This post has a lot of photos showing as many stages of painting as I could. I’m taking the pictures using my cell phone, sorry they are not perfect! I’m using a photo I took a few years ago in Northumberland, on a walk with Gary at Beanly Moor. Some of the most beautiful old Beech trees are there, the tall stately ‘ladies of the wood’ these trees can be known as. Many times we find a long row of very mature trees and know that once they were part of a farmers hedge and left to grow because they were forgotten and went wild. I love that.
Above, first I did a light pencil drawing but didn’t add too many details. Then I started to add some color that I see on the tree, I’m using gouache paint.
Here I start to put the greens of the ground down and a bit of burnt sienna mixed with burnt umber on the tree. I used a big filbert to brush the tree and used strokes that followed the rounded contour of the trunk. This left ‘streaks’ in the paint that I liked and I used the same brush later to add more tree color. The strokes it made I left and they really look great even at the end with other textures layered on top.
Here I did quite a few things, I toned down the green in the background on the left by putting a more opaque light green on top. I scumbled in more of the foreground greens and values then I added the dark browns you see using the big filbert brush. These are important dark areas because I’ll be putting light grasses and bracken on top and this will make them look more three dimensional.
I also made some brush strokes on the tree for the lichens and moss that I rather liked the texture of. When you see lichens on trees like this, it almost looks like fur. So as I continue I try to keep that texture on the tree.
I used a very light wash of color brushed on the left side of the tree, I’m trying to get rid of areas that are not as light in value as the right side of the tree and the background. I used the big filbert brush again to stroke with the round trunk.
The background trees get brushed in. Whoever said trees have brown trunks? Most tree trunks I see are green and grey in color!
Here you can see I’ve added grey on the right side of the tree. Then because gouache paint can be lifted quite a bit if you wet it, I was able to carefully lift the dark color off where I plan to put light patches of paint. I could probably have painted right on top of the dark, but this way I figured it had less chance of mixing and getting muddy. It was a good way to ‘sketch’ out exactly where I wanted to put the light patches.
I’ve also added more opaque color to the tree on the left which is giving it so much more ‘solidness’. And I added leaves/branches to the background trees and don’t forget the wee cows!
This is showing how I had it set up on my table, plastic palette on the right, gouache paints above that in a resealable palette. Just above my painting you see a clear plastic tray with round depressions, that was some packing material from battery tealights, it makes a great mixing area for paints! The colors in there were for painting the light bracken and finding the right color and value drove me crazy!
A lot has happened here, the light patches going onto the trunk and some very light speckles, bracken fronds all over, more texture on the ground in the back.
Here I worked on that grey area on the right side of the trunk, more texture and some sharpening of the dark edge to show the tree goes in there, like an old wound maybe?
Now I know the color of this picture is hugely different from the pictures of the stages of painting, this is the scan of the painting. You can really see the vibrancy of the greens, whereas the other pictures are all taken with my cell phone under lamps and some with cool natural light.
Once I get set up with a printer again, I’ll definitely be making prints and note cards of this one; I love the colors and textures! I hope you liked seeing all the steps of painting as I worked, please leave me a comment if you like. Please share my website with your friends! You can also follow me on Instagram to see more updates on my projects, look for Mary_McAndrew_Artist.
Another adventure into the snowy, cold back garden! I sketched this scene on January 17, 2023 then worked on the painting in February. I seem to be drawn to this Hawthorn tree and wall, it’s the same one I sketched last year in March on a rainy cold morning. I just love old Hawthorn trees because they usually twist and twine together and bend and grow shaped by prevailing winds.
Another thing I love in winter is the dry grasses; the color of it and how it lays in clumps, it’s strands making such interesting forms. I like looking at them to see where voles and mice have made entrance holes to hideaways. The other thing I love about this wall is all the moss of course! It’s a fun challenge to paint and I will be doing a lot more paintings and studies of it.
I used my very small sketchbook and drew the sketch above using a permanent ink pen. I did this from life, standing right in front of the tree and wall as you see in the previous photo. I did have my big mittens on with the flip back top so I could use my fingers, but it’s still a challenge to draw!
The picture above shows what I did next. I took the small original drawing (bottom right) and scanned it. Then I printed it out on plain computer paper, and looking at the photo I took, I drew darker lines on the printed paper and used white out to block lines that I didn’t want, like where I drew lines through a branch etc. Then I scanned that large one I edited and printed it again but at the size I wanted, a bit smaller.
