hahaha.
Seed heads along the walk
Here are some notes I wrote as I paused to look at some dead seed heads.
Watercolor pan, brush and waterbottle
And this shows you what I used, not a waterbrush but a ‘proper’ watercolor brush, just used the one and a plastic bottle for water. In the winter you can’t use the waterbrushes that are so popular as the water tends to freeze as you paint on the paper.
Hope you enjoyed the late posting…I hope we can all say goodbye to winter weather soon!
Here’s some prints and note cards of this little watercolor in my shop:
(if viewing this in an email subscription, please go to the website to see the video clip and pictures better)
Clouds Over Fox Lane
Above, this is the first view Ginger and I got when we started out on our walk; clouds, gorgeous clouds stretching as far as the eye could see! I love the way the old pasture fence looks here along “Fox Lane”.
"Wind in the Willows"
I’ll show you right away what I ended up sketching after we walked all the way out on the property. (At the end of my post I have links to note cards and gifts using this image!) I had a page in my journal with the first verse of the song from “The Wind in the Willows”, the popular children’s tv show, written in permanent ink. I knew eventually I’d do some kind of painting over it of trees. I just love the song from this show, I posted a link below so you could have a listen too!
My Watercolor Crayons + Waterbrush
To explain a little how I did the sketch, as I stood in about 8″ of water on a particularly wet path, I held my sketch journal and balanced the little box of crayons on it. I have taken all my water soluble crayons and cut them in half so I could carry more in a smaller space and less weight! I put it on a peice of paper towel to protect a little watercolor I’ve got on that page, and I put a piece of paper towel (Viva) next to the box for wiping my brush on. I used one flat water brush, a favorite of mine when I want to do very quick washes and scrubbing. This particular brand releases water quite fast, at first I didn’t like that but now it’s also why I DO use it!
First thing I did was to scribble with white crayola wax crayon where I wanted to show white clouds. It doesn’t really show up until you color around it, but if you tip your paper a tiny bit you can see it. Then I colored very quickly with two different blue water soluble crayons all around; I found that I could shade right over the white wax and it didn’t really disturb it, cool! Then very quick scrubbing with the waterbrush to wet and move the color around. I grabbed the paper towel and sometimes blotted off the white cloud and it helped soften the look. Using the grey crayon ‘under’ each cloud really helped to pull them out and make them look real.
The trees were drawn on with a brown wc crayon from Derwent, using the hard edge to make branches. It works really great on damp paper, the lines are very vivid. I must say, it’s the scribbley look of the painting that I like so much! I could go back and soften the bottom of the moon, but it was a field sketch and I think I’ll just leave it as is. It was hard to get the look in such a tiny thing while hand holding my journal.
View I painted from while standing in water!
This is a photo from the spot I was standing, can you see the tiny moon in the middle?
A close up of the moon
Sometimes when you’re outside in the middle of the day, if you look for it you’ll see the moon amongst the clouds. I always think it’s a nice surprise.
Ginger all wet!
Yes, Miss Ginger is wet but doesn’t mind. This is the lane I stood in to do my sketch.
An old nest left from last year
I spotted some old nests as I walked, this one was out near “The North Pole”, the furthest part of my land. It’s amazing how many nests are at our eye level but we don’t see them when the bushes are in full leaf.
Clouds in Spring Over the Lane
I’ll leave you with one more pretty picture. I just love the colors in this, the blues contrasting with the golden colors of the dried grasses, the reds in the tips of the bushes and trees and the purpley colors under the clouds.
I hope you enjoyed our walk again out on “Long Lane Farm” at Springtime. Please enjoy the pictures links shown below, they go to prints, note cards, tee shirts and a magnet using my “Wind in the Willows” field sketch painting, in my shop. I can’t wait to order a tee shirt for myself!
Well today there were the most beautiful high clouds, and the sun, making an appearance for the afternoon, gave nice shadows and light to them. I used my square format journal that I made and opened it fully to take advantage of the great sky-scape.
