I’m excited to share my latest little illustration called “Blackberry Picking Mouse”. It’s done mostly in watercolors with only a tiny touch of gouache and it measures 6″ x 6″. It’s not for any book in particular, I just enjoy making up little scenes using mice, bunnies etc., especially when they are in nature.
“Blackberry Mouse” watercolor, ink and a touch of gouache.
I’ve created a video on my youtube channel where I talk a bit about it and then show a slide show of the stages of painting beginning to end. It’s really great to watch and see what parts appear next and see how I’ve changed some things. When you watch it, keep an eye on the butterfly!
I have a few little (square) mouse paintings I’m working on, they make such a nice collection! I’m planning to make a note card collection with them if I can save up enough to buy a printer.
Follow this link to watch the video on my channel, and please leave me a comment there of what you think about it. https://www.youtube.com/watch?v=94qef86aFeI It would be doubly great if you subscribe and share my links, that would really help me get started on the channel!
I’m finding it fun to shoot videos when I’m out in the garden, where I’ve been spending most of my time. Capturing from the beginning, our living here in Scotland in a very old stone cottage. I’m hoping to do more sharing there of my going out field sketching or maybe to show stages of painting like the “Blackberry Picking Mouse” illustration.
It really fires me up when my readers leave me comments so please do leave them here or definitely on the Video! Cheers and enjoy!
PS. I have a private video I’ll be sharing here on the website soon, of a walk Gary and I took, it’s just music playing, no talking. I really like it but we’ve decided for this one to keep it just for the folks who find it here on my website!
Hello everyone! As I said in my previous post about the toad in ink, I wanted to try and do some ink drawings in the month of October for what’s called “Inktober”. It’s a challenge that artists do to try and create ink artworks maybe everyday, but I knew I would never be able to do that!
So I did get this little drawing of the “Mossy Fairy House” done using inks and I did a bunch of fun cat cartoons. I’ll share them next time I think, there’s not many but it was a lot of fun! This Fairy House was a good practice for me as I did it entirely with brushes, no ink pen. I’ll show you from start to finish the stages it went through, it’s more interesting and educational in my opinion.
This shows the very beginning next to the reference photo.
I sketched my drawing out on a 5×7″ piece of bristol board that I taped to a piece of clear plexiglas. I like using this a lot in the studio, I use it like this and it’s easy to lay on top of reference materials or you can put a lamp behind when you need to trace from your sketch. I also put a piece in front of current illustrations that are leaning behind my easel on the table, don’t want any paint splashes on them now do we?
Anyways, the reference photo is one I shot years ago while hiking in the woods near our village, there is NO shortage of luscious moss growing here in England! It was growing on some rocks that had fallen down ages ago and to me, well it just looked like a Fairy house! What would you think if you saw it?
Starting to brush ink in, deciding how to make it look more ‘house’ like.
Then I started to brush ink in, trying to decide where to go with this, because the whole thing has got to come from my imagination. I added two ‘windows’ but never felt right about them. You can see I sketched rocks behind and added a chimney.
More ink as I pick out the rocks of the wall and put some smoke from the chimney.
More ink goes on as I pick out the rocks of the wall and put some smoke from the chimney. I also add one Digitalis or Foxglove flower behind. This grows commonly here and I love it, so do the bees!
I add more flowers and the path to the Fairy House.
Now I’m adding more flowers behind to fill it out (or fill it in however you want to look at it!), and I start to make a path lightly in grey wash. I also flick in some simple grass to start to set a scene, thinking all the time, “what will I put in the foreground?”. I would like to make it a nice illustration and add a fairy but nothing was hitting me.
I next do a bit on the stones on my mossy fairy house.
Then I start to add washes to the stones of the wall. This was fun because I got to look back through my reference photos of stone walls, which inevitably takes me MUCH longer than it should because I end up thinking about all the different walks it took to get all those photos! Actually more than that, it’s seeing so many photos of things I’d love to paint and this distracts me like crazy! Haha…oh well back to little mossy fairy house!
Now I’ve set up in front of my laptop so I could look for reference photos I’ve saved.
This photo shows I’ve moved off the easel, I’m done with that little reference photo and am looking up reference photos on my laptop to get inspired for the greenery in front. You can see how I’ve put my ink out, this is a little jar of Speedball Acrylic Ink, next to it is a small jar of water and they are sitting in a plastic paint mixing tray. The ink is permanent so I know I was taking a chance on permanently staining the tray, but it’s ok, I’ll use it for ink now. My brushes are resting on a tiny paintbrush stand I got years ago with a set of chinese brushes and ink. I have a small scrap of paper between the art and the ink, this is for testing marks etc. It kind of looks like I made a Jack O’Lantern face doesn’t it?
Now I add more ferns and flowers to the fairy house.
