Today I did something a little different, I went to the 11th c church next to Edlingham castle and instead of sketching it (architecturally) I went inside where it was dark, cold and damp. I only had the natural light to sketch by and you can see the day was overcast.
Skull 1737
I know this sketch looks really spooky, well it was supposed to! Sometimes the old gravestones had rather grim or skull like faces carved on them. Was it a fear of the afterlife? I found this one on a huge wall gravestone, inside the church. I find it fascinating to read the dates on really old stones and imagine what was happening back in history at that time. I’m a terrible historian and need to learn more, this helps to inspire me. The skull I sketched using charcoal is life size, about 3″ across, and they put some kind of black paint into the eyes, nose and creases. It was so dim in the church I had a really hard time seeing my drawing while I was doing it!
There were words carved in the center (written to the left of skull) and the date at the end, I love the style so I copied it. The funny thing was they had a ‘type-o’ way back then and changed the 3 to a 4 later, why I don’t know. You can see the chisel marks in the eyes.
carving on columns
Just some interesting ‘beading’ on the columns inside the church.
Gravestones at Edlingham
I then went out to explore the graveyard, looking at more dates and admiring the carved stones. I guess I get interested in the heavily carved stones with the lichens and mosses growing on them. The greenish stone made me sad, I wrote some of the words down on the page, “John Cowans of Edlingham 1894-67 yrs Erected by his 10 sons. 1898-Mary Cranston wife 69 yrs. I imagined his 10 sons, standing proud together as a family, erecting such a big and impressive stone so long ago. Where would we be without family love, pride and memory?
Some more sketches of architectural elements from about Alnwick (pronounced Annick). The page above is my entire sketchbook page, I drew the boarded window, then much later added the doorway. I kept the page just for windows and doors or things like that. Then even later than that I played around with decorating the page with scrolly bits and made up lettering for the word “Alnwick”
Window in Alnwick
I did this sketch using an inktense watercolor pencil and my waterbrush while standing looking over a stone wall into an abandoned yard.
"Number 8"
This “Number 8″ was done with a permanent ink pen when I was sitting in the car waiting. People might think that I’m secret police studying their houses! I drew some of the leaves at top (vines) and bottom in the hedge then left it to finish later by repeating mostly. This was a little cottage with a white door, dark stone walls and pink roses and greenery all around, very sweet!
Here’s a quick little post about a building sketch I did in Alnwick, Northumberland England. Alnwick is an old town, perhaps 800 years or so, and therefor filled with interesting architectural elements. It has it’s very own castle on the edge of town and a huge stone gate that once was part of a wall around the town, now gone for building stones.
Baily's Cafe sketch
I sat on a cold, hard, stone wall on the busy “Bondgate Within” street, a street with shops, small hotels and the upper part still filled with bumpy cobbles. They do have new benches but none gave this straight-on view of the shop I wanted to sketch. I only had enough time to start my sketch when Gary showed up and we were off and running again; this was on June 17.
We returned on July 20 and I, with sketchbook in hand, said I’d be drawing while he ran errands. I had about 35-45 minutes to finish this sketch, so I found the same hard, cold rock on the stone wall to sit on and got busy. This is with a permanent ink pen so whatever marks I made were not erasable. I first tried to put the rest of the lines in for the main building row and the dome. Then I added windows, lamps, people and cars. I didn’t bother to add the distant buildings and cars till the end, but glad I got them in, they really add some depth and interest to the drawing. What I loved about this building was it’s green patina dome, I would really like to do another sketch of it using my colors.
Though I went for this walk a month ago, I need to catch up on posting my sketches from all my walks so you can see where I’ve been. This walk started at the Edlingham Church from the 11thC and Edlingham Castle.
Edlingham church and castle quick sketch
As I noted on my page, it was a gorgeous, sunny day. I started by walking past the old church and as I stood in the parking lot near it, I sketched using my Derwent Inktense “Ink Black” watercolor pencil. I then used my waterbrush to make washes using the pencil lines. You can add more color or value by touching the tip of your pencil with the waterbrush and adding it to the already damp paper. If you re-draw on the damp paper the pencil will make a very strong line and be harder to blend. Since I don’t have use of a scanner here, I photographed my pages and then brightened them, the picture here looks a bit more contrasty than the real one.
The sketch of the castle at the bottom of the page (shown above) is started with the same Inktense pencil then later colored with watercolors and watercolor pencils. I was way up in a sheep field looking back when I did this, just a quick impression.