Cloud study done with water soluble crayons
This view is from my studio window, I stood by the old sink finding room near the coffee pot! I worked very quickly to sketch the clouds as they were moving fast with the wind. I used a plain old “Crayola” black crayon to sketch and very lightly put some lines in for the field below. Then I scumbled on the watersoluble crayon starting with the sky. This is only the second time I’ve used these crayons; when I first bought them I hated them! They were bright in color and garish to me. But I’m going lightly and trying some layering of colors to see how it looks.
Water soluble crayons in a tin
Here’s my little black crayon and an “Altoids” tin filled with watersoluble crayons that I broke in half to fit them in. I keep a folded up piece of “Viva” paper towel in it with them.
Using the lid of the tin for watering down colors
Being that the colors ARE so vivid and strong I found it helpful to get my brush loaded with water then touch the tip of the crayon to pick up color and mix it into the wet brush on the lid. First I directly laid color on the paper and wet it, then I used this ‘brush to tip’ method (that’s what I call it!) to add more color.
Cloud studies and round brush I used
This is showing you the brush I used, just a simple round. (The sketch is unfinished here). I used it instead of the waterbrush because I wanted to get lots of water quickly and just scrub freely with the brush tip.
I’m still getting used to the crayons but I think I’m starting to like them more! I like how you can cover large areas quickly and when you wet them they really get juicy. I actually got some color on my hands (it got kind of messy!) so I was picking color up from my fingers with the brush! I think I’ll look for some other colors for landscapes in other name brands. Most of the crayons I have are Caran D’Ache.
Give them a try and let me know how you like them too!
As my page describes, it was overcast, wet and dreary. I did the small landscape sketch while standing up, just a small little thing but it reminds me exactly of the time and place. At the bottom I wrote words I associated with where I was sat, this is a great way to begin creative writing. When I got back to the house I added the background colors behind the words and around the landscape to perk the page up. Without it it was quite plain looking! Then I outlined the leaf shapes under the crocuses to give it more ‘umph’.
Wet Walk in March (2011)
I was sitting on a small pile of dead trees that I stacked as I could during the winter, right in the middle of “Aspen Hall”, a favorite place on my land. It’s just a clump of Aspen trees that sticks out into my field and can be seen from the house. As you walk up the lane, lined with bushes and some trees, you come to a place where there are thick trees on both sides and it forms a sort of shady canopy, so we named it “Aspen Hall”. When my boys were just two and four (when we first moved here) we found it to be just the right distance to hike from the house and have a picnic. I then planted daffodils, crocuses and maybe some tulips some seventeen years ago! When I went out the other day I was excited to see shoots coming up! Today there were crocuses ready to open, I can’t wait to see what will be out next time I visit.
Mud Boots and Paint
This picture and those that follow I took with my cell phone! I guess I was glad I had it, sometimes it is great to get some pictures. Had to add this photo! The mud boots or “Wellies” are standard fare around here; if you want dry feet you practically live in your mud boots! I just reached down to use the colors but it wasn’t the most comfortable after awhile for my lower back, even though I was on a low seat.
My Watercolor Paints and Watersoluble Crayons
Here’s a closer look at my watercolors and crayons. I didn’t use the crayons but put them out just in case; they’re new to me so I want to play around with them more while out in the field. I also used just a tiny round watercolor brush with a small container of water I had, not my usual waterbrush.
Ginger's Big Nose
My little companion Ginger, she loves to walk with me and waits patiently (though she whimpers when she wants to keep going) as I stop often to sketch or paint. She’s getting older now though so it’s probably good for her to stop.
Water Droplets on Seed Heads
On my return to the house I noticed something glimmering like diamonds in a rather dreary landscape; it was water droplets hanging on the seed heads of the plants.
The World Upside Down in a Drop of Water
Did you know that water droplets hanging like this reflect the world upside down? It reminds me of the drawing I did of a crystal ball reflecting the woods around it (Ravensphere), everything is upside down. I think someone poetic could think of ways to use this imagery of the world being caught like this. (This picture is a bit dark but it shows the glimmering of the droplets quite well).
Well I hope you enjoyed coming on this walk with me today! There’s always something to discover outside your door and you don’t have to go that far. I hope you will go out today and see and hear what you can!
