I’m excited to share my latest little illustration called “Blackberry Picking Mouse”. It’s done mostly in watercolors with only a tiny touch of gouache and it measures 6″ x 6″. It’s not for any book in particular, I just enjoy making up little scenes using mice, bunnies etc., especially when they are in nature.
“Blackberry Mouse” watercolor, ink and a touch of gouache.
I’ve created a video on my youtube channel where I talk a bit about it and then show a slide show of the stages of painting beginning to end. It’s really great to watch and see what parts appear next and see how I’ve changed some things. When you watch it, keep an eye on the butterfly!
I have a few little (square) mouse paintings I’m working on, they make such a nice collection! I’m planning to make a note card collection with them if I can save up enough to buy a printer.
Follow this link to watch the video on my channel, and please leave me a comment there of what you think about it. https://www.youtube.com/watch?v=94qef86aFeI It would be doubly great if you subscribe and share my links, that would really help me get started on the channel!
I’m finding it fun to shoot videos when I’m out in the garden, where I’ve been spending most of my time. Capturing from the beginning, our living here in Scotland in a very old stone cottage. I’m hoping to do more sharing there of my going out field sketching or maybe to show stages of painting like the “Blackberry Picking Mouse” illustration.
It really fires me up when my readers leave me comments so please do leave them here or definitely on the Video! Cheers and enjoy!
PS. I have a private video I’ll be sharing here on the website soon, of a walk Gary and I took, it’s just music playing, no talking. I really like it but we’ve decided for this one to keep it just for the folks who find it here on my website!
It’s been such a long time since I posted here on my blog. We’ve all been through quite a lot the past two years haven’t we? Well to add to my stress and at the same time happiness, we’ve moved from England to the Scottish Borders! Moving during a pandemic when they kept closing the borders was so stressful, but we’re moved now and getting settled in.
This is one of the first paintings I did at our new place, while standing in our back garden looking at the hills and sky. It’s a very small watercolor and I wrote the names of birds I could hear at the bottom while I painted.
We are still discovering just how beautiful our new area is, the Borders are wild and quiet, just what we like. The whole process of moving and settling in and creating new garden beds has and continues to, take lots of my time.
I unpacked paintings I hadn’t seen since I moved to England, has it been 6 years? More? They are like old familiar friends, and now many are hanging up where I can see them.
I will be focusing on getting a new printer set up and organizing proper selling of my prints and originals from my website. I’ve never had the chance to really do it right! Now I also have the fun little needle felted characters which I look forward to making available to buy soon.
Some new friends! I love creating these one of a kind characters, totally posable and unique!
I have a YouTube channel that has been sitting waiting also, so lately I’ve been adding videos so I can get back into it. Now with the house, gardens, new studio set up, new lands to explore, I’ll have lots to share there! Please go look, “Like” and hopefully “Subscribe” to follow my endeavours! Here’s the link: https://www.youtube.com/channel/UCnrD9rYXZ6KWYeDRElAvGyw I’ll get better at it as I go, I’m learning a new video editor called “ShotCut”.
Here I’m sketching along the river near our house, just up the valley. I need to get out to do this more often, the garden has been keeping us both busy!
I have really missed sharing here and can’t wait to get back to it. I have lots of new artwork to add to the Gallery too. What’s been holding me back in many areas is just figuring out how I want to redesign my website Galleries. I’m also having trouble receiving email notifications when someone leaves a comment! I need to find help for that issue with Word Press.
Finally I got my watercolors and color pencils set out, here I am working on an illustration for my new granddaughter, I’ll share more about that later!
So, has anyone missed me? What have you kept busy with during this pandemic and are you OK? I miss talking to the great people who leave comments for me here, you always inspire me to keep creating!
I’ll share some pictures below of our area and some more studies.
Sketching “Rubers Law” from the top of “Bonchester HIll”, and boy was it windy and cold! Very hard to draw, but look at that view!
This is a small unfinished gouache study of our back garden and byre (barn).
One of my illustration studies, I love the ‘old style’ like this and find drawing bugs really fun!
On a cold day, the sun is lighting up the hills far to the west. This is looking over our garden in the front where we are creating a small orchard.
There’s also new wildlife to discover here, this is a Green Hairstreak butterfly, with metallic green wings! It flew up out of nowhere when I was by the byre and settled on the Honesty I had planted. I was so excited!
Well that’s all for now, so much to share! Please don’t be shy, leave me a comment and I’ll check back here to reply to all. I hope you’re all keeping well, see you soon with another post or YouTube video!
Sketching from my new little book “Old Possum’s Book of Practical Cats” by T. S. Eliot, illustrated by Edward Gorey.
I used to watch a show on Public Television that was called Mystery Theatre and the introduction to the show used animated illustrations by Edward Gorey. I’ll never forget his style and I really liked that intro, I found a clip of it on YouTube, click here to go to it. And there’s a second one with a few different scenes, click here to see those. It really brings back memories! So when I saw this book for sale on Abebooks I just had to get it, not just for the illustrations but I was curious to read the poems by T. S. Eliot.
I did a whole page of cats based on the illustrations in the book.
I had fun sketching the cats from this book because they’re whimsical and all done in ink. The difficult thing is I did the sketches in the car while Gary was driving, do you know how curvy (and bumpy) the roads are here?! It was hard to draw! So it was when I got home that I went over the pencil drawings with permanent ink pen.
