This watercolor was commissioned by a lady for her husband’s 80th birthday! He loves groundhogs (just like me) and she really liked the groundhogs I had sketched on my blog this past summer, so she asked me to do a painting. Here’s the finished painting and below it I’ll share the stages of painting as I worked on it, along with how I changed or corrected areas as I went.
my set up 1
Above is my set up, an artists’ table easel box type thing that you can put oils paints in underneath, I have it filled with color pencils at the moment. I like it because you can change the angle to work on, I altered it though by drilling holes right up the front panel so I can change the height of the little shelf that you put your painting on while you work. (Yes, I love using my power drill!)
my watercolor pan palette
When I work on little watercolors, I like to keep my palette of colors close to the work. The paint dries out quickly in the tiny brushes so it helps to have it all close by. I set my pan of colors on a little wooden box and I can keep other supplies in here instead of all over my table. This pan is also what I use in the field, I have so many colors in it, I really don’t need to set up my big huge palette that I use in my studio for big paintings. When I worked on the painting, I had several pictures of groundhogs to the left of it for my reference, I used sticky tack (blue tack) to hold things in place on the Plexiglas surface.
my set up 2
I really created this set up because I wanted to work where the wood stove was, right in the middle of my living room. You can see the cold snow outside my window! So it’s like my little studio island, a plastic table 4′ x 2′, complete with laptop, small lamp, bundles of color pencils and some other piles of ’stuff’. (ahmm…there’s a dark chocolate bar hidden in the box too, well you know, gotta keep the ‘ol strength up!)
groundhog 1
This is the first stage of the painting, a light pencil sketch that I lighten first by tapping over it with a kneaded rubber eraser. Before I started I decided to make this a 5 x 7″ painting to fit a standard mat, so I lightly trace the inside of an 8 x 10 mat (5 x 7″ opening). Then I wash in a simple background of trees and start to place the long grasses and dandelions I want around this plump little groundhog.
groundhog 2 blocking shape
I like to try to keep some spontaneity in my paintings especially in the backgrounds. Here’s a little trick you can try to keep it loose while protecting areas; I grab a piece of paper or plastic to block or protect an area. This piece was just the right curve for his back, when it’s covered I can very freely stroke my brush right over the area with out it looking contrived and stiff.
groundhog 3 blocking shape
You can see above the protected area of his back.
groundhog 4
In “groundhog 4″ I have laid in some light body washes and beginning some fur areas, starting on the darker areas first. Notice I have left a light ‘cut out’ looking edge to him, this is so I can go back later and stroke color into it to make it look like fur, but also he’ll stand out a bit from the background. I also started to push the darks around the grass blades in the front left.
groundhog 5
In “groundhog 5″ you can see I darkened around the dandelions, added some grasses in front and also added some more tone and fur strokes on his body. Keep looking for the dark and light areas of his body; sometimes you show this by adding strokes or by adding whole washes to an area. If you look at his tail here I want to point out that I didn’t just paint in a tail shape, I put dark bits around where the grass went over it and it looks much more natural.
groundhog 6
In “groundhog 6″ you can see I have put a light wash of green in the background, then washes of brown in the foreground. I then added more grasses and darks around the dandelions, foreground and his body. I developed the arm and shoulder area more now, also added more to the head.
groundhog 7
I developed the grasses around him in “groundhog 7″, pushing the darks in places.
Now I’ll show you some close up pictures of parts of the painting as I did corrections. I find it interesting to look back on how I changed things and I know my readers really like to see this, you can learn a lot by looking at how another painter reworks things to correct them.
correcting the back 1
When I painted more of the grasses in I was able to see his back silhouette better; I then realized that it looked too straight. So I gently re-wet the area along the edge (above) and rubbed a bit with my brush to lift the color then I blotted it with a clean paper towel. I repeat this as many times as nessesary to lift what I need to, you can’t always lift everything though!! Take care also not to lift other areas.
correcting the back 2
To reshape the back I carefully put down the dark green grass colors further out from the original back line. (above) Then you have to soften where needed so it all looks ‘right’ together.
Below I show a close up of an area that when I thought I had finished the painting, I looked back and decided to fix. That blade of grass pointing at his head looked ok in the beginning when it was lighter, but now was too strong.
blades of grass 1
Below is the area that I changed.
blades of grass final
Here’s some close ups of the head as I changed it. The mouth I found difficult to do, it was a give and take between showing details and sort of softening them, but then that’s the essence of painting! Notice the careful biulding of darks on the head to shape it’s 3 Dimensional feel, the changing of the black area of the mouth and the developing of the dark area under the jaw.
