The painting above I did while following a Youtube video, something I’ve never done before. It was fun to try colors and techniques that someone else was doing. Mine came out very different because I played around with making the speckled spots with my own technique of dropping water onto the paint. What I liked also was the idea of using gouache to paint the background, something I never tried before. I did mine in the blue tones, lighter towards the bottom. It’s good practice to do in gouache, which are harder to keep even and flat looking. I thought the blue would offset the orangey tones in the mushroom caps.
Mushroom watercolor with notes.
I like taking pictures of mushrooms when we go out walking and love doing studies from them. Over the years I’ve paid a bit of attention to the different types but have never really gotten into learning the various families of fungi. Some people go nuts learning what mushrooms are edible, I would NEVER go that far! But I would like to learn at least the different groups. The study above is just made up, not from a real mushroom. It uses similar colors that were used in the study from the video, I noted them next to the study so I can refer back to it if needed later. I think the best thing I learned was using sepia, usually such a dark color, very watered down, was perfect for the ‘mushroom’ color of the stem.
Colorful mushroom study.
The study above was really fun to do. I thought I’d try using purples for shadows and let it get quite vibrant. The oranges of the cap really sing with the purples next to them! I used “Moonglow” by Daniel Smith, in the darker shadows. This is a great color to lay in shadows, as it’s pretty toned down in chroma, or dull. I liked putting the bright yellow on the right which really glows. I used Lunar Blue and Mayan Blue (both Daniel Smith) for the blues on the ground, mostly just to play with them as I don’t use them much.
Complete page of mushroom studies in watercolor.
The studies above are all on the same sheet, what a fun time I had doing these! I put color swatches next to each one and labeled them, so I can refer back to them as reference. These mushrooms are all from photos of real mushrooms, only the bottom right one is from my own garden, the rest were just images online.
Spectacular Rustgill #1, mushroom, watercolor with notes.
The mushroom above is a “Spectacular Rustgill”. I really like how the cap looks, especially where it’s been chewed on. I used the purple “Moonglow” as the shadow under the cap.
Meadow Waxcap with notes.
This is a “Meadow Waxcap”, another one I’ve never seen in real life.
Spectacular Rustgill #2, watercolor with notes.
Two more of the “Spectacular Rustgill” mushrooms, well three if you count the teeny one at the base. I like how this one came out with the shadows and colors.
Tiny mushrooms in vegtable garden, watercolor.
The study above was from a photo I took in the vegetable garden. While weeding under the brassicas I saw these tiny mushrooms and snapped some pictures using my cell phone. I had to get on my elbows to get close enough, and as usual suffered some pretty muddy patches on my coat. I like the fragility of these tiny types of mushrooms and the way the color streaks down the cap. They really were very tiny and delicate.
We had about two inches of snow last night, everything is covered in a soft white blanket. All our flowers that were finally coming up are now covered but at least the daffodils haven’t bloomed yet.
Above is the Hawthorn I painted not long ago, and I’ll be putting a post up about that soon. I’m following fox tracks in the snow and they led here, then it jumped up on the wall and walked behind the tree! I love following tracks in snow to see what story it tells, guessing at what happened in the night.
The tracks led here also, where a fox jumped and hopefully got a vole! I did a Youtube video talking about it and will link it at the end. The grass clump above is what I decided to draw.
Here’s my little field watercolor palette, holding it in one hand with my fat mittens on!
It’s hard to take pictures while holding things!
I was trying to show how I hold the sketchbook against me and the palette, both in the same hand. I used to have a small hard panel that I would clip them to, I’ll have to revisit that idea! Kind of like a clipboard but skinnier.
Here’s my field kit I used today, it’s a small one. I stepped into the wood shed a minute so I could put things down to take a picture and video tape.
“Grasses in the Snow”, watercolor and ink
My finished little study, I like how it came out. I put together a short Youtube video about doing this sketch and I show my field kit. Find it RIGHT HERE, give me a like and leave a comment if you can!
I’ll be sharing another post soon, about the Hawthorn tree and Mossy Wall, with lots of stages of painting to see. I’m also saving my pennies (pence?) to buy a new printer so I can get back to offering prints and note cards, stay tuned!!
I’m excited to share my latest little illustration called “Blackberry Picking Mouse”. It’s done mostly in watercolors with only a tiny touch of gouache and it measures 6″ x 6″. It’s not for any book in particular, I just enjoy making up little scenes using mice, bunnies etc., especially when they are in nature.
“Blackberry Mouse” watercolor, ink and a touch of gouache.
I’ve created a video on my youtube channel where I talk a bit about it and then show a slide show of the stages of painting beginning to end. It’s really great to watch and see what parts appear next and see how I’ve changed some things. When you watch it, keep an eye on the butterfly!