What a great expression! Cat #1 after Gorey.
Above is the first cat I did after Gorey. Though the cats were pretty simple I did learn some things by studying Gorey’s illustrations. I really like the way the pattern on his back looks and the close ink lines to shade him. The eyes I did on the cats are a little bit different, you can’t help adding your own take on things.
Cat #2, pretty simple, love those eyes and whiskers!
Cat #2 was a simple black one, I liked the whiskers and eyes and how he looked on that curved ball. In the book he was actually on top of a pillar with a ball shape on it, it’s right on the cover. I changed it to simplify and draw all the cat, I also gave him eyes that I wanted!
Rah Rah, shish boom bah!
Cat # 3 looks like he’s at a sports event, clutching a hamburger! This one was loosely based from another cat on the cover holding a flag, I made him lighter and changed his face a bit.
Cat #4 is wearing spats, what a dapper fellow!
This is Cat #4, “Bustopher Jones”, the cat about town. He was cool, I liked that he had spats on his feet! But I had to laugh, when I looked back in the book just now to get his name, I realized I forgot his tail in my drawing! haha
Cat #5, I love his mid air jump and expression.
Cat #5, what a face! I love his spots and the expression on his face. Gorey sure liked to give his cats long whiskers too!
Cat #6, another jumping cat!
Cat # 6 is another jumping cat, or maybe he’s flying? I like how the spots were made with small ink strokes.
Bustopher Jones returns.
Cat # 7 our friend “Bustopher Jones” has returned. I really liked this one and the poem wasn’t bad either. I didn’t love all the poems in the book, but I still haven’t read the whole thing either.
Cat # 8 is a sleepy old cat called “Old Deuteronomy”.
Cat #8 is “Old Deuteronomy”, I liked his sleepy expression and fading stripes, also the way Gorey simplified him with no back legs and great position of the front legs.
Now we’re onto ‘my’ cats, inspired by Gorey.
Then another day I did some sketches inspired by Gorey’s drawings but I tried to change them up a bit with poses, expressions, markings and shorter whiskers! See my individual cats below.
Cat #1, our for a stroll with a walking stick.
For cat #1 I used that fur pattern I liked here and had fun with the expression on his face. Is he saying hello to a friend or is something coming and he’s putting his paw up to say stop?
Cat # 2 sitting easy on a satin pillow.
Cat #2, there’s a lot I like about this one. I like his eyes, the shape alone gives him a kind sort of look, and wide eyed. Then there’s those graphic spots and before I knew it I drew a pillow and a mouse for him! But he doesn’t look like he’ll eat the mouse.
Cat #3 is a pretty cat with longer fur.
Cat 3# ended up a white cat, with a bit more furry looking coat. I added a ball of yarn to give it something to play with.
Cat #4 is fun, either dancing or maybe ice skating?
And Cat #4 was fun to draw, making up that pose. It looks like he’s ice skating or maybe dancing? A few light spots here and there and some cheek puffs for good measure.
Cat #5 is like the other laying down cat by Gorey.
Cat #5 is like the other laying down cat by Gorey but I changed the position of the feet and added back legs. I like his little surprised expression.
Cat #6 is a typical old style black cat.
Cat #6 is a typical old style black cat like you’d see in Halloween illustrations. Usually when the back is arched the cat is shown as scary, but mine is just stretching, I can almost feel him pushing his shoulders up into that ‘cat’ stretch and stretching his claws out as they do. I was very careful to leave a white line for the mouth when I drew the black ink on his face, and his eyes have that friendly shape too.
Cat #7 is plump and wearing a tie!
Cat #7, I like this one! He’s plump and has huge eyes. I also tried to not fill him in totally with ink so there was a bit of texture on him. A little shadow helps to show off his white toes too.
That’s it for all the cats! Please tell me what you think of the sketches and what you thought of how I made up my own. I really had fun doing these, they were pretty easy for me so it was relaxing if anything. Hope you enjoyed them!
You can also find me on Instagram as “mary_mcandrew_artist” and my facebook art page is “Mary McAndrew Painting and Illustration”, I post random things I’m working on and sometimes views outside.
Hello everyone! As I said in my previous post about the toad in ink, I wanted to try and do some ink drawings in the month of October for what’s called “Inktober”. It’s a challenge that artists do to try and create ink artworks maybe everyday, but I knew I would never be able to do that!
So I did get this little drawing of the “Mossy Fairy House” done using inks and I did a bunch of fun cat cartoons. I’ll share them next time I think, there’s not many but it was a lot of fun! This Fairy House was a good practice for me as I did it entirely with brushes, no ink pen. I’ll show you from start to finish the stages it went through, it’s more interesting and educational in my opinion.
This shows the very beginning next to the reference photo.
I sketched my drawing out on a 5×7″ piece of bristol board that I taped to a piece of clear plexiglas. I like using this a lot in the studio, I use it like this and it’s easy to lay on top of reference materials or you can put a lamp behind when you need to trace from your sketch. I also put a piece in front of current illustrations that are leaning behind my easel on the table, don’t want any paint splashes on them now do we?
Anyways, the reference photo is one I shot years ago while hiking in the woods near our village, there is NO shortage of luscious moss growing here in England! It was growing on some rocks that had fallen down ages ago and to me, well it just looked like a Fairy house! What would you think if you saw it?