Edlingham Church and Castle
After my walk I added color to the top sketch of the church, with watercolor pencils. I’m going through a phase with them right now, as I so often do…then I switch back to my loved watercolors. I’m having fun layering colors to find nice greens and browns. I don’t like a drawing or painting to look ‘mushy’, that is be too soft, and I’m tempted to go back and draw with my ink pens into these little studies. But they are studies and sometimes the soft look of them is nice.
Lapwing
As I walked up through another farmers field I saw Lapwings on the ground. They are such a neat bird with two long feathers on their crest that looks like a fancy plumed hat! When they fly their wings are wide, rounded and a sharp looking black and white. They have a very nice call too. This picture is a bit blurry as I shot it from far away, but you get the idea of what they look like.
Dog Rose + Lapwing
I’ll type out the notes from this page down below.
I had fun and created a old fashioned looking greeting card with this Dog Rose watercolor I did. Click to see it in the shop, it has pink inside and you can add your own text. Click your back button to return.
On the way to the top
This photo shows just how gorgeous the views were; I wanted to stop and paint all the time! But if you don’t keep walking you’ll never see as much, so on I went. (click it to see it in my shop larger)
Yup, that's me!
Yes, well, that’s me! I was happy to be out walking alone, stopping as I pleased and discovering interesting things, like the butterflies below.
Painted Lady Butterfly
This is a tattered looking Painted Lady, it looks similar to the Tortoiseshell below, but see how that one is dark in the center around the body?
Small Tortoiseshell Butterfly
This small little Tortoiseshell butterfly looks like it’s been through some weather, maybe even escaped a birds beak? I saw quite a few butterflies along the little dirt lane I walked on, I think they enjoyed the windbreak of the stone wall that followed it.
At the Roman Fort site, wow, buttercups!
(Click to see this picture as a glossy note card) This picture is at the top of the hill where the Roman Fort used to be. There are piles of stones around in a big rectangle shape, all that is left of it now. The Buttercups were so pretty, I crouched down low to get this shot, I liked the angle of it.
Here are the notes I wrote on my page: ” Headed to the Old Roman Fort. Sitting here now- it’s so beautiful the scene. Skylark is singing to my right + sheep are calling down the valley behind me. I don’t have time to paint the landscape, I have too much to do at home. oh…I couldn’t resist! Quick watercolor sketch!” (See below!)
Small watercolor view from top of Edlingham
I’m so glad I took some time to do this little watercolor, now I look at it in my field journal and can remember the scene so well. I sat on a huge rock of the fort, with my feet up and set a little container of water besides me. I used regular watercolor brushes for this one. I first laid on washes of blue and quickly lifted areas with a tissue for clouds. Then overlapping (on purpose) the blue near the horizon, I put pale green hills. The blue showed through and it made very nice distant hills, keep it soft and pale for this. Then I put various patches of greens for the fields in front.
View from Top, "Ah, this is the life!"
I used this picture to create a glossy note card for those who love hiking, click on the picture to see my “people in landscapes” but I also created one that says on it: “Ah, this is the life!” I guess that says it all, you’ll find that one in my shop here.
More posts coming as I catch up! Please sign your email in the box at the right if you’d like to be notified. Exciting news coming soon about Creative Journaling and Sketching tours!
Come with me on a sunny, breezy stroll along the Northumberland coast of England, south of Cullernose Point and Dunstanburgh Castle.
South of Cullernose Point, Northumberland
This sketch is done looking northwards while I sat on the grass. I used one water soluble “Inktense” pencil (Ink Black) by Derwent, ; after doing a light sketch I wet it with my waterbrush to create tonal values. It’s like doing an ink wash sketch, great for quick sketches and you can go back over it later with color. The inktense pencils are relatively permanent once dry, so I’m experimenting with using the black then coloring later from photos. These colors of Inktense are very intense, so you need to practice and go lightly with your pressure. You can also achieve very black areas which I like.
Drawing near Cullernose Point
Here I am with my field sketchbook, what a view! (click on the picture to see it as a note card with a quote by Pablo Picasso)
Enjoy the many photographs I took below, they show the things we discovered as we walked and some I used later to do sketches from at home.
Brown Lipped Snails on Cowslip Leaves
It’s funny, once you learn about something you start noticing it more and more, as is the case with snails for me. Now when we walk I see them everywhere!
