This post has a lot of photos showing as many stages of painting as I could. I’m taking the pictures using my cell phone, sorry they are not perfect! I’m using a photo I took a few years ago in Northumberland, on a walk with Gary at Beanly Moor. Some of the most beautiful old Beech trees are there, the tall stately ‘ladies of the wood’ these trees can be known as. Many times we find a long row of very mature trees and know that once they were part of a farmers hedge and left to grow because they were forgotten and went wild. I love that.
Above, first I did a light pencil drawing but didn’t add too many details. Then I started to add some color that I see on the tree, I’m using gouache paint.
Here I start to put the greens of the ground down and a bit of burnt sienna mixed with burnt umber on the tree. I used a big filbert to brush the tree and used strokes that followed the rounded contour of the trunk. This left ‘streaks’ in the paint that I liked and I used the same brush later to add more tree color. The strokes it made I left and they really look great even at the end with other textures layered on top.
Here I did quite a few things, I toned down the green in the background on the left by putting a more opaque light green on top. I scumbled in more of the foreground greens and values then I added the dark browns you see using the big filbert brush. These are important dark areas because I’ll be putting light grasses and bracken on top and this will make them look more three dimensional.
I also made some brush strokes on the tree for the lichens and moss that I rather liked the texture of. When you see lichens on trees like this, it almost looks like fur. So as I continue I try to keep that texture on the tree.
I used a very light wash of color brushed on the left side of the tree, I’m trying to get rid of areas that are not as light in value as the right side of the tree and the background. I used the big filbert brush again to stroke with the round trunk.
The background trees get brushed in. Whoever said trees have brown trunks? Most tree trunks I see are green and grey in color!
Here you can see I’ve added grey on the right side of the tree. Then because gouache paint can be lifted quite a bit if you wet it, I was able to carefully lift the dark color off where I plan to put light patches of paint. I could probably have painted right on top of the dark, but this way I figured it had less chance of mixing and getting muddy. It was a good way to ‘sketch’ out exactly where I wanted to put the light patches.
I’ve also added more opaque color to the tree on the left which is giving it so much more ‘solidness’. And I added leaves/branches to the background trees and don’t forget the wee cows!
This is showing how I had it set up on my table, plastic palette on the right, gouache paints above that in a resealable palette. Just above my painting you see a clear plastic tray with round depressions, that was some packing material from battery tealights, it makes a great mixing area for paints! The colors in there were for painting the light bracken and finding the right color and value drove me crazy!
A lot has happened here, the light patches going onto the trunk and some very light speckles, bracken fronds all over, more texture on the ground in the back.
Here I worked on that grey area on the right side of the trunk, more texture and some sharpening of the dark edge to show the tree goes in there, like an old wound maybe?
Now I know the color of this picture is hugely different from the pictures of the stages of painting, this is the scan of the painting. You can really see the vibrancy of the greens, whereas the other pictures are all taken with my cell phone under lamps and some with cool natural light.
Once I get set up with a printer again, I’ll definitely be making prints and note cards of this one; I love the colors and textures! I hope you liked seeing all the steps of painting as I worked, please leave me a comment if you like. Please share my website with your friends! You can also follow me on Instagram to see more updates on my projects, look for Mary_McAndrew_Artist.
Gary and I went out for a quick drive in mid February even though it was overcast and cold. We drove through Newcastleton in the Scottish Borders and up the lane that goes right out of the village (as the locals refer to Newcastleton) and up onto the moors.
This is the first view you get when you pull up, a nice bench for enjoying the beautiful scenery.
We pulled up to see the views and got out to take a look around. This is a sign about the Langholm Moor Project to help bring back the Hen Harriers. Hen Harriers are the same thing as the Marsh Hawks I used to see over my back fields in Clarence Center, NY!
There was an interesting structure made of rocks down a little grass path, so I went to check it out.
There was a very long sturdy bench built into the wall, which curved around in an arc. It was a great place to shelter out of the wind and I liked the way it blended into the surroundings naturally.
There was a plaque dedicated to Lord Eskdaill on his 21st birthday. I’ll have to look him up and learn about him; I found the spelling of his name interesting and I’m still learning about local history.
This is the view from the shelter, but I don’t think that little tree was supposed to be right there in the middle! It probably grew up by mistake. I was thinking that some wildflowers would look great growing around the grass circle.
This is the view I decided to use for my painting. I worked from this photo even though it’s much duller than the actual colors were. As I worked on it at home, I checked my colors by looking at the land and trees outside my windows.
First I did a light sketch in pencil on 140 lb watercolor paper.
