I was inspired on Tuesday (19th) to paint a Cooper’s Hawk when I saw one (or a Sharp Shinned Hawk) swoop over my bird feeder. I talked about it in my post on the 19th. So I did this small study from a field guide in my 5″x81/2 ” sketchbook. First I did a “Gesture Sketch” then added some details when I felt the drawing was correct.I started first with black watercolor in various values to ‘draw’ more details in, feather markings, wing values and shape. Then I dabbled on with my fine pointed round brush, a light value of breast color. While it was wet I sprinkled on salt to see if it would help break it up, in a random way, I love the way salt does this. I also put in an orange red for the iris of his eye. In the third picture I have laid on more breast value, defining more of the 3d shape of the hawk’s breast and body. I put a pale wash of purply pink under his tail and touched it to his wing feathers and by his eye. I put a tiny bit of blue on the beak and behind the eye to shape his head more. I also colored the branch, legs and put some browns up onto wing feathers.
The fourth picture I added some more colors here and there on the hawk, more color on the grey wing feathers and around eye. If you notice the longest tail feather in the last picture I rubbed out in this one. If you need to change something, wet it and repeatedly brush it and dab with a papertowel. I wanted to shorted in because it was making the whole tail look too rounded. I used my favorite little Chinese brush to make the pine needles in the background. I have a picture below about this. The final picture of my painting (above) shows another little Cooper’s Hawk study, this one done with Inktense watercolor pencils, Prismacolor watercolor pencils and one Graphitint water soluble pencil. You can see the difference between the transparent watercolor painting and the wc pencil painting. I like the grainy look of the wc pencils, it has a softness to it. On my sketchbook I’ve listed the actual colors for those who like to know! You can click any picture to see it larger.
This photo shows how I used a plastic bag to block the birds breast so I could brush right from his breast out, without getting him green! It’s a little trick you can do to protect your areas you’ve painted. I would be holding it down with my fingers normally, but I had to hold the camera! (I need a camera man!) Then I show how I use my little Chinese brush by splaying it out, to make pine needles, it works great! The next photo shows me putting the needles on with the brush tips. Now here’s a little tip that I just put to good use, you can see in the last photo I have two pencils in my hand. You can brush the tips of your wc pencils to get a limited amount of color for light washes. But this time I held two, an Antique White and Tangerine. I brushed the Tangerine then the White to make an opaque wash of orange. I used this very nicely on his eye as it had gotten a bit dark. Then I used the white alone to dab repeatedly to make a highlight on his eye. Besides the Chinese brush, I used the one small brush to do all of the painting on both, a round, cheapo brush from Walmart! I hope you enjoyed my painting today as much as I enjoyed doing it! Please leave me your comments if you like and you can sign up to receive email announcements when I do a new post!
Please have a fun visit to my Zazzle Shop where I have my bird paintings on glossy notecards, mugs, canvas bags and t-shirts! More coming all the time.
I just bought a complete set of “Inktense Color Pencils” from Derwendt. I did some tests with them to get familiar with what they do when dry or wet. The inktense pencils are water-soluble but when they dry are permanent. I found the colors to be vibrant + fantastic!
First I lay down a very pale wash about an inch long and 1/4 inch wide. (the wash I did was a ‘dry wash’, this is a term that means a light layer or drawing with a light touch to add a light layer.) Then I added, with a progressively heavier touch, more to the strip going left. You can see it’s darker on the top left of each color swatch and lighter on the right. Then I used a ‘waterbrush’, that is a brush that holds it’s own supply of water for field work, to pull down color from the top. As I got to the darkest area, on every single color I was amazed at just how brilliant and beautiful each color was! Even the browns, neutrals and mustard color were lovely!
I’m really not used to using water soluble color pencils but I will make an effort to use these till I get the hang of it. My intent is to use them in the field when hiking, to lay down washes that may be worked over with ink or color pencil.
Let me know if you have used the inktense pencils and what you thought of them.
The other day I did some experimenting with watercolor paper and instant coffee. I had seen this used for a background for classical drawings. Now that I’ve tried it I can see that a bit of practice and light-handed use of coffee is a good idea. The first ones I did with just wet paper, brushed on with a big ‘mop’ watercolor brush, then I sprinkled INSTANT coffee crystals all over it. (No it doesn’t matter if it’s decaf or regular! ) I then brushed it until it colored the paper, then I re-sprinkled it with a bit of coffee. I guess I could mix some coffee up with water first to use as a tint. The one where I used bristol board I brushed with a house painters brush, it gave it interesting streaks.
The second set of papers I used two different brown watercolor paints to tint the paper. I used one big 11″x14″ sheet that I taped to a board 1st. I wet it with water and the mop brush then brushed the color on. As it took on a sheen I sprinkled the coffee on and watched what it did…#1 is just coffee sprinkled and not touched, a little too heavy and spotty looking to me. #2 is same as #1 but then I brushed the coffee after awhile and re-sprinkled a tiny amount. #3 is same as #2 but I added salt and just left it alone. (note here…I just love using salt!! I love the random patterns it creates!) The sample pictures I posted here are cropped parts of the actual sheet I made. If I get a sheet I like I’ll scan it, save it and perhaps I can print it out to use for drawings without worrying about messing up a hand-painted sheet. Let me know if you ever use this technique and how it worked for you. I’ll be drawing with brown ink, brown pencils or pastels with some white chalk highlights on this paper. If I get time, I’ll post what I do with it!