Above it shows my light table, I put the scanned edited drawing on the light table and taped my watercolor paper on top. Then with the light on (of course) I traced with light lines using a pencil. Now it’s ready to use for painting! I like doing this because it’s always from my original sketch, not traced ever from a photo! A sketch/drawing will always have more character, not a perfect copy but maybe unnecessary details left out and others enhanced.
I decided to do this painting in gouache, as it’s my new medium and I love exploring it’s properties. I decided to use a thin base color of purply violet, I started light then darker layers to define the shaded areas.
This is a shot of my palette where I’m mixing my colors. I made it from the plastic cover of a notebook that I cut off and taped it onto mat or mount board. I have a travel palette that keeps the paint wet and soft just above this. I take a bit of wet gouache out and put it in little blobs on the mixing palette as I work, this keeps my travel palette cleaner. I especially do this with the white to keep it clean. As these little blobs dry out, I just rewet them as needed.
Above I mixed up some brownish purple color for the ground and wall dark areas in a little plastic dish. As I painted I used the waterbrush to blend out the edges to keep it soft, this is a technique I use in watercolors too.
Here you can see I started to put the background tree in and some of the distant wall. The thing is, I really was on the fence as to if I would put any background in at all! I can picture this tree and wall with just a white background, but it’s the landscape painter in me that wants to just put the whole scene in! Maybe someday I’ll repaint it with no background and see how it looks.
I added some sky and grass colors in the field behind.
Here I started to add the greens of the moss and bark on the Hawthorn.
Finally I start to add the greens of the moss on the rocks, trying to be careful and not painting areas of rocks with no moss.
And here I put more color onto the big Ash tree in the background, but try to keep it light. The lighting on my painting is terrible but I think I was painting at night time and this is using my cell phone.
Oh boy, look how crowded it looks on my table! This is working at a plastic 2’x4′ folding table in the living room, because that’s where the WOODSTOVE is!! haha. You can see my mixing palette and the paint container palette just above it, with my water just above that in a ceramic container. In the middle is the painting clipped onto my work board and above that is the printed out drawing I did. On the left is a photo reference for details and a bit for the color, and above that can you see the little study I did in my blog post “Stone Wall Studies in Gouache”. That is a great reference for color, moss and stones that I can refer to anytime.
I really liked how my painting was looking now, it’s really come to life for me, but a Hawthorn isn’t a Hawthorn without it’s berries! The tree had lots of dried out berries of deep red, just waiting for hungry Blackbirds or greedy Fieldfares! So I used an old trick by touching the end of my brush to paint on my mixing palette then made the round mark one at a time. I practiced on scrap paper first to see what color and thickness of paint I should use.
“Hawthorn and Mossy Wall”, gouache.
And here it is finished finally! I didn’t talk about putting the grass in front of the tree but that is an important part. As shown earlier, I put dark colors down first then this allowed me to use very light gouache on top to make grass strokes. It’s fun to arrange them so they look natural and they give a lot of movement to a drawing or painting. Then I added the dead leaves on the ground too.
I know I did this weeks ago when the snow was still flying, but today (April 2) I’m posting it after being outside in a sunny garden! We thought the sun would never shine again, it’s been so cloudy and grey! Soon we’ll be planting veg and flowers in the gardens and watching all the bees and insects come. I’d like to do some insect and wild flower studies and paintings, so we’ll see what comes this spring and summer!
(You can also follow me on Instagram as “mary_mcandrew_artist” and Facebook as “Mary McAndrew Painting and Illustration”, both of these I share more up to date progress of things I’m working on.)
Winter has passed by and I’m still settling into my new life in England. I did some sketches as I could, being tired from unpacking, cleaning or just being overwhelmed in general. But happily I can see my sketching has increased as the months slip by and I will share all that in further posts to catch up.
Waiting at Gate 12, Buffalo International Airport…the big day way back in December!
Today I’m posting sketches I did way back in December and January. The one above I did while waiting in the Buffalo International Airport, Gate 12, for my flight to the UK. I like the way it came out, a person sitting ‘almost’ in silhouette in front of the huge windows. It definitely helped to pass the time and calm my nervous excitement.
Ink sketch of a very old Hawthorn in a farmers hedgerow.
After I settled in I started walking in the mornings, mostly on my favorite lane above the village. Just like at ‘home’ in New York, sketching in winter I mostly use very small pocket sketchbooks. It’s just too cold to stand around freezing my fingers off, so I just do smaller quicker sketches; the most important thing is just to keep sketching.