I always advise students when they are starting out painting with watercolors or oils, to take each color they have and do color studies. If you keep them small, they are great (especially for beginners) to carry with you while you work to check what color’s would be good choices to use. It’s a little different for oils than watercolors as you want to add white to make tints of a color. Sometimes when you mix a color and it’s dark, you can tell a lot about it by adding a bit of white to some of it, it helps you ‘read’ the color better.
Here’s a few definitions for you:
“Tint” is a color with white added.
“Shade” is a color with black added.
“Chroma” is the brightness or dullness of a color.
“Value” is the lightness or darkness of a color.
“Hue” is the color name, as in red, blue, yellow etc.
Now though I’ve been oil painting for years, I still find it helpful, when I’m away from it for a time, to do color studies to warm up and re-familiarize myself with the colors and their properties. (I get involved with my watercolors and set the oils aside sometimes for too long!) It’s also advisable to do when you purchase new colors.
Color tint chart
The first thing you’ll want to do is make color tints with white. Take some canvas paper and try to plan out how you’ll group your colors together, probably blues, greens, reds, yellows, browns and black. This one is on a scrap piece of canvas paper; I started then added a few I forgot, so it’s not perfectly arranged. I created this one when I was in England and didn’t have many of my paints around.
Just use your brush to put a bit of one color down in a rectangle shape then pick up some white and add it to the color leaving some alone at the end. Wipe your brush off and pick up more white and dab it on, mixing it in leaving the area you just did alone, basically your adding more white progressively to lighten it. OR you can mix it on your palette using a palette knife and adding white to a bit of color, then take a dab of that new tint and start a ‘new’ mix and add more white to it; you’ll get progressively whiter mixes.
Clean your brush well between colors, when switching to a new color group (reds to greens etc.) use a new brush.
New colors and tints of them.
I added a few new ones to the back last night, I also ALWAYS label the color and an initial if you want, of the brand name.
Now that you have color tints, lay them aside to dry for several days and get some more canvas paper to play with color mixes. Here are pictures of studies I did at two different times.
A sample of color mixing practice
This one is a little helter skelter as I didn’t plan out too much! I abbreviated the color names so I could understand what they were. I tried typical mixes, taking one color and adding different kinds of yellows to it, or blues etc. My main goal was to eliminate colors in my field kit that were similar or could be gotten easily by mixing. I always try to keep my backpack as light as I can.
Playing with my reds and blues
Here I took two different reds, Alizarin Crimson and Cadmium Red, which I added Ultramarine Blue and then Cobalt Blue to, in varying amounts, then added white to really show the differences in them.
Playing with Greens and Yellows
I did the same with three greens, Cad. Green, Prussian Green and Sap Green, to which I added Cad. Yellow and Yellow Ochre.
A variety of color mixes being tested
On this scrap piece of canvas paper I was mixing Sap Green with blues and also Raw Sienna; and excited to play around with my Green Umber, a darker, duller green but lovely! I also tested the Raw Sienna and Burnt Sienna with some blues, because the sienna’s are a orangy color, they yeild various greys with the blues.
A closeup of the green and blue mixes, so subtle.
Well get your oils out and get busy! Sometimes playing around with color mixes is a great thing to do in between paintings, when you don’t have time or inclination (inspiration) to work on a piece.
It is a cold and dreary day here in Western New York, I guess it is in many places around the world. But the drippy dreariness also shows me spring is coming; snow melting on soggy but still frozen ground, dripping of ice from the trees and an almost silent occasional gurgle of air from under the ice as I worked quietly.
Oil sketch field kit, ready to be tested.
I created this lightweight kit to take outside with me, just for oil painting sketches. I mostly want to focus on practicing mixing colors for landscapes from the real thing. I’m not concerned about finished paintings, though as the weather is warmer I may work longer on them.
It’s a plastic box that I bought at an office supply store. I used a metal pencil box for my paint and as a palette; it’s held on with blue sticky tack. I also have a pill box that has colors in it, though I want to buy a long one so it will fit better. I have canvas paper cut to standard sizes and tape it in and also created a place for brushes with loops of masking tape.
My mineral spirits container slots over a strap I made out of masking tape.