This is from my trip to the Buffalo Botanical Gardens on Jan. 11, 2008. I’m working from a photo of a stem with pink and green leaves, I still have to find out what kind of plant it is. It’s very pretty!
I’m working in an 8″x10″ sketch book, first I did a sketch with a mechanical pencil. I tried to scan my progress with the color pencils in stages. I’m working with my new Coloursoft Color Pencils from Derwendt and a few Prismacolor Color Pencils.
The bottom twig tip I outlined with a very fine point sharpie marker, then worked the CP in. I’m still not sure how I’ll approach the branch, I might do a watercolor wash then CP but the paper is pretty thin and it might not work too great. We’ll see!
Me painting with sketchbook and watercolor palette in one hand.
I decided to put that little travel watercolor palette to test. I picked up a gorgeous iris and lily yesterday, sketched it out and started the first stages of painting. My objective here was really to test out the palette, watercup arrangement and holding the light board all in one hand. I want to see if I can use it like this in the field without an easel for little studies. You can click on any picture to see enlarged views.
My travel watercolor palette with watercups attached
I show a close up of the arrangement so you can see the watercups; they are actually for holding mediums for oil painting, designed to hold the liquid even when tipped slightly on a hand held palette. They worked fantastic! I had to get over the habit of looking for my watercup on the table! You can see the ‘sticky tack’ or ‘blue tack’ in my palette. Yesterdays blog explained that better, so they get tested today and it worked wonderfully! Yay..two experiments that worked.My hand got a bit tired from holding the board and palette but this set up is supposed to be for quick studies, I worked on it longer than I would in the field.
The pictures are to show the stages of my painting, start to finish.
Iris pencil sketch
starting to lay in some colors
Putting on the blues, make sure yellow is dry first
I painted this 4″ x 6″ oil painting on an early November day, sunny, cold and gorgeous. I have updated this post with photos of the day out in the field, please see below.
"Oak Tree"
The great thing about painting or drawing outside, en plein air is what you observe…hear, see, feel, smell. This day it was the visit of the bees and teeny tiny spiders. It sounds creepy but when you’re used to treking around in nature you learn to just observe the critters for what they are and do, and not get ‘creeped out’!
Burnt Umber sketch with bee
So as a wasp kept landing on my painting and easel, I figured it was interesting. I took pictures of him of course.This shows the first stage of my painting, I used a ‘wipe off’ method here; you paint Burnt Umber on the masonite board and brush it out so it’s a medium value. Then you ‘wipe off’ with a rag and your finger or a brush, the areas that are lighter. It’s like sketching with value, it’s very freeing as you won’t try to catch details you just look for the big shapes and wipe them out. If you don’t like it you brush it back on, easy! Then you lay in darks and bring out shadow shapes with more burnt umber. I have my board attached to a piece of cardboard that has clear tape covering it. There is another small canvas ready to go next to it and they are both attached temporarily with ‘sticky tack’ or ‘blue tack’.
spider on easel
Then every time I started to paint, a tiny spider would appear hanging from the brim of my baseball cap, I’d lift him off with his thread of silk and put him in the grass, then another would appear on my easel. My guess was they were ‘sailing’ on their threads down from the beautiful oak tree.
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First I did a “Gesture Sketch” then added some details when I felt the drawing was correct.
I started first with black watercolor in various values to ‘draw’ more details in, feather markings, wing values and shape. Then I dabbled on with my fine pointed round brush, a light value of breast color. While it was wet I sprinkled on salt to see if it would help break it up, in a random way, I love the way salt does this. I also put in an orange red for the iris of his eye.
In the third picture I have laid on more breast value, defining more of the 3d shape of the hawk’s breast and body. I put a pale wash of purply pink under his tail and touched it to his wing feathers and by his eye. I put a tiny bit of blue on the beak and behind the eye to shape his head more. I also colored the branch, legs and put some browns up onto wing feathers.
The fourth picture I added some more colors here and there on the hawk, more color on the grey wing feathers and around eye. If you notice the longest tail feather in the last picture I rubbed out in this one. If you need to change something, wet it and repeatedly brush it and dab with a papertowel. I wanted to shorted in because it was making the whole tail look too rounded. I used my favorite little Chinese brush to make the pine needles in the background. I have a picture below about this.
The final picture of my painting (above) shows another little Cooper’s Hawk study, this one done with Inktense watercolor pencils, Prismacolor watercolor pencils and one Graphitint water soluble pencil. You can see the difference between the transparent watercolor painting and the wc pencil painting. I like the grainy look of the wc pencils, it has a softness to it. On my sketchbook I’ve listed the actual colors for those who like to know! You can click any picture to see it larger.
Then I show how I use my little Chinese brush by splaying it out, to make pine needles, it works great! The next photo shows me putting the needles on with the brush tips.
Now here’s a little tip that I just put to good use, you can see in the last photo I have two pencils in my hand. You can brush the tips of your wc pencils to get a limited amount of color for light washes. But this time I held two, an Antique White and Tangerine. I brushed the Tangerine then the White to make an opaque wash of orange. I used this very nicely on his eye as it had gotten a bit dark. Then I used the white alone to dab repeatedly to make a highlight on his eye. Besides the Chinese brush, I used the one small brush to do all of the painting on both, a round, cheapo brush from Walmart!
I hope you enjoyed my painting today as much as I enjoyed doing it! Please leave me your comments if you like and you can sign up to receive email announcements when I do a new post!