Starting to brush ink in, deciding how to make it look more ‘house’ like.
Then I started to brush ink in, trying to decide where to go with this, because the whole thing has got to come from my imagination. I added two ‘windows’ but never felt right about them. You can see I sketched rocks behind and added a chimney.
More ink as I pick out the rocks of the wall and put some smoke from the chimney.
More ink goes on as I pick out the rocks of the wall and put some smoke from the chimney. I also add one Digitalis or Foxglove flower behind. This grows commonly here and I love it, so do the bees!
I add more flowers and the path to the Fairy House.
Now I’m adding more flowers behind to fill it out (or fill it in however you want to look at it!), and I start to make a path lightly in grey wash. I also flick in some simple grass to start to set a scene, thinking all the time, “what will I put in the foreground?”. I would like to make it a nice illustration and add a fairy but nothing was hitting me.
I next do a bit on the stones on my mossy fairy house.
Then I start to add washes to the stones of the wall. This was fun because I got to look back through my reference photos of stone walls, which inevitably takes me MUCH longer than it should because I end up thinking about all the different walks it took to get all those photos! Actually more than that, it’s seeing so many photos of things I’d love to paint and this distracts me like crazy! Haha…oh well back to little mossy fairy house!
Now I’ve set up in front of my laptop so I could look for reference photos I’ve saved.
This photo shows I’ve moved off the easel, I’m done with that little reference photo and am looking up reference photos on my laptop to get inspired for the greenery in front. You can see how I’ve put my ink out, this is a little jar of Speedball Acrylic Ink, next to it is a small jar of water and they are sitting in a plastic paint mixing tray. The ink is permanent so I know I was taking a chance on permanently staining the tray, but it’s ok, I’ll use it for ink now. My brushes are resting on a tiny paintbrush stand I got years ago with a set of chinese brushes and ink. I have a small scrap of paper between the art and the ink, this is for testing marks etc. It kind of looks like I made a Jack O’Lantern face doesn’t it?
Now I add more ferns and flowers to the fairy house.
Ok, so the way the windows looked like two stark dots was bugging me, enter my husband. I like asking him his opinion as he has a sharp eye and doesn’t hold back on opinions! (though sometimes not what I want to hear!). He right away pointed out he didn’t like the windows, they looked too symmetrical, yes, that’s it, they had to be changed! It was nearly impossible to rub out or lift the black ink so I resort to illustrative techniques….out comes the white gel pen! I drew in pencil first how I wanted the fern to go and as you can see I added more in the foreground too. I drew on each leaf with the white pen to make it show, perhaps gouache would have worked well but it’s so tiny I opted for the pen.
Here’s a close up showing my waterbrush used to create a wash of ink around things.
You can see I have my waterbrush out now, this is great for making the soft shadows around the plants. I shot a video clip with my cell phone showing a bit of this. Next time I’ll try and set it up on a holder – tripod or something. I first paint the outline of the plant, then you can either let it dry and go back to it or try to quickly brush along the edge to draw the ink out. I usually like to get the drawing done first so I can think about where I want the ink wash shadows to go all together.
I was able to upload the clip to my YouTube channel, click here if you want to check it out! If anyone knows of some free program that compresses your videos please let me know in the comments, I have an awful time uploading videos.
Now we’re back on the easel, working on those plants!
Now we’re back at the easel and I’m working on adding more ferns, flowers and details in the foreground.
Almost finished!
Well we’re almost finished now, I lift a light patch inside the doorway, I really wanted to add something but felt the pressure of wanting to be done too. I’ve left a ‘free’ area on the grass in front of the Fairy House in case I come back to it later with a little fairy or creature. Something that bothered me about the drawing too is how I added so much dark under the house and it looked disconnected from the ground too much, do you know what I mean? So I tied it down a bit by adding grass blades with the help of the white pen and drawing grass with my ink.
And it’s finished!
Here’s the final drawing finished. It came out nicely I think, mostly I’m pleased with doing something that looks a bit different for my style. Adding the black background and darkness in the foreground I find to be exciting looking and graphic. I’m not happy about the smoke from the chimney and could have gone back with a wash of white gouache, but I really was trying to push myself to just use ink. Someday maybe a fairy will find it’s way in here, but that will probably be if I do another version of it. I was ready to say it’s done and get onto the next thing! I’ll share that next, some fun little cat cartoon drawings inspired by illustrator Edward Gorey!
I hope you enjoyed seeing the steps to this little ink drawing, please leave me a comment or any questions below. Cheers!
Hello and welcome back for Watercolor Paper Testing – Part 2! My last post I had done some small tests to get started, and explained about the fall I had. Well I’m pretty much healed from that and getting back on track.
Hello there!
First I want to say, if you just go by what I say worked for me, it might help you decide on a paper you’d like to use, BUT WAIT! I highly recommend doing some testing of your own, you can follow my example or try new things on your own. I made a list of the techniques I was most likely to use and then did a simple, similar picture on all of them. I used 11 different papers, all ordered from Jackson’s Art Supply, my test sizes varied from about 5″x6″ to 3″x 6″, so they were small. It took me several days, of sitting down when I could, to work on each test criteria.