I have a few little (square) mouse paintings I’m working on, they make such a nice collection! I’m planning to make a note card collection with them if I can save up enough to buy a printer.
Follow this link to watch the video on my channel, and please leave me a comment there of what you think about it. https://www.youtube.com/watch?v=94qef86aFeI It would be doubly great if you subscribe and share my links, that would really help me get started on the channel!
I’m finding it fun to shoot videos when I’m out in the garden, where I’ve been spending most of my time. Capturing from the beginning, our living here in Scotland in a very old stone cottage. I’m hoping to do more sharing there of my going out field sketching or maybe to show stages of painting like the “Blackberry Picking Mouse” illustration.
It really fires me up when my readers leave me comments so please do leave them here or definitely on the Video! Cheers and enjoy!
PS. I have a private video I’ll be sharing here on the website soon, of a walk Gary and I took, it’s just music playing, no talking. I really like it but we’ve decided for this one to keep it just for the folks who find it here on my website!
Hello and welcome back for Watercolor Paper Testing – Part 2! My last post I had done some small tests to get started, and explained about the fall I had. Well I’m pretty much healed from that and getting back on track.
Hello there!
First I want to say, if you just go by what I say worked for me, it might help you decide on a paper you’d like to use, BUT WAIT! I highly recommend doing some testing of your own, you can follow my example or try new things on your own. I made a list of the techniques I was most likely to use and then did a simple, similar picture on all of them. I used 11 different papers, all ordered from Jackson’s Art Supply, my test sizes varied from about 5″x6″ to 3″x 6″, so they were small. It took me several days, of sitting down when I could, to work on each test criteria.
1.First label all your test peices of paper with what the paper is, the weight, type etc. One nice thing I ordered was the St. Cuthbert’s Mill sample pack of seven different papers; it only cost .50p and the peices were large enough to really play around with. Each of them was fully labeled too.
2.Make a list of the techniques you want to test on notebook paper; I will include my criteria list below. I decided to do one character (snail) on each and a simple dirt path, green bushy background and a sky with clouds. The sky allowed me to do a big simple graded wash, drop water in for clouds, and test by lifting with clean wet brush.
Clouds
3.Do one technique at a time on each one in succession. This way you’ve got the same colors mixed, and can use the same brushes to compare how they go on each paper. Write down what you thought after each thing you test or you’ll forget. I did this on note paper then after I was all done I wrote them down on the back of each paper test. So years from now you can dig around and find them you’ll know what’s what.
OK, here’s my list of criteria I tested:Â (all done on dry, unstretched paper)
Can you trace through the paper using a black ink line drawing underneath? I traced different snails on each one.
Does pencil erase easily?
Wash layers- do they stay or lift too easy when new layers go on? Tested in bush areas, ground and sky (I wet paper with a brush first for this one).
Lifting- do dry watercolors lift off when you rub/lift using damp brush and paper towel? On each I lifted a tree shape, like “stems” in the green bushes. Then on most I also lifted some of the dry blue sky.
Dry brush technique. Mostly the bushes and some ground areas on each.
Draw with dip nib and ink. I drew each snail with dip ink and nib, going over the pencil lines I traced.
Scratch wet paint areas to see if dark lines appear. You’ll see some thin lines of color in the bushes, these were made by scratching into the wet paper where paint was laid down.
Color pencil on dry watercolor areas, how do they go on? I mostly did this in the bushes around the snail, some on the ground using dark browns.
Permanent ink pen, ease of drawing on paper? Used to outline each snail and some details on the ground.
Clouds on damp blue sky, drop clear water on and some lifting with paper towel.
In general how does paper take the paint?
(other things you may want to test that I did not: using masking fluid, scraping off dry layers of paper with sharp knife, dropping salt on wet paint, whatever you may usually do when painting)
Please click each picture to see it enlarged.
Testing ability to trace through the paper from my drawing.
This is my simple set up for tracing I used on this project, (sorry for the dark picture) it’s a clear plastic flat “scrapbooking” type container. I like using these containers to hold my illustrations and lately have been using one as an easel/drawing table. I put a peice of rubber shelf liner underneath it, and can tuck reference photos and drawing stuff inside. I hold the top up with different sizes of masonite or plexiglas depending on the angle I want; here I used plexiglas so it lets more light through. I put a strong little lamp behind it on the table and set my drawing that I’ve inked in black on top. Next you lay your watercolor paper on top and trace! *Note- I taped a carpenters pencil along the bottom to keep papers and boards from sliding off, it works pretty good for now. *Note 2- you can also trace using a bright window; tape your inked drawing up and then your watercolor paper on top. Use light pencil lines, don’t score into the paper, you’ll want to erase most of your lines anyways so draw light!
Now I’ll post pictures of each sample and tell what paper it was along with what I thought about it. Prices listed were at the time I bought them. Click on pictures to see larger.
Beginning sample for watercolor paper test.