Head close up #1
Head close up #2
Head close up #3
#4 Final head close up
I ended up going over the entire head at the end and added darks here and there…sculpting until it looked just right.
Once again here is the painting finished and ready for it’s new owner!
"Groundhog" finished
The original is sold but SHOP for gifts, note cards, prints, t-shirts etc with this image on it in my Zazzle shop! Go to www.zazzle.com/marymcandrew*This will take you to my shop where my artwork and designs are listed, go to the Small Mammals folder to find the groundhog designs or just type Groundhog into the search box. You can add your own text to customize gifts! If you want it on something you don’t see, just email me to ask!
Today I went for a walk with my dog Ginger out through the pasture to the field beyond. As it says in my notes the morning was very cloudy and misty, I think because the temperature has warmed enough that the snow is melting. Click on any picture to see larger.
Page 1-notes from my walk
Believe me it’s still cold! There was ice crunching beneath my boots but it was all water underneath; the ground is absolutely saturated with snow and water. You can see on my first page, I was playing around with the watercolors to capture that beautiful reddish color in the field. It’s actually all the tips of the bushes, together they look like a mass of this color.
Page 2-Watercolor sketch of the field
Here’s a very small sketch I did while standing in the snowy field.
Page 3-Ink sketch on the Lane
Sometimes I like to take a shape and trace it on the page to play around with, sketching inside or outside it. I had already put this square in the sketchbook and found it when I flipped the page, so I decided to do a tiny ink sketch of my view ahead. This is out by Aspen Hall, a special place on my land, all those trees ahead on the left are “Aspen Hall”. When working with permanent ink pen I sketch by making little marks of where I want things placed, you will always see little mismarks on my ink sketches because I believe in being loose and kind of scribbly. It’d be different if this was a planned drawing done while sitting at my drawing table in the studio.
I bundled up because it was extremely cold today and headed outside for some fresh air. I used a clip board to hold my small sketchbook and a small box of oil pastels. I needed to keep it really simple and easy to pick up pastels as I was wearing enormous mittens and with the freezing temperatures I had to work very quickly. The sun was setting and thus hitting the far trees across the field. I laid down a very thin layer of the lightest blue then used a heavy application of white and rubbed it hard to smear or blend it together. Click on the picture to view it a bit larger.
This is a sketch I did back in September but didn’t have time to post it, thought I’d share it now.
Dunstanburgh castle sketch
Just thought I’d put this little tiny sketch up. Gary and I ended up here pretty late on a windy cold evening, but I still managed to sketch with my ink pen and wearing fingerless gloves. It was more like a shilhouette at this point, but as I started it I could still see the grass in front of it. It was scribbled pretty fast because I was so cold!
Dunstanburgh Castle at sunset
Dunstanburgh Castle is on the East coast of Northumberland, just a short walk along the sea from the harbour Town of Crastor. We walked along with the rocky coast to our right, an area I’d love to explore more in the day time. Quite aways from the castle still is a fence with a gate you enter, there was a bench right there we decided to just sit because it had gone dark. That’s where I did my quicky sketch from, yet though it was quick, because I DID take the time to do it, I remember so much more about being there. Sometimes I prefer a scribbly looking sketch to a perfectly neat and tidy one, it can be much more expressive about the day or the feeling.
Town of Craster
Craster was small and quaint, has a kipper smokehouse, fishermen’s houses and a pub..perhaps a hotel? There is a small bay you can see here (though I know it’s dark!) where the fishing boats come in.
small book-cover sketchbook
This is a picture of the special little sketchbook I made up. Once in awhile I throw this in my bag when I want to carry less and know I’ll be somewhere where quick sketches will be done. It’s an old book my kids didn’t want any more so I pulled the pages out to make this. (ouch, I know book lovers!! It was painless believe me) I cut nice watercolor paper the same height as the book and folded it acordian style to go inside, taping both ends onto the cover. I put a big rubber band around it to keep it shut or open to a certain page while drawing.
Exciting news! Garden 91, a non profit magazine in Taipei, Taiwan has featured my artwork and nature sketching blog in their magazine!