1.First label all your test peices of paper with what the paper is, the weight, type etc. One nice thing I ordered was the St. Cuthbert’s Mill sample pack of seven different papers; it only cost .50p and the peices were large enough to really play around with. Each of them was fully labeled too.
2.Make a list of the techniques you want to test on notebook paper; I will include my criteria list below. I decided to do one character (snail) on each and a simple dirt path, green bushy background and a sky with clouds. The sky allowed me to do a big simple graded wash, drop water in for clouds, and test by lifting with clean wet brush.
Clouds
3.Do one technique at a time on each one in succession. This way you’ve got the same colors mixed, and can use the same brushes to compare how they go on each paper. Write down what you thought after each thing you test or you’ll forget. I did this on note paper then after I was all done I wrote them down on the back of each paper test. So years from now you can dig around and find them you’ll know what’s what.
OK, here’s my list of criteria I tested: (all done on dry, unstretched paper)
Can you trace through the paper using a black ink line drawing underneath? I traced different snails on each one.
Does pencil erase easily?
Wash layers- do they stay or lift too easy when new layers go on? Tested in bush areas, ground and sky (I wet paper with a brush first for this one).
Lifting- do dry watercolors lift off when you rub/lift using damp brush and paper towel? On each I lifted a tree shape, like “stems” in the green bushes. Then on most I also lifted some of the dry blue sky.
Dry brush technique. Mostly the bushes and some ground areas on each.
Draw with dip nib and ink. I drew each snail with dip ink and nib, going over the pencil lines I traced.
Scratch wet paint areas to see if dark lines appear. You’ll see some thin lines of color in the bushes, these were made by scratching into the wet paper where paint was laid down.
Color pencil on dry watercolor areas, how do they go on? I mostly did this in the bushes around the snail, some on the ground using dark browns.
Permanent ink pen, ease of drawing on paper? Used to outline each snail and some details on the ground.
Clouds on damp blue sky, drop clear water on and some lifting with paper towel.
In general how does paper take the paint?
(other things you may want to test that I did not: using masking fluid, scraping off dry layers of paper with sharp knife, dropping salt on wet paint, whatever you may usually do when painting)
Please click each picture to see it enlarged.
Testing ability to trace through the paper from my drawing.
This is my simple set up for tracing I used on this project, (sorry for the dark picture) it’s a clear plastic flat “scrapbooking” type container. I like using these containers to hold my illustrations and lately have been using one as an easel/drawing table. I put a peice of rubber shelf liner underneath it, and can tuck reference photos and drawing stuff inside. I hold the top up with different sizes of masonite or plexiglas depending on the angle I want; here I used plexiglas so it lets more light through. I put a strong little lamp behind it on the table and set my drawing that I’ve inked in black on top. Next you lay your watercolor paper on top and trace! *Note- I taped a carpenters pencil along the bottom to keep papers and boards from sliding off, it works pretty good for now. *Note 2- you can also trace using a bright window; tape your inked drawing up and then your watercolor paper on top. Use light pencil lines, don’t score into the paper, you’ll want to erase most of your lines anyways so draw light!
Now I’ll post pictures of each sample and tell what paper it was along with what I thought about it. Prices listed were at the time I bought them. Click on pictures to see larger.
Beginning sample for watercolor paper test.
This sample has no number because it’s a scrap peice of watercolor paper I grabbed and for each technique I gave it a go on here 1st as a warm up! If you’re worried about messing up your paper don’t be afraid to loosen up on some scraps first! this helped me to think of what techniques I wanted to try.
#1 St. Cuthbert’s Mill, Millford, 140lb, CP (NOT) White
#1 St. Cuthbert’s Mill, Millford, 140lb, CP (NOT) White. 22″x30″ sheet = £ 4.10, 9″x12″ cut peice = .82p. (all papers with blue type on them are from the St. Cuthbert’s Mill sample pack) 1. Traced through well enough, a bit rough. 2. Erases well. 3. Washes went on great, no hard edges. 4. Lifting dry color- this paper worked well. You can see the little ‘tree’ stem area in the green bushes, that was done by lifting, and at the top in the sky. 5. Dry brush was good, rough areas in bushes. 6. Ink and Nib- went on well, a bit rough but good. 7. Scratch test-worked but wasn’t very strong, may need to try more. 8. Color pencil- great, bit of texture. 9. Permanent ink pen- ok, a bit rough for long drawn curved lines (snail shell). 10. Clouds- worked well, soft edges. 11. Paper took the paint really well, nice texture on ground edges, blue sky washes even.
#2 St. Cuthbert’s Mill, Bockingford, 140lb, HP White
#2 St. Cuthbert’s Mill, Bockingford, 140lb, HPWhite. 22″x30″ sheet = £ 2.10, 9″x12″ cut peice = .42p. 1. Traced through very well, smooth. 2. Erases well. 3. Washes- went on blotchy or patchy, layers hard edged. 4. Lifting dry color- worked well, see ‘tree’ shape and tiny cloud at top. 5. Dry brush-ok, not bad but a bit blah because of paper smoothness. 6. Ink and Nib- went on well, smooth. 7. Scratch test- worked. 8. Color pencil-good. 9. Permanent ink pen- very easy to draw with, smooth. 10. Clouds-Interesting, with water dropped in it formed harder dark edges, which I could have softened with lifting, but it was neat. 11. Was harder to float washes, paint colors got patchy.