I’m using the gouache lightly, just like watercolors, I’ll build up colors in layers. I’m sorry I didn’t take any other step by step photos as I worked! I think I worked on this one at night and just did it until it was done.
“View From Langholm Moor”, gouache Feb 17, 2023
Here it is finished! (click to see it enlarged) I had fun doing the grass in the foreground by first putting dark browns down then brushing lighter grasses on top. Then I went back and adjusted the colors of the fields in the background, trying to balance colors, lights and darks until it looked right.
I’m looking forward to getting up there again as the spring and summer brings new growth and colors to paint!
I love really old trees. Living here in England I am rich with so many of these wonderful trees. This tree is one that lives at the corner of Edlingham Castle, growing upon what looks like a very old part of the castle. I think some many years ago when the castle was left to ruin, a sapling must have grow up there. The oldest part of the castle was built in the 1300’s and saw many changes over time. I wonder what might be concealed in the rocks all tightly held by this tree’s massive roots? You never know! One thing I know it does have is a geocache that someone hid there, it’s been there years! (oops was I supposed to keep that a secret? 😉 )
My drawing of the tree done in ink and wax crayon.
As I approached the tree, on this sunny May morning, I found a spot in front of it and just plopped down in the grass. I liked the form of the ‘scar’ where a huge limb must have been years ago, I think it was cut off because the area of the cut is so flat. I first sketched it in with an permanent ink pen then used a grey wax crayon to shade in medium values. I like how the two mediums worked together, and they’re easy to carry about in your pocket.
This shows the tree in relation to the castle.
That’s the tree on the left (above), you can see how large it is!
Another view of the castle and the tree on the right, taken in December.
This view of the castle I took in December, on a cold grey day, standing near Edlingham burn.
I hope you enjoyed this brief look at Edlingham Castle and it’s old Ash tree! Please leave me a comment below, love to hear if you have any special old trees in your neighborhood!
In the morning I like to get out for a quick, short walk before I eat my porridge. Sometimes I wander down to Edlingham Castle and the view I sketched above was the view of the church (St. John the Baptist) as you return up the path. I love the way a fenceline can add an elegant curve and show perspective, even when just indicated by little lines like toothpicks.
These are the notes I put on the back of the drawing.
This particular sketchbook is very small, so it’s easy to hold and carry in my pocket. So for the small size I was happy with how the composition turned out.
St. John the Baptist Church from the castle.
This is the church as you approach from the castle. You can see the Butterbur is growing so tall, it loves growing there by the wall!
Here’s a nice view of the church, St. John the Baptist.
Here’s a view of St. John the Baptist Church from July 2015.
It’s been a long time since I used my watercolor pencils, so I thought I’d bring them out with me on this day (in March). The snowdrops were out in a thick blanket at the “St. John the Baptist” churchyard, Edlingham and the view in the distance with “Edlingham Castle”, the Viaduct and “Corby Crags” was great; so I thought I’d try to capture a bit of it.
Beginning sketch I did while sitting on the wall of the churchyard.
I took this picture with my cell phone as I sat on the cold stone wall of the churchyard, cold enough I was drawing with fingerless mittens on!
This is how far I got working outside.
Above shows how far I got working on it outside sitting on the churchwall. I got most of the important things drawn in the right place and color for a lot of it. I was very stiff and cold so had to stop!
This shows a bit more color laid on
This shows a bit more color layers put on, more on the trees and background detailed a bit. You can’t see it but I also put some color on the castle.
Finished! In all it’s vividness and rich greens! That’s Edlingham Castle and the Viaduct in the background.
This little painting really tidied up nicely! The fence ended up being a bit different than I planned but I think it’s ok. I wanted to leave the whites to show the snowdrops; I mostly showed them by using the greens around them. When I was done I used a white gel type pen and touched here and there helped really pull the flowers out more. I’m also experimenting with using Doc Martin’s Bleed Proof White, a non permanent white ink, to add touches of white (tree trunks).
I hope your Spring is shaping up nicely where-ever you may be! Happy Spring!
This past summer my husband and I tried to pop out to the Lake District when we could. Unfortunately time slipped by and we only got out there a few times for the day, except of course when my son visited and I got to stay in Keswick two days with him! (but that’s another story). On this occasion we explored Kendal, then some small tarns but the best part was walking up Gummer’s How and having a picnic. (please click on photos to see larger views)
The Chocolate House, Kendal.
First we stopped in Kendal and had a quick run around, but lingered a little longer in the Chocolate House. It’s a very small shop filled with all kinds of chocolates and candies. To be honest I didn’t buy any this time, I just didn’t feel in the mood….I must have been NOT feeling myself! Well it’s a reason to go back again.