The drawing above is actually tiny, done at the top of the page, but I like how it came out. It’s done with a brown Faber-Castell ink pen; I love using these pens. It’s a twisted little hawthorn along a sheep field, very exposed to the winds at the top of a ridge. I like it’s character because it reminds me of a bonsai tree. Some of the little trees you see hedges made of are actually very old trees that are trimmed all the time.
“Tree on Upper Lane”, a rough sketch on a very cold day, using water soluble pencils that I haven’t wet yet!
This sketch was done very quickly because it was so darn cold! I love walking on this one lane that goes out of our village because it’s lined with ancient trees and gorgeous views of distant hills and fields. I did it using water soluble pencil but wanted to scan it before I wet it. When you wet them they can get very dark and intense…it still waits for me to wet it with my brushes and mess around.
This is one of the small sketchbooks I designed.
This is one of the small sketchbooks I designed, it’s great for winter sketches because it’s small. I made a pen holder out of duct tape and attached it to the back cover. I have another one that’s even smaller that I used at home a lot too, just loved sticking it in my barn coat pocket when I went walking.
Small watercolor done while sitting along the bank of Edlingham Burn, on a very cold day in January.
January 7, 2015 – I walked down to Edlingham Burn (small river) and found a mossy rock to sit upon with this lovely view. Well maybe it’s hard to imagine from such a small sketch, but it was a view of the burn and moss covered trees everywhere, just lovely!
Me in the freezing cold, painting Edlingham Burn.
I was very cold painting this, I did it with mittens on mind you, no easy task! I sat on a bit of rock, cold and damp, but it felt so good to be out and finally messing with my watercolors, that I didn’t notice (until I got up, all stiff!) I used one medium sized waterbrush to do this.
The livestock fence across the burn.
Farmers use old pallets across small streams or ‘burns’ here, to keep sheep and cattle in sectioned off fields. I put it in the background of my watercolor sketch you can see above.
A walk along the burn in January.
This is Edlingham Burn, I walked along it looking for a spot to paint. Where the rest of the land was pretty bleak and bare, the river was/is fascinating to me. With all it’s mossy trees, ivy climbing everywhere, dry grasses draping over dark banks touching the cold water and the sound of splashing water, wonderful.
From my small sketchbook, I love the way these two trees were twisting together.
These two trees I found behind the old church, in the farmers field. I really like how this sketch came out. They twisted together, almost in an embrace, part lichen covered, part moss. Standing in a cold, bare hedge, naked of leaves or flowers, just waiting till spring! Maybe someday I’ll do a larger color study.
Pine tree across the road from us, I noted the birds I saw while sketching it.
January 26th – I did this sketch on a day where I was tired and not feeling particularly inspired. That’s an especially good time to stick to your small sketchbook, just do something small until you ‘do’ feel inspired. It helped me to focus and relax; practice is always a good thing. I noted the birds I saw while doing it, Seagulls, Jackdaws and a Tree Creeper.
A pretty view of sheep over a country fence.
I thought I’d leave you with two more photos, from Jan. 6th on my morning walk. I love watching the sheep in the fields all around me, there are so many kinds here!
A sheep wondering what I’m doing in her field.
This little ewe was watching me, they run away if you get too close, so having a zoom is needed! They are all carrying lambs at this time and I can’t wait to see them in spring!
Check back for more updates, yes there are more sketches, paintings and photos to catch up with from this spring and I can’t wait to share them with you! Sign up in the right column with your email, if you want to be notified when I do new posts. Please leave me comments if you like!
It’s been weeks since I’ve been out in the field sketching, and now that I’ve been out I feel renewed! I guess that’s how we should feel in Spring. I put on my Wellies or “Mud Boots” grabbed my sketch kit and camera and set out. Come with me and I’ll show you my walk with sketches and photos! (Please click on pictures to view clearer.)
Dried grasses in “Pasture Lane” on the way to the pond.
The first lane I walk in follows the pasture so it’s always been called “Pasture Lane”. No animals in the pasture now but still lots of wild things to look at. This lane has lots of nice dried rushes and sedges in it; I love this color, especially with the blue sky. It won’t be long I’ll be spotting all kinds of Nursery Web Spiders and underwater little nymphs and creatures.
Natural arch of branches on Long Lane
This is on “Long Lane”, looking towards “Aspen Hall” and it’s a natural archway of branches that’s been forming the past few years. I keep breaking branches when I go under it to keep it a bit under control! I’ve done sketches and paintings of it before, and not too long ago photographed it covered with snow! But as I was standing here I decided to go up “Memory Lane” to my left. This leads me to “Oak Lane”, one of my favorites, where I thought I’d check things out.