Ok, so the way the windows looked like two stark dots was bugging me, enter my husband. I like asking him his opinion as he has a sharp eye and doesn’t hold back on opinions! (though sometimes not what I want to hear!). He right away pointed out he didn’t like the windows, they looked too symmetrical, yes, that’s it, they had to be changed! It was nearly impossible to rub out or lift the black ink so I resort to illustrative techniques….out comes the white gel pen! I drew in pencil first how I wanted the fern to go and as you can see I added more in the foreground too. I drew on each leaf with the white pen to make it show, perhaps gouache would have worked well but it’s so tiny I opted for the pen.
Here’s a close up showing my waterbrush used to create a wash of ink around things.
You can see I have my waterbrush out now, this is great for making the soft shadows around the plants. I shot a video clip with my cell phone showing a bit of this. Next time I’ll try and set it up on a holder – tripod or something. I first paint the outline of the plant, then you can either let it dry and go back to it or try to quickly brush along the edge to draw the ink out. I usually like to get the drawing done first so I can think about where I want the ink wash shadows to go all together.
I was able to upload the clip to my YouTube channel, click here if you want to check it out! If anyone knows of some free program that compresses your videos please let me know in the comments, I have an awful time uploading videos.
Now we’re back on the easel, working on those plants!
Now we’re back at the easel and I’m working on adding more ferns, flowers and details in the foreground.
Almost finished!
Well we’re almost finished now, I lift a light patch inside the doorway, I really wanted to add something but felt the pressure of wanting to be done too. I’ve left a ‘free’ area on the grass in front of the Fairy House in case I come back to it later with a little fairy or creature. Something that bothered me about the drawing too is how I added so much dark under the house and it looked disconnected from the ground too much, do you know what I mean? So I tied it down a bit by adding grass blades with the help of the white pen and drawing grass with my ink.
And it’s finished!
Here’s the final drawing finished. It came out nicely I think, mostly I’m pleased with doing something that looks a bit different for my style. Adding the black background and darkness in the foreground I find to be exciting looking and graphic. I’m not happy about the smoke from the chimney and could have gone back with a wash of white gouache, but I really was trying to push myself to just use ink. Someday maybe a fairy will find it’s way in here, but that will probably be if I do another version of it. I was ready to say it’s done and get onto the next thing! I’ll share that next, some fun little cat cartoon drawings inspired by illustrator Edward Gorey!
I hope you enjoyed seeing the steps to this little ink drawing, please leave me a comment or any questions below. Cheers!
Hello my dear friends, did you miss me? Well life has just gotten so busy and time went right out the window, I’m sorry about that and feel guilty for neglecting my blog. But here I am to add something new and hopefully start sharing more too.
Have you heard of Inktober? It’s an artist’s self initiative to produce work for the month of October and all has to be ink. I’ve always wanted to do the self challenge because I love drawing with ink, but shied away because of the pressure to produce and being busy. Well I’ve decided (as we all should) to do it in my way, I’ll do some as I can and that’s good for me! haha.
So recently we had a surprise visitor, a tiny frog that came hopping out of my studio, all the way at the back of the house! Now I know this post is about toads but we’ll get to that shortly! We’re not sure if he came in when Gary had the door open to feed the hedgehogs or what but he needed to go outside. This summer I made up a little pond using a ‘tubtrug’ shallow plastic tub, filled with water, rocks and sticks and a tiny solar pump that squirts a bit of water to make some movement.
This is the little pond I made from a shallow plastic tub.
I’ll tell you what the birds have been loving it, the pheasants drink right at the sides and little birds land on the various pieces of old slate or the sticks to drink. I was excited to watch both the Robin and Blackbird take really good baths in it, splashing all around, it was great! The little water pump just makes a little ‘blurp’ or water repeatedly or when the sun is really bright it flows like a little drinking fountain; it’s supposed to be just enough to get the birds attention and keep the water circulating a bit.
Such a tiny frog, what was he doing in my studio?
So back to the frog, we took him outside (it was night-time) and put him in the pond and watched until I was sure he could also get out. You see even a frog can drown if it can’t get out of a tub type thing so be careful when you put water in containers outside. He did just as I expected and kept swimming around and around to the sides, which were too high for him. The way the rocks were situated he could easily have climbed on them and got out, but he had a one track mind to go around the edges. So I arranged some sticks and weeds at the edge so he had lots to grab onto at the rim, and he duly obliged by climbing up then out. Great, now I know if one goes in it can also get out.
Baby frog hopping away in the wet grass.
So on the way back into the house I stopped Gary just before he stepped on a little toad in the dark! This is a real wildlife night! So we took him to the pond, just so he would know about it, I took lots of photos then he got down in the long grass between some pots and it was goodbye! That’s him below, we shone two torches (flashlights) on him for the picture, it worked great.
Then another day I was in my back garden planting strawberry runner babies and I looked down and there is a decorative ceramic pot full of rainwater was a little toad, swimming and desperately trying to get out! Poor thing, I scooped him right out and took him to the pond area too, took some pictures and he warmed himself in the sun awhile before leaving.