This sample has no number because it’s a scrap peice of watercolor paper I grabbed and for each technique I gave it a go on here 1st as a warm up! If you’re worried about messing up your paper don’t be afraid to loosen up on some scraps first! this helped me to think of what techniques I wanted to try.
#1 St. Cuthbert’s Mill, Millford, 140lb, CP (NOT) White
#1 St. Cuthbert’s Mill, Millford, 140lb, CP (NOT) White. 22″x30″ sheet = £ 4.10, 9″x12″ cut peice = .82p. (all papers with blue type on them are from the St. Cuthbert’s Mill sample pack) 1. Traced through well enough, a bit rough. 2. Erases well. 3. Washes went on great, no hard edges. 4. Lifting dry color- this paper worked well. You can see the little ‘tree’ stem area in the green bushes, that was done by lifting, and at the top in the sky. 5. Dry brush was good, rough areas in bushes. 6. Ink and Nib- went on well, a bit rough but good. 7. Scratch test-worked but wasn’t very strong, may need to try more. 8. Color pencil- great, bit of texture. 9. Permanent ink pen- ok, a bit rough for long drawn curved lines (snail shell). 10. Clouds- worked well, soft edges. 11. Paper took the paint really well, nice texture on ground edges, blue sky washes even.
#2 St. Cuthbert’s Mill, Bockingford, 140lb, HP White
#2 St. Cuthbert’s Mill, Bockingford, 140lb, HPWhite. 22″x30″ sheet = £ 2.10, 9″x12″ cut peice = .42p. 1. Traced through very well, smooth. 2. Erases well. 3. Washes- went on blotchy or patchy, layers hard edged. 4. Lifting dry color- worked well, see ‘tree’ shape and tiny cloud at top. 5. Dry brush-ok, not bad but a bit blah because of paper smoothness. 6. Ink and Nib- went on well, smooth. 7. Scratch test- worked. 8. Color pencil-good. 9. Permanent ink pen- very easy to draw with, smooth. 10. Clouds-Interesting, with water dropped in it formed harder dark edges, which I could have softened with lifting, but it was neat. 11. Was harder to float washes, paint colors got patchy.
#3 St. Cuthbert’s Mill, Bockingford, 140lb, CP (NOT) White
#3 St. Cuthbert’s Mill, Bockingford, 140lb, CP (NOT) White. 22″x30″ sheet = £ 2.10, 9″x12″ cut peice = .42p. 1. Traces well, tiny bit rough. 2. Erases easy. 3. Washes- great, easy to add water to. 4. Lifting dry color- did well. 5. Dry brush- worked really well. 6. Ink and Nib- worked ok, tiny bit rough. 7. Scratch test- worked ok. 8. Color pencil-good. 9. Permanent ink pen- good, a bit bumpy for drawing. 10. Clouds-excellent! Soft edges were perfect and harder edges on bottom edges looked good. 11. Paper took paint nicely.
#4 St. Cuthbert’s Mill, Bockingford, 140lb, Rough White
#4 St. Cuthbert’s Mill, Bockingford, 140lb, Rough White 22″x30″ sheet = £ 2.10, 9″x12″ cut peice = .42p. 1. Traced through well enough, a bit rough. 2. Erases well. 3. Washes- layered well. 4. Lifting dry color- worked rather well. 5. Dry brush- pretty good, rough areas in bushes and ground. 6. Ink and Nib- worked ok, a bit rough. 7. Scratch test-worked, a bit pale. 8. Color pencil- not as good, a bit too rough for me. 9. Permanent ink pen- well, a bit rough. 10. Clouds- worked well, wash went on nice, made clouds really well. 11. Paper took the paint really well, nice textures too.
#5 St. Cuthbert’s Mill, Saunders Waterford, 140lb, HP High White
#5 St. Cuthbert’s Mill, Saunders Waterford, 140lb, HP High White 22″x30″ sheet = £ 3.60, 9″x12″ cut peice = .72p. 1. Traced through well. 2. Erases well. 3. Washes- went on nicely. 4. Lifting dry color- ok, not as easy as others, lifting small patch on blue sky was bad. 5. Dry brush- worked great, rough areas above bushes. 6. Ink and Nib- worked ok, a bit bleedy. 7. Scratch test-worked really well. 8. Color pencil- worked well easy to draw on to paper. 9. Permanent ink pen- great. 10. Clouds- worked well, I put clouds on with a bit too much water. 11. Paper took the paint well.