#3 St. Cuthbert’s Mill, Bockingford, 140lb, CP (NOT) White
#3 St. Cuthbert’s Mill, Bockingford, 140lb, CP (NOT) White. 22″x30″ sheet = £ 2.10, 9″x12″ cut peice = .42p. 1. Traces well, tiny bit rough. 2. Erases easy. 3. Washes- great, easy to add water to. 4. Lifting dry color- did well. 5. Dry brush- worked really well. 6. Ink and Nib- worked ok, tiny bit rough. 7. Scratch test- worked ok. 8. Color pencil-good. 9. Permanent ink pen- good, a bit bumpy for drawing. 10. Clouds-excellent! Soft edges were perfect and harder edges on bottom edges looked good. 11. Paper took paint nicely.
#4 St. Cuthbert’s Mill, Bockingford, 140lb, Rough White
#4 St. Cuthbert’s Mill, Bockingford, 140lb, Rough White 22″x30″ sheet = £ 2.10, 9″x12″ cut peice = .42p. 1. Traced through well enough, a bit rough. 2. Erases well. 3. Washes- layered well. 4. Lifting dry color- worked rather well. 5. Dry brush- pretty good, rough areas in bushes and ground. 6. Ink and Nib- worked ok, a bit rough. 7. Scratch test-worked, a bit pale. 8. Color pencil- not as good, a bit too rough for me. 9. Permanent ink pen- well, a bit rough. 10. Clouds- worked well, wash went on nice, made clouds really well. 11. Paper took the paint really well, nice textures too.
#5 St. Cuthbert’s Mill, Saunders Waterford, 140lb, HP High White
#5 St. Cuthbert’s Mill, Saunders Waterford, 140lb, HP High White 22″x30″ sheet = £ 3.60, 9″x12″ cut peice = .72p. 1. Traced through well. 2. Erases well. 3. Washes- went on nicely. 4. Lifting dry color- ok, not as easy as others, lifting small patch on blue sky was bad. 5. Dry brush- worked great, rough areas above bushes. 6. Ink and Nib- worked ok, a bit bleedy. 7. Scratch test-worked really well. 8. Color pencil- worked well easy to draw on to paper. 9. Permanent ink pen- great. 10. Clouds- worked well, I put clouds on with a bit too much water. 11. Paper took the paint well.
#6 St. Cuthbert’s Mill, Saunders Waterford, 140lb, CP (NOT) White
#6 St. Cuthbert’s Mill, Saunders Waterford, 140lb, CP (NOT) White 22″x30″ sheet = £ 3.60, 9″x12″ cut peice = .72p. 1. Trace through-a bit rough, not as thin, can trace but not as easy. 2. Erases well. 3. Washes- went on really well. 4. Lifting dry color- not so good, soft edges. 5. Dry brush- worked great, rough areas in bushes and ground. 6. Ink and Nib- worked ok, not too bad. 7. Scratch test-worked ok. 8. Color pencil- worked well, especially for rough textures. 9. Permanent ink pen- very well. 10. Clouds- worked well, nice and soft, blue wash went on really well. 11. Paper took the paint really well.
#7 St. Cuthbert’s Mill, Saunders Waterford, 140lb, Rough White
#7 St. Cuthbert’s Mill, Saunders Waterford, 140lb, Rough White 22″x30″ sheet = £ 3.60, 9″x12″ cut peice = .72p. 1. Traces through well-a bit rough. 2. Erases well. 3. Washes- very good. 4. Lifting dry color- worked well but not with sky color. 5. Dry brush- worked great, rough areas in bushes and ground. 6. Ink and Nib- worked ok, a bit rough. 7. Scratch test-worked ok. 8. Color pencil- worked well, especially for rough textures. 9. Permanent ink pen- well but can be bumpy. 10. Clouds- blue wash went on well, clouds did really well. 11. Paper took the paint really well.
#8 Canson, Moulin du Roy, HP
#8 Canson, Moulin du Roy, HP 22″x30″ sheet = £ 3.10, 9″x12″ cut peice = .62p. 1. Traces through really well, feels thinner. 2. Erases well. 3. Washes- beaded up a lot, wouldn’t go on in some areas! 4. Lifting dry color- worked very well, even on the sky patch. 5. Dry brush- worked ok to good. 6. Ink and Nib- draws well. 7. Scratch test-not great. 8. Color pencil- worked well. 9. Permanent ink pen- nice, easy to draw. 10. Clouds- worked well, don’t get too wet, it gets blotchy. Paper towel lifts easily because color doesn’t soak in too fast. 11. Paint beaded up at first then was ok.
#9 St. Cuthbert’s Botanical Ultra Smooth, 140lb
#9 St. Cuthbert’s Botanical Ultra Smooth, 140lb full sheet = £ 2.20 (slightly smaller than the others), 9″x12″ cut peice = .55p. 1. Traces through really well, smooth. 2. Erases well. 3. Washes- a bit patchy in areas. 4. Lifting dry color- worked well. 5. Dry brush- worked well. 6. Ink and Nib- ok, a bit bleedy. 7. Scratch test-ok to pretty good. 8. Color pencil- worked very well. 9. Permanent ink pen- nice, easy to draw. 10. Clouds- worked well, color lifted well, clouds a bit hard edged. 11. Paper takes paint ok to well.