Brown Lipped Snails
These are Brown Lipped Snails; notice the brown line at the edge of their shell. I just love the striped patterns they have.
Pool with Grey Heron
This is looking down from the coastal path we walked on, there is a Grey Heron in that pool down there.
Grey Heron
Well spotted! He’s a beauty; we watched him fish in the pool as I took pictures from afar.
View of the coastal rocks we explored
Here’s another view of the coast where we walked. You can see two figures walking on the path ahead, that’s where we’ll be going.
Common Limpets and a Sea Slater bug
When we ‘clambered’ down to the shore, (hey it’s an old word but it fits here!), we found lots of Limpets, snails and Periwinkles. It wasn’t until I looked at my pictures on the computer later that I noticed the bug, a “Sea Slater”, how interesting! The Limpets are living creatures that cling very tightly to the rocks, you’ll see a watercolor sketch below of one I did.
Yellow Scales
This is called Yellow Scales, a type of lichen that grows near the coast on rocks. It’s very beautiful along with the whitish lichens and grey rocks.
Southern Marsh Orchid
When we returned to the top of the cliffs, we found these small unusual orchids growing here and there. I was surprised at how tiny they were and may have passed them by if Gary didn’t point them out. As near as I can tell they are Southern Marsh Orchids, if anyone knows better, please let me know!
Me Drawing near Cullernose Point
This photo will show you how tiny they were, the orchid is just in front of my sketchbook. I just lay in the grass and did a tiny light, sketch with a pencil. (click to see this and other photos like this, in my shop)
Shell and Flower studies
When I got home I downloaded my photos and did these studies from the laptop. I used watercolors for these, but using Titanium White this time for the white highlights and ‘wet’ look. I don’t usually use white paint, I rub or scrape off to create lights, but I quite liked using the paint for the glaze look. You can read my list of things we saw while there that day on my page.
Studies of Grey Heron
The little studies at the top of the page show my experiment with “Inktense” and just a black watercolor pencil, using watercolor pencil to color it. I wanted to see how much the blacks would lift or blend, hoping they wouldn’t. As I thought the Inktense didn’t lift as well and that’s exactly what I wanted.
The heron studies are also done from the laptop, just painted without sketching him out first. The little one in the left corner was an experiment of painting solid blue water then lifting color and using white paint to add the heron after. I’m not thrilled with how it came out but you should always experiment!
I hope you enjoyed coming along on this walk by the sea. Get outside and bring a small sketchpad with you, you’ll be surprised at how much you’ll see when you sit and start to draw things around you; a whole new world opens up before your eyes.
Here’s a little video clip of the waves washing over the rocks where we were, enjoy!
NOTE: Many of the photographs in this post have been made into beautiful glossy note cards and gifts and are in my shop (home page link). There are many more besides the links in this post, I hope you have a look and please pass it on to friends!
I’ve been studying my snail Cuthbert, and really learning a lot of interesting facts. I know they’re slimy, strange little creatures that eat your garden plants, but they still merit study in my opinion. So I went outside the strange thing was I just walked over to a huge Sycamore tree and felt directed to look right at it’s base in the long grasses, tucked between some big roots. I pulled the grass aside and there, lo and behold two snails! I must have felt the “Snail Vibes” hahah.
big snail photo
One of the snails was this big guy (or girl!) that has now been named “Jabba the Hut”! He’s munching on some sweet corn here. Enjoy the simple stages of painting in watercolor shown below, to give you an idea of how I paint them.
big snail stage 1- ink
First I did drawings using light pencil, then go over it my micro permanent pen, keeping it simple and cartoon-like so I could add the detail with watercolor.
big snail stage 2
Then I look at the snails to see what pale color I see ‘underneath’ the other darker colors. I make a wash of this color and put it on, and while it’s wet, sometimes I drag a bit more of the wash or color into areas I want darker, with the tip of my brush.
big snail stage 3
Here you can see I’m just adding a bit more details and colors, keeping it simple. Look for dark patterns and be careful to leave light or white areas alone.
big snail stage 4
Sorry my stages kind of jumped here, I think I got busy and didn’t photograph any more stages! But all I did was kept looking for pattern, colors and shapes, let areas dry before adding new patterns so it doesn’t all blur together. If it does, take your paper towel tip and push it on the area to blot it, rub with brush tip and repeat until you get it lightened. You can add dappley marks with your brush tip for texture.
big snail stage 4 + paint
This is my sketch book along side my pan of watercolors, this is what I used to paint them.