#6 St. Cuthbert’s Mill, Saunders Waterford, 140lb, CP (NOT) White
#6 St. Cuthbert’s Mill, Saunders Waterford, 140lb, CP (NOT) White 22″x30″ sheet = £ 3.60, 9″x12″ cut peice = .72p. 1. Trace through-a bit rough, not as thin, can trace but not as easy. 2. Erases well. 3. Washes- went on really well. 4. Lifting dry color- not so good, soft edges. 5. Dry brush- worked great, rough areas in bushes and ground. 6. Ink and Nib- worked ok, not too bad. 7. Scratch test-worked ok. 8. Color pencil- worked well, especially for rough textures. 9. Permanent ink pen- very well. 10. Clouds- worked well, nice and soft, blue wash went on really well. 11. Paper took the paint really well.
#7 St. Cuthbert’s Mill, Saunders Waterford, 140lb, Rough White
#7 St. Cuthbert’s Mill, Saunders Waterford, 140lb, Rough White 22″x30″ sheet = £ 3.60, 9″x12″ cut peice = .72p. 1. Traces through well-a bit rough. 2. Erases well. 3. Washes- very good. 4. Lifting dry color- worked well but not with sky color. 5. Dry brush- worked great, rough areas in bushes and ground. 6. Ink and Nib- worked ok, a bit rough. 7. Scratch test-worked ok. 8. Color pencil- worked well, especially for rough textures. 9. Permanent ink pen- well but can be bumpy. 10. Clouds- blue wash went on well, clouds did really well. 11. Paper took the paint really well.
#8 Canson, Moulin du Roy, HP
#8 Canson, Moulin du Roy, HP 22″x30″ sheet = £ 3.10, 9″x12″ cut peice = .62p. 1. Traces through really well, feels thinner. 2. Erases well. 3. Washes- beaded up a lot, wouldn’t go on in some areas! 4. Lifting dry color- worked very well, even on the sky patch. 5. Dry brush- worked ok to good. 6. Ink and Nib- draws well. 7. Scratch test-not great. 8. Color pencil- worked well. 9. Permanent ink pen- nice, easy to draw. 10. Clouds- worked well, don’t get too wet, it gets blotchy. Paper towel lifts easily because color doesn’t soak in too fast. 11. Paint beaded up at first then was ok.
#9 St. Cuthbert’s Botanical Ultra Smooth, 140lb
#9 St. Cuthbert’s Botanical Ultra Smooth, 140lb full sheet = £ 2.20 (slightly smaller than the others), 9″x12″ cut peice = .55p. 1. Traces through really well, smooth. 2. Erases well. 3. Washes- a bit patchy in areas. 4. Lifting dry color- worked well. 5. Dry brush- worked well. 6. Ink and Nib- ok, a bit bleedy. 7. Scratch test-ok to pretty good. 8. Color pencil- worked very well. 9. Permanent ink pen- nice, easy to draw. 10. Clouds- worked well, color lifted well, clouds a bit hard edged. 11. Paper takes paint ok to well.
#10 Royal Botanical Society 140lb, HP
#10 Royal Botanical Society 140lb, HP 22″x30″ sheet = £ 4.70, 9″x12″ cut peice = .94p.  1. Traces through well, smooth. 2. Erases well. 3. Washes- went on nice. 4. Lifting dry color- worked well, a bit pale on sky patch. 5. Dry brush- worked well. 6. Ink and Nib- works fine. 7. Scratch test-worked well. 8. Color pencil- worked well. 9. Permanent ink pen- great, easy to draw. 10. Clouds- blue color went on nice, clouds went on very well. 11. Paper takes paint very well.
#11 Arches Aquarelle, 140lb, HP
#11 Arches Aquarelle, 140lb, HP 22″x30″ sheet = £ 5.40, 9″x12″ cut peice = £ 1.08. 1. Traces through very well, smooth. 2. Erases well. 3. Washes- went on well. 4. Lifting dry color- worked really well. 5. Dry brush- worked well. 6. Ink and Nib- worked ok to good. 7. Scratch test-worked well. 8. Color pencil- worked very well. 9. Permanent ink pen- very good, easy to draw. 10. Clouds- blue wash went on well, clouds lifted with brush and paper towel. 11. Paper takes paint nicely.
That was the last one! Whew! You can see this kept me busy for awhile. A few of the papers didn’t take the paint nicely at first, they beaded up or skipped areas. For those papers I think I would try wetting the paper first and stretch it, then see how they act. Or just take a larger peice and really wet it then play around on it. After I did the tests I wrote the price per full sheet on the backside, then figured out how much one cut 9″ x 12″ peice would be, depending on how many you could get out of a full sheet.
So what’s my verdict you’re wondering? I have to admit it’s still hard to say! For the price and how they performed for me, I have four I want to explore further.
Saunder’s Waterford HP High White- seems to work well, price moderate but a bit more than the others I liked.
Bockingford CP (NOT) white- worked well, rougher than what I’m used to, very affordable
St. Cuthbert’s Botanical Ultra Smooth- love the smoothness, low price, worked well but sometimes patchy, need further testing.
Moulin du Roy- I want to test some more, because it beaded up, but I like the feel of it and the price.