Little toad had a nice dip then soaked in some sun before leaving.
So now you’ve patiently waited to hear how Inktober fits in here and to see some artwork! I’ll show you the two drawings I did and some of the stages as I worked, I took a few pictures with my cell phone. (By the way, I share a lot of pictures like this on my Instagram account “Mary McAndrew Artist” and on my Facebook page “Mary McAndrew Painting and Illustration”, you can easily follow me on those and see lots of photos as I draw, paint or see things outside in the garden or from walks.)
Toad #1 showing my pencil drawing and the start of the inking.
I want practice using my dip nibs and ink so that’s what I used here. The ink was a bit old so I struggled a bit until I added enough water to thin it again; I used Rapidograph waterproof ink.
Here I’ve gotten more of his bumps on.
You can see on this second picture I’ve put a bit of a light wash of ink, using a brush and water, down his arm, face and side.
Toad #1 finished
You can see I added more washes to the toad, finished his ‘bumps’ (I hate calling them warts, it’s not nice for the toads image!) and put some tone under him to set him off. I also used a white gel pen to put tiny dots on the bumps where needed.
Toad #2 at the drawing stage.
You can see in my drawing above of Toad #2 how I used simple ovals to place his feet and leg parts. I sketched simple ovals and circles to get him basically laid out and then could correct the proportions of him before adding details.
The drawing stage basically done.
Above you can see the drawing stage is done, toes are all on but not every bump.
I started adding the ink with a dip nib.
I’ve started adding the ink now with a dip nib, but this time I am using Higgins “Black Magic” ink. It said it’s waterproof but later I find this wasn’t totally true!
Then there’s always a chance of ink spots!
Ah yes, things were going ok but I was struggling with old ink with clumps, adding water and trying to wipe off my nib when needed. Somehow in all this I did manage to drip ink on the drawing, argh! I wasn’t too upset because this is just a study and I’m trying to be a bit loose with it.
I did some ink washes on the body to show form.
I found the ink was not so waterproof when I tried to do washes with a small brush, I had to pick up disturbed ink with a paper towel. So I was able to carefully go over areas with just a damp brush to get the ink to lift and make a wash. You can see I also start to add some black around his back foot, leg and front foot. I really like digging in with darks around subjects to set them off, you’ll see it works to my advantage next.
More ink around him done with the brush, ink and water for diluting. See how that big ink spot is getting covered?
Toad #2 finished!
Here he is finished, I layered the ink in and got nice and dark around his body; I like the way it makes him look like he’s coming out of the ground. I edited out the other sketch of a toads head on the paper, just for the final scan. The spot that was on his leg I was able to lift pretty much with water and paper towel. I added white gel pen to his bumps where it was shiny on the photo and finished adding his tiny bumps. Did you know each toad has different bumps? When I compare the two toads they looked so alike, but when you look close you can tell which was which by where their bumps were.
The color photo of this very gorgeous toad!
Above is the photo I worked from, I had to flip the photo to draw him facing a to the right. The photo and drawing also look a bit different because my drawing of him is turned a bit so he’s pointing up more, I liked it better that way. I wanted to share with you his gorgeous colors too and show you how lots of his bumps were a deep sandstone red, like jewels on the ground. It’s all about texture with a toad, that must be why I like drawing them!
I hope you enjoyed this post, as I said it’s been an awfully long time I’ve been away from it and will en-devour to share more soon! Please find me on Instagram at “Mary McAndrew Artist” and Facebook business page is “Mary McAndrew Painting and Illustration”. Please leave me some comments below about toads in your area, are they getting ready to hibernate?
Crocus Geometer Moth full page from my sketchbook journal
In the morning when I let Ginger (my dog) out the back door for her morning wee, I always survey the screen porch to see if any visitors of the mothy type, have overstayed their visit. I used to leave the screen door open so I could be lazy and Ginger would just run right out, but stopped when too many flies were coming in! But I did get all kinds of moths in there! Well even with the door shut, some do sneak in and that’s how I found this little guy. Well sad to tell you it wasn’t alive, but laying on the floor in perfect condition. So I gently, gently picked it up and put it in my “Crisco” container for study.
Above is a full sketchpage from my journal, I did a life size study in the lower left corner and an enlarged size in the middle. I had fun with the border by just using my waterbrush with a matching color and added little ‘butterfly’ heads.
My set up when I sketched the moth
You can see in my picture that I lay the moth on the lid of the “Crisco” container and that way I was able to move it around as I worked. My watercolor pan is under it and the sketchbook is on my little table top easel box. (you can see my last page from the lady bug post!)
Drawing a study at the same size first
Now here I’m showing how nice it was to sketch the same size study by having the moth on the plastic lid. Using my pencil I did comparative measurements to compare the width to the height of the moth. Do you see those lines on the page? I put them just as a teaching tool, to show you that I found the measurement from inside wing to outside tip was the same measurement as the bottom of the wing to the top, his head I think it was. I always use comparative measurements when drawing!