#10 Royal Botanical Society 140lb, HP
#10 Royal Botanical Society 140lb, HP 22″x30″ sheet = £ 4.70, 9″x12″ cut peice = .94p. 1. Traces through well, smooth. 2. Erases well. 3. Washes- went on nice. 4. Lifting dry color- worked well, a bit pale on sky patch. 5. Dry brush- worked well. 6. Ink and Nib- works fine. 7. Scratch test-worked well. 8. Color pencil- worked well. 9. Permanent ink pen- great, easy to draw. 10. Clouds- blue color went on nice, clouds went on very well. 11. Paper takes paint very well.
#11 Arches Aquarelle, 140lb, HP
#11 Arches Aquarelle, 140lb, HP 22″x30″ sheet = £ 5.40, 9″x12″ cut peice = £ 1.08. 1. Traces through very well, smooth. 2. Erases well. 3. Washes- went on well. 4. Lifting dry color- worked really well. 5. Dry brush- worked well. 6. Ink and Nib- worked ok to good. 7. Scratch test-worked well. 8. Color pencil- worked very well. 9. Permanent ink pen- very good, easy to draw. 10. Clouds- blue wash went on well, clouds lifted with brush and paper towel. 11. Paper takes paint nicely.
That was the last one! Whew! You can see this kept me busy for awhile. A few of the papers didn’t take the paint nicely at first, they beaded up or skipped areas. For those papers I think I would try wetting the paper first and stretch it, then see how they act. Or just take a larger peice and really wet it then play around on it. After I did the tests I wrote the price per full sheet on the backside, then figured out how much one cut 9″ x 12″ peice would be, depending on how many you could get out of a full sheet.
So what’s my verdict you’re wondering? I have to admit it’s still hard to say! For the price and how they performed for me, I have four I want to explore further.
Saunder’s Waterford HP High White- seems to work well, price moderate but a bit more than the others I liked.
Bockingford CP (NOT) white- worked well, rougher than what I’m used to, very affordable
St. Cuthbert’s Botanical Ultra Smooth- love the smoothness, low price, worked well but sometimes patchy, need further testing.
Moulin du Roy- I want to test some more, because it beaded up, but I like the feel of it and the price.
On the ones I liked I draw a little star and fill it in with really bright golden yellow, so it’s easy to spot when I’m digging in my folders.
PLEASE DO leave some comments about the paper you use and why you like it!! It would be great for everyone to share some ideas and papers that work for them here.
Happy Spring everyone, springtime posts coming soon!
Happy Spring from our village in Northumberland, England!
Since moving to England I’ve had to look elsewhere when it comes to buying my art supplies. Back in Clarence Center N.Y., I had lots of local choices for supplies, and I really miss being able to go look at and ‘feel’ things in person. Nothing beats feeling the spring of a brush on your hand or the roughness of a sheet of paper. Of course I ordered supplies online too, if you ordered enough it was cheaper, but it always helps to see it in person first and maybe test it out.
Where we live now there’s nothing close by, you have to drive to Newcastle for choice; so shopping online is more convenient. Last year I ordered some watercolor paper from Jackson’s (jacksonsart.com) online and was happy with the price and it came pretty quickly. I meant to write a post about my tests but alas never got the time, maybe I’ll post those simple tests later. This time around I ordered seven different papers but two I didn’t bother to test yet, they aren’t anything I would use for my illustration but I couldn’t know that until I saw them in person! I also ordered a sample pack of papers that are big enough to do tests on, I’ll include them in my next round of testing.
Here are the five I started testing:
1. Canson Moulin de Roy HP
2. St. Cuthbert’s Botanical Ultra Smooth 140
3. Royal Watercolour Society HP 140
4. Saunders Waterford HP 140 High White
5. Arches Aquarelle HP 140
The Arches is the most expensive, but it’s the one I picked from my last testing, as working best for my illustrations. I’m hoping some of these cheaper options will be just as good so I can make it my ‘go to’ paper and get really familiar with it!
When my new full size sheets of paper come they mostly measure 22″ x 30″ or 56cm x 76cm each. I then lay them out stacked up on my cutting board and figure out the best way to cut them up to get the most sheets. I’ll draw a little thumbnail on scrap paper to figure it out, then mark the watercolor paper for cutting. So I cut the sheets, leaving a big chunk uncut, and some small strips.
(click on pictures to see larger)
Test strips being worked on and my tiny field palette (lid is partly closed, those aren’t my paints!).
For this post I’m just showing you the little bit of testing I’ve done so far. I have long strips from each paper on which I did small quick sketches/tests. Next I will use bigger peices and do a small study to get a feel for the paper with my inks and color pencils added.
All 5 test strips together.
Above shows all 5 strips laid out on my scanner, they were only 1″ to 1 1/2″ wide so you can imagine how small the bunnies and owls were! The strips are numbered L to R 5,4,3,2,1.
5 Little Owls
For the owls I did light pencil sketch then drew with Sepia Pitt “S” permanent ink pen, then watercolor on dry paper, then some color pencil last. The color pencil was brown or black and used for shading areas. They all were just great for using the ink pen and color pencil showed up on the tooth of the paper. Good so far!