On the ones I liked I draw a little star and fill it in with really bright golden yellow, so it’s easy to spot when I’m digging in my folders.
PLEASE DO leave some comments about the paper you use and why you like it!! It would be great for everyone to share some ideas and papers that work for them here.
Happy Spring everyone, springtime posts coming soon!
Happy Spring from our village in Northumberland, England!
Since moving to England I’ve had to look elsewhere when it comes to buying my art supplies. Back in Clarence Center N.Y., I had lots of local choices for supplies, and I really miss being able to go look at and ‘feel’ things in person. Nothing beats feeling the spring of a brush on your hand or the roughness of a sheet of paper. Of course I ordered supplies online too, if you ordered enough it was cheaper, but it always helps to see it in person first and maybe test it out.
Where we live now there’s nothing close by, you have to drive to Newcastle for choice; so shopping online is more convenient. Last year I ordered some watercolor paper from Jackson’s (jacksonsart.com) online and was happy with the price and it came pretty quickly. I meant to write a post about my tests but alas never got the time, maybe I’ll post those simple tests later. This time around I ordered seven different papers but two I didn’t bother to test yet, they aren’t anything I would use for my illustration but I couldn’t know that until I saw them in person! I also ordered a sample pack of papers that are big enough to do tests on, I’ll include them in my next round of testing.
Here are the five I started testing:
1. Canson Moulin de Roy HP
2. St. Cuthbert’s Botanical Ultra Smooth 140
3. Royal Watercolour Society HP 140
4. Saunders Waterford HP 140 High White
5. Arches Aquarelle HP 140
The Arches is the most expensive, but it’s the one I picked from my last testing, as working best for my illustrations. I’m hoping some of these cheaper options will be just as good so I can make it my ‘go to’ paper and get really familiar with it!
When my new full size sheets of paper come they mostly measure 22″ x 30″ or 56cm x 76cm each. I then lay them out stacked up on my cutting board and figure out the best way to cut them up to get the most sheets. I’ll draw a little thumbnail on scrap paper to figure it out, then mark the watercolor paper for cutting. So I cut the sheets, leaving a big chunk uncut, and some small strips.
 (click on pictures to see larger)
Test strips being worked on and my tiny field palette (lid is partly closed, those aren’t my paints!).
For this post I’m just showing you the little bit of testing I’ve done so far. I have long strips from each paper on which I did small quick sketches/tests. Next I will use bigger peices and do a small study to get a feel for the paper with my inks and color pencils added.
All 5 test strips together.
Above shows all 5 strips laid out on my scanner, they were only 1″ to 1 1/2″ wide so you can imagine how small the bunnies and owls were! The strips are numbered L to R 5,4,3,2,1.
5 Little Owls
For the owls I did light pencil sketch then drew with Sepia Pitt “S” permanent ink pen, then watercolor on dry paper, then some color pencil last. The color pencil was brown or black and used for shading areas. They all were just great for using the ink pen and color pencil showed up on the tooth of the paper. Good so far!
5 Little Bunnies in a row.
It’s always good to practice bunnies! Isn’t it funny how each one looks like a different personality? For these I did a light pencil sketch then watercolor for all the color. Then I used various brown colored pencils for shading and some outlineing and at the end, a touch of black Pitt permanent ink “XS” pen. Doing the tiny washes showed me I will definitely need to do washes on larger paper to really see how it behaves. I want to see if layers lift too easily or does it get blotchy?
On the owls and bunnies I was also trying out different color pencils, my familiar Prismacolors, Derwent Coloursoft and some new Derwent “Studio” pencils. The “Studio” pencils are harder than the pencils I’m used to, so they will hold their point longer but not sure if I’ll like them yet!
Back side of test strips, dip nib testing.
On the backside of the strips I did a quick wash, let it dry then painted some Bracken leaves. When they were dry I used my dip ink nibs to try out some new inks I ordered, I’m very excited about them so far! I tested “Magic Colour – Grecian Olive” and “Vallejo – Umber”, both are acrylic permanent ink and the Magic Colour is made in England (yay! or should I say hoorah!) I did get some special empty markers that you can fill with this type of ink, but need to play around with that more. What I need to test here is, how well do my nibs work on the papers? They were all smooth enough that I cuoldn’t see much difference, next time I’ll try them on semi damp paper for bleeding.
Test of lifting and color pencils.
For the test above I did a simple wash of green and brown then while it was damp lifted color using a clean damp brush. Repeatedly wiping and cleaning the brush and dabbing the paper with paper towel, to help lift moisture and color. Then when it was dry I used color pencil to pick out the marks. The green area was just a quick area to try lifing color after it had dried. All did ok, the St. Cuthbert’s Botanical and Canson Moulin du Roy lifted the cleanest and brightest; though this might not be a good thing when adding washes, we’ll see when I do larger studies.