Such a gorgeous colored subject!
Isn’t this a beautiful moth? His antennae were really elegant and graceful, very hard for me to paint with watercolor! The more I studied him under a magnifying glass the more I saw and appreciated it’s beauty.
This is how my larger sketch looked at first.
(Above) Now I’ll show you the steps I took to do the large painting of this Crocus Geometer Moth, mostly how I drew it. Do you see how boring and technical it looks? I know, but if you don’t start with a clear drawing done in PROPER PROPORTION it will never look right! Sorry, I”m not shouting, but it is REALLY important! If you do anything, learn how to draw well!
So I used my pencil to compare the width of the wings tip to tip to the measurement of the moth top to bottom. I put light lines on the paper then drew an arc as close to the shape of the ‘real’ moth subject as I could. Then I decided where the wings ended in the centre, keeping in mind that they overlap.
The second stage is lightly sketching the placement of shapes, wings, body, head.
Above you see a lot more drawn here; I drew an arc lightly for the bottom wings too, then decided where the two wings met and overlapped then drew them. I found the wing tips were half way between the head (top) and bottom wing edge, can you see how there’s a little ‘t’ at the tips?; that’s centre from top to bottom.
It’s really fun when you get into a drawing and start to find things that are the same measurement so you can check other parts of your drawing by comparing them! That’s why it’s called Comparative Measurements! (This is something I teach my students first!)
Then I clean up the lines and decide how the outline will look.
Look back and forth at the subject and drawing, look for areas that might be out of line and fix it now. After you feel your measurements are right, you clean up the light lines and decide on the lines you leave. Keep your final line clean and neat. Use your kneaded rubber eraser now to dab repeatedly at the line to lighten it as much as you can, just enough so you can still see it but you can do watercolor over it and not have it show.
Laying in some washes with watercolor and adding some details.
Here I put the first washes of color on and then started to add where the dark markings are and light wing ‘ruffles’.
Larger study of the moth finished.
And here it is finished! I just kept adding the tiny spots and built up the larger dark markings. Sometimes it dries and just doesn’t look as colorful because watercolor can look lighter and duller after it dries. So I go back and add some light washes when needed to perk it up, I added bright yellow and more browns on this one. (ps. I did have trouble with the antennae! I need to practice how to do such tiny detail with watercolor!)
I’ve created some really pretty note cards and other things in my shop using this page from my journal, please have a look! Please forward my shop (or this post) to your friends to help me spread the word.
Two new beetle studies to share, the Milkweed Borer Beetle and the Rhubarb Curculio. Sometimes I print out 4×6″ photos of my bugs and then as I have time I can sit and do studies in my sketch journals. I’ve been working on lots of bug studies as you’ve noticed lately, but plan to work on a series of small insect paintings soon.
Milkweed Borer Beetle
I love the Milkweed Beetle because of it’s black and red coloring and nice black curved antennae. With the black legs it looks rather coordinated in a fashion sense of the word! I’ve always been partial to red and black clothes or designs!
Milkweed Borer Beetle and Rhubarb Curculio
Then just below I decided to add a little study of the Rhubarb Curculio Beetle. I photographed it in my garden in early spring, it wasn’t ‘on’ my Rhubarb but I bet it was soon to be! I liked the rusty, powdery appearance of it and it’s unusual ‘snout’, typical of a weevil type insect.
My set up while painting
I tried to take some pictures, with my tiny camera, of some of the stages while I painted the Milkweed Beetle. I like to try and show the steps a bit because there are so many ways to approach how to do a painting.
(side note- you see on the page a bunch of dots of color, I was playing around with color mixing with my watercolor crayons and it had nothing to do with these bug paintings)
Laying green 'spots' on top of first light green layer
I missed taking a picture of the first stage but here (above) you can see that I put a very light green wash all over the leaf around the beetle first. I did this before I painted any of the bug, I used a bigger brush and just washed it on quickly but still tried to stay neat around the bug outline.
Then I started to paint the beetle; I used a water brush to wet the paper only where I was going to paint. The water brush was very handy to use instead of dipping my brush in water and wiping. I tested the red out on a piece of scrap paper then added a little at a time. The dampened paper was a nice way to keep the shading soft. Start with the overall color or the ‘background’ color first, then the darker values of red will be layered over it after it dries. I was careful not to paint red to the edges because it would ruin the 3d effect and also he had a powdery look that I wanted to imitate.
To make the leaf veined pattern, I thought I’d try just adding these little green ‘spots’ in a sort of organized pattern. By organized I mean that I would put them next to my pencil lines that indicated where a light vein would be, just arranging them along it was enough to indicate a vein.
Green 'spots' layer is finished
I’ve finished the green spots layer and you can see now how the bugs legs don’t look as dark? That’s relative to the new value of color around it and now will need to be darkened some more. That’s usually the way as you work on a detailed watercolor, it’s many layers to push things darker and bring out detail.