Woodpecker hole in dead tree by “Memory Lane”.
Just at this intersection the woods are quite wet and I always see dead trees with lots of woodpecker holes. This one looks like it’s been freshly pecked at.
One of the ancient oaks in “Oak Lane”, standing tall and strong.
I ended up in “Oak Lane” my favorite place on my property where the oaks are huge and tall, standing for many many generations. I made a little place to sit right up next to the tree at it’s base, by spreading my trusty garbage bag out, first checking for pokey sticks and bits. There I sat, ate a snack and enjoyed the peace, then did a small sketch of the grapevines growing about me. Hmm…funny but that seems sort of rhymy to me…lets see:
“Here I Sit”
Before I sat down
Upon leafy ground
I gave the spot a good scour
Where I’d while away the hour.
There were pokey sticks
And hard little bits
I had to clear before I sat,
So I could sit and have my snack.
Well, now here I sit
With favorite sketchkit
Having a think and a good look,
At what will go in my sketchbook.
by Mary McAndrew
Well that was fun! I just made that up!
Here’s the start of my “Grapevine” sketch
I put my sketchbook on my knees and decided to draw the big grapevine branch hanging near me…that’s it by my leg.
My watercolor palette, I just love the colors!
There’s a close up of my watercolor palette I take when I go afield, it’s getting pretty stained now and I’ll have to look for a new one. Some of my colors I have in temporary little plastic containers, just to see if I want to add them to the kit.
Using a waterbrush to paint.
This is one of my waterbrushes, it’s actually not one of the more expensive ones but it worked great for me today. It has good juicy water-flow and the tip stayed sharp for details. I also wrote words about the grapevine on the page that I’ll type out below:
“The grapevine grows greatly
reaching upwards with twisted limb.
It’s rough bark twisting tightly tense
along it’s sinuous length.
Great muscle of wooden rope reaching right up
to entangle and strangle it’s host.
And gentle innocent long trailing tendrils
Hang down from above,
stirring in the breeze
to tease.”
by Mary McAndrew
As I wrote the words I let my mind think poetically and freely. I knew later I’d like to write a poem from some of the words I found because I liked the way they sounded together. Here’s the finished sketch below and then the new poem follows:
Grapevine sketch and words done in the field.
Here’s my little poem I wrote just now while looking back at the words:
“The Grapevine”
Grapevine growing greatly
Reaching upwards with twisted limb,
Rough bark twisting tightly
Tense, sinuous and slim.
Great muscle of wooden rope
Reaching right up to entangle,
Clinging to unwilling host
As you wind about to strangle.
Gentle, innocent tendrils trail
Stirring in the breeze.
Stronger than you look so frail,
Climbing any tree you please.
by Mary McAndrew
Watercolor started in the field of purpley red bushes.
The watercolor above I did half in the field and half at home. On my way back I stood in an field we call “The Maze”, because of all the intertwined paths in it, all cut by me years ago using a tractor and brush hog. It was very difficult to paint the stems while standing there in front of them, tired, cold…but I loved the colors so much and wanted to try and ‘study’ it. When I got back I looked at photos I took using my computer, and did more detail and study. I found myself using Dioxizine Violet mixed with Alizarin Crimson for most of the purpley colors; mixing it with Sepia made a nice shadow color. I had to use a bit of Cadmium Red to brighten up the color here and there. You can see my color notes on the left side there. By the way, I can’t really recall what the name of the bushes are, I think “Red Pannacled…something or other! Sorry, I packed all my field guides up, I’ll see if I can look for them.
The old stick bridge at “Aspen Hall”
This is the old stick bridge in “Aspen Hall”, I add to it every spring and summer, tossing on dead branches to go over the ditch. “Aspen Hall” is located along “Long Lane”, so I’ve done a circle and am coming back towards home now.
A very old car frame.
This is a very old car frame just sitting by the pasture, it’s been there ages! I think the former owner of the farm told me it was Model T or Model A …wooden spokes! How cool!
I’ll leave you with one more picture from my spring walk…
Ahhh…this is the life!
I didn’t want you to miss my favorite picture! I love taking pictures of my boots when I go hiking, wherever I am. In my shop I have pictures of my boots in England too! Go here to my shop then scroll down left side column and click “Hiking – Walking + Boots”
Hope you enjoyed our ramble!