An amazing old door on a small church we visited.
This is an amazing old heavy wooden door on a small church we visited.
A very scary ford to cross.
This is a ford we came to, I’ve never seen one this wide! There was no sign saying not to cross it but I told Gary I’d get out of the car if he tried! It looked far too deep.
I’m so glad we decided not to cross this ford!
We drove around the long way and this is the ford from the other side. It was awful, the ground was all broken up from previous flooding, and it must have been 2 1/2 feet deep! There should have been a sign to warn people!
Gummer’s How, waiting for us to come up!
This is Gummer’s How and you can just see Lake Windermere at its base. Time to get our boots on and get walking.
There were some really pretty areas on our walk up.
We passed small grassy glades and this one had a small stream that sounded so refreshing.
This is the path that curves around towards the top
As we get near the top the path goes close to the edge and you get a great view of Windermere. I had to stop and take it in, though Gary said to keep on, he knew the view got better!
Now don’t get jealous of this next photo! It looks like a scene from the “Miss Potter” movie and I love that!
Settling down to do a watercolor of the view at Lake Windermere.
Of course my big plan was to do a watercolor study up top and I’m happy to say I did. Many times we walk and when we’re at the top of our hill I don’t feel like painting or there’s just no time.
The day couldn’t get more perfect!
After our picnic of Ploughman’s sandwiches (cheese and pickle), various biscuits (cookies) and a can of apple cider we shared, I settled down on some soft mossy heather to draw.
This apple cider was nice with our picnic.
It helps to carry a plastic bag to sit on, the ground is usually very damp so I always have one tucked in my field kit.
My small sketchbook and travel palette balanced on my knees.
The difficult part is translating that huge expanse of landscape to your small pad, I focused in on several of the distant mountains and first sketched with pencil.
This shows how far I got while working in the field.
The above picture shows how far I got in the field. One of the best things about painting or drawing outside, is all the things you see as you sit there! We heard loud airplane engines and then two really big military airplanes flew right up the lake; it was below us and that perspective made it even more exciting! They must have been returning from an airshow?
Finished watercolor of “Lake Windermere from Gummer’s How”
Here’s the finished watercolor (above). The most challenging thing (as always) was the changing shadow patterns on the hills. You can sit and gaze all day at the moving shadows from the clouds, picking out brilliant greens in one area then fading to appear in another spot. It helped me greatly to look at photos I shot when I finished up details at home. I had to pick a bit from many to fit what my painting was showing.
Click on this Wikipedia link to read more about Gummer’s How. I love the quote by Wainwright at the end, I guess I don’t have to hang up my boots just yet!
The end of a very nice day, this was the sunset as we drove through the Pennines back to Northumberland. I hope you enjoyed the extra photos today, though I know August is long since gone, I’ll always remember our hike and painting on Gummer’s How.
The end of May was very chilly here, wool sweaters and extra layers to peel off when the sun did decide to shine. Gary and I have continued our walks of course, especially when the rain holds off. Most of our walks are later in the day and we don’t have much time for me to sit and paint. But today we went with the intention that I’d sit and do a study of distant hills. Yay!
The view I painted was in this direction, looking up Coquetdale.
We had a ramble around on Lordenshaws, which is situated right next to the well known Simonside Hills, a favorite place for walkers. Lordenshaws is a much more gentle hill and an easy walk but still offering great views.
Here’s the largest cup and ring marked stone at Lordenshaws with the marvelous view in the distance of Coquetdale.
I love that there are ancient cup and ring marked stones to see as you walk, made about three thousand years ago!
Here’s more of a close up to see the rings and the ‘holes’ are the cup marks.
This shows the markings or carvings a bit closer. It’s amazing to think of how long ago they were made and we always have a wonder about the people that made them. What were they like? What did they think of and what do the marks mean? No one can answer that for sure.
View I had of the hills and Coquetdale valley.
Though there are many views, I decided to paint this one, with Simonside being just to the left and the view of Coquet valley coming from behind it. I liked the distant hills with fields marked by lines of hedges and then the nearer farm fields just at the base of Simonside. (It’s very hard to see any detail in this photo, because the sun was in front of me getting low.)
Painting with cold hands as the sky constantly changed.
I tried to get as much done as possible, then at home I looked at the photos I took on the computer, and tried to touch it up. It’s always best to get as much done in the field as possible, as the colors are never the same on the computer! The hard thing is when you work outdoors, especially in the chilly evening air, your hands get cold and your back aches…well mine does. So I try to work quickly.
