I wrote some notes upon my return to the house, they are posted below if you’d like to read them about my day outside in nature. Both paintings were done with a dry palette of watercolors and one waterbrush. The sketch below I first drew with a permanent ink pen, brown color, then put washes of color on it while standing there in my snow shoes. This sketchbook is a mere 4.5″x5″!
"Winter Water and Shadows"
my notes
I hope you enjoyed a glimpse of my walk, I encourage everyone to get outside despite what the weather might be like to have a closer look around you.
It was bright and sunny today but winter still hangs on, the snow is over a foot deep and I wish I had my snow-shoes on! The snow is heavy, wet and deep; as I trudge through it I thought of the word ’slogging’! Under the heavy snow is a deep, wet slaw of melted snow; I’m glad for my rubber boots.
"The Branches Reach Towards the Moon"
Ginger prances on ahead of me, begging me to hurry. Finally along the edge of the pasture I paused to catch my breath and attempt to capture a likeness of the moon with the trees reaching up towards it. At the end of this post you’ll see my small sketchbook and watercolors, and how I hold them on a clip board. Almost all my field sketches are done while standing and holding my book.
"The Field in Late February"
Well as you can read in my honest notes, Ginger surprised me and did something different; I feed her really I do! I guess you can’t stop instinct. I’m happy with how this little watercolor came out, I’m always trying to capture that color of the bushes in winter, they’re gorgeous. I was standing in deep snow and at the same time had to shrug my coat off my shoulders and take my hat off as the sun made me that warm. Maybe spring is coming?
"Paw Prints"
There are so many things to see if you take your time and look around you. The snow was quite hard on top, if you’re a lightweight animal. I noticed little tracks as I walked, then saw these little prints and had to sketch them. I brought no camera on purpose today, I wanted to really have to describe all I saw with my brush and pen. For tracks you can use your pencil or pen to measure the real size onto your sketchbook. I call this Comparative Measurements and it can be extremely accurate when you practice using it. These tracks were a bit hard to see because they were so shallow and the snow had dusted over them a bit. I drew the tracks at real size and then measured the distance between the sets, finding they were one pen length. This tells me it’s a small animal, at first I thought raccoon but when I looked on my pocket animal tracks guide I think it may be a skunk! Hey hibernation must be over! Look at this link to see a picture of my pocket track guide which, by the way, I don’t carry with me in the field.
"Snow Burrow"
Then as my eyes followed some more tracks, made by a fox I think, they led me to a small hole dug into the snow. I guessed that a fox, who used his great sense of hearing to listen for small mammals under the snow, had been by and dug down to ‘no surprise’ a burrow or tunnel of a vole. I like to think about the event that may have taken place, probably while the moon was shining on the snow at night. I wonder if he got his dinner?
"Paul's Chair"
As I said the sun was shining brightly as I returned from my day’s walk, trudging along the deep snowy lane. I looked off the lane into the woods and saw there a black metal folding chair. This chair is not there by mistake, my son Paul placed it there years ago and would disappear at times and he’d go here to sit in the woods. I think everyone should have a chair in the woods somewhere, where we can go escape or think. I felt a bit sad seeing it there by itself, perhaps it’s owner would never sit in it again as he’s off to college now. I just hope (as his mother) that he’ll always “find a chair somewhere” and sit in the woods.
Clip board with closed sketchbook
Here’s a picture of my clear clipboard with my handmade 4 1/2″ x 5″ sketchbook and watercolor palette attached. This is how it looks when I pull it from my bag, I use the rubber bands to hold the book shut and the palette. The palette is held on with blue ’sticky tack’ or ‘blue tack’. The sketchbook is clipped on with metal clips with the front cover.
Clip board with open sketchbook
This is how it looks when open, I use the white rubberband (actually it’s a hairband thing) to hold the piece of paper towel or to help hold the book open, or you can use a metal bankers clip. You can see I’m using my waterbrush today with the watercolors, I find it easier when hiking and especially in cold weather. Though it won’t work when it’s ‘really’ cold, it turns to ice on my paper!
I hope you enjoyed coming on my walk, please leave me a comment! I’ll have classes this summer in England where you can come along and sketch while we explore the gorgeous countryside. Please sign up your email address in the “subscribe to posts” box in the right column.