My set up today on an easel to give my neck relief!
Here’s a picture just showing you my set up as I worked at this stage. Before I had it flat on the table but that starts to hurt your neck after awhile, so best to prop it up somehow, this is a basic wooden paint box that you use on the table and the lid serves as an easel. I just stick the photo to it with “Blue Tack” or “Sticky Tack” and then I put my field palette of watercolors on a small box in front of it (so it’s raised up closer). This table easel a great little box because I keep ALL of my color pencils in it, separated by colors with rubberbands. I used to always use color pencil on my watercolors to add details at the end, but find I haven’t done that in ages!
Milkweed Borer Beetle finished and edited
I took a wet brush and gently wet the spots and rubbed very lightly to blend them a bit, then I washed some blue faintly over areas of the leaf to tone down the yellow green a bit. The picture above is of the Milkweed Borer Beetle all finished and cleaned up (the edges) on the computer so I could use it in my shop on note cards. (if you click on it, it will take you to see Note Cards in my shop). Now I wanted to comment here that if I was making this as a finished painting to frame and sell I would have worked on it more. I would have washed over more of the pattern here to ‘push it back’ and not make it so spotty looking, though I don’t mind it much. And the area right in front of his face I would have tidied up a bit more but that’s it for now, I consider him a good study for a better painting someday!
Thanks for stopping by, leave me a comment if you like, I LOVE reading them and replying! And I hope I encouraged you to stop and look a little closer at the bugs in your garden, you may be surprised at how interesting they are! If I could encourage one more thing, it would be to get you to leave some areas of your yard go wild with local weeds and wildflowers. I have some huge Bull Thistles growing now and have discovered many interesting bugs living on them all summer. It’s like a highrise building in a city, some live at the bottom, some at the top and they climb up and down the main stem all day long! The other day I saw a Ruby Throated Hummingbird stop at the huge pink bloom of the thistle and soon the Goldfinches will be using the down from it for nesting and in fall they will eat the seeds.
There are many other ‘weeds’ growing around my yard besides the thistle, more because I have trouble keeping it neat with my neck and back giving me trouble. BUT I have also noticed new bugs almost every single time I walk around the perimeter of my yard and STOP to look. If you stop, stand still and just watch awhile, you’ll see so much. Here’s a little rhyming quote from me:
“When you stop, study and sketch, a fine image you will catch. Study even longer, your drawing will be stronger!” Mary McAndrew
OK, go have some fun now looking for bugs! (and please get your children to look with you!)
What did you think I’d be doing on Mother’s Day? It was gorgeous outside and I had the day to myself until later when my son comes over, so off I went for a walk with my sketch journal!
female bluebird I met along the way
Along the way I captured this shot of a female Bluebird, I’m so happy it came out. I didn’t use my long lens today, so the camera was actually easier to hand hold. (click to see as Note Card where you can see up close)
My watercolor crayons in a vinyl case so I can scatter them as I worked.
I was thrilled to find that the land on one side of the field was actually sort of dry. I mean I’ve been wading through water for weeks now, so any dry grass was pretty great. Before walking at all I decided to sit right down and have a go with my kit. I knew something would strike me. Above you can see something new I tried that worked great; I brought this empty vinyl case along and when I was ready just opened it and put it on the ground. I took my watercolor crayons and set the box right inside it, as I used colors I could just plop them in front and find them easier as I worked. This would be good to use for the watercolor pencils too, as they get lost easily in the grass.
Putting color down around a round plastic shape.
I wrote some notes at the top of my paper as I sat, not even caring about painting, just enjoying the great weather. Then I decided I’d try to put a landscape but leave a circle in the foreground to fill with something. I have a piece of plastic I cut from a plastic milk carton and just filled in green watercolor crayon around it.
Blocking on more green for grass, sky has been painted a bit.
As I decided where my horizon line would be I colored blue in the sky, leaving the clouds just blank paper. (lately I’ve been doing them with white wax to ‘block’ them out using a resist method, this time it’s just bare paper) I then brought the green up as far as I thought it should go, then wet my paper with the big brush to blend all and used a brown crayon to put trees in on the wet paper. I like how sharp the trees can look if you put them on wet paper; if you draw them dry first and then wet them, they can get fuzzy looking.
My set up on the grass, balancing my sketch journal on my knee.
Here’s my set up, as I sat on my piece of vinyl and kept everything in easy reach. I actually leaned on one elbow to do most of this sketch, and quite smartly tucked an empty sandwich bag under my elbow. By the time I was done, my elbow would have been soaked!
The real scene behind my sketchbook, the clouds have already floated by.
So here’s the sketch with the ‘real’ scene behind it, I don’t really like the greens of the watercolor crayons, but more practice will help. Sometimes I admit I could do a better job but when working in the field either the weather is too cold or my back hurts then I just want to hurry up. So I try to work fast, I can always touch up later if I want, or leave it as a study.