Click on the pictures below to see my photos as note cards, it has a nice ZOOM feature that’s lets you look closely.
(Since posting this I’ve come back and edited the text I had before. I’ve changed my mind about doing a “Weekly Sketches” post as I don’t like how limiting it felt! I don’t want to label posts with dates and no names, they are all listed by date under “Archives” in the right side column anyways. And this way I can throw a painting in when I want also! Don’t worry I’m still going to try and keep up with posting more of my sketches as I do them.)
Here’s a few sketches from the week:
A tiny pencil sketch of an arch in the snow, complete with bunny!
I’m sneaking this one in, since it’s not technically drawn in 2013 but it’s close enough! I did it while out for a snowshoe walk on Long Lane Farm.
A tiny sketch in ink of my fence.
I have a tiny sketchpad I made that I keep tucked in the pocket of my winter coat that I wear out walking. I did this aprox. 3″x3″ sketch with a permanent ink Micron pen after my walk. It was snowing on the paper and I was wearing my fingerless gloves, it’s not easy to draw in those conditions! This is the exciting challenge of it all!! It might not look like much but when I look at the sketch, I remember so much more than what is seen. I remember the sounds, colors and COLD! haha
The pictures of the mice below are sketched on cheap computer paper, no proper tooth but great for quick sketches. It’s also good when you want to transfer onto ‘good’ paper, just draw over the pencil with a black fine point marker and trace onto the ‘good’ paper using a light table or window.
A rough sketch from a photo.
I printed out a bunch of photos of mice so I can sketch them as I have time. The one above shows how I was looking for the forms or shapes of the body, under the mouses fur.
Here is Mouse 1 sketch finished.
Here it is finished. I just erased the light sketch lines and used a tortillion stump to do some quick blending.
This guy is cute! Mouse 2 finished sketch.
This mouse was cute! He reminds me of a hamster because of his wide face, but it was a mouse. I love his little hands!
This is from below, a view you don’t often see.
Mouse 3, sketched view from below. I noticed they have the tiniest noses and little pads on their feet. I tried to use a pin to score the paper on the right, so when I shade it might show as white whiskers; but the paper was just too thin, you can see just a tiny bit. It’s a great trick on heavier paper!
Some fun with clay! A little mouse sculpture.
You must think I have “mouse on the brain” this week! Well when I was sketching I just started playing with some plasticine clay I have and he came out! It’s fun to play around with clay; I always had huge amounts of it for my boys to play with in my studio. The great thing about it is it never dries out, you can reshape it and reuse it for years.
Well he had to have a friend!
I suppose he had to have a friend! I’ve always played around with my kneaded rubber eraser while sketching and when I tweaked it into a point for erasing something I couldn’t resist, well…you know…another mouse! haha 🙂 I used the head of a quilting pin to make the dents for eyes, but they’d look much better with beads stuck in.
I think these are fox tracks in the snow.
I was getting my exercise in my yard yesterday and spotted lots of tracks in the snow. Before I walked I had to sketch them, the tracks above are at ‘real’ size on my paper. I measured them with my pen and sketched it on my paper. I ‘think’ they’re fox.
Rabbit and white tailed deer tracks.
There were bunny tracks all over my yard but these were just adorable! You could see every little toe pad on it’s back feet deep into the snow. The deer track is not at life size, they were all over too!
Three bunny studies in pencil
And the last one, three bunny studies that I think I sketched in bed while watching a movie. Thinking of ideas for a new poem I wrote.
Well that’s it! Busy week, lets see if I can do some more this week….stay tuned. Make sure you sign up your email in the “Subscribe” box in the upper right column if you want to follow what I’m up to! 😉
New Years Eve has come again, as it does. We had lots of snow lately and now that hunting season is over, I can venture out into my fields again! So I got out my snowshoes, stuffed a tiny sketchbook in my pocket and slung my camera over my shoulder and ready for a walk! Well after donning a few wool layers that is! (Click pics for clearer view.)
My ‘long’ snowshoes are ready to go.
This post isn’t really about great sketches but mostly just getting out into nature, going for a good walk and of course looking for inspiration. I love looking as I go and letting ideas come to me. I see holes in the snow and think of my little characters living in there! But if you just enjoy sketching nature then you get inspired by the lighting, colors and forms you see as you walk. If anything you feel better for filling your lungs with fresh air. I enjoyed taking pictures to add to my reference folders, so I’ll put my photos here that I shot as I walked and you can see what I saw.