I was creating note cards from my butterfly photos and noticed this one, though beautiful, has a torn wing. I thought about how so many of us have some kind of physical difficulty, or imperfection, but just go on with our lives. It inspired me to write a small poem that appears on the inside of this inspirational card.
Please click on the title above to see the glossy note card in my shop. If you click on my name it’ll take you to my Zazzle Shop where I have many note cards for sale featuring my photographs and paintings of nature and landscapes. The poem is below.
We Are None of Us Perfect
We are non of us perfect,
From the outside perhaps,
Torn and tattered.
Broken
Parts not working.
But on the inside
Who knows us better
Than ourselves?
Or those who love us?
We are all bright shining
Lights of love and beauty!
(c) Mary McAndrew 2-15-2010
(The butterfly is a Red Admiral, I took it while in a garden in England.)
I actually walked pretty far on my land today, I bundled up with lots of layers and told Ginger the magic words, “Go for a WALK?” She can’t contain herself, to the point I get a little annoyed at her insistence at leaving this very moment, regardless of how cold it is and how many layers I believe I need.
"Tree on a Winter Day"
Today I tried to walk without stopping to look at every little thing, just for the start of my walk. I wanted to get some exercise today and do some studies once I get out on the land a bit. When we reached a lane I call “White Tail Trail” I was searching for something interesting. The sky was so blue and clear and when I looked up at this tree, I think an Ash, I liked the branches, shadows and colors. Armed today with my sawed off watercolor pencils and a waterbrush I started the tree, first with a light sketch of the trunk and branches with a light grey watercolor pencil. Now remember I told you I was bundled up? Well imagine freezing cold temperatures a bulky big coat, freezing toes and BIG mittens! haha…it’s always an adventure! I like to wear mittens where the tops flips back and your fingers are then exposed; these are great for quick sketching in winter. I tried to color the drawing with my little pencils and wet them with the waterbrush, but got frustrated when the water froze in a thin layer on the paper. So subsequent color layers became impossible; when I returned home I played around with adding some more color.
1-21-10 "Tree Scars and Bullrushes"
On my way back I stopped to look at the patterns on the trees in Aspen Hall, a favorite area on Long Lane. Where old branches had been but broken off now, there are scars that made interesting marks on the bark.
Here’s the notes I wrote on the page: “Old Branch Scars on an Aspen. Cold today but pretty, Blue skies, snow crunching, Ginger whimpers, we walk on, Chickadee calls, car drones in the distance. I wish I were farther away. We walk on. I pause to study a grapevine tendril- curled still though long dead. And the beauty of the Bull Rushes, the elegant lines…”
1-21-10 "A Bit of Grapevine"
I just love the way grapevine tendrils reach out for anything and grab on…twirling and twining. With this one I was trying to sketch their forms as they twisted out into the air too, I like the way the sunlight cast a good shadow. My feet and hands were very cold at this point and it was hard to concentrate, holding my sketchbook in front of me as I stood to draw this vine clinging to my fence. But as usual I’m glad I took my sketchbook with me to stop and see things.
This watercolor was commissioned by a lady for her husband’s 80th birthday! He loves groundhogs (just like me) and she really liked the groundhogs I had sketched on my blog this past summer, so she asked me to do a painting. Here’s the finished painting and below it I’ll share the stages of painting as I worked on it, along with how I changed or corrected areas as I went.
my set up 1
Above is my set up, an artists’ table easel box type thing that you can put oils paints in underneath, I have it filled with color pencils at the moment. I like it because you can change the angle to work on, I altered it though by drilling holes right up the front panel so I can change the height of the little shelf that you put your painting on while you work. (Yes, I love using my power drill!)
my watercolor pan palette
When I work on little watercolors, I like to keep my palette of colors close to the work. The paint dries out quickly in the tiny brushes so it helps to have it all close by. I set my pan of colors on a little wooden box and I can keep other supplies in here instead of all over my table. This pan is also what I use in the field, I have so many colors in it, I really don’t need to set up my big huge palette that I use in my studio for big paintings. When I worked on the painting, I had several pictures of groundhogs to the left of it for my reference, I used sticky tack (blue tack) to hold things in place on the Plexiglas surface.