I had a tiny plastic bottle of mineral spirits with me but didn’t need to pull it out, I had a tiny bit in this metal medium cup. It’s got a screw on lid and I created a strap with masking tape that it could slip over to hold it in place. Then I stuck a blob of blue sticky tack behind it to keep it from slipping off. (Just love that sticky tack!)
Here's how I held the kit and painted while standing.
It was very lightweight as I worked. As all tests should do, it helped me find what was ‘not’ working great; I need to make a little holder for dirty brushes on the left and both need a holder with some kind of bottom, like a pouch. My brushes were sliding out the bottom too easily and may get dropped.
A view of the painting and the subject.
Here’s the whole thing in progress. Note the paper towel with red paint all over it!! Ok, I admit it, the very first thing, when I lifted the lid of the metal pan (with my very cumbersome mittens on) I inadvertently got Cadmium Red paint on my mitten thumb, WITHOUT KNOWING IT! It suddenly showed up in three to four places, probably on my face too and I didn’t know it! Ok, those who paint with oils know that sometimes this just happens, oil paint likes to migrate. Cad Red is one of the worse to get on stuff! You see traces of where I had to scrub off the second canvas paper there, sigh. Nobody’s perfect.
Ginger is waiting patiently, telling me her tootsies are cold!
Ginger loves to go out on walks, but gets bored when I stop to paint or sketch. Today was worse because her feet were cold! But a good sign, when I was ready to leave, she didn’t turn towards home, she wanted to go further.
Cleaning my brushes, stand them up in the snow as you go.
When I’m done, I set the kit on the snow and stuck my dirty brushes in the snow (bottom down) and just dipped the tip of each one in mineral spirits and pushed on the lid/palette to work much of the paint out. Wipe it really well on paper towel, it won’t be clean but well enough to travel home for cleaning. Most of my brushes I used were bristle brushes for scumbly strokes and one small, flat, soft but firm nylon brush for the thin line strokes.
The field study for today.
Here’s the quicky field sketch fresh from the icy field. I know my colors look brighter than the photo, but that’s the beauty of painting from life, the colors were more vivid and beautiful to my eyes, a photo will lose a lot of true color and atmosphere. If I want I can let this dry and work more on it or do it while it’s still wet. Ideally, touch up what you want right when you return and it’s fresh in your mind. I don’t want to fuss too much over these sketches unless I do one that I feel is worthy of fussing. My main goal is to just get out and get quick color studies and not complicate things too much.
Hope you enjoyed, I’ll be trying out my field kit more and will keep you ‘posted’ as they say! haha.
Happy New Year everyone! I’m looking forward to a year filled with tons of new paintings by me and look forward to getting back to England for more adventures! Please share my blog with those you think would enjoy it.
(This post is done AFTER returning home to NY…gosh I miss my Northumberland!)
Come along with me as I do a small oil painting in a very gorgeous location in the Coquetdale (River Coquet Valley) area of Northumberland, England. I think of all the areas I’ve traveled around in Northumberland, the Coquetdale is one of the most beautiful and always catches me by surprise when we drive along it’s long winding path through the valley. It has quite a few meanders before reaching the North Sea which makes it that much more picturesque to an artist, it’s curves reflected in the sun as a shimmering snake in a green velvet valley.
Painting while looking over the River Coquet
There I am! We hiked up this great high hill and entered the Bronze Age Celtic ring fort at the top. It’s surrounded by a deep ditch, as was the practice for all ring forts, though I guess a few thousand years ago it would have been deeper and very impressive. After exploring the fort and ditch I settled down inside a ditch with my back to the VERY brisk wind! While I painted I had my hood up to keep the wind off and you notice I’m wearing fingerless gloves, a must for outdoor painting!
For my set up, my favorite wooden field easel and a backpack with attached stool. This is a popular one found in many art supply catalogs but I altered it (as usual!), I took the backrest off by hammering on it until it came away. With the backrest off, I can now sit on it in any direction I like, sometimes the bars of the seat hurt the back of my legs and I feel less attachments equals less weight. I’m put a camping inflatable pillow on the seat, makes it a bit better. All in all, I don’t usually sit when painting outdoors, I find it tiresome to my back; usually I stand up and feel freer with my painting and you can move around to keep warm.