This is the page as I finished it in the field, dandelions and all.
This is my study finished in the field, I decided to put dandelions in the small circle as they were everywhere. First I lightly sketched in pencil then went over it with a brown Windsor Newton Permanent ink with a dip nib pen. Then I colored them in by touching the brush tip (a finer one) to the crayons then painting. I colored the letters the same way using a blue crayon. I really want to go back and tone down that green on that grass! Yikes!
Field sketch after touching it up back at home.
Well here’s the sketch after I got home and touched up the greens and added the yellow dandelions.
Leopard Frog
On our way after that sketch, I kept seeing Leopard Frogs. If I stood still I would start to pick them out of their hiding places.
Leopard Frog
I was really getting good at it! As you walk by they get scared into the water…then if you stop a few steps away, they would seem to appear everywhere. I imagined a funny cartoon of a photographer stopping to look for frogs, the way in front of her clear, but behind her all these little heads popped up in the water! haha, well it’s me of course!
mystery water bug
This was really cool, I noticed as I stood watching for frogs without moving, a little something moving in the water below me. I swore they were just catkins from the tree floating along the bottom, but it’s a standing pool of water and instinct told me otherwise. I bent over and kept watching them and remembered reading about larvae that formed cases by ‘gluing’ stuff around them. I got this great shot of it actually poking out of the case a bit! I am not sure yet what it is, have to look it up.
Long Lane green and lush.
Here’s Long Lane on the way back home. It’s green and lush in this very wet spring we’re having. It’s a bounty for the frogs but that means soon will come the mosquitoes too!
I hope you enjoyed this springtime walk with me and my sketching. I hope you go out and capture some nature the way I did, just stop and stand or sit still and you’ll be amazed at what you notice.
I thought I’d add a series of posts that introduce my new watercolor crayons, a few old ones, and how to start using them in hopes that some of what I do may help someone else.
When I first bought watercolor (or water soluble) crayons I tried them and didn’t like them at all! I thought the colors garish and harsh. I thought “what a lot of money for these little things and I’m not going to use them!”. Well I’ve only recently pulled them back out and have been playing with them. I’ve learned from using watercolor pencils, go lightly at first until you know just what your colors will do when you wet them.
Please click on pictures to see them bigger.
Water soluble crayons in a tin
Here’s the set of colors I started with, Caran D’Ache Neo colors and one or two Derwent Watercolor crayons. I also show a “crayola wax crayon” and explained in another post (below) how I used it. I cut them in half (oh heavens yes I did!) to make them lighter to carry in my sketch bag and I could fit more; here I show them in an “Altoids” mint tin. The other halves go into a baggy for later or to carry in another kit.
I took them out into the field and did some small landscape studies using these few crayons. There are links at the end of my post you can click on to read about them. After doing them I was feeling more enthused about my crayons, I think it’s time to look for more colors!
New Tin of Watercolor Crayons, Staedtler "Karat Aquarell" Neocolor II
More colors in other brands…landscape colors hopefully. I thought I’d try these Staedtler “Karat Aquarell” neo color II, they were reasonably priced online. Because I’ve been desperate for sunshine this spring, it was gorgeous that evening so I sat on my front steps to do my color charts.
New Watercolor Crayons, wow look at all those colors!
Here’s the crayons! Woohoo….they look nice! I’m hopeful that some of those greens might be what I was looking for.
Getting ready to wet the colors and have some fun!
First I want to stress that before you do any paintings with ANY media, watercolors, color pencils, oils etc, you should ALWAYS do some color charts of all your colors. This will help you to get to know the colors as they really look on paper (or canvas) and get familiar with how to handle them.
In my sketch journal, I rubbed a small spot of color and wrote in permanent ink pen the colors name next to it. It helps to also put an initial for the name brand too or label it at the top as I did. Prepare one row and do the wash before you color the next set of spots, just so you don’t run out of room. Keep it neat because you can refer back to these charts again and again as you get to know your colors.
Color Charts of two brands of Watercolor Crayons
After you make your dry spots of color take a waterbrush or regular watercolor brush and water, wet the bristles and touch it to the color spot. Notice how as you ‘rub’ the color it releases and becomes like watercolor. If you rub a lot you can blend the spot right out for an even tone, but leave some intense color there, drag your brush as you rub back and forth, to one side to pull color away. Then lift your brush to stop, don’t rub too far out, keep ’em neat. Now your ready to put on any more spots you may need to and wet them; leave room for labeling them. After wetting a color rinse your brush and wipe or rub on a paper towel to make sure all color is cleaned off it.
As you can see, I did my new crayons on the left, my original crayons on the right so I can compare them.
Color Charts with my comparing colors close together in the centre.