5 Little Bunnies in a row.
It’s always good to practice bunnies! Isn’t it funny how each one looks like a different personality? For these I did a light pencil sketch then watercolor for all the color. Then I used various brown colored pencils for shading and some outlineing and at the end, a touch of black Pitt permanent ink “XS” pen. Doing the tiny washes showed me I will definitely need to do washes on larger paper to really see how it behaves. I want to see if layers lift too easily or does it get blotchy?
On the owls and bunnies I was also trying out different color pencils, my familiar Prismacolors, Derwent Coloursoft and some new Derwent “Studio” pencils. The “Studio” pencils are harder than the pencils I’m used to, so they will hold their point longer but not sure if I’ll like them yet!
Back side of test strips, dip nib testing.
On the backside of the strips I did a quick wash, let it dry then painted some Bracken leaves. When they were dry I used my dip ink nibs to try out some new inks I ordered, I’m very excited about them so far! I tested “Magic Colour – Grecian Olive” and “Vallejo – Umber”, both are acrylic permanent ink and the Magic Colour is made in England (yay! or should I say hoorah!) I did get some special empty markers that you can fill with this type of ink, but need to play around with that more. What I need to test here is, how well do my nibs work on the papers? They were all smooth enough that I cuoldn’t see much difference, next time I’ll try them on semi damp paper for bleeding.
Test of lifting and color pencils.
For the test above I did a simple wash of green and brown then while it was damp lifted color using a clean damp brush. Repeatedly wiping and cleaning the brush and dabbing the paper with paper towel, to help lift moisture and color. Then when it was dry I used color pencil to pick out the marks. The green area was just a quick area to try lifing color after it had dried. All did ok, the St. Cuthbert’s Botanical and Canson Moulin du Roy lifted the cleanest and brightest; though this might not be a good thing when adding washes, we’ll see when I do larger studies.
One Happy Bunny!
PS. Just wanted to mention on a more personal note, one of the reasons I did tiny strips was because I injured myself and sitting in the chair to work just kills me right now. I fell and cracked a rib or two and definitely injured the muscles in my back! But what’s so unbelieveable is that I could do that in a muddy sheep field! I was walking alone along a very old line of trees in a muddy field. I thought, I need a stick so I won’t slip so much….I broke a long stick off a big dead branch on the ground then tried to break it again with my foot on the bottom. Well it still had quite a bit of spring in it and as it resisted I slipped and the branch kind of sprung and I got thrown back against the base of this huge old tree! AY CARUMBA IT HURT! The tree had huge rounded burly roots and that’s exactly what I slammed my side into. Wish I had fallen in the mud! So once I sat up, avoided crying and took inventory of what was working, I had to get up and walk 1.25 miles home. This included climbing over two or three slippery farm gates, muddy fields and a steep road home. I guess there’s not much you can do for cracked ribs but take pain killers and I hate doing that. So I have but avoid overdoing it and now am not taking much. It’s gettiing better and you’d think, “ah, I can’t walk much but at least I can sit and work in the studio”, well no, I can’t concentrate on anything other than small stuff! So, now you’re caught up on me, don’t worry I’m pretty healthy so I should heal quickly (she says!)
I’ll try to work on more testing of these papers and update you on that as I go.
Honey Bunny left a message for her friends at Long Lane.
Honey Bunny made her decision, she’s moved away from Long Lane to England. But her little friends and she have promised to write to each other. She wants to know what happens back home and they want to hear about her adventures!
The little flowers of her garden are sad.
Her leaving has made the little flowers of her garden very sad. Honey Bunny always cared for the little living things at Long Lane and they all will miss her.
Her little mice neighbors were sorry to see her leave.
Her mice neighbors had lived near her at Long Lane for such a long time, they were very sorry to see her leave.
Even the little insects were sad.
When friends leave it can be very sad and lonely feeling but it can also mean something new and exciting is happening.
Life keeps expanding if you let it grow.
Well life has been expanding for me, as I am now sitting at my laptop in a cottage, in Northumberland England. Expansion doesn’t happen all at once, I guess if it did it would hurt! What I mean is I think it’s going to take me some time to settle in and feel like this is home. Before when I came, it was for long visits and it was all new and exciting. I’m not saying it isn’t new and exciting now, just that it does feel different. We don’t have that countdown of ‘days until I leave’ now and that’s such a relief!
But I do keep referring to the place I left, back in Clarence Center, New York, as home! I’ll give myself some slack with that; I still refer to the place I grew up, Endicott NY, as HOME. “Going home to Endicott”…I referred to it like this all the years my boys were growing up, so much that even they used to say…”when can we go home to Endicott and see Grandma and Grandpa?”
Walking down the lane in a small village.
But as they say “home is where the heart is”, and my heart is here with Gary, my soon to be husband. We share a love of nature and walking the hills, listening to good children’s stories and old tales and just being silly and laughing a lot. When I have a new idea for a story or character, and share it with him, it usually expands effortlessly, as he just ‘gets it’.
Gary and I on a walk by a burn or creek.
So as I explore my new gorgeous surroundings, I promise to share lots of photos here. The drawing, painting and felting are a bit on the back burner because we’re still working on arranging things to make room for my soon to arrive shipment. “Groan”….I have a lot of boxes and plastic bins coming!! (Remember all those boxes I kept packing?) But I DO miss my ‘stuff’ and can’t wait for it to arrive!
Well here’s a selection of photos from some of the walks I’ve taken. I’ve done a few little sketches but will share them later.