My long snowshoes.
I have two pair of snowshoes, one is a “Bear Paw” style that is rounded on both ends, and the other are what I wore today, they taper out long in the back. These were great for the long trails, I guess the others are supposed to be good when in a more ‘brushy’ trail where you don’t want a long end (like skies) to maneuver.
The start of my walk, up “Pasture Lane”.
This is “Pasture Lane”, the start of almost every walk. I did a nice oil painting one year in May, while sitting just here and looking down the grassy lane filled with yellow dandelions! Ahh…to dream of green spring! (Have a peek at the painting here in my gallery)
“Long Lane” waiting to be explored, this is near the pond.
Then I turn to the area where the pond is but if I continue on in the direction as before, “Long Lane” is before me. The lane that my farm is named for! It goes on and on and all the trails I’ve made over the years with the brush-hog run off of it. It’s all been getting pretty wild though the past few years, as I’ve either been in England or my tractor broke or couldn’t because my back bothered me. I have noticed a LOT more wonderful butterflies and dragonflies on the property though, by letting the field go wild!
A pretty view of the field from Long Lane.
In winter you learn to appreciate the subtle things, like the colors of the dormant bushes, the murky greyness of the trees in the distance, the way snow rolls over everything and creates subtle shadows that are a challenge to draw. You also notice the quiet of it all except today, today the wind was making it’s presence known!
A little natural snow arch that would be perfect for a bunny!
I spotted this little snow arch created by the tree and bushes and it captured my imagination. I thought it’d make a great reference for adding a bunny someday.
A close up of the “snow nook”.
So I took a bunch of photos from all different angles, then stood still to do a tiny sketch in my tiny sketchbook.
A tiny pencil sketch of a snowy arch in the snow, complete with bunny!
Ohh it was cold but I tried to do what I could and later I touched it up a bit while looking at the photos. I added a pretend bunny while I was drawing it in the lane; someday I’ll have to think of a story or painting.
Water in the ditch and snow covered downed trees.
The deer always cross here and I like to stop and image things. It’s like a little world to a small creature complete with lake! Other than that it’s just pretty.
Tracks from my snowshoes.
Always look back to see how things look from a different view…
Dead grapevine leaves, auto setting.
Now these two pictures of the grapevine leaves are just a mini photo lesson. I only wanted to point out that I tested using the “auto” setting (shown above) which makes the picture very cold and bluey. But below…
Dead grapevine leaves taken with Aperture Priority mode.
I switched it to Aperture Priority mode and was able to select the kind of lighting…you know, indoor with lights, outdoor shade etc. When I selected outdoor type and shade it allowed the warmer tones to come through. I thought it was much nicer and how I was ‘seeing’ it in real life. In that setting I could play around with the depth of field a little too. Sorry my photos in the this post aren’t a bit nicer but I don’t take time to tweak in any photo program…they just are what they are. I was mostly interested in photos for references.
Now I’m following some deer tracks.
So I wander onward…following deer tracks. Another great thing about winter is being able to study all the tracks that are made in the snow! You can try to figure out what went on during the night when you were sleeping.
Here’s a little hole that could be good for one of my illustrations!
More holes capture my imagination, so I photograph them for references.
here’s another hole that caught my imagination.
Now as you think of the holes and look at the photos below…
Almost to “Memory Lane”.
…read what I wrote in that tiny journal sketchbook, while walking in the freezing cold lane:
“Dec 31. New Years Eve Walk – Snowshoes…cold.
The wind blows through the Ash tree tops, Great roaring above that sounds like an ocean in the distance.
The wind looks everywhere for a burrow, a hole a nest…it has no home. So on it roars…looking.
I hear clacking little frozen branches – small ones that rattle against each other in this wind.
Sometimes I hear the squeaking and creaking of big limbs, pressed together over time but now mobil in this wind.
I walk on.”
Beautiful dried grasses all swirled in different directions.
This is near “Memory Lane”, where most of the year it’s wet so this grass grows profusely there and in winter it’s nice to look at. I love the color of dry grasses.
Dried Bull Thistle bends low.
Here are some more notes from my journal: “The Bull Thistle – bending over, trying to kiss the snow, once stood 7′ tall.Now it prostrates itself in a deep bow.”
The downy hairs they once had are now soaked with ice.
“What bristly seed heads still have downy beards – are now soaked with ice as they hang their heads to the ground.”
Me with my snowshoes after a long walk!