my set up 2
I really created this set up because I wanted to work where the wood stove was, right in the middle of my living room. You can see the cold snow outside my window! So it’s like my little studio island, a plastic table 4′ x 2′, complete with laptop, small lamp, bundles of color pencils and some other piles of ’stuff’. (ahmm…there’s a dark chocolate bar hidden in the box too, well you know, gotta keep the ‘ol strength up!)
groundhog 1
This is the first stage of the painting, a light pencil sketch that I lighten first by tapping over it with a kneaded rubber eraser. Before I started I decided to make this a 5 x 7″ painting to fit a standard mat, so I lightly trace the inside of an 8 x 10 mat (5 x 7″ opening). Then I wash in a simple background of trees and start to place the long grasses and dandelions I want around this plump little groundhog.
groundhog 2 blocking shape
I like to try to keep some spontaneity in my paintings especially in the backgrounds. Here’s a little trick you can try to keep it loose while protecting areas; I grab a piece of paper or plastic to block or protect an area. This piece was just the right curve for his back, when it’s covered I can very freely stroke my brush right over the area with out it looking contrived and stiff.
groundhog 3 blocking shape
You can see above the protected area of his back.
groundhog 4
In “groundhog 4″ I have laid in some light body washes and beginning some fur areas, starting on the darker areas first. Notice I have left a light ‘cut out’ looking edge to him, this is so I can go back later and stroke color into it to make it look like fur, but also he’ll stand out a bit from the background. I also started to push the darks around the grass blades in the front left.
groundhog 5
In “groundhog 5″ you can see I darkened around the dandelions, added some grasses in front and also added some more tone and fur strokes on his body. Keep looking for the dark and light areas of his body; sometimes you show this by adding strokes or by adding whole washes to an area. If you look at his tail here I want to point out that I didn’t just paint in a tail shape, I put dark bits around where the grass went over it and it looks much more natural.
groundhog 6
In “groundhog 6″ you can see I have put a light wash of green in the background, then washes of brown in the foreground. I then added more grasses and darks around the dandelions, foreground and his body. I developed the arm and shoulder area more now, also added more to the head.
groundhog 7
I developed the grasses around him in “groundhog 7″, pushing the darks in places.
Now I’ll show you some close up pictures of parts of the painting as I did corrections. I find it interesting to look back on how I changed things and I know my readers really like to see this, you can learn a lot by looking at how another painter reworks things to correct them.
correcting the back 1
When I painted more of the grasses in I was able to see his back silhouette better; I then realized that it looked too straight. So I gently re-wet the area along the edge (above) and rubbed a bit with my brush to lift the color then I blotted it with a clean paper towel. I repeat this as many times as nessesary to lift what I need to, you can’t always lift everything though!! Take care also not to lift other areas.
correcting the back 2
To reshape the back I carefully put down the dark green grass colors further out from the original back line. (above) Then you have to soften where needed so it all looks ‘right’ together.
Below I show a close up of an area that when I thought I had finished the painting, I looked back and decided to fix. That blade of grass pointing at his head looked ok in the beginning when it was lighter, but now was too strong.
blades of grass 1
Below is the area that I changed.
blades of grass final
Here’s some close ups of the head as I changed it. The mouth I found difficult to do, it was a give and take between showing details and sort of softening them, but then that’s the essence of painting! Notice the careful biulding of darks on the head to shape it’s 3 Dimensional feel, the changing of the black area of the mouth and the developing of the dark area under the jaw.
Head close up #1
Head close up #2
Head close up #3
#4 Final head close up
I ended up going over the entire head at the end and added darks here and there…sculpting until it looked just right.
Once again here is the painting finished and ready for it’s new owner!
"Groundhog" finished
The original is sold but SHOP for gifts, note cards, prints, t-shirts etc with this image on it in my Zazzle shop! Go to www.zazzle.com/marymcandrew*This will take you to my shop where my artwork and designs are listed, go to the Small Mammals folder to find the groundhog designs or just type Groundhog into the search box. You can add your own text to customize gifts! If you want it on something you don’t see, just email me to ask!
Today I went for a walk with my dog Ginger out through the pasture to the field beyond. As it says in my notes the morning was very cloudy and misty, I think because the temperature has warmed enough that the snow is melting. Click on any picture to see larger.
Page 1-notes from my walk
Believe me it’s still cold! There was ice crunching beneath my boots but it was all water underneath; the ground is absolutely saturated with snow and water. You can see on my first page, I was playing around with the watercolors to capture that beautiful reddish color in the field. It’s actually all the tips of the bushes, together they look like a mass of this color.