One Happy Bunny!
PS. Just wanted to mention on a more personal note, one of the reasons I did tiny strips was because I injured myself and sitting in the chair to work just kills me right now. I fell and cracked a rib or two and definitely injured the muscles in my back! But what’s so unbelieveable is that I could do that in a muddy sheep field! I was walking alone along a very old line of trees in a muddy field. I thought, I need a stick so I won’t slip so much….I broke a long stick off a big dead branch on the ground then tried to break it again with my foot on the bottom. Well it still had quite a bit of spring in it and as it resisted I slipped and the branch kind of sprung and I got thrown back against the base of this huge old tree! AY CARUMBA IT HURT! The tree had huge rounded burly roots and that’s exactly what I slammed my side into. Wish I had fallen in the mud! So once I sat up, avoided crying and took inventory of what was working, I had to get up and walk 1.25 miles home. This included climbing over two or three slippery farm gates, muddy fields and a steep road home. I guess there’s not much you can do for cracked ribs but take pain killers and I hate doing that. So I have but avoid overdoing it and now am not taking much. It’s gettiing better and you’d think, “ah, I can’t walk much but at least I can sit and work in the studio”, well no, I can’t concentrate on anything other than small stuff! So, now you’re caught up on me, don’t worry I’m pretty healthy so I should heal quickly (she says!)
I’ll try to work on more testing of these papers and update you on that as I go.
The end of May was very chilly here, wool sweaters and extra layers to peel off when the sun did decide to shine. Gary and I have continued our walks of course, especially when the rain holds off. Most of our walks are later in the day and we don’t have much time for me to sit and paint. But today we went with the intention that I’d sit and do a study of distant hills. Yay!
The view I painted was in this direction, looking up Coquetdale.
We had a ramble around on Lordenshaws, which is situated right next to the well known Simonside Hills, a favorite place for walkers. Lordenshaws is a much more gentle hill and an easy walk but still offering great views.
Here’s the largest cup and ring marked stone at Lordenshaws with the marvelous view in the distance of Coquetdale.
I love that there are ancient cup and ring marked stones to see as you walk, made about three thousand years ago!
Here’s more of a close up to see the rings and the ‘holes’ are the cup marks.
This shows the markings or carvings a bit closer. It’s amazing to think of how long ago they were made and we always have a wonder about the people that made them. What were they like? What did they think of and what do the marks mean? No one can answer that for sure.
View I had of the hills and Coquetdale valley.
Though there are many views, I decided to paint this one, with Simonside being just to the left and the view of Coquet valley coming from behind it. I liked the distant hills with fields marked by lines of hedges and then the nearer farm fields just at the base of Simonside. (It’s very hard to see any detail in this photo, because the sun was in front of me getting low.)
Painting with cold hands as the sky constantly changed.
I tried to get as much done as possible, then at home I looked at the photos I took on the computer, and tried to touch it up. It’s always best to get as much done in the field as possible, as the colors are never the same on the computer! The hard thing is when you work outdoors, especially in the chilly evening air, your hands get cold and your back aches…well mine does. So I try to work quickly.
Finished! “View From Lordenshaw’s” watercolor, 5.5″x7″
Here’s the finished painting, only 5.5″ x 7″, including the ring holes!
More posts to come, it’s been such a busy summer I am far behind! Please sign up your email (upper right) to recieve notification of new posts.
Ok, so I know it’s summertime so why am I talking about spring? Well I still have sketches and paintings to share that are from late winter and spring before I share my recent work. You’ll notice my winter and spring sketches were all quite small and not as much watercolor going on. As the weather warms up, and thus my fingers, I start to do more. Lately I’ve been doing some charcoal drawings too, but lets not get ahead of ourselves…spring first!
Watercolor of Edlingham Burn, February 10th in Edlingham village, Northumberland.
Above, here’s a small watercolor I did while sitting by the burn or stream that runs through Edlingham. The painting is just small, about 5×6″ or so, but good practice to paint the green trees and blue and brown water. Well actually the water is quite clean and clear, it just reflects all that’s above it! I really enjoyed the sun that day though it was still cold, so I finished the painting at home.
Fuzzy Buds drawing in ink February 17, 2015
I just love when native bushes bloom with soft fuzzy buds in springtime. They have little shiny, leathery looking caps that their fuzzy little heads push up as they swell to bloom. I brought some twigs in to draw; if you put them in water they look great and last awhile as you draw them.
My set up for drawing.
I set up the jar of buds by the patio windows, getting some natural light to work by. I like sitting here with my porridge in the morning to read and watch the birds outside.
Painted with watercolor from live branches I brought inside. February 17, 2015
I really enjoy trying to paint the soft look of the buds and also showing that they are white. You can’t (well I can’t) help but stroke them and think of how it feels like the ear of my bunny I had years ago!