Oh dear, there’s me without a stitch of makeup on!! Yikes! I can also see white blurry bits of snow on the lens. Oh well, I like this photo because it reminds me of my mini adventure so I thought I’d share it!
So now, my parting words to you are – instead of moping around the house this winter, grab your sketchbook or camera and go for a walk!
For the past few months I’ve been using my backyard to walk laps for exercise. During hunting season I stay away from the fields and when my back was especially stiff, I found walking on the even grass a great way to keep up my routine. The weather hasn’t been inspiring for sketching outdoors but lately I’ve been tucking a simple stiff folder with loose watercolor papers in it, into my coat pocket. I also carry a mechanical pencil, eraser and ink pen. So I’ll show you just some of the small studies I did with REALLY COLD hands!
bluebird house on snowy day
(Nov. 25, 2012) This is one of my Bluebird houses, now just filled with an old nest that the field mice use to ‘hole up’ for the winter. My paper looks blotchy because while I sketched, it snowed on me! Snow all over and my hands were cold; I drew this with mittens on!
tree sketch (Paul’s trees)
(Nov. 27, 2012) This is a very small study, about 3″x 4″ in graphite. I like how this one came out, smudged it a bit for atmosphere and a bit of distance. And I like the light trees in front of the dark ones. These are special trees because my son Paul always loved them, so he claimed them to be ‘his’ trees, so when I draw them they are “Paul’s Trees”!
The House Through the Trees
(Nov. 28, 2012) Now this was a cold grey day but I had just finished a great walk and felt warm enough to try and stand still to sketch this. I am still wearing my fingerless mittens though, which are awkward to do drawing in. It’s a house up the road from me I can see through the trees. Doing these sketches in pencil is good practice for me as I usually draw in permanent ink in the field.
Dry teasel
I then drew these Teasels that I left to grow in my garden this summer. I love the way Teasel looks when it’s dry, the elegant swirl of the long (would they be Sepals?)
I’m sharing these with you hopefully to encourage those of you who like nature sketching, to keep a pad with you, go out and walk in your yard and see what you can find. I’m working hard on my children’s book illustrating projects so my nature sketching has been pushed aside a bit. So this is my way to keep from getting too rusty and it just feels so good to study something outside using my sketching. Have you been wanting to sketch more?
Stay tuned, next post is the finished Mouse Family watercolor! yay!
Today, before I started cooking our Thanksgiving Day dinner, I popped outside for some air. I’ve been trying to walk laps around my yard for exercise but today I brought my lonely field sketch kit. It’s gotten ‘dusty’ from non use and how great it was to refresh with a sketch. I did this small, quick sketch of a tree covered with Wild Grapevines. (Click pictures to see clearer.)
Quick sketch of wild grapevines all over a tree.
As I was drawing/painting, I noticed that the vines on the right (in the sun), were best drawn by showing the darks around them. By painting the dark areas the vines showed up. And on the left side they were best shown by making the vines themselves dark and the space around them light. Opposites on each side of the tree they clung to. Hmm…might be something poetic here but haven’t gone with that inspiration yet.
The tree was absolutely choked with vines!
You can see the tree was choked with vines but they were so graceful looking, swirling around and in and out! What a good hiding place for critters when covered with leaves.
Yes that’s me sketching, wearing my Dad’s old Woolrich hunting coat and my fingerless mittens.
I got a picture of me sketching, wearing my Dad’s old Woolrich hunting coat that I love as it makes me think of him. He loved to be out in the fields in fall hunting birds with our Brittany Spaniel “Red” and in winter he’d don this coat with it’s matching trousers and go deer hunting. I remember going with him to ‘run the dog’ in fall, to get Red in shape and work on training. I loved going with him! I’m also wearing my fingerless mittens which later I took off, along with the coat because it was so nice and warm in the sun! I wear my sketch bag crosswise over one shoulder and my camera strap over the other.
Such blue skies!
I thought it was going to be colder. The sky was clear and blue, I love looking up at the tree tops like this. There were a few Chickadees flitting around keeping me company.
Get Outside and Sketch!
And there’s my final words! “Get Outside and Sketch!”
Hope you had a wonderful Thanksgiving and if you don’t celebrate it, I hope you still had a good week and got outside for some fresh air!