My View Over Coquetdale
Here’s a view of what I saw, you may wonder how my masonite board is staying up so magically on the easel? The wonders of Blue Sticky Tack never cease!! I use it all the time, I have some little dots of it on the easel to hold small boards like this, just where I want them. With a small board, I don’t like the wood of the easel’s clamp to get in the way.
stage 1-View Over Coquetdale
When in the field I usually don’t pencil sketch the scene on the canvas, but use either Burnt Umber thinned with mineral spirits, or pick a color in the landscape and sketch directly with the brush. Just pay attention as you divide up your canvas with the horizon line placement and other important elements. If you get it wrong in the beginning, it’ll always be wrong! I go for blocking in big shapes in the ‘nearest’ color to it’s overall color.
When I started this one I blocked in some really bright green, later I decided I should have tried to match the color better to begin with. I just wanted to get it going, so I painted into the wet oil to adjust the color. You’ll notice my river color is quite light, just laying it in to mark it, I’ll adjust the color later. I wanted to have a wet base to paint into. I painted the sky with an all over tone of blue with the gradation of dark to light, later I’ll add the clouds. I also started to establish where the dark areas are, the tree lines.
Stage 2- View Over Coquetdale
Now I’m set up back at home and continue working from my laptop where I have photos of the scene. I’m sorry I missed a few stages with the photos as I got involved with the painting! I studied where the background mountains should go and toned down blueish green for them. I continued to study where the tree lines were and payed close attention to the light and dark areas of the hills and tree clumps. Don’t put too much detail in the distant trees, just let them describe the curve of the hills as their lines criss cross and disappear. I also started to tuck darks under the tree lines and to the shadow side of them. You begin to notice the tree line on the left front is different than the ones on the right. They are different types of trees so the form and colors are different.
Stage 3- View Over Coquetdale
Picking out a little more detail of the hills in the mid-ground, I add some lights to define the hills and more detail to the tree lines. I lightly defined the little dirt road in the front left and a ‘hint’ of a fence, but kept it soft and also added more light to the left field. I put a small path that crossed the field in the middle but then later decided it was just too much of a distraction and took it out. I also added some lights to the trees on the right, you can see they are more pointy than the other trees as they are pines.
Stage 4- View Over Coquetdale
Above you can see I’ve added some darker (but still bright) blues to the river, taking care which direction I stroked it on. I added some yellow to the fields on the left to warm it up and cut down on the lightness. I added more bushes and detail to the front right side by the bank.
Completed "View over Coquetdale" 6x8" oil
The completed painting,6 x 8″ in oil, click it to view it larger in my Gallery of Landscapes. Here you can see I’ve added just a little more detail on the bank and sheep (whitish dots!) on the hills. One thing you notice when driving about the countryside of England are sheep just about everywhere! No hill would be complete without some of these white dots. Of course I didn’t just make blobs but made sure they had a bit of a long shape and slightly darker underneath, it’s just to ‘hint’ at a sheep, not to paint one in full detail at such a distance.
To view prints, note cards and more with this painting, click the links below to see them in my shop! (You can personalize any of them with your own text.)
I go through phases with what materials I use when I go out sketching and my love of watercolors sometimes gets pushed aside for watercolor pencils. It normally doesn’t last too long and I’m reaching for my familiar pan of watercolor paints, but for now I am in a watercolor pencil mood. So I thought I’d share with you a good lesson for people starting out with watercolor pencils or those wanting to practice.
Set up for watercolor pencil color play
I have quite a few colors but when I go into the field I try to carry as little as possible to keep the weight down. Above you can see many pencils and containers with lots of color charts, my sketchbook, waterbrush, bit of paper towel and of course the cup of coffee! You may notice my pencils are short, I cut them in half so I have less weight and bulk in the field, keeping the other set at home or in other field kits.