One of many snowdrops, done in ink and watercolor. February 11, 2015
Spring here in England, wouldn’t be spring without the Snowdrops! They were everywhere and lasted so long, a real promise of more spring flowers to come. I had planned to paint a Snowdrop open, but ran out of time. I took a lot of pictures though so maybe in the future?
Unfinished sketch of a bit of Edlingham Valley.
Here’s another from February; do you notice how small this is? It’s from one of my tiny 4.25″ x 5″ sketchbooks I like to use in the winter. (see pic below). It’s great for tucking in your pocket when you just might want to draw something interesting, and I draw while standing up so it’s easy to hold too.
Finished watercolor 4.25″ x 5″, view in Edlingham, Northumberland.
Later I finished the color on the trees and grasses. As the page says, it was cold that day!
This is one of the small sketchbooks I designed, it’s great for winter sketches because it’s small.
There’s the sketchbook I made, designed complete with a pen holder made out of duct tape!
The Vole Hole, watercolor, 4.25″ x 5″.
Another tiny one, done on the backside of the sketch of Edlingham Valley view. Who can resist a tiny hole belonging to a vole or mouse? I know my husband’s cat can’t but neither can I for different reasons. I just have this little childlike vision of cute mice straight from Beatrix Potter coming out of the holes. I like to practice drawing these kinds of homes for future stories I may illustrate.
4.25″ x 5″ ink drawing of our ancient Sycamore.
I did this sketch with the intention to study the wonderful colors that are on this tree. It’s an ancient Sycamore covered with lichens of many colors, mosses of green and the tree bark’s own reddish hue, just waiting (still) to be studied by my watercolors.
Well I think that’s all for this post, I still have lots of small spring sketches and watercolors to share soon though. Next time I’ll post some more photos too. I’ll be posting soon, stay tuned!
(Click for clearer view) I have to blame my Fiance for this silly thought, as we joked around about bananas going bad; then I jump right in and make it real by creating the characters! I scanned it right from my sketchbook and didn’t clean it up as I did below in the black and white.
“When Bananas Go Bad”
I think I prefer the black and white at this point, I think my colors got too muddy in the color. What do you think?
Do you remember when I took that walk in November, hunting for acorn caps? Well I wrote about a little White Aster I came across, alone in the field. Here is what I wrote in that post:
“And one little Aster in the middle of the ‘Maze’, an overgrown field with paths I cut years ago. The white Aster looked up at me with it’s tiny little face, and asked if winter was coming soon? I told it to prepare and go to sleep before the snow falls. It was sad but missed it’s friends, as they had all gone, so it nodded it’s head and drooped a little in it’s tiny stem.”
“Sad Aster go to sleep, before the snow falls cold and deep.”
At the time I saw it, I just saw a white Aster and thought about it alone there, but I didn’t give it feelings and talk to it. That was my creative mind putting my feelings onto a tiny flower and as soon as I wrote that paragraph a new character was born! Yes, as soon as I wrote that post I wrote a poem called “Sad Aster” and then I did some sketches.
“Your friends are gone, the field is empty, Where once they stood in numbers plenty.”
I’m quite pleased with the little poem and now will work on illustrating it, creating more of a character.
“..before the snow falls cold and deep.”
I just thought it’d be interesting to share with you how one walk in nature, when combined with my emotions and thoughts, will sometimes evolve (in my mind) into something other people can relate to.
“Little Aster cold and white, Go to sleep this cold, dark night.”
I wish I could share the whole poem but I guess I should wait until it can be published properly.
Worried little Aster
While I’m warm in my house, I hope she’s sleeping soundly out there under the foot of snow we got this weekend! 😉 Well for now I have to put “Sad Aster” aside while I catch up on some mice illustrations I started, it never ends….so much to do! I’ve also created some small needle felted animals in wool with wire armatures so they are pose-able, and continue to do small experiments with wet felting. One of these days I’ll open an Etsy shop so I can sell them, but for now I must concentrate on my illustrations!
PS. Don’t worry, it’s a happy ending for Sad Aster! 😉
It’s been weeks since I’ve been out in the field sketching, and now that I’ve been out I feel renewed! I guess that’s how we should feel in Spring. I put on my Wellies or “Mud Boots” grabbed my sketch kit and camera and set out. Come with me and I’ll show you my walk with sketches and photos! (Please click on pictures to view clearer.)
Dried grasses in “Pasture Lane” on the way to the pond.
The first lane I walk in follows the pasture so it’s always been called “Pasture Lane”. No animals in the pasture now but still lots of wild things to look at. This lane has lots of nice dried rushes and sedges in it; I love this color, especially with the blue sky. It won’t be long I’ll be spotting all kinds of Nursery Web Spiders and underwater little nymphs and creatures.