(Some of the images go to my shop where you can hover and see enlarged details)
Snowy Lane in black wax crayon colored with watercolor
Even though I did this sketch back in December, while I was in Northumberland England, I guess it’s appropriate now seeing as there’s been a return of snow there! This was their first snow of the winter and it fell quite heavy for a time, coating everything with that heavy kind of silent snow. I had a cold but peaceful walk up the lane and stopped at this view with the trees I always like looking at. I did the sketch while standing to the side of the road using a black wax crayola crayon. The snow was falling on my paper as I drew and it made it hard to draw, not to mention drawing while wearing my fingerless mittens. It was later that I added some touches of watercolor.
A lovely gate along the way
I love the way this ivy covered gate looks and would love to do a painting of it. Problem is it’s someone’s front gate and with the house being just inside, they may think I’m being rude standing there staring at it.
The snowy lane so quiet under snow
This is one of my favorite views as the lane curves into the distance. You can see this is the view I stood and sketched in my drawing.
Another view along the high lane
The trees stand sentinel as they’ve done for hundred’s of years. Many of the trees you see along a lane are just overgrown from old hedges that weren’t kept trimmed down.
The black faced sheep were quiet in the cold.
I love how the trees look in the back of the field and how peaceful the sheep were, just trying to conserve energy I guess. These ewes are probably getting fat with lambs in them now…can’t wait to see the little ones in spring!
The thick snowy hedge along the lane.
There are beautiful colors all around you even in winter!
I like seeing the leaves in winter; these were interesting with the red spots. Sorry the picture isn’t brighter but the day was so grey!
Just waiting to be put in a drawing!
This is an old farm shed I always look at along the lane, it’s so old it’s actually fallen off it’s foundation and the sides are collapsed. I don’t usually want to paint old barns as some people do, but this with the trees, shrubs and grass with their colors in this shot, really attract me. I can see it as an ink sketch perhaps or chalk.
I hope you enjoyed coming on this little snowy walk with me. More sketches and photos from England coming soon.
Click the picture below to see a glossy note card I created in my shop for Christmas! I even wrote a verse for the inside!
Trees at Nancy's - Inktense 'Ink Black' watercolor pencil
(Please click on the pictures to see them clearer, use the back button to return)
I had a chance to visit with my friend Nancy the other day and we sat on her back deck to do some sketching. We had a nice view; just behind her place is a small pond with trees on the other side. I was showing her how to do something simple by just using one watercolor pencil, the Inktense “Ink Black” by Derwent Pencils. I keep one in my kit always because sometimes it’s nice to just do a sketch with a waterbrush using this one pencil. The nice thing is you can go back over your black and white study with color after, the Inktense pencils will not lift off like watercolor can. It IS a VERY intense pencil, go very lightly at first and see what it does when you wet it. I started with the simple border as kind of a warm up, just draw a line around your page then use your waterbrush to wet it. To get it to look like mine, keep your brush ‘inside’ the line with the tip always touching and rubbing the line, letting the color run into the wetness left behind from the brush.
Sketch your scene lightly, trying to do most of it before you wet it. Once you wet the paper you’ll have a hard time adding more lines because they will be very dark and intense! If you need to just touch your waterbrush to the tip of the pencil to pick up more ink, then use your brush to add it to the sketch. Test how dark it is on a piece of scrap paper before you touch your sketch, this will help you avoid mistakes. I really like the look of this, sort of like an old antique picture.
Sketch of Cullernose Point from the south
Here’s a sketch I did in England last year, along the coast of Northumberland, of Cullernose Point as viewed from the south. I had my sketch journal with me (OF COURSE!!) and because we wanted to keep walking, just sitting a bit and doing a sketch with no color worked well. I used my waterbrush and especially like how the clouds came out.
Alnmouth, Northumberland -water soluble graphite
Now I thought I’d add this one too just to show how nice it can be to do non color studies. This was done with water soluble graphite, not the colored type, just plain old graphite color! We were at Alnmouth, Northumberland England; a beautiful coastal spot! I did it in my tiny sketch journal which was so much fun to use! It was a wonderful experience to stand on the hill at the coast and capture the scene forever in my memory. Please read my post about it here to see the wonderful photos I took that day! I loved being there and can’t wait to go back for more! I love, love, love England!
I hope you enjoyed my little ‘non color’ sketches, as I said they’re a great way to capture a scene without the worry and time of adding color. And thanks to my friend Nancy for a nice visit! (ps. I photographed lots of dragonflies at her place and two of them were new for me!) I created a really nice print and greeting cards in my shop, see the links below! I love the dark grey background with it.
When you see this print in my shop (below) don’t be scared by the price! It shows you the huggest size but can be ordered as a 16×11 for only $11.20 too!
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