Page 2-Watercolor sketch of the field
Here’s a very small sketch I did while standing in the snowy field.
Page 3-Ink sketch on the Lane
Sometimes I like to take a shape and trace it on the page to play around with, sketching inside or outside it. I had already put this square in the sketchbook and found it when I flipped the page, so I decided to do a tiny ink sketch of my view ahead. This is out by Aspen Hall, a special place on my land, all those trees ahead on the left are “Aspen Hall”. When working with permanent ink pen I sketch by making little marks of where I want things placed, you will always see little mismarks on my ink sketches because I believe in being loose and kind of scribbly. It’d be different if this was a planned drawing done while sitting at my drawing table in the studio.
I bundled up because it was extremely cold today and headed outside for some fresh air. I used a clip board to hold my small sketchbook and a small box of oil pastels. I needed to keep it really simple and easy to pick up pastels as I was wearing enormous mittens and with the freezing temperatures I had to work very quickly. The sun was setting and thus hitting the far trees across the field. I laid down a very thin layer of the lightest blue then used a heavy application of white and rubbed it hard to smear or blend it together. Click on the picture to view it a bit larger.
This is a sketch I did back in September but didn’t have time to post it, thought I’d share it now.
Dunstanburgh castle sketch
Just thought I’d put this little tiny sketch up. Gary and I ended up here pretty late on a windy cold evening, but I still managed to sketch with my ink pen and wearing fingerless gloves. It was more like a shilhouette at this point, but as I started it I could still see the grass in front of it. It was scribbled pretty fast because I was so cold!
Dunstanburgh Castle at sunset
Dunstanburgh Castle is on the East coast of Northumberland, just a short walk along the sea from the harbour Town of Crastor. We walked along with the rocky coast to our right, an area I’d love to explore more in the day time. Quite aways from the castle still is a fence with a gate you enter, there was a bench right there we decided to just sit because it had gone dark. That’s where I did my quicky sketch from, yet though it was quick, because I DID take the time to do it, I remember so much more about being there. Sometimes I prefer a scribbly looking sketch to a perfectly neat and tidy one, it can be much more expressive about the day or the feeling.
Town of Craster
Craster was small and quaint, has a kipper smokehouse, fishermen’s houses and a pub..perhaps a hotel? There is a small bay you can see here (though I know it’s dark!) where the fishing boats come in.
small book-cover sketchbook
This is a picture of the special little sketchbook I made up. Once in awhile I throw this in my bag when I want to carry less and know I’ll be somewhere where quick sketches will be done. It’s an old book my kids didn’t want any more so I pulled the pages out to make this. (ouch, I know book lovers!! It was painless believe me) I cut nice watercolor paper the same height as the book and folded it acordian style to go inside, taping both ends onto the cover. I put a big rubber band around it to keep it shut or open to a certain page while drawing.
Exciting news! Garden 91, a non profit magazine in Taipei, Taiwan has featured my artwork and nature sketching blog in their magazine!
They are a non profit organization that concentrates on the value of nature, the true meaning of design, the life of aging and the vision of education. Does this sound like me?? YES!! The director contacted me to tell me that my blog and what I write and feel about nature is why they wanted to use my work. You’ll see several pages below that are right from my sketchbook pages I’ve posted in the past. Their island was hit by a typhoon in August of 2009 and they want to reveal more stories about people aware of nature and wildlife. They print about 1,000 copies and distribute them to upscale coffee houses, schools and libraries. I apologize ahead of time that I can’t translate the article, it’s written in traditional Chinese! But enjoy the pictures anyways! Here’s a link to their blog if you’d like to have a look, though it’s all in Chinese have a look around: http://garden91.pixnet.net/blog
Here’s a very small sketch (4″x5″) that I did outside in the freezing cold. The sun had set and twilight time was coming, when the snowy landscape takes on a bluish cold tone. I tried to use my waterbrush but the water was freezing on the paper too fast and in the bristles! So I used my permanent ink pen and that was scraping the ice off the paper, I had to laugh a bit, I’ve never tried to watercolor when it was this cold. I colored it inside after thawing my fingers out.
Below I included the small page of notes that I wrote about the sketch.
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