Watercolor Pencil Practice - page 1
I was specifically trying to pick out colors I could use for landscapes while in England, so you’ll notice I made little ‘mountains’ with the colors to test the mixing when overlapped. To do a color ‘spot’ with medium pressure just scribble a small area and label it with initials of the color. Take your wet brush or waterbrush and rub into the color then keep rubbing lightly as you move the brush away; it will get lighter and you’ll create a nice color swatch. I group mine together, blues, yellows, greens etc. Between colors, either rinse your brush then wipe on paper towel, or if you’re using a waterbrush, just stroke it on the paper towel until it appears clean.
From the blue swatches at the top left, I then selected a few and lightly colored them next to it and then wet it to see if it’d look good as ‘sky’ colors. Then at the bottom right I was pleased with the test of mixing basic blues with my yellows to make various greens. If I like I could leave the green pencils behind but it does mean more layering and mixing and while in the field I try to make it so I can sketch fast.
Watercolor Pencil Practice - page 2
This picture looks paler than I’d like, I don’t have use of a scanner here so these are photographed with my camera! But anyways, at the top I was experimenting with first laying down a light blue wash then putting the green mountains on top. Then I tried purpley colors because distant mountains sometimes have that hue. Then I made up some fields and tried layers of various yellows, blues and greens. At the bottom I experimented with toning down the vibrant colors by adding charcoal grey and various reddish colors (red is opposite of green so it can tone it down)
Watercolor Pencil Practice - page 3
This page is also a bit light but you can see my colors still. I was determined to eliminate any excess green pencils if I could, so I tested them next to each other. At the top you can see I tested some browns, overlapping them in a square pattern. At the bottom is a quicky sketch in ink done at the beach, later I played with the colors to test them on it.
Well I know it’s not a thrilling post but it shows you how to get familiar with your watercolor pencils if your a beginner or very experienced and just needing to pick out some colors. Once you pick the colors you’ll use in your ‘kit’, make a small color chart of them, labeled so you can refer to it quickly until the pencil choices come easily.
A note about one of the reasons I like watercolor pencils; if you lay more than one color down dry, then wet it to blend and bring out the vibrant color, I like the grainy textures left and how you can see bits of both colors (depending on how much you rub it to blend). You can draw lines and leave them somewhat or you can shade lightly for more of a watercolor look.
So, grab your watercolor pencils and have some fun playing!
Today is a tale of meeting a snail, hmm…I feel a poem coming on…maybe later.
We went to Alnmouth and explored all around the dunes and on the beach. As we walked between the great high dunes to reach the beach, I couldn’t resist stopping to pick up so many pretty coiled shells. I didn’t have my usual field painting bag with me so I ended up filling my little purse! Those that were packed with sand I plopped into a dish of water to soak once I got home. Imagine my surprise when the next morning I found one of the ‘shells’ crawling up my coffee pot! (Lucky it wasn’t on!)
Well I quickly made his acquaintance and before you knew it he had food and shelter. At first he lived in a little plastic jar with the lid on very loosely on, but now he’s in a glass jar on it’s side with nice mosses to hide under. Click on the page below and read the notes I wrote as I painted his picture that day.
Snail Studies pg 1
My set up with the Model
Here’s my set up while I painted him, he was on the little plate with lettuce etc. but then slide off, and went up the brass lamp about halfway, this is when I took a bathroom break! When I returned I put him on top of my waterbottle, for this picture. I’m using the watercolor pan I take in the field with me all the time, it’s got a good selection of half pans. I used permanent ink marker to draw over my penciled sketches then used watercolor with regular brushes to color. On the right side you can see a rectangle shaped silver thing, that’s my little light up magnifier for reading maps; it’s great for field work.
Close up of snail studies
Here’s a close up of two of the snail studies with notes.
"Escargo Escapee!"
This painting makes me laugh, I did it with just watercolors. He was escaping from the plate…so I called it “Escargo Escapee”…he didn’t want to give me any ideas when I was hungry! The funny thing is I think he’s a copse snail…so a copse snail is escaping…but shouldn’t he be a robber snail then? (Oh gosh I know that’s corny!)
Cuthbert the snail with the shells I found
One more picture for now, more to come soon. I love this shot of him with the empty shells I found…poor thing, he’s probably crawling around them saying,”Where’d everybody go?” I decided to name him Cuthbert after the Patron St. of Northumberland, we found him near the cross for St. Cuthbert in Alnmouth.