Natural arch of branches on Long Lane
This is on “Long Lane”, looking towards “Aspen Hall” and it’s a natural archway of branches that’s been forming the past few years. I keep breaking branches when I go under it to keep it a bit under control! I’ve done sketches and paintings of it before, and not too long ago photographed it covered with snow! But as I was standing here I decided to go up “Memory Lane” to my left. This leads me to “Oak Lane”, one of my favorites, where I thought I’d check things out.
Woodpecker hole in dead tree by “Memory Lane”.
Just at this intersection the woods are quite wet and I always see dead trees with lots of woodpecker holes. This one looks like it’s been freshly pecked at.
One of the ancient oaks in “Oak Lane”, standing tall and strong.
I ended up in “Oak Lane” my favorite place on my property where the oaks are huge and tall, standing for many many generations. I made a little place to sit right up next to the tree at it’s base, by spreading my trusty garbage bag out, first checking for pokey sticks and bits. There I sat, ate a snack and enjoyed the peace, then did a small sketch of the grapevines growing about me. Hmm…funny but that seems sort of rhymy to me…lets see:
“Here I Sit”
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Before I sat down
Upon leafy ground
I gave the spot a good scour
Where I’d while away the hour.
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There were pokey sticks
And hard little bits
I had to clear before I sat,
So I could sit and have my snack.
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Well, now here I sit
With favorite sketchkit
Having a think and a good look,
At what will go in my sketchbook.
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by Mary McAndrew
Well that was fun! I just made that up!
Here’s the start of my “Grapevine” sketch
I put my sketchbook on my knees and decided to draw the big grapevine branch hanging near me…that’s it by my leg.
My watercolor palette, I just love the colors!
There’s a close up of my watercolor palette I take when I go afield, it’s getting pretty stained now and I’ll have to look for a new one. Some of my colors I have in temporary little plastic containers, just to see if I want to add them to the kit.
Using a waterbrush to paint.
This is one of my waterbrushes, it’s actually not one of the more expensive ones but it worked great for me today. It has good juicy water-flow and the tip stayed sharp for details. I also wrote words about the grapevine on the page that I’ll type out below:
“The grapevine grows greatly
reaching upwards with twisted limb.
It’s rough bark twisting tightly tense
along it’s sinuous length.
Great muscle of wooden rope reaching right up
to entangle and strangle it’s host.
And gentle innocent long trailing tendrils
Hang down from above,
stirring in the breeze
to tease.”
by Mary McAndrew
As I wrote the words I let my mind think poetically and freely. I knew later I’d like to write a poem from some of the words I found because I liked the way they sounded together. Here’s the finished sketch below and then the new poem follows:
Grapevine sketch and words done in the field.
Here’s my little poem I wrote just now while looking back at the words:
“The Grapevine”
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Grapevine growing greatly
Reaching upwards with twisted limb,
Rough bark twisting tightly
Tense, sinuous and slim.
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Great muscle of wooden rope
Reaching right up to entangle,
Clinging to unwilling host
As you wind about to strangle.
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Gentle, innocent tendrils trail
Stirring in the breeze.
Stronger than you look so frail,
Climbing any tree you please.
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by Mary McAndrew
Watercolor started in the field of purpley red bushes.
The watercolor above I did half in the field and half at home. On my way back I stood in an field we call “The Maze”, because of all the intertwined paths in it, all cut by me years ago using a tractor and brush hog. It was very difficult to paint the stems while standing there in front of them, tired, cold…but I loved the colors so much and wanted to try and ‘study’ it. When I got back I looked at photos I took using my computer, and did more detail and study. I found myself using Dioxizine Violet mixed with Alizarin Crimson for most of the purpley colors; mixing it with Sepia made a nice shadow color. I had to use a bit of Cadmium Red to brighten up the color here and there. You can see my color notes on the left side there. By the way, I can’t really recall what the name of the bushes are, I think “Red Pannacled…something or other! Sorry, I packed all my field guides up, I’ll see if I can look for them.
The old stick bridge at “Aspen Hall”
This is the old stick bridge in “Aspen Hall”, I add to it every spring and summer, tossing on dead branches to go over the ditch. “Aspen Hall” is located along “Long Lane”, so I’ve done a circle and am coming back towards home now.
A very old car frame.
This is a very old car frame just sitting by the pasture, it’s been there ages! I think the former owner of the farm told me it was Model T or Model A …wooden spokes! How cool!
I’ll leave you with one more picture from my spring walk…
Ahhh…this is the life!
I didn’t want you to miss my favorite picture! I love taking pictures of my boots when I go hiking, wherever I am. In my shop I have pictures of my boots in England too! Go here to my shop then scroll down left side column and click “Hiking – Walking + Boots”
Hope you enjoyed our ramble!
Click on the pictures below to see my photos as note cards, it has a nice ZOOM feature that’s lets you look closely.
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