Finished! “View From Lordenshaw’s” watercolor, 5.5″x7″
Here’s the finished painting, only 5.5″ x 7″, including the ring holes!
More posts to come, it’s been such a busy summer I am far behind! Please sign up your email (upper right) to recieve notification of new posts.
Here’s a post I wrote from July, never too late to enjoy a bit of sun I guess!?
July 16, 2015
Did I tell you how much I LOVE living here in Northumberland? I did? Well I won’t get tired of saying it or doing my sketches out in the field.
Taking a rest, enjoying the day, in my barn boots of course!
I went up in the field near Edlingham Castle, I had it all to myself, no sheep or cows about. It was just that kind of day that I sat on the ground to think, listen to the birds and enjoy just living. Then I just lay back and put my straw hat over my eyes and let time slip by, and it was ok.
Trying to take a selfie with a 35mm isn’t easy!
Laying down amongst the clovers, it made me feel like a kid again. Isn’t that funny? I should go lay in the grass more often! Maybe we could start a national “Lay in the Grass Day”! haha.
Below is a picture of what it looked like, my view from the grasses, the clouds were so beautiful.
My view from the grass, my mouse eye view.
And below, this is what I saw near me, a Ringlet butterfly, a very common sight in the fields here in summer. I’m really enjoying learning the new butterflies and bugs here in the UK.
A Ringlet butterfly on a clover head.
Well I didn’t just lay around all day, after a little while I went down the field, found a spot to stand and did a small painting. Below is a picture of Edlingham Castle, this was what I drew. You can see by the photo, the lighting never stays the same when you’re painting outside. My painting ended with nice blue skies and sunshine!
Edlingham Castle view from field.
Below is the ink drawing I did first. Sometimes I do an ink drawing then paint with my watercolors, especially if I don’t think I’ll have time to paint it. The other way is to do a light pencil sketch and then paint, drawing with ink a little for details on the pencil before or after painting.
Ink drawing of Edlingham castle, over the gate.
Below is my finished watercolor painting, only 4.5″ x 6″. You can see how bright the colors are, the day really was so bright, unlike the photo! The ink drawing makes it look more like an illustration than a painting to me. Kind of like all details are picked out at once, but that’s ok.
Edlingham Castle, Northumberland. Watercolor and Ink 4.5″ x 6″
I hope you enjoyed a little look back into summer! If you don’t want to miss any of my posts, just put your email in the box at the top right column. It’ll send you an email notice and you just respond then you’ll get my posts right in your inbox. Remember though, it’s best to click to come here and read the post, it lays out better on the page (and you can leave comments here).
I wrote this post way back in July, when it was sunny and warm, now here we are at the end of October! I still have new drawings and paintings to share, it’s just been more hectic than I expected! I’m still settling into this new life, trying to learn how to drive standard (badly!), finding a new accountant, and not being able to find some of my supplies because many things are still packed and stacked in plastic bins! But what has been most excellent is our walks near our home and a few trips to the Lake District. The greatest joy Gary and I share is our love of walking in the countryside. I’m overwhelmed with subject matter, it’s just finding time to sit and work.
So, on to my July post! Please click on the pictures to see them enlarged and clearer, enjoy!
(July 2015) I’m very lucky to have an ancient castle near where I live. I can go visit the site and walk around it, or view it from the fields.
Brown ink drawing of Edlingham Castle done in the field in April 2015.
I did this drawing in brown ink (Faber Castell Pitt pen) while standing in the field where only local villagers usually go, way back in April. It’s great to switch your mediums once in awhile when out painting. I think it’s great ‘brain training’ as you have to approach it in different ways, seeing shapes, values, lines, textures and measurements; and thinking what you will use to capture that.
As I am settling into my new studio space here in England, I am still re-organizing my ‘stuff’ and wanting to play with materials I’ve had packed for ages. One of those is charcoal, I haven’t really used it in a long time so lately I’ve been rediscovering it. Below I’ll show you how I did another small drawing of the castle en Plein Air or sitting in a field with my art kit.
Sometimes I set my stuff out on the ground, this is charcoal drawing supplies.
This shows my small backpack, a big lawn + leaf type garbage bag, Altoids tin with loose charcoal sticks and one plastic box with charcoal pencils, tortillions, brushes, sandpaper and eraser. I almost always stand when I work but today I had a small folding camp stool to sit on. The garbage bag is great for when you want to throw your backpack or kit on the ground and it’s all damp OR use it for sitting on.
Here’s part of my field kit for charcoals, good ‘ol Altoids tin.