Here’s a great website I found on snails, this page has a diagram on shell parts and helps with identifying your snail:
I have already drawn more pages of sketches and I’m recording changes in his shell growth. Please come back soon to see what happens to him! I have created some really neat gifts with these snail images on them, please have a look and pass the link to my shop onto your friends!
It was bright and sunny today but winter still hangs on, the snow is over a foot deep and I wish I had my snow-shoes on! The snow is heavy, wet and deep; as I trudge through it I thought of the word ‘slogging’! Under the heavy snow is a deep, wet slaw of melted snow; I’m glad for my rubber boots.
"The Branches Reach Towards the Moon"
Ginger prances on ahead of me, begging me to hurry. Finally along the edge of the pasture I paused to catch my breath and attempt to capture a likeness of the moon with the trees reaching up towards it. At the end of this post you’ll see my small sketchbook and watercolors, and how I hold them on a clip board. Almost all my field sketches are done while standing and holding my book.
"The Field in Late February"
Well as you can read in my honest notes, Ginger surprised me and did something different; I feed her really I do! I guess you can’t stop instinct. I’m happy with how this little watercolor came out, I’m always trying to capture that color of the bushes in winter, they’re gorgeous. I was standing in deep snow and at the same time had to shrug my coat off my shoulders and take my hat off as the sun made me that warm. Maybe spring is coming?
"Paw Prints"
There are so many things to see if you take your time and look around you. The snow was quite hard on top, if you’re a lightweight animal. I noticed little tracks as I walked, then saw these little prints and had to sketch them. I brought no camera on purpose today, I wanted to really have to describe all I saw with my brush and pen. For tracks you can use your pencil or pen to measure the real size onto your sketchbook. I call this Comparative Measurements and it can be extremely accurate when you practice using it. These tracks were a bit hard to see because they were so shallow and the snow had dusted over them a bit. I drew the tracks at real size and then measured the distance between the sets, finding they were one pen length. This tells me it’s a small animal, at first I thought raccoon but when I looked on my pocket animal tracks guide I think it may be a skunk! Hey hibernation must be over! Look at this link to see a picture of my pocket track guide which, by the way, I don’t carry with me in the field.
"Snow Burrow"
Then as my eyes followed some more tracks, made by a fox I think, they led me to a small hole dug into the snow. I guessed that a fox, who used his great sense of hearing to listen for small mammals under the snow, had been by and dug down to ‘no surprise’ a burrow or tunnel of a vole. I like to think about the event that may have taken place, probably while the moon was shining on the snow at night. I wonder if he got his dinner?
"Paul's Chair"
As I said the sun was shining brightly as I returned from my day’s walk, trudging along the deep snowy lane. I looked off the lane into the woods and saw there a black metal folding chair. This chair is not there by mistake, my son Paul placed it there years ago and would disappear at times and he’d go here to sit in the woods. I think everyone should have a chair in the woods somewhere, where we can go escape or think. I felt a bit sad seeing it there by itself, perhaps it’s owner would never sit in it again as he’s off to college now. I just hope (as his mother) that he’ll always “find a chair somewhere” and sit in the woods.
Clip board with closed sketchbook
Here’s a picture of my clear clipboard with my handmade 4 1/2″ x 5″ sketchbook and watercolor palette attached. This is how it looks when I pull it from my bag, I use the rubber bands to hold the book shut and the palette. The palette is held on with blue ‘sticky tack’ or ‘blue tack’. The sketchbook is clipped on with metal clips with the front cover.
Clip board with open sketchbook
This is how it looks when open, I use the white rubberband (actually it’s a hairband thing) to hold the piece of paper towel or to help hold the book open, or you can use a metal bankers clip. You can see I’m using my waterbrush today with the watercolors, I find it easier when hiking and especially in cold weather. Though it won’t work when it’s ‘really’ cold, it turns to ice on my paper!
I hope you enjoyed coming on my walk, please leave me a comment! I’ll have classes this summer in England where you can come along and sketch while we explore the gorgeous countryside. Please sign up your email address in the “subscribe to posts” box in the right column.
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