They are a non profit organization that concentrates on the value of nature, the true meaning of design, the life of aging and the vision of education. Does this sound like me?? YES!! The director contacted me to tell me that my blog and what I write and feel about nature is why they wanted to use my work. You’ll see several pages below that are right from my sketchbook pages I’ve posted in the past. Their island was hit by a typhoon in August of 2009 and they want to reveal more stories about people aware of nature and wildlife. They print about 1,000 copies and distribute them to upscale coffee houses, schools and libraries. I apologize ahead of time that I can’t translate the article, it’s written in traditional Chinese! But enjoy the pictures anyways! Here’s a link to their blog if you’d like to have a look, though it’s all in Chinese have a look around: http://garden91.pixnet.net/blog
Here’s a very small sketch (4″x5″) that I did outside in the freezing cold. The sun had set and twilight time was coming, when the snowy landscape takes on a bluish cold tone. I tried to use my waterbrush but the water was freezing on the paper too fast and in the bristles! So I used my permanent ink pen and that was scraping the ice off the paper, I had to laugh a bit, I’ve never tried to watercolor when it was this cold. I colored it inside after thawing my fingers out.
Below I included the small page of notes that I wrote about the sketch.
I have a few sketches to share that came before New Years Eve day, I’ve been getting behind on my updates here! So just a few sketches, the above one is a wasp that paid a visit to my bathroom windowsill. I wasn’t even sure what it was at first because it was so small. But I’m pretty sure it’s a wasp, I helped him find his way outside! What was really neat is that I held a magnifying glass up to study him, I was able to see so much more!
Thistle and Chickens in Winter
Then just the other day I realized it had been forever since I went outside and did some sketching in my field sketchbook. So, though it was in the Teens I ventured out with small sketchbook and simple ink pens in hand. I also brought my camera and had fun taking black and white photos till my fingers absolutely froze. I drew these sketches wearing big fat mittens, it was really hard!
December 29, 2009 journal
These are notes from the back of my journal from that day. It’s a small sketchbook that I made myself and in the back are pages made from cheap computer paper just for note taking freely.
Ink sketches of weeds in the snow
“Dead weeds…seeds awaiting Spring..so is it really ever dead? Awaiting a warmer time in a warmer clime.”
New Years Eve watercolor sketch
I hope my writing is readable, I wrote it after dropping my sketchbook into the snow and the paper was damp! It really may look simple but looking back at this little sketch reminds me exactly of the day and standing there to paint it.
New Years Eve 2009 journal
Though I’ve scanned my pages above I’ll type them out so you can read them better. This is what I wrote in the back section of my sketchbook where I just write my thoughts.
“December 31, 2009-New Years Eve, I walked across the yard, the ice crunching under my boots, and reaching the side of the yard with bushes, weeds + trees. I stopped as a Mourning dove flew from a distant tree. I stood still and just waited, listened + watched. Then I noticed a group of house sparrows in the treeline, clustered together like a friendly band of cheerful friends. I remained still. Then I saw a sparrow closer this time, oh it’s a Chipping Sparrow! With a red cap! He’s looking for seeds on the weed heads, I remained still. Two Blue Jays silently flew from one tree to the next and then a tiny Chickadee…followed by another…then a woodpecker (Downy) made it’s appearance followed by the whirring sound of doves wings. Overhead now I hear a flock of Canadian Geese coming..one, two, three….23! Just standing silent at the yards edge in Winter, so much life if you stop and watch and listen. Now they seem to all have moved on…time for me to move on.”
At the exhibition “Homage to Salvador Dali” at the Museum of European Art on September 5th, ”Celtic Lady of the Lake” (oil) was selected as one of the top ten favorite paintings voted on by visitors to the museum! There were over 40 different artists displaying works, some from the Buffalo/Niagara region and many international artists.
I couldn’t attend though I had two pieces in the show, as I’m way over in England!
This painting was commissioned for the cover of a CD album by a Celtic musician Sheila Stratton-Peel and I have hand signed CD’s available if anyone is interested! @ $10 each.
It’s been years since I’ve shown at the MEA and in the past I had paintings selected as the Painting of the Month, that is the top one favorite selected by guests. Those paintings were: “Exquisite” a portrait of a Classical Indian Dancer, a portrait of “Salvador Dali” and also my Mythological painting of “Daphne Transformed”. Please click on these to read about them and see a picture in my gallery.
If I get pictures sent to me of this show, I’ll be sure to add them to this post…so if anyone attended and has some?? Please send them my way.
Today it was sunny and very blustery! We decided to take a hike near Clennell up the valley along the River Alwin then we looped back by walking up and along one of the huge hills. What gorgeous views we had! Of course I brought my field kit for watercolors with me hoping to find a quick sketch, as usual we pushed on without much lingering for painting or we’d never do the loop before dark. I did get some pencil sketches done that I later colored with watercolor as you’ll see.