This morning was sunny so I headed up the country lane to walk above the little village of Edlingham in Northumberland, England. Here’s a watercolor painting I did while sitting in a field, see the pictures following it and ‘come along with me’ on my walk. Enjoy!
"Fields above Edlingham"
After walking as far as I thought I had time for, I picked a corner of a nice field, not far from the road to work. The painting above is almost all done sitting in the field, I added details to the house and changed a few little things on the hills once I got home. There’s a picture later showing how it looked when I came home, before details were added.
Rock possibly from Roman times
This is the very interesting rock I sat on, I keep a pad in my bag from an old diaper bag; it’s great to sit on cold damp rocks or ground. I’d like to learn more about this rock, there is an old Roman fort right at the top of a nearby hill; we feel this looks Roman made.
my sketchbook with 3 page layout
Here’s a picture to show you how I worked, my sketchbook is on my lap clipped to a small board with watercolor pan handy. I had a small container of water on the ground within easy reach and I’m holding the only two brushes I used to create the painting. One round and one flat, it’s the first time I ever used a flat with watercolors and I’m very happy with what I could do. It was great for making the bush and tree lines on hills.
As you see I was also wearing gloves because it gets very chilly when you just sit still for one plus hours; these are thin kidskin I think, a dress pair that I decided would serve better on my sketch hikes. They’re thin so I can feel what I’m doing still and the leather helps me with grip.
writing on clouds
Please click to read better, these are the thoughts I wrote before I started to paint.
Close up- left side of painting
Here’s a close up of the left side of the painting, just to show you more of the details. I touched up the house, posts some of the road and if you notice the tops of the clouds I softened them up. I’ve also totally removed a treeline somewhere…can you find it? (compare to the pic below)
Fields above Edlingham watercolor unsigned
Here’s the painting just as it looked when I left the field to go home.
country cat
A friendly cat I met while walking up the hill, I caught her with her tongue out! I LOVE the note cards, mugs and stickers I made from some cats I’ve met…including this one and a gorgeous black cat on the castle wall. (Go here to see their pictures!)
country lane
The beautiful lane I wandered along…it was great.
Sheep resting
There are many different breeds of sheep here in England, this one I still have to learn. My favorites are the black faced sheep. These moms and lambs are really enjoying the sun. (Go here to see more photos of sheep in fields I’ve seen in England, you can order note cards if you like.)
country lane
The hedges here are of Hawthorn, when they’re in bloom not only are the pretty but they smell great.
Field view
The riding lesson
Here’s a girl getting a riding lesson, walking on a long line then sometimes off.( Here’s some note cards and gifts with my horse paintings, drawings and photos I’ve taken.)
I hope you enjoyed taking this stroll with me and seeing my painting. Please visit my shop on Zazzle to see many of these photographs as note cards and more, here’s Landscape Photos and Landscape Paintings.
Well my snail has been named as I said before, “Cuthbert”, after St. Cuthbert the patron Saint of Northumberland. I did some more studies of him as he’s growing.
Cuthbert close-up, in color
This is a close up of the watercolor study I did, it’s shown below first as a black and white ink.
Pages 2 + 3 studies in ink
Click on the images to read my notes. Cuthbert has already grown a few millimeters; the dark part on his shell is new growth.
Page 2 of colored studies
Here’s the same studies colored in with watercolor.
Page 3 of colored studies
This is the last page of my studies. I added to these pages on different days until I filled the two pages, but most was done in the first sitting.
Well Cuthbert says hello and goodbye, time to go and eat more carrots! Don’t worry, more snail sketches coming again! Don’t forget to visit my shop to see glossy note cards and other gifts with my sketches, paintings and photographs on them.
Today, though it is sad, I did a watercolor study of a blackbird female that died after flying into our patio window. Just as other naturalists before me have done, I took advantage of having a real bird in front of me and did a study as quickly as I could. I find that if you love nature you can do this as a way of showing respect for the creature and not think of it as ‘gross’. Of course always be careful handling things like this by washing your hands after, putting it on plastic, not having food or drink nearby while working…just to be safe. I did notice a little tiny bug or two on it as I worked, which made me work even quicker, to get it out of the house sooner!