Now to have some more fun, it’s time to compare colors from different sets so I can decide which ones are too similar to carry around with me. This is a ‘getting to know you’ exercise now and VERY important! The more you play with your colors the better your choices will be when you’re painting. Sometimes when I haven’t painted in a certain media in awhile, I’ll go through and do color charts just like this. So you can see the middle is a riot of colors!! I grouped the blues, then greens then browns and goldie colors, all good for landscapes. Label, label, label!!
( I really like how this page looks with all the color swatches, I decided to make note cards and t-shirts of it!! See the links at the end of this post 😉 )
More color play to further test some out.
Ok, then the page adjoining that one had to be used for more testing, wow, am I going to use all these pinks?
My Watercolor Crayons + Waterbrush
After all this playing I ended up with a pile of cut crayons (yes I cut my new crayons in half too! Yikes how awful!) So I searched through my favorite shelf of odds n ends, containers etc for my field kits, and found a plastic case from I think, a small first aid kit. I love that it’s plastic = lightweight! This is a picture from my previous blog post where I used the big flat water brush.
Here are the blog posts I’ve done so far using the crayons, in order of date posted:
(This post is done AFTER returning home to NY…gosh I miss my Northumberland!)
Come along with me as I do a small oil painting in a very gorgeous location in the Coquetdale (River Coquet Valley) area of Northumberland, England. I think of all the areas I’ve traveled around in Northumberland, the Coquetdale is one of the most beautiful and always catches me by surprise when we drive along it’s long winding path through the valley. It has quite a few meanders before reaching the North Sea which makes it that much more picturesque to an artist, it’s curves reflected in the sun as a shimmering snake in a green velvet valley.
Painting while looking over the River Coquet
There I am! We hiked up this great high hill and entered the Bronze Age Celtic ring fort at the top. It’s surrounded by a deep ditch, as was the practice for all ring forts, though I guess a few thousand years ago it would have been deeper and very impressive. After exploring the fort and ditch I settled down inside a ditch with my back to the VERY brisk wind! While I painted I had my hood up to keep the wind off and you notice I’m wearing fingerless gloves, a must for outdoor painting!
For my set up, my favorite wooden field easel and a backpack with attached stool. This is a popular one found in many art supply catalogs but I altered it (as usual!), I took the backrest off by hammering on it until it came away. With the backrest off, I can now sit on it in any direction I like, sometimes the bars of the seat hurt the back of my legs and I feel less attachments equals less weight. I’m put a camping inflatable pillow on the seat, makes it a bit better. All in all, I don’t usually sit when painting outdoors, I find it tiresome to my back; usually I stand up and feel freer with my painting and you can move around to keep warm.
My View Over Coquetdale
Here’s a view of what I saw, you may wonder how my masonite board is staying up so magically on the easel? The wonders of Blue Sticky Tack never cease!! I use it all the time, I have some little dots of it on the easel to hold small boards like this, just where I want them. With a small board, I don’t like the wood of the easel’s clamp to get in the way.
stage 1-View Over Coquetdale
When in the field I usually don’t pencil sketch the scene on the canvas, but use either Burnt Umber thinned with mineral spirits, or pick a color in the landscape and sketch directly with the brush. Just pay attention as you divide up your canvas with the horizon line placement and other important elements. If you get it wrong in the beginning, it’ll always be wrong! I go for blocking in big shapes in the ‘nearest’ color to it’s overall color.
When I started this one I blocked in some really bright green, later I decided I should have tried to match the color better to begin with. I just wanted to get it going, so I painted into the wet oil to adjust the color. You’ll notice my river color is quite light, just laying it in to mark it, I’ll adjust the color later. I wanted to have a wet base to paint into. I painted the sky with an all over tone of blue with the gradation of dark to light, later I’ll add the clouds. I also started to establish where the dark areas are, the tree lines.
Stage 2- View Over Coquetdale
Now I’m set up back at home and continue working from my laptop where I have photos of the scene. I’m sorry I missed a few stages with the photos as I got involved with the painting! I studied where the background mountains should go and toned down blueish green for them. I continued to study where the tree lines were and payed close attention to the light and dark areas of the hills and tree clumps. Don’t put too much detail in the distant trees, just let them describe the curve of the hills as their lines criss cross and disappear. I also started to tuck darks under the tree lines and to the shadow side of them. You begin to notice the tree line on the left front is different than the ones on the right. They are different types of trees so the form and colors are different.
Stage 3- View Over Coquetdale
Picking out a little more detail of the hills in the mid-ground, I add some lights to define the hills and more detail to the tree lines. I lightly defined the little dirt road in the front left and a ‘hint’ of a fence, but kept it soft and also added more light to the left field. I put a small path that crossed the field in the middle but then later decided it was just too much of a distraction and took it out. I also added some lights to the trees on the right, you can see they are more pointy than the other trees as they are pines.
Stage 4- View Over Coquetdale
Above you can see I’ve added some darker (but still bright) blues to the river, taking care which direction I stroked it on. I added some yellow to the fields on the left to warm it up and cut down on the lightness. I added more bushes and detail to the front right side by the bank.