Along the Alwin River
This is the valley we hiked along for a few miles, flat and easy except for the driving wind blowing on us at the start. It settled down as we got into the valley more. You can see on the far left a dust cloud with a huge truck in it, that’s a logging truck coming down the road we’re walking on, we’ll be headed around the base of that hill soon.
River Alwin into the Kidlandlee Dean
As we walked occasionally a Grey heron would be spooked from the river and fly upstream a bit. We had the valley all to ourselves except for the sheep and maybe one passing truck. The Kidlandlee Dean is the forest area ahead; a Dean is a small ravine, a word that comes from the Anglo Saxon’s. At the base of those pine trees we’ll turn our path up to the right and go up onto the hill we’ve been hiking along side.
RIver Alwin and "The Dodd" (hill)
Here I was able to convince Gary to stop long enough to let me catch my breath and sneak in a quick pencil sketch. This is just before we started to walk up the huge hill and I’m looking across the River Alwin and the Kidlandlee Dean is just to my left. The hill I sketched I found out later is called “The Dodd”. Later at home I painted the colors in with my waterbrush and watercolors while looking at the laptop photos. I put notes at the bottom of the colors I used.
River Alwin below
You can see we’ve been walking along the hillside, this is looking back towards the spot where I sat and sketched. We walked all along that ribbon of road down there! Along the way there are sheep that give you a look before running off into the grass, these two were right on the edge of the hill, it was pretty steep.
Hills called "The Dodd" and "Old Rookland"
Looking back again; though the hills look bleak the colors on them of the bracken, grasses and grey-blue stone are really beautiful, but most especially when the sun hits it and creates dramatic shadows!
An old Drovers road also called "Border County Ride"
This is a view looking back along the road that we picked up on top of the hill. Gary says that it probably an old Drovers road, a drover being someone who’d be hired to drive cattle to market by the farmers 200 years ago or more. So they are English Cowboys I guess! Some 400 years ago they would have been using this road and would have to defend the cattle against the Border Rievers who could steal the cattle.
View of Clennell Hill
This is a view looking across the valley (at the steep edge the sheep are on) to Clennell, we walked up that valley along the river. The wind was whipping but you can see the views were spectacular, so vast.
View over Clennell towards Rothbury
We sat here upon the top of this hill looking out over Clennell and Rothbury would be further on in the distance, Alwinton would be to our right. A farmer was burning some wood piles down below and it could be imagined that in ancient times when the Celts had their settlements there, there would be similar fires burning. Just below us to the right, on top of a smaller hill is the remains of a Celtic ring fort, at one time it would have had small fires burning in the crisp fall air.
Watercolor sketch "Views over Clennell"
We threw the waterproof picnic blanket on the ground and I sat to do a quick sketch. I just used my pencil and ‘zoomed’ in on a view that you see in the photo previous. It was so windy and cold I had a heavy wool blanket over my shoulders as I sat to help block the wind. Come to think of it, lucky I had on my rain pants too, they block the wind quite a bit. All the paint marks you see in the upper left I did on the spot as color notes. I used my big flat waterbrush and labeled colors, yes I know it is right on my watercolor sketch but it’s a ‘working sketchbook’ too and I wanted to do color notes on the spot. So when I got home I painted it in while looking at my laptop, using my big waterbrush (pictured on my equipment page).
I hope you enjoyed coming along on this hike with me, you didn’t have the feel of the wind on your face or smell the fires burning but maybe someday you can come on a real hike with me and learn how to paint in the field too. I welcome your comments below!
Just some little sketches from my field book. I pick up leaves just like so many people do, I can’t help it, they call to me from the ground all wet and shiny and brilliant colors. Each one calls, “Pick me up, pick me!” I end up with a pile tucked into my sketchbook where they get nicely pressed but I usually only have time to get one done before they lose their vibrant color. That’s what happened here, I wanted to use my watercolor pencils (and waterbrush) to test colors it would take and the second day when I went to finish it the leaf had already faded quite a bit.
European Goldfinches
The Goldfinches were neat, they kept landing in the long grass in front of my window and eating the dandelion seeds from the seed heads. It was funny to see this one bird with a seed sticking out of his beak, he’s twirl it around from one side of his beak to the other, it looks like a cigarette in the sketch! I used my watercolor pencils for this too, with a waterbrush.
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