Edlingham Castle and viaduct, right next to an 11th c church.
The viaduct was built in the Victorian age and was part of a railway line; I’d like to do some sketches of it someday. The views are spread out here, that is you can see really far especially if you get up a hill, and I’ve noticed people just walk to things they can see.
“My Northumberland!” from on top of the Crags looking down on the village.
Like above, we walked up to the top of the Crags and you have an excellent view for miles and miles!
This is the upper or back lane to the village.
This is the upper or back lane to the village and it’s one of my favorite (favourite 😉 ) places to walk…do you blame me?
Another view on the upper lane, coming back.
This is usually how the upper lane looks as I come back, with the sun low in the winter sky.
There are sheep everywhere!
Most of the fields and hills have sheep on them. I can guess at three breeds- Norfolk, Scottish Black Face and Texel. They’re all nice but the Scottish Black Faced ones are especially bonnie!
A tiny beautiful bird, the Blue Tit.
There are all new birds here for me to learn too. I’m frustrated when I hear them sing or twitter and I have no idea ‘who’ it is! I’m getting good at identifying them on sight though.
A male Blackbird, in the thrush family and closely related to the American Robin.
This beautiful bird is a male Blackbird…the same that were baked in a pie and that the Beatles sang about ‘singing in the dead of night’. They are thrushes just like ‘our’ American Robin; so things it does reminds me of it, and yes they’re known for their song!
Walking down by the burn, wearing my gators!
It’s spring. It’s muddy. When I go out walking and I put on my leg gators first, I’m always glad I did. The gators wrap around your lower leg and ankle and zip up. They stay put because of a strap that goes under your boot and a hook at your laces. I bought them years ago when I came here and just love them!
A walk along the burn in January.
Can you see how beautiful this is? I love the tangle of roots, the moss covered trees and the branches that scraggle in all directions. I just hope I can start to capture it all when I start painting.
The livestock fence across the burn.
Farmers use old pallets strung together across the burns or streams, to keep livestock in the proper pasture. I really like the way this one looks, like it’s blended in with it’s natural surroundings.
Well I’ll leave you here, time to go get busy. I’ll post more pictures as I go and hopefully some sketches. Please leave comments below as I love to hear from you all!
Good news, I was granted my Fiance Visa! Yay! I can finally move forward and go to be with Gary and start my new life in England. I hope to settle in and get sketching the British landscapes and nature again and focus on my children’s books.
There’s someone else who’s making big changes in her life…(please click to see nice clear image).
Honey Bunny thinks about her future.
I’ll try to post updates as I can but have so much to do! Almost all my art supplies have been packed away forever and my little furry friends that give me inspiration are packed away too. Moving can’t come soon enough for me.
“Should I stay here at Long Lane or should I go? Mr. McCuddles is waiting for me.” thought Honey Bunny to herself.
“Should I stay here at Long Lane or should I go? Mr. McCuddles is waiting for me.” thought Honey Bunny to herself. I think we all know what she’s going to do! (Mr. McCuddles is an English Teddy that she met years ago).
The little mice of Long Lane don’t sleep in the winter like some other animals do. They still go out into the snowy land and look for food or visit each other. They have cozy little homes, deep under ground or inside of great old trees. (please click pictures for clearer view)
“Home Cozy Home”
They like to light candles that cast a warm light and even a little warmth to their small rooms. The flame flickers and the hot wax melting smells good!
Warm candle light flickers on the walls.
They like to have creamy hot cups of cocoa by the fireside waiting on the warm hearth.
Oh what a cozy scene, I can almost smell the wood fire!
Some of the mice have learned how to use snowshoes, finding they don’t sink into the deep snow as easily. Here’s a pair that just came in from the cold!
A trusty pair of snowshoes getting dry by the fire.
Those snowshoes belong to this mouse, he’s taking all his wet layers off by the warm fire.
Little snowshoe mouse getting warm.
First he takes off his snowshoes and sets them by the fire, then he takes off his boots, hat, mittens and scarf. He knows his mom has made hot cocoa for them both to enjoy.
And here’s the whole scene, mouse getting warm by his cozy fire.
I did this watercolor after I was out snowshoeing myself this winter. I like getting out using them, they’re good exercise especially when you’re cooped up indoors. I found it difficult this winter because we had awful flooding around Christmas time and then it all froze. Walking out on the lanes was not a great idea so I didn’t get to go snowshoeing much like this little mouse! 🙁
Maybe it was wishful thinking creating this little sketch? It’s not really big but I like how it came out for a sketch. I have redrawn it on ‘good’ paper and will see if I can paint it again and still keep that freshness I love about a sketch.
I hope you enjoyed it! Hopefully it won’t be long and we’ll be looking at spring blooms instead of snow at Long Lane Farm! 😉
I created some beautiful glossy note cards have a look! (Click the pictures) They would make a cozy winter greeting to send someone. You can put any color you want around the painting.
Green background.
Golden orange background.
Red background, this would look great as a Christmas Card!
(Click for clearer view) I have to blame my Fiance for this silly thought, as we joked around about bananas going bad; then I jump right in and make it real by creating the characters! I scanned it right from my sketchbook and didn’t clean it up as I did below in the black and white.
“When Bananas Go Bad”
I think I prefer the black and white at this point, I think my colors got too muddy in the color. What do you think?
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