Completed "View over Coquetdale" 6x8" oil
The completed painting,6 x 8″ in oil, click it to view it larger in my Gallery of Landscapes. Here you can see I’ve added just a little more detail on the bank and sheep (whitish dots!) on the hills. One thing you notice when driving about the countryside of England are sheep just about everywhere! No hill would be complete without some of these white dots. Of course I didn’t just make blobs but made sure they had a bit of a long shape and slightly darker underneath, it’s just to ‘hint’ at a sheep, not to paint one in full detail at such a distance.
To view prints, note cards and more with this painting, click the links below to see them in my shop! (You can personalize any of them with your own text.)
I’ve been studying my snail Cuthbert, and really learning a lot of interesting facts. I know they’re slimy, strange little creatures that eat your garden plants, but they still merit study in my opinion. So I went outside the strange thing was I just walked over to a huge Sycamore tree and felt directed to look right at it’s base in the long grasses, tucked between some big roots. I pulled the grass aside and there, lo and behold two snails! I must have felt the “Snail Vibes” hahah.
big snail photo
One of the snails was this big guy (or girl!) that has now been named “Jabba the Hut”! He’s munching on some sweet corn here. Enjoy the simple stages of painting in watercolor shown below, to give you an idea of how I paint them.
big snail stage 1- ink
First I did drawings using light pencil, then go over it my micro permanent pen, keeping it simple and cartoon-like so I could add the detail with watercolor.
big snail stage 2
Then I look at the snails to see what pale color I see ‘underneath’ the other darker colors. I make a wash of this color and put it on, and while it’s wet, sometimes I drag a bit more of the wash or color into areas I want darker, with the tip of my brush.
big snail stage 3
Here you can see I’m just adding a bit more details and colors, keeping it simple. Look for dark patterns and be careful to leave light or white areas alone.
big snail stage 4
Sorry my stages kind of jumped here, I think I got busy and didn’t photograph any more stages! But all I did was kept looking for pattern, colors and shapes, let areas dry before adding new patterns so it doesn’t all blur together. If it does, take your paper towel tip and push it on the area to blot it, rub with brush tip and repeat until you get it lightened. You can add dappley marks with your brush tip for texture.
big snail stage 4 + paint
This is my sketch book along side my pan of watercolors, this is what I used to paint them.
Today, though it is sad, I did a watercolor study of a blackbird female that died after flying into our patio window. Just as other naturalists before me have done, I took advantage of having a real bird in front of me and did a study as quickly as I could. I find that if you love nature you can do this as a way of showing respect for the creature and not think of it as ‘gross’. Of course always be careful handling things like this by washing your hands after, putting it on plastic, not having food or drink nearby while working…just to be safe. I did notice a little tiny bug or two on it as I worked, which made me work even quicker, to get it out of the house sooner!
Watercolor study of Female Blackbird-stage 1
The picture above shows my pencil sketch and beginning stages of watercolor. I am laying in the golden color that I see ‘under’ the darker colors of the feathers.
Watercolor study of Female Blackbird-stage 2
Here I put dark tone on the tail and more darks on the head and some cool tones along the side of the breast to start to round the form.
Watercolor study of Female Blackbird-stage 3
Some more dark tones and details are laid in, feathers on ‘bottom’ wing.
Watercolor study of Female Blackbird-stage 4
At this stage I stopped painting feeling it was done, at least working from the ‘real’ model. I put a light wash of cool blue on the belly and added more color to the breast along with more details there.
Watercolor study with Blackbird
When I stood up and looked from further back, I felt it needed a more broad wash of dark on the birds right side so I just grabbed my brush and quickly washed some tone on, while standing up. Many times I like to work on my watercolors from a standing position to keep them loose and free; if it’s a detailed painting I like to either start it while standing to have a loose feel, or at least finish it this way. I could add some loose color around the bird, but I just didn’t feel like adding to it.
My set up to add final details from computer
So on another day I set up to touch up details using my photographs of the dead bird from my laptop. I used my field pan of watercolors and brushes and a magnifying glass to help me see details.
Watercolor study of female Blackbird - stage 6
At this point I decided it was finished. To be honest, I wanted to go back and ‘scratch’ out highlights along the legs to show their shine and make them stand out from the dark background, I also wanted to add grasses around the bird, but I’ve had too many other things to work on and just didn’t get time. So it’s DONE.
Blackbird male
I don’t want to leave you with a dead Blackbird, here’s two photos of a healthy male so you can see how nice they look, their song is even nicer!
Blackbird male
As a side note, the Blackbird (UK) is in the Thrush family just as my American Robin is. For my American readers you’ll notice a very close silhouette to our Robin, and the song, though different is beautiful as thrush songs are. The male Blackbird is ‘black’ with a yellow beak, the female looks, well like my painting, brown with speckles on breast.
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