Watercolor study of Female Blackbird-stage 1
The picture above shows my pencil sketch and beginning stages of watercolor. I am laying in the golden color that I see ‘under’ the darker colors of the feathers.
Watercolor study of Female Blackbird-stage 2
Here I put dark tone on the tail and more darks on the head and some cool tones along the side of the breast to start to round the form.
Watercolor study of Female Blackbird-stage 3
Some more dark tones and details are laid in, feathers on ‘bottom’ wing.
Watercolor study of Female Blackbird-stage 4
At this stage I stopped painting feeling it was done, at least working from the ‘real’ model. I put a light wash of cool blue on the belly and added more color to the breast along with more details there.
Watercolor study with Blackbird
When I stood up and looked from further back, I felt it needed a more broad wash of dark on the birds right side so I just grabbed my brush and quickly washed some tone on, while standing up. Many times I like to work on my watercolors from a standing position to keep them loose and free; if it’s a detailed painting I like to either start it while standing to have a loose feel, or at least finish it this way. I could add some loose color around the bird, but I just didn’t feel like adding to it.
My set up to add final details from computer
So on another day I set up to touch up details using my photographs of the dead bird from my laptop. I used my field pan of watercolors and brushes and a magnifying glass to help me see details.
Watercolor study of female Blackbird - stage 6
At this point I decided it was finished. To be honest, I wanted to go back and ‘scratch’ out highlights along the legs to show their shine and make them stand out from the dark background, I also wanted to add grasses around the bird, but I’ve had too many other things to work on and just didn’t get time. So it’s DONE.
Blackbird male
I don’t want to leave you with a dead Blackbird, here’s two photos of a healthy male so you can see how nice they look, their song is even nicer!
Blackbird male
As a side note, the Blackbird (UK) is in the Thrush family just as my American Robin is. For my American readers you’ll notice a very close silhouette to our Robin, and the song, though different is beautiful as thrush songs are. The male Blackbird is ‘black’ with a yellow beak, the female looks, well like my painting, brown with speckles on breast.
Today is a tale of meeting a snail, hmm…I feel a poem coming on…maybe later.
We went to Alnmouth and explored all around the dunes and on the beach. As we walked between the great high dunes to reach the beach, I couldn’t resist stopping to pick up so many pretty coiled shells. I didn’t have my usual field painting bag with me so I ended up filling my little purse! Those that were packed with sand I plopped into a dish of water to soak once I got home. Imagine my surprise when the next morning I found one of the ‘shells’ crawling up my coffee pot! (Lucky it wasn’t on!)
Well I quickly made his acquaintance and before you knew it he had food and shelter. At first he lived in a little plastic jar with the lid on very loosely on, but now he’s in a glass jar on it’s side with nice mosses to hide under. Click on the page below and read the notes I wrote as I painted his picture that day.
Snail Studies pg 1
My set up with the Model
Here’s my set up while I painted him, he was on the little plate with lettuce etc. but then slide off, and went up the brass lamp about halfway, this is when I took a bathroom break! When I returned I put him on top of my waterbottle, for this picture. I’m using the watercolor pan I take in the field with me all the time, it’s got a good selection of half pans. I used permanent ink marker to draw over my penciled sketches then used watercolor with regular brushes to color. On the right side you can see a rectangle shaped silver thing, that’s my little light up magnifier for reading maps; it’s great for field work.
Close up of snail studies
Here’s a close up of two of the snail studies with notes.
"Escargo Escapee!"
This painting makes me laugh, I did it with just watercolors. He was escaping from the plate…so I called it “Escargo Escapee”…he didn’t want to give me any ideas when I was hungry! The funny thing is I think he’s a copse snail…so a copse snail is escaping…but shouldn’t he be a robber snail then? (Oh gosh I know that’s corny!)
Cuthbert the snail with the shells I found
One more picture for now, more to come soon. I love this shot of him with the empty shells I found…poor thing, he’s probably crawling around them saying,”Where’d everybody go?” I decided to name him Cuthbert after the Patron St. of Northumberland, we found him near the cross for St. Cuthbert in Alnmouth.
Here’s a great website I found on snails, this page has a diagram on shell parts and helps with identifying your snail:
I have already drawn more pages of sketches and I’m recording changes in his shell growth. Please come back soon to see what happens to him! I have created some really neat gifts with these snail images on them, please have a look and pass the link to my shop onto your friends!
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oh…I couldn’t resist! Quick watercolor sketch!” (See below!)