And the ever popular ‘Altoids tin’, once used by me for watercolors but now I put my charcoal sticks in here. The rubber bands on the lid are holding a piece of paper towel and some cotton balls in place.
Here it is open and ready to use; I put the messy hard and soft sticks in here.
The base holds an assortment of soft vine and compressed charcoal sticks also a piece of chamois for blending and shading.
You can use the ‘messy’ charcoal powder in the tin to draw with a brush.
When I sharpen points on sandpaper I let the powder fall into this tin and then it’s great to pick up with brushes for shading. A great way to start your sketch with soft blocked in areas of value, using soft or stiff brushes.
Work in progress, my support is just the cardboard back of a sketchpad.
Above here it is almost finished, just a few touch ups and strengthening of darks and details to do.
Charcoal drawing of Edlingham Castle, July 2, 2015.
And it’s finished! I hope you enjoyed seeing some of my kit and how I worked. I’ll try to post more of those sketches I’ve done! Leave me comments below, I love to hear from you all.
As I was looking through my small sketches and watercolors from this spring and early summer, I found I have many that are of distant views of the hills. Scenes that are all around me here in Northumberland England, just drive anywhere and you will always see some far off huge hills in the distance that all the locals can tell you the name of. Yes, all have names, very old names! It’s fun to learn the silhouettes and names of them.
Our favorite thing to do is walk up any of the high hills and see into the distance; can you believe we can see all the way to Scotland!? You don’t have to climb a high hill to appreciate the views though, even walking on the upper lane out of our village gives you views across Whittingham Vale or up to Corby Crags.
View of the Cheviots and Glanton area in the Whittingham Vale.
The tiny watercolor sketch above is from one of my morning walks along the upper lane of our village. The blue hill in the distance on the left is actually two hills in the Cheviots, one being “The Cheviot” itself. The hill in the center I’m pretty sure is Low Pyke in Glanton, the next village that you can see across the valley. It makes you realize that all the way back to bronze age man, people must have named the hills and used them for direction.
Study of Corby Crags in watercolor, March 10, 2015.
This little study above is of Corby Crags, as seen from my side yard in spring. It’s just a quick watercolor sketch to practice clouds and colors, but I remember standing there doing it on a sunny day in March, when winter was breaking.
“Burning Heather on Brizlee”, watercolor field study, April 6, 2015
This one was done while walking along our upper back lane, I saw smoke from a fire in the distance and stopped to record it. I leaned on a big field gate as I looked past the buildings in the foreground to the long hill in the distance. My husband told me they were burning heather on the moors up on Brizlee, this is to promote new growth of heather shoots for the grouse and partridges (all for the hunting season). This hill I realized later when I looked on a map is all the way in Alnwick, the next village about 6 miles away!
“View of Demesne Farm and Thrunton Woods”, watercolor, May 26, 2015.
One of my favorite things here is to watch the clouds cast shadows and patches of sun creep across the face of the land. Where the sun goes the greens and golds of the land come alive, it’s so dramatic! The little 5 1/2″ x 7″ watercolor above I did while sitting on the side bank of the road out of our village looking towards Thrunton Woods and Demesne Farm. It’s one of my morning walks that is relatively short but always windy when you get to the top. I don’t think I’ll ever get tired of this view!
“View From Edlingham Lane” watercolor, July 21, 2015.
This 4 1/2″x 6″ study was done on the same lane but just a week ago. I was near the top of the lane where you really get hit with all the wind sweeping across this valley. It was a misty day and my hands got cold and stiff, yeah even in July! As I painted this it started to rain (see the approaching clouds?) so I quickly put my kit away…then it stopped….so unpack the kit again! The weather here is just like that, dress in layers because when the sun comes out you’ll get so hot and start peeling off jackets, but as soon as the clouds come it’s cold and there could be a surprise sprinkle in that cloud. I usually bring more than the average walker because I end up sitting or standing still a lot and it gets cold when you don’t move around.
Next post I’ll share more photos of my surroundings, but still so many sketches to share too! Besides sketching I’ve been busy testing watercolor paper so I can dig in and concentrate on my illustrations, I also got a new watercolor field box that I’ve been using and love. I’ve been recording (with photos and sketches) the local flora and fauna (would you expect anything less from me?) So far I have positively identified 51 birds, 46 different wildflowers, 10 butterflies, 3 moths and any number of unidentified insects, moths, plants etc. It’s exciting to be in a new country with all these new things! I’ll share more of this coming up, stay tuned!
The most up to date information about my artwork, nature sketching adventures, or step by step demonstrations. Search using Categories or Tags, or use the search box in the left column.
Please sign up below to get notified when